Silly request but iMovie Texts in livetype for final cut pro

Ok, so ive recently switched from iMovie to Final Cut Pro, but i had grown to love the text titles in iMovie, now i know you can do some amazing stuff in livetype but is there any way to use the text titles from iMovie in Livetype for export to FCP?
Thanks

The iMovie type tool is completely different and not compatible with LiveType.
Why not just export a QuickTime file from iMovie and use that in FCP?

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I need to buy a camcorder -- upgrading from a Flip. Which would you recommend as easiest to use with iMovie 11? Which for Final Cut Pro? Thanks!

I need to buy a camcorder -- upgrading from a Flip. Which would you recommend as easiest to use with iMovie 11? Which for Final Cut Pro? Thanks!

You can't run iMovie 11 on a PPC G5 running the old OS 10.3 Panther - which is what you say you have.
iMovie 11 - cameras supported:
http://help.apple.com/imovie/cameras/en/index.html?lang=en_US
iMovie 9 - cameras supported:
http://support.apple.com/kb/HT3290?viewlocale=en_US
iMovie 8 Camcorders supported:
http://support.apple.com/kb/HT1014
Digital camera RAW formats supported by OS X Lion:
http://support.apple.com/kb/HT4757?viewlocale=en_US
Digital camera RAW formats supported by OS X Snow Leopard:
http://support.apple.com/kb/HT3825?viewlocale=en_US

Video walkthrough online for Final Cut Pro X when approaching it from a Never Been Used Before scenario?

Hi there
I've used iMovie a few times and been quiet successful with it, but I was thinking of getting Final Cut Pro X as I want to do some more advanced video editing now (I really dont know the terms for what I want to be able to do are, but things like be able to stack say 10 different camera angles up on top of each other and decide which part of each one I want to use).
My problem is that I cant find many videos online (youtube etc) if I were to approach it as if I've never used it before.
Most of them go on about how things have changed from one version to the next and whats new in this edition.
I dont want WHATS NEW though, I want WHAT IT CAN DO.
So some kind of walkthrough (It can be an 90 minutewalk plus through for all I care) that shows off most of the things you can do with it.
Any suggestions of ACTUAL links?
Thanks in advance.

What you described isn't really multi-cam editing.
I think FCP X is idea for what you want because you can AUDITION as many clips as you want then you simply select this or that angle and play it through in the timeline - it's a fabulous feature in FCP X.
I strongly recommend you watch some good (PROPER) tutorials on FCP X.
I've tried a number of FCP X Tutorials and in my experience, Ripple Trainingis clearly the best.
There is a small fee, but it's more than worth it.
I just read your follow-up post.
shippo_uk wrote:
Does anyone already have the practise media and do they fancy popping it up online to share?
No they don't - that is STEALING.
Do you begrudge these people a living?
(There's a word for people like you).
Andy

I can't install trial version for final cut pro x

I can't install trial version for final cut pro x on my computer..

What are you trying to achieve? Are you editing movies as a hobby? Or trying to build a business – and, if so, what kind?
iMovie is the first thing that comes to mind. Not the depth of FCPX, but it can still do some excellent work.
Russ

Can iMovie projects be opened in Final Cut Pro?

I've been searching all over the internet and the forums here and I cannot find an answer to this question. I know that at one time, iMovie projects could be opened by Final Cut Pro. Is this still the case? If not, does anyone know what versions are compatible with each other?
I'm asking because I may be starting a documentary project soon where the director has already done some preliminary editing in iMovie (that's all she knows how to use). I'll need to transfer the project somehow into FCP to edit the project, and I just want to know how big of a headache this will be.
Any help on the subject would be majorly appreciated!

