Should I export using 1080 or lesser quality for DVD?

I have a Canon HD camera that takes video. My goal is to put my videos on a DVD. When I go to Share and then click Media Browser.... Do I convert my iMovie videos to iDVD at 1080 or is that a waste of time and space?
When I hit Share and then Media Browser, it offers me many quality choices. Which should I choose for my goal?
thank you,
Paul Neathery

I haven't made a DVD in years and don't know what types of compression iDVD uses to "make things fit".
That said you should make your own tests and see what works best in your workflow (as AppleMan1958 suggested).
iDVD was created when people still (mostly) used CRT's and a set top device where used for playback. CRT TV's aren't around much anymore and they had an "overscan" area that wasn't displayed during playback. Newer DVD players, like BluRay, can "upsample" from older DVD formats like those made using iDVD and present a pretty nice picture on a modern TV.
I know you want "quality video". But there is where you find the trade off. Years ago many camera companies sold us devices that recorded directly to DVD. Record and playback nearly instantly on your CRT display. They were expensive junk, IMHO.
You want the bset quality?
Export as "true HD 1080" via QuickTime formats and use your computer monitor or Apple TV to your display for playback.

Similar Messages

How can I export 1080i in best possible quality for internet streaming?

Sorry, I'm not too knowledgeable about this but I have Final Cut 6.0.4 and use/captured in HD-1080i. What's the best possible way to export this in great quality for internet streaming? What dimensions should I use? Any help would be extremely appreciated. Thank you!

ok i used h.264 main profile with 10 mbps and i am using multipass and size is 1280x720. i tried 24 and 30 key frames. quality is still lower
iv been experimenting on a 1.5 minute video to save time. I imported the project from imovie into fcpx and changed nothing. looking at the file that was created by imovie for the same video it is 1280x720 and uses codecs h.264 and aac the file size is 115 mb the extension is .mov and the color profile is HD (1-1-1) and total bitrate is 10,512 kbps. and the quality is the minimum acceptable for me.
The file i created using your settings above in compressor 4 is 118 mb and of lower quality. codecs used are h.264, aac, and Hint (not sure what hint is but noticed it isn't used with the .mov file) color prile is the same as above. total bitrate is 10,405 kbps.
Im not arguing that compressor 4 should be able to surpass imovie but so far i have only been able to do it by making the file size rediculous (>50 gb for 30 minutes). I created a movie that was recorded with the same camera (25 mbps) 1080p 1920x1080. imovie made this 40 minute video just under 3 gb and with the same quality as the movie i am experimenting with.
There is a differnce between theory and practice. SO FAR THE RESULTS I AM SEEING IS THAT IMOVIE IS SUPERIOR IN QUALITY TO SIZE RATIO. imovie has very few options but the hd setting has surpassed what i have been able to do with fcpx.
i am willing to try any settings that anyone sugests.
personally i think i will try to export the movie at max quality then take the super large file to my windows laptop and convert to avi. as in the past i have had much success with that format using divx. i realize that that is not the best method but i don't really want to spend hours re editing this video with imovie since the source footage is about 10 hours.
Thanks for trying still_learning but i am afraid you are still learning.

The size of my exported FCP movie is too big for DVD studio pro

Hey,
I have been editing for 4-5 years now and have never had a problem with size of a project to put into DVD Studio Pro to burn. However, I just finished a 2 hour project in which exported as a FCP movie it is 23.97 gb in size. When i put this into DVD Studio Pro it makes it 4.8gb in size which just makes it too big for it to burn. I have tried changing the compression to no avail and just now decided to clean up the timeline so everything is on one track with nothing overlapping. (The problem was it was a 2 camera shoot so the first camera i had on the bottom track constant with the second camera on the top track when i needed it but still with the first camera underneath.) Do you think this could be the solution to my problem? If you guys could help me out it would be most appreciated!

