Shot an Genesis HD Camera, now how to sync sound?

Here's the situation:
1. Shot on Genesis camera (looks great) which records onto HD-CAM SR stock.
2. Audio mono mix on the tape's track 1.
3. Audio timecode data on tape's track 2. This is time-of-day timecode that does not include the audio reel number.
4. Master six channel audio "reels" are DVDs.
Here's the problem:
How do you turn that timecode data on track 2 into an EDL the sound dept. can use to rebuild from the sound reels?
Much thanks to any insight on this. This problem is baffling a lot of folks, and the easy scapegoat is Final Cut. Personally, I think film production is turning at last into a video production and people are having a hard time accepting it.
-tim

First off, wow, you shot with the new Genesis? Very cool, how did you like it? What type of project did you shoot? Feature, commercial, documentary, etc...?
As far as syncing your sound... Most high end productions that shoot HD also go into a telecine suite to transfer their circle takes and sync their sound. This also creates new HD masters because I would not suggest using your camera masters for anything else except an archive (like negatives).
So one way to do it would be to go into a telecine suite at somewhere like Encore or Company 3 and have your dailies transferred with sync'd sound to new HDCam SR tapes and include a flex file in that order. This flex file is then input into cinema tools and final cut. Then when you create your EDL, you have all the numbers you need for sound and picture. And now you also have protection masters.
Plaster City does not have telecine so they may not be able to help you with this process. But they may have some other way of bringing all this data together for you in a flex file or cinema tools database.

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