You can definitely use iMovie 08 to do a preliminary rough cut, then move the project into FCpro, and you don't need FCExpress to do it. Check out this tutorial (costs about $8) for more details, (altho most of the show is devoted to how to use iMovie):
iMovie Rough Cutting for Final Cut Pro
http://www.rippletraining.com/imovierough_cutting_for_final_cutpro.html
The blurb says:
"As a video professional you may think iMovie is only a tool for creating home movies, but it can be so much more! In this tutorial, we'll show you how anyone with a Mac and iMovie can generate frame-accurate cut lists that can be imported into Final Cut Pro. You'll even learn how to use iMovie in less than 7 minutes, which speaks to the incredible user-friendliness of the application.
This tutorial is available through iTunes.
In this tutorial you will learn how to:
Defining the Problem
iMovie Jumpstart
Importing Footage into iMovie
Changing the Number of Thumbnails
Skimming a Filmstrip
Naming a Project
Making Selections in the Events Browser
Adding Selections to a Project
Non-Linear Editing in iMovie
Trimming a Shot
Using the E Shortcut
Sharing the Project with Final Cut Pro
Importing the XML File into FCP
XML Dialogue - What it Means
Reconnecting to Media"
I've always used iMovie (HD and earlier) for rough cutting and initial importing, then switched to FC (first Express, then Studio 2) for color correction, titles, animation, and video layers. It was a bit of a hassle before iMovie 08; had to dig into the hidden files in the iMovie project to find the actual clips, or save out a dv version. Now you simply need the Final Cut XML file and access to the original clips.
I have noticed that I need to check the "Use flattened audio from thumbnail movies" box in the iMovie sharing dialog, or else the audio needs to be rendered in FC, which, oddly, the tutorial above doesn't mention, or do. It may be that I need to do that because I use iMovie to import the footage in the first place, while the tutorial assumes you've got the clips already on a drive somewhere, and that you're working with files that other folks created elsewhere.
I also check the Reconnect to Media files box in the FC import XML dialog, which the tutorial doesn't do (they reconnect to the media files manually after the XML import; they're visible inside the iMovie project when you use FC's Reconnect Media command). But since I imported the files on the same computer that I edit on, I simply check the box.
According to David Pogue's Missing Manual for iMovie 08, you can also export out a QuickTime file using Apple Intermediate Codec, and then open this file in "any Apple video editing software," such as iMovie HD, and presumably FC. But that means a huge file, and duplicating the media. If you choose this route, be sure to check the size settings in the QUICKTIME export settings dialog, and set the audio to 48000k.
HTH!

Update for Final Cut Pro 6.0.1

Hi helpful folks,
I just installed Final Cut Pro 6.0.1 on my MacBook Pro. I work at a post production facility, and all the other guys in the shop are running 6.0.4. I was told that what I installed was the same thing everyone else installed. So I ran Software Update. It searched and installed updates for LiveType, DVD Studio, and several other programs. But did not come back with update results for Final Cut Pro. I installed the other programs, restarted, and have since run Software Update three more times. It claims everything is up to date. But obviously 6.0.1 is not the latest version. Any thoughts?

The update to 6.0.5 (6.0.4 is not available from apple any longer) is included in a Pro Apps update or something titled along those lines. It is not named "FCP update".
It can be found here:
http://support.apple.com/downloads/ProApps_Updates_2008005
x

Can I add a secondary location for Final Cut Pro Documents?

Hi Guys,
I'm working on a large project which has taken up most of my 2tb hard drive which I use for my final cut pro documents (capture scratch, render files etc). Is it possible if I plug in another hard drive to use that as a secondary location for final cut pro documents as I have other (smaller) projects which I could be uploading and working on in the mean time? If so, how is this achieved and what are the pros / cons?

Sure -- go to Final Cut Pro menu on your menu bar and select System Settings.
The first tab is SCRATCH DISKS -- that's the term too -- not secondary folder for FCP Documents.
Change it there.
Drawbacks...
It has been a while since I've had to deal with this, but FCP used to not remember (feature or bug??) a project's original scratch disk location and if you change it for ONE project it will be changed for ALL future AND past projects... until you change it back.
Now, that in itself isn't a BAD thing. All that that means is that if you continue to capture material into that old project it will now put it over here instead of over there. Also, other things like render files and such which won't really matter much unless they do... and now you've got stuff spread over a coupla drives.
FCP's projects don't care. They've already mapped where they need to go to get the video and render files it needs. Move your Scratch Disk 33 times... won't make a difference to the browser and timeline. -- UNTIL you remove one of the important drives. THEN red lines galore! Un renders, missing files... messy messy messy!
Much better to start and finish a project in scratch disk. Makes for easy cleanup. Kinda like cooking thanksgiving dinner (American??) in 5 houses at once.
Good luck,
CaptM

Canon EOS MOVIE Plugin-E1 for Final Cut Pro Now Available...

There's been so much talk about the 5D, 7D, 550D on this board that I'm going to point to the EOS MOVIE Plugin-E1 for Final Cut Pro. This is supposed to speed to transcode of Canon Camera H.264 to FCP-friendly formats and let you add more metadata along the way.
Enjoy!
Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
Note: (from Quickstart Guide)
This plug-in software allows you to convert MOV movies shot with an EOS Digital camera into ProRes files at high speed in the (Log & Transfer) window of Apple's Final Cut Pro.
FWIW: The quick start guide says cameras involved are 7D, 5D, 1D, no mention of 550D. Sort of odd.