some things don't make sense here. please clarify.
Standard DV is roughly 5 minutes per gig, so that means that you have just about 2 hours of video, ok, got that. Now it's the two track thing that gets me.
Are you saying you have 4 hours of footage, the same thing from two cameras, and you're trying to set up a multi-angle DVD?
If it's just that you used two video tracks to edit, then NO, it is not your problem. It's still only 2 hours, the video will be mixed down to one track upon export from FCP to quicktime.
My suggestion is, instead of bringing a quicktime file directly into DVDSP, use compressor. I believe they have a preset in compressor 2 for a standard 120 minute DVD. IF you're project is truly less than 120 minutes, than that should be fine. If not, then you may have to manually make your own setting and lower the bitrate.
So the workflow is:
-open sequence in fcp
-file>export>quicktime movie... (you can uncheck "make movie self-contained" if you want it to export faster and you plan on keeping your original capture footage around)
-export your movie to a directory of your choice with a name of your choice.
-open compressor (in applications)
-drag the quicktime file you created into compressors main window, this will set it up. Now specify the export setting (120 minute HQ all files either 16x9 or 4x3 dep. on project) and specify a location for the files to be created. I strongly suggest that you use the HQ (High quality) settings in compressor. It's much slower to process, but much better quality.
-with a 2 hour movie it should take a really REALLY long time to compress, so I'de say do it over night.
-when compressor is done, you should have 2 or three files. a .m2v file a .aif file, and a .ac3 file. The .aif is your PCM audio, much better quality than the .ac3, which is dolby 2 channel. However, the .ac3 is a much smaller file with a lower bit rate, so if the .aif makes the DVD file size too big, you can switch it out for the .ac3
-Finally, open up your DVDSP project, drag the .m2v, .aif, and .ac3 into DVDSP and use the .m2v for the video track and either the .aif or .ac3 as the audio (as mentioned above)
-the good news is, your DVD media is already rendered, so when you go to build your DVD it will go much, much faster!
By the way, I recommend you go to file>advanced>build do not do a burn and build.
I find it best to build the VIDEO_TS folder on a hard drive and then use a program like toast to create a DVD (using toasts from VIDEO_TS option). This method also allows you to go back into DVDSP, make tweaks, and reuse your VIDEO_TS folder, not having to rebuild the whole thing each time.
Remember, 120 minutes on a single layer DVD is going to render fairly low quality no matter what.
If you have a newer mac and a dual layer drive, you may want to cough up a few bucks and get a dual layer DVD-R, then you have over 8 gigs of space to work with, perfect for HQ 2 hour footage.

1080/30P Footage: Version for DVD - Nest sequence in a NTSC Sequence or....

I am working on a project I shot at 1080/30P and I want to make some copies of video for DVD. Would you nest your sequence in a Uncompressed 8-bit NTSC sequence and then export and then open in Compressor and convert for DVD? Or just export the 1080/30P (DVCPRO 1080p30)and open that in Compressor and convert for DVD?
Thanks for your thoughts.
Darrin

I'd export the 1080 timeline using current settings and let Compressor work with that. I just did it with a 720p file and it worked fine.
rh

Exporting the film in best quality for further editing

I am about to finish a 52-minute long documentary in Final Cu Express. I've been editing in HD, using Apple Intermediate Codec1080i50.
Part of the project files and render files are in an external G-Raid and other part are on my Macbook pro hard drive, Since I will be traveling, I would like to be careful and minimize the risk of something happening either to the G-Raid or to my Mac, therefore, I want to export the film as it is, although in the future I still might need to work on it - do some more final editing and definitely do the subtitles in DVD Pro (currently I don't have the DVD Pro). My question is whether I should be using export - quick time movie or quick time conversion - and what the settings would be for the best quality product that could be used in documentary film screenings and possibly shown on TV? Or how should I go about saving the project? Right now the project file only has references to the files, right, not the files themselves and if something happens I might lose it all...
Thanks for the help!

QuickTime Movie. Forget the render filed, they seldom reconnect properly; it's usually better just to re-render. Keep your G-RAID and make sure it is backed up together with your project.

Exporting best quality for DVD

I shot video with a Canon 5d Mk2. 1080p 30 frames, 48k. Looks awesome in Premiere! But when I export the video to Encore i use the Mpeg-2 DVD preset, and it just kills the quality. I have to burn to standard DVDs because my clients need them that way, so Blu ray isn't an option.
I understand it has to compress everything, but i would like to know how to get the best quality possible. It needs to look better! I am using CS5
Please Help!

