SLLOWWWW encode for HDV to SD for DVD

I am now in the 2nd day of waiting compressor2.3 encode a 2 hour program I shot & edited in HDV.  I am outputting it for a SD DVD.  The longer I watch it encode the longer the time remaining grows and slower the encode process seems to be.
When I went to bed last night it was at 48% complete only to wake up this morning and it is now at 49%.
I set the encode tabs using the apple settings for encoding a 150 minute 16:9 video.  I believe it is a 2 pass setting. I am only processing the dolby 2.0 (which has completed) and the mpeg-2 vid.
I don't recall if I chose to de-interlace the video, but now on second thought if I did that may have been stupid because I'm not sure 1080i is interlaced...
My question or concern is, is this length on compression normal?  I haven't compressed a full HDV program before.  But even my longest SD compressions were under 24 hours.  I expected this to take a while but at this rate I am worried it won't be done until next Friday and then, who knows if it will have worked and I need to get it to a client by next week.
Thanks for your input.

FWIW, an improved FCS 2 (fcp - compressor) workflow with HDV content (I have a HVR-Z1P).
On advice from others and other forums, I do the following when working with FCP and HDV in FCS 2.
(option A) -
• import/ingest the footage as HDV.
• batch convert the HDV and RENAME the footage (from CAPTURE) in to APPLE PRORES 422 codec
• work the time line with output codec APPLE PRORES 422
• submit sequence (s) to COMPRESSOR (works fast)
• when finished, use MEDIA MANAGER to consolidate footage, and purge the HDV footage (if you have limited disk space)
(option b) -
• in FCP log the footage
• import the offline footage using APPLE PRORES 422
• work the project in APPLE PRORESS 422
• submit PRORES 422 sequqnces to COMPRESSOR
• watch cmopressor work this.
I dont have a tehnical explanation fort htis ony an optinion that for HDV to a MULTIPASS H.264 AVC transcode from FCP takes ages on this dual QUAD core (and worse on my old g5 QUAD).
Other methods you could try vary to taste.. THese are:
• from the HDV sequqnce - expoert a QUICKTIME REFERENCE MOVIE - sometimes is quick but most of the time takes ages... then
• set up a QMASTER VIRTUAL cluster with an instance for every two (2) cores you have on all machines in the cluster (plenty of info on this) in these forums. . On this octo, I have 4 x instances for example and one instance on each of the MBP's (unmanaged services).
• submit thereference movie to this compressor cluster.
Others have found better experience submittimg a SELF CONTAINED QUICKTIME movie as above.
post your results.

Similar Messages

Video Encoding for DVD

I've been struggling to get more videos on a DVD. Since I'm not an expert on this. Most of my vides are about an hour long and are mostly PowerPoint slides and screen capture of programming demonstrations.
I just keep wondering why DVDs I get to watch TV shows can have 4-6 hours of media when I can barely get two.
Any help would be appreciated.
David

Hi David,
Now we're making some progress, thank you for sharing more info. As a CC user, you are able to download and use Encore CS6. Adobe has stopped further development of Encore so there is no CC version, but you are welcome to use CS6. Here's some instructions - http://www.streamingmedia.com/Producer/Articles/Editorial/Featured-Articles/RIP-Adobe-Enco re%3B-and-How-to-Install-and-Use-Encore-CS6-with-Adobe-Premiere-Pro-CC-93119.aspx
There are some issues with your encoding settings. To begin, the Source resolution is not a standard video resolution, which would be for instance 1920x1080, 1280x720, or 720x480. Nor is it even a computer screen resolution. How did you determine the Sequence setting in Premiere to start the project? Is that the resolution of your stills or screen-recordings? I went through this myself some years ago when tasked with creating a training video, so I understand how confusing it can get! This will affect the final quality if the downscale proportions come out weird. Note that DVD is SD and what looked nice and crisp on the high-resolution computer display will look muddy on DVD, but quality loss can be minimized with good workflow practices.
Next issue, you are encoding to .mp4, when in fact DVD requires MPEG-2 for DVD. So any other format you encode to will just need to be transcoded (re-encoded) in your DVD software again. More quality loss. Also, source is 30fps but Output is 24fps.
In AME, for FORMAT, please choose "MPEG-2 DVD", and then preset "NTSC Widescreen Progressive". That should be the best bet, and using 29.97 frame rate. Looks like the program is 58 minutes, so you ought to be fine with CBR encoding at 7 or 8 setting. Touch nothing else in the encoder besides bitrate. The export should result in an .m2v video clip, and on PC the audio would be .wav, for Mac might be .aac, not sure what they use there. In any case, Encore would convert audio to Dolby. I don't know how iDVD works, sorry.
Looking at the filenames you are using, I would avoid putting periods in the name, as the file extension typically follows the period, such as .jpg, .mov, .m4p etc, this can confuse the software sometimes. Use underscores or spaces instead, such as _.
Good luck with all this
Jeff