For users in North America to make the Canon EOS REBEL T2i work (550D for Europe):
1. Install the new Canon EOS MOVIE Plugin-E1 for Final Cut Pro (http://www.usa.canon.com/consumer/co...nloadDetailAct)
2. Go to Library/Application Support/ProApps/MIO/RAD/Plugins/CanonE1.RADPLug/Contents/Resources/
2. Open up cameras.plist
3. After the 7D info add the following lines of code (keeping to the coding structure):
<key>T2i</key>
<array>
<string>Canon EOS REBEL T2i</string>
</array>
4. Save the text file. Close it. Everything should work now.
Cheerz.

Following Media Files Are Not Optimized For Final Cut Pro

I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
1. the error message, "Following Media Files Are Not Optimized For Final Cut Pro"
2. the quality *****! watching it on the playback in FCP it looks great, but then when I burn it to Disc it's pixelated in spots and generally has a lower quality picture.
I know that it's Standard Def. and can't expect the best, but I've done it before (once or twice) and it didn't seem this bad.
Can someone suggest anything to help the quality? Should I run my AVIs through MPEG Steamclip to make it a QT file and if so what is the best format in that since there are many to choose from and most I'm not familiar with?
Thank you,
Crayton

I did compress them to DV NTSC then burned it to DVD and the result was no bueno.
I thought what I would do is try compressing them again before I send them on over to DVDSPRO. Here is a simplified break down of the situation:
- I have edited the raw footage in Premiere Pro on my PC. They were recorded and captured as SD.
- I rendered them in Premiere, then transfered the rendered AVI file to FCP.
- When went to place the files in FCP, I received the warning message; "Following Media Files Are Not Optimized For Final Cut Pro" but I went forward anyways and it allowed me to do so.
- Originally I went ahead and compressed them from FCP to QT Movie as a DV NTSC, which ended up poorly.
- Therefore my question is, should I compress them using another file type (other then DV NTSC)? Which leads me to another program that I have called MPEG Streamclip, which offers tons of file types of which I am unfamiliar with most. I want the best quality of course but don't know what file type is the highest going from AVI to a format that can be accepted by FCP and ultimately DVDSPRO. Keeping in mind that I only have FCP5 and do not have Prores.
Did that make sense?
Thank you again,
Crayton

Which firewire interface for Final Cut Pro on MacPro?

I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

I saw the Traveller ads in Videography mentioning
time code, so I presumed it had an advantage over
other interfaces.
I found this in some ad copy:
"""The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
So it likely uses an audio port for timecode I/O. However, unless you have external equipment that you want to slave to Logic Pro, (or have Logic slave to) e.g. a timecode DAT, then this really is not necessary. FCP would not see the Travaller as a "controllable" device.
For Final Cut Pro use, I'd probably shoot in HDV.
When shooting a green screen near my computer (or
maybe even on-site), I wondered if there would be an
advantage to recording the audio thru an interface
like the traveller.
The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
Do I actually need an interface that provides time
code, or is that only needed for movie work?
I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
Maybe it is simpler just to connect to the mic
directly to the camera's input?
Indeed. You should always have camera audio available. Anything else is supplemental. Alternatively, you could use the Travaller or RME, etc. as a "live to camera" mixer in a studio situation. Plug your mics into the interface, create a submix and send it to the camera while simultaneously capturing each mic to an individual track in Logic Pro. There are many possibilities.
G5 QuadPPC2.5, Ram:12.5g, Magma PCIe-PCI expansion Mac OS X (10.4.8) 2X Hammerfall DSP Digiface+Multiface, Digi 002r, 4X UAD-1

MacBook Pro 13" or MacBook Air 13" for Final Cut Pro?

I am looking at buying either a MacBook Pro 13 inch with 8Gb of RAM, 750 GB, and a 2.8 Ghz i7 Processor or a MacBook Air 13 inch with the 4gb of RAM and a 1.8 Ghz i7 processor. Which is better for Final Cut Pro X? I would rather have the Air, but if the Pro is better (which is what I currently have) that's what I will get.

Is it a very noticable difference? Will I REALLY notice it? I know that the Pros are more powerful but I just wanted to factor in the SSD in the Air.

Is there a "Wish List" for Final Cut Pro?

Is there a "Wish List" for Final Cut Pro?
Can we start one? Would it do any good?

For those that are interested HERE is the main feedback page for  which allows you to send  feedback on various products.
This page is useful for anyone who hasn't purchased a product yet maybe because upon researching they've discovered certain features unavailable and they would still like to send  feedback of their concerns. Or you might not own said product but still have an idea for it. I'm just trying to think outside of the FCS2 box here (pun)
So go ahead and send your feedback to  and who knows, you might just make a difference!