John,
Thanks for your response. The issue seems so simple since I've followed steps described on Lynda.com back when I was using CS4.
I'm now using CS6.01. I created this video in CS4 and updated it in CS5. PS, AE, and Pr
I've installed all of the updates to CS6. To newest QuickTime and to the Video Card
My PC is running Windows 7 Ent.; 64-bit Xeon CPU Quad 2.8GHz
And I'm not running other software.
The source footage is a sequenced .tiff animation I rendered out of AE.
I've made a video a few years back. A copy is here on YouTube: http://youtu.be/lAh70G_AOFE.
I'm not editing the video. I just get requests to have a DVD of the original source to play in our tradeshows. Sharp copy/product edges. It looks great in Premiere and I've set on paper my standard work from Lynda.com (Premiere Pro CS4 Essential Training - Chapter 16).
I select the Sequence in Premiere Pro and select File / Adobe Dynamic Link / Send to Encore. Then set the Project and Build settings.
But as you can see below the file exported to Encore didn't transcode (?) properly
BEFORE Screen in Premiere:
NEW: I can see now that the Video in the timeline has the jags

Exporting To Highest Quality for DVD

Hi, I'm preparing to send a 12-minute short documentary that I shot on a GL2 to a film festival, and they need to receive it on a DVD. What is the best quality format to export it to (without Compressor)? H.264 as a .mov file? I exported it to .mov file using mp4 compression, but the quality was not nearly as good as I would have liked, but if there's a way to export to a "DVD-quality" image without spending hours exporting H.246, I'll be happy. Thanks.
Intel MacBook Pro Mac OS X (10.4.9) 2GB RAM, 2.16GHz CPU

Are they going to play the H.264 file (sending it as a data DVD) or are they going to play it as a video DVD?
If the latter, h.264 has nothing to do with the process.
Export your file from FCP to compressor. Select 60 min best quality and import those files (m2v + ac3) into DVDSP to create the disk.
x

Export Quality for DVD

Hello
I currently work with iMovie 08, iDVD 08 and Final Cut Express v.4 to edit and export my films. I have imported some footage from a mini dv camera into iMovie 08. When I publish the film (Large) to iDVD i find the quality of the DVD is not that great. Its seems slow and the edges are sometimes blurry and pixelated.
I have not done anything with the settings in iMovie since it was installed so I was wondering if someone could advise to what I should export the movie as to get the best quality not lost in compression. Is it best to export as a .mov .dv .MPEG4 etc and if so what settings for each format.
Also is there any way to export back to Mini DV from iMovie or would I have to open it in Final Cut and export that way.
Cheers
Glen.

I had seen someone else recommend blurring the whole footage a bit. I have way too many text objects to apply blur to all of them (lots of chapters with nested sequences with lots of After Effects animated lower thirds). If the client feels test is too oversharpened I can circle back and give it a try. My co-worke says she can't notice it at all so it may be me working on it at the computer makes it more noticeable.
I really hate to "dumb" down the master HD source project though because I need to make exports to other formats too like Windows Media where that blur is probably unnecessary. Obviously I could make a copy of the whole project or duplicate sequences, but there are so many ongoing edits I fear I'd wind up editing two project files.
Also, the font is part of the finalized visual identity scheme so I can't swap it out.
Thanks for all your help today. If anyone else has experience with Premiere Pro and Sony DVD Architect I'd love your tips and tricks too.

Why should I ever use iBooks to purchase books for iPhone again?

I have purchased books from my iPad and opened them in iBooks. I now cannot transfer/sync them with my iPhone or iMac. Mac products have always been supportive of their users. However, this is a slap in the face of loyal users (me, since 1988)
Doesn't anyone know of a way to transfer iBooks content from iPad to my iPhone? ( I noticed that Apple has been conspicuously absent in resolving this issue for years— much the same way as it handled the iMovie fiasco in 2010.)

Bob McAdams wrote:
I purchased a document in pdf format;
Where? Apple's iBookstore does not accept/sell .pdf format, only .epub and .ibooks. So you presumably got it somewhere else and might be able to go there to get another copy for your phone. What is the title?

Best quality for DVD playback!

I just finished a film i shot in HDV my sequence properties are:
Vid Rate: 29.97fps
Frame Size: 1440x1080
Compressor: HDV 1080i60
Field Dominance: Upper Odd
what is the best why to export this sequence onto a dvd for maximum playback quality?

Hi there,
1)make sure you export your movie in FCP as QT movie self-contained
2)Import it in Compressor
3)In the Settings tab (lower left window) Open Apple>DVD10 groups>choose DVD 90 minutes best quality and drop that folder on your video (upper left batch window). Compressor will encode your movie as Mpeg2 video an AC3 dolby stereo. In the inspector window you can change a number of settings if you wanted to but, if you are not familiar with Compressor, leave default settings to see if you are happy with the result (take sometime to read the very useful PDF manual that you can find in the main menu>help)
4)Choose destination
5)Submit
G.

Compressor, squeezing out a bit more quality for DVD?

The original master was XDCam EX bumped to ProRes 4:2:2 HQ. Then straight to Compressor.
I'm wondering if there is a way to squeeze out a bit more quality than the default setting in Compressor. My movie is only 50 minutes. The DVD holds 4.5 gigs of course. The default settings in Compressor for the shortest DVD (90 minutes) render the movie out at 2.6 gigs.
I've jacked up the .m2v 'quality' to 6.6 Average bit rate and 7.8 Maximum bit rate.
I've set the Dolby ac.3 at 448 kbps (the default is 192 - I'm wondering if I'm going to be creating problems for myself later by doing this?).
So I'm curious to know if anyone has found a way to get a cleaner final DVD from Compressor by tweaking the default settings?
I'll be using DVD Studio Pro to author the DVD.
All ears,
Ben

What's the problem with it now? Do you see lines or stuttering where there is a lot of motion?

Compressor vs. Export Using Quicktime

Hi, all. I need to export a movie from FCP as a Quicktime movie for web streaming. Should I Export "Using Compressor" or the "Using Quicktime Conversion?" I can't find a reason to use one over the other in all the Apple documentation. So what is the difference between the two? Why use one or the other? Any help would be greatly appreciated. Thanks.

i use the "export to quicktime movie" if i'm going to recompress to many different formats. i.e. i export the full quality version and then run that through compressor to create hd, sd, web, and dvd versions for viewing.
exporting straight to compressor is useful when exporting a lot of sequences to web etc...

Schema Export using DBMS_DATAPUMP is extremely slow

Hi,
I created a procedure that duplicates a schema within a given database by first exporting the schema to a dump file using DBMS_DATAPUMP and then imports the same file (can't use network link because it fails most of the time).
My problem is that a regular schema datapump export takes about 1.5 minutes whereas the export using dbms_datapump takes about 10 times longer - something in the range of 14 minutes.
here is the code of the procedure that duplicates the schema:
CREATE OR REPLACE PROCEDURE MOR_DBA.copy_schema3 (
                                          source_schema in varchar2,
                                          destination_schema in varchar2,
                                          include_data in number default 0,
                                          new_password in varchar2 default null,
                                          new_tablespace in varchar2 default null
                                        ) as
h   number;
js varchar2(9); -- COMPLETED or STOPPED
q   varchar2(1) := chr(39);
v_old_tablespace varchar2(30);
v_table_name varchar2(30);
BEGIN
   /* open a new schema level export job */
   h := dbms_datapump.open ('EXPORT', 'SCHEMA');
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   DBMS_DATAPUMP.ADD_FILE (h, 'COPY_SCHEMA_EXP' ||copy_schema_unique_counter.NEXTVAL || '.DMP', 'LOCAL_DATAPUMP_DIR');
   /* restrict to the schema we want to copy */
   dbms_datapump.metadata_filter (h, 'SCHEMA_LIST',q||source_schema||q);
   /* apply the data filter if we don't want to copy the data */
   IF include_data = 0 THEN
      dbms_datapump.data_filter(h,'INCLUDE_ROWS',0);
   END IF;
   /* start the job */
   dbms_datapump.start_job(h);
   /* wait for the job to finish */
   dbms_datapump.wait_for_job(h, js);
   /* detach the job handle and free the resources */
   dbms_datapump.detach(h);
   /* open a new schema level import job */
   h := dbms_datapump.open ('IMPORT', 'SCHEMA');
   /* attach a file to the operation */
   DBMS_DATAPUMP.ADD_FILE (h, 'COPY_SCHEMA_EXP' ||copy_schema_unique_counter.CURRVAL || '.DMP', 'LOCAL_DATAPUMP_DIR');
   /* restrict to the schema we want to copy */
   dbms_datapump.metadata_filter (h, 'SCHEMA_LIST',q||source_schema||q);
   /* remap the importing schema name to the schema we want to create */
   dbms_datapump.metadata_remap(h,'REMAP_SCHEMA',source_schema,destination_schema);
   /* remap the tablespace if needed */
   IF new_tablespace IS NOT NULL THEN
      select default_tablespace
      into v_old_tablespace
      from dba_users
      where username=source_schema;
      dbms_datapump.metadata_remap(h,'REMAP_TABLESPACE', v_old_tablespace, new_tablespace);
   END IF;
   /* apply the data filter if we don't want to copy the data */
   IF include_data = 0 THEN
      dbms_datapump.data_filter(h,'INCLUDE_ROWS',0);
   END IF;
   /* start the job */
   dbms_datapump.start_job(h);
   /* wait for the job to finish */
   dbms_datapump.wait_for_job(h, js);
   /* detach the job handle and free the resources */
   dbms_datapump.detach(h);
   /* change the password as the new user has the same password hash as the old user,
   which means the new user can't login! */
   execute immediate 'alter user '||destination_schema||' identified by '||NVL(new_password, destination_schema);
   /* finally, remove the dump file */
   utl_file.fremove('LOCAL_DATAPUMP_DIR','COPY_SCHEMA_EXP' ||copy_schema_unique_counter.CURRVAL|| '.DMP');
/*EXCEPTION
   WHEN OTHERS THEN    --CLEAN UP IF SOMETHING GOES WRONG
      SELECT t.table_name
      INTO v_table_name
      FROM user_tables t, user_datapump_jobs j
      WHERE t.table_name=j.job_name
      AND j.state='NOT RUNNING';
      execute immediate 'DROP TABLE ' || v_table_name || ' PURGE';
      RAISE;*/
end copy_schema3;
/The import part of the procedure takes about 2 minutes which is the same time a regular dp import takes on the same schema.
If I disable the import completely it (the export) still takes about 14 minutes.
Does anyone know why the export using dbms_datapump takes so long for exporting?
thanks.