Student Help advice! what is best iMac model for Final Cut Pro and logic pro

Hi
I am currently looking into getting a iMac, but is toggling to device if I need a 27inch or a 21inch(top model),which will be used for Final Cut Pro and logic
There is a lot of money being invested iMac, and I really not want to be stu k with a computer that not going to keep up with the amount of work load in the future.
The specs that I have on mine are..
21inch
Upgrades include
Sdd drive 512gb
Intel core i7
16gb of ram
Or
27 inch
Upgrades
Fusion drive or sdd 250gb
Intel core i7
(Possible graphic card) NVIDIA GeForce GTX 680MX 2GB GDDR5 [+ £105.60]
(Ram is way to expensive so will buy from second party)
Anyone who has brought a iMac for final cut or logic what would you likely buy?..Am really stuck on the hard drives between the 27inch fusion and 512gb on the 21inch
My budget is £1900
My fear is that the 21inch top model's graphic card may not be good enough for advance editing on Final Cut Pro In the future when I start to get more deep into editing..logic really only needs 8gb to run smoothly..buts its the final cut specs that am having problems deciding. I know iMacs are not future proof or technology lasts for that matter, but I do expect to have it run good for a number of years before I upgrade again.
If anyone can give me some advice, or even tell me about there set up they have for media work please let me know.

All kinds of things affect system & HD performance, I can't tell you why your 4 year old Mac is slow. Just because your old Mac is slow doesn't mean that a new iMac will be equally slow.
You are correct about the issue with the smaller fusion drives. It's one of the reasons I am not high on recommending them. Everyone thinks they want power & performance but don't understand the gap between marketing and real life performance. The 1TB fusion drive however should give you a good combination of rapid access and sizeable storage capacity.
I have used external FW800 / 7200rpm drives for years and have never had a problem with any of them. I consider them very reliable but admittedly I DO NOT use consumer drives like the WD MyBook that the big-box stores sell. For the most part I assemble my own with OWC Mercury Elite enclosures. In the past few years I have centered on WD Caviar Black and WD Scorpio Black drives. I also have some Seagate Barracuda 7200.xx drives. They all perform excellently and reliably.
Pls. refer to my earlier post for what i recommended to you.

Code for Final Cut Pro 2 not being accepted by FC Studio 2

I upgraded to OS X 10.4.11 from 10.4.2. The FC Studio 2 icon would bounce a few times and stop, but nothing else would happen. 10.4.2 was reinstalled, erasing everything. An attempt was made at starting FCP 2, but the OS is not finding the files necessary in OS 9.
Upgrades Final Cut Pro 4 and FC Studio 2 were made since purchasing FCP 2 as a full package approximately 7 years ago, but FC Studio 2 is not accepting the code for Final Cut Pro 2. How do I correct the problem short of buying the full FC Studio 2 or buying a new hard drive?
Thank you.

It doesn't make sense to me either. As Thomas stated, the crossgrade that required you to send in your old FCP install disc was for Final Cut Studio version 1 (which included FCP 5.1) - NOT version 2. And regardless of the fact that you sent in your install disc, you should still have the serial number for FCP 4. It was printed on two stickers that were attached to the "Installing Your Software" booklet that was included when you purchased FCP 4 (upgrade or full retail versions).
There is NO need to have the old software installed in order to install and upgrade to FCS 1 or 2. All you need is the serial number form the older version; you'll be prompted to enter it during the install process for FCS 1 or 2.
FCP 2 may install on an OSX version, but will NOT run on ANY OSX version - it only runs on a full installation of OS 9.
-DH

Plugins for Final Cut Pro X

It looks like Final Cut Pro X does not support import or export of FCXML. My company wrote a plugin that appears under the import,export menu using a Final Cut Pro provate API we had to sign an NDA for.
We now need to rewrite for Final Cut Pro X. Who can we contact to answer our questions?
ps: I'm part of both the Mac and iOS developer programs yet I don't see any forums or developer information for this...
best,
Tuviah

no it was another plugin API that I got from Apple to develop plugins such as the one by YouSendIt, or EVS, or Automated Duck which allows adding a menu item to the FCP import and export menus.
Unfortunately the Apple contacts we had 3 years ago, such as Adam Green, who gave us these APIs no longer work there or are not responding.
I've actually tried using my technical incidents to get answers but keep getting told that I need to ask the final cut pro team without so much as an email or other link.
so I'm REALLY REALLY hoping someone at Apple is monitoring this list and can help out. Or perhaps another plugin developer.
I would think Apple would want to make it easy for 3rd parties to integrate..

Silly request but iMovie Texts in livetype for final cut pro

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