Hi,
I did a tkprof on the DM trace file and this is what I found:
Trace file: D:\Oracle\diag\rdbms\instanceid\instanceid\trace\instanceid_dm00_8004.trc
Sort options: prsela execpu fchela
count    = number of times OCI procedure was executed
cpu      = cpu time in seconds executing
elapsed = elapsed time in seconds executing
disk     = number of physical reads of buffers from disk
query    = number of buffers gotten for consistent read
current = number of buffers gotten in current mode (usually for update)
rows     = number of rows processed by the fetch or execute call
SQL ID: bjf05cwcj5s6p
Plan Hash: 0
BEGIN :1 := sys.kupc$que_int.receive(:2); END;
call     count       cpu    elapsed       disk      query    current        rows
Parse        3      0.00       0.00          0          0          0           0
Execute    229      1.26     939.00         10       2445          0          66
Fetch        0      0.00       0.00          0          0          0           0
total      232      1.26     939.00         10       2445          0          66
Misses in library cache during parse: 0
Optimizer mode: ALL_ROWS
Parsing user id: SYS   (recursive depth: 2)
Elapsed times include waiting on following events:
Event waited on                             Times   Max. Wait Total Waited
----------------------------------------   Waited ---------- ------------
wait for unread message on broadcast channel
                                                949        1.01        936.39
********************************************************************************what does "wait for unread message on broadcast channel" mean and why did it take 939 seconds (more than 15 minutes) ?

Using a Sony HVR-M25U for video playback

I know this isn't strictly a Final Cut question. I'm just hoping that some smart Final Cut editor is using the same Sony deck as I use and can help me out. Also, sorry for the length. I've included every detail I thought might be germane.
Since I started editing HDV I've always used Digital Cinema Desktop Preview for monitoring my edits. I suppose due to a lack of computing power it's never looked very good in motion, though it looks nice and clean when stilled. Today I bought an HDMI cable, hoping to allow me to monitor my work in FCP, sending the video via iLink (FireWire) through my Sony HVR-M25U to my HD monitor.
Now, I use my HVR-M25U Videocassette recorder deck to log and capture footage in Final Cut Pro. That works fine. I can view video straight off HDV tapes on my High Definition monitor via the HDMI input. That works fine. I can even use the Print to Video function and see the HDV output both in the LCD screen on the front of the deck and on the monitor through the HDMI input. The trouble I'm having is in using the M25U to monitor my editing via iLink.
In the old days, working with DV, I had a DSR 40 and I was able to use that deck to monitor my FCP output via iLink, taking a component out to my standard def monitor. Is there some reason I can't use this HDV deck the same way? I've tried refreshing A/V devices in Final Cut. I don't see any iLink or Firewire choices in my view menu. I do see a whole list of HDV (1440 x 1080) choices but they're all greyed out. These choices also exist in my Audio/Video Settings screen under "Playback Output" but, again, they are greyed out. Oddly, from having used the Cinema Desktop Preview, I have "Different Output for Edit to Tape/Print to Video" checked and under that pulldown the same eight HDV (1440 x 1080) choices do exist and they are not greyed out. Checked or unchecked, that doesn't change the Playback Output menu.
I can't see any logical deck settings to adjust. Under "IN/OUT" settings I have "HDV/DV SEL" on Auto, my "Video Out" as 1080i/480i and "i.LINK SET" (the DV down-convert) is off.
I've also tried shutting down FCP and relaunching and shutting the deck off and firing it back up. I've tried the deck first and then FCP and I've tried the opposite. I also tried restarting. Still nothing.
If I can feed HDV from the deck into my computer via iLink, shouldn't I be able to feed HDV from my computer to the deck? Like I said, I can record HDV via Firewire to the deck. Shouldn't I be able to see that same HDV output on the deck's LCD screen and also through the deck's HDMI output when editing?
In case it matters, I'm running FCP 6.06, OS X 10.6.2 on a 2 x 2.8 GHz Quad Core Xeon with 4GB RAM.
Thanks in advance for anyone who's taken the time to actually read this long question and a special thanks to anyone who might be able to help.
Peter

#25 HDV external Monitor Viewing
Shane's Stock Answer #25 - HDV external Monitor Viewing
To view HDV on an external monitor in high definition you are going to need to purchase a capture card, like the ones Decklink (www.decklink.com) or AJA (www.aja.com) offer. They will both play out HDV in real time. The catch is that you cannot view this on a regular TV or NTSC monitor. Since this is HD, an HD monitor will be needed. HOWEVER, both cards are capable of down converting the signal so that it can be displayed on an SD monitor. This won't be color accurate
The real reason why you can't monitor HDV through a Firewire camera is because Firewire HDV cameras don't decode incoming HDV streams and route them to their outputs like DV cameras do.
Good options for you are the Matrox MXO2...$500...coupled with an HDTV. Or a Matrox MXO (DVI connection) coupled with an Apple 23" display gets you good quality.
And there are the Decklink Intensity and Intensity PRO cards as well, and the AJA I/O Express...
You can, however, view HDV out via firewire as DV...lowering the resolution to that of DV, but still viewable. This is not full quality nor should it be used to judge the quality of your footage or used to color correct to. This is just a way to view the footage on a large monitor.
Here are some examples of some of the possibilities:
- DV or HDV sequence output to an SDI signal on a third-party interface
- An uncompressed NTSC or PAL sequence output to a DV FireWire output
- An HDV sequence output to a DV FireWire output
Sequence and output formats must have compatible frame rates. For example,
sequences with a frame rate of 60, 30, or 24 fps can be output to a 30 fps device,
but not to a 25 or 50 fps device.
Shane

Help Exporting for DVD Output

What is the best way to export my 1920x1080 16:9 timeline for DVD output.
I have tried numerous attempts but the quality on DVD leaves something to be desired.
It looks great when i export it using QT but I also need to have it on a DVD.
Clearly, I am doing something wrong. What settings should i be using?
Sequence Settings
Frame Size: 1920x1080
Field dominance - none
Frames: 30fps
Compressor: ProRes422

First thing you've got to understand is that a DVD is standard definition. It will never be HD quality. That you will lose by encoding to mpeg2.
I'd do the compression in compressor-- try the standard compressions for your length, if those are NG, try duplicating a preset and upping the bitrate. Also, 2 pass vbr with increase the quality, at the expense of compressing time.
This is almost as dark an art as web encoding. Not difficult to do, just time consuming and tedious until you find the correct recipe.
EDIT: I should add that only you and your client can decide what is "good enough."
Message was edited by: Jim Cookman

Should I export using 1080 or lesser quality for DVD?

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