Audio drifts out of sync encoding for DVD

I am using Compressor 3.0.5.
I have a DVCPRO HD file I'm trying to encode for a DVD.
Even if I use the default settings in "DVD: Best Quality 120 minutes," the audio and video are completely off by the end by several frames.
The source file was generated from FCP6.0.6, and that file doesn't have any drift issues. I have even successfully used Compressor to encode an H.264 file with no drift using the exact same file.
Why then are the m2v and the ac3 files so off then? They are even different lengths by several frames.
I've tried re-encoding the audio separately at 48K 24bit, (same as FCP settings) and that generated an ac3 that was 32 frames longer than the video, which was exported with the exact same in and out point.
I've even tried breaking it up into 5 separate reels to encode each one individually and then join them in DVDSP, but then each of the 5 separate reels are each off as well, anywhere between 5 to 8 frames by the end.
I spoke to Apple tech support, and they don't know why this is happening. Yet I see many people who have this experience and I can't find the solution. Please help!
I read one post that mentioned it might be using a cluster and multiple cores, so I'll try using a single next, but if anyone has a solution please let me know.
Thank you!

I've had the same issue. It seems to only occur when outputting a 23.98 sequence to Compressor using the cluster.
Another related question: Do the sync issues occur whether you use a reference Quicktime or self-contained?

Encode for DVD: AC3 + MPEG2 are different lengths

I'm using Compressor's DVD:Best Quality:90 Minutes setting to encode a 30 minute NTSC 29.97 Self-Contained Quicktime for DVD. I bring the AC3 and MPEG2 files into DVDSP, and the MPEG2 is longer than the AC3 by several seconds.
I'm flummoxed. Any ideas what might be going on here?

Aha! I didn't have the Drop Frame box checked in the SD Encoding Preferences for DVDSP. I checked the box, and the duration now matches. You are a champ, thanks.

Opinions on Highest quality encode for DVD

I am doing a 16:9 Loop DVD for a tradeshow display. It will be shown on a 50" Plasma screen. I am trying to get the best quality encode on the screen. The project is 50 Sec long (storage & encode time not an issue) and contains both graphics and video elements. Video elements were shot on HDV. Compositing done in After Effects at 1920x1080. There does not seem to be a direct way to encode from AfterEffects to MPEG2, probably because the frame size is not MPEG2 standard. What would be the absolute best workflow to get to MPEG2 with as little artifacting as possible? I'm thinking uncompressed 10bit 4:2:2?
G5 2.5 Dual Mac OS X (10.3.9)

Someone here said once that 10 bit was overkill and that there may be issues with some encoders's conversions from 10-bit down to 8-bit.
Having said that, I'd use either 10-bit or 8-bit uncompressed codec. You probably want to resize your After Effects render down to 720x480 on export from your render queue, rather than have the MPEG2 encoder do it. Then take the uncompressed 720x480 file and MPEG2 encode away. Since it's only 50 seconds, I'd do a 7.5Mbps CBR 16:9 encode (if delivery is via DVD-R).

Unhappy with DV encoding for high action

I have been working on helmet cam video in iMovieHD, and then burn the project to disc in iDVD 6. The Best Quality encoding in iDVD is creating a great deal of compression pixelation, to the point it detracts from the viewability of the finished disc. Is there some mechanism to either force iDVD to use a higher bitrate for compression, or some other way to pre-encode my video assets from iMovieHD so I can use iDVD to create menus but have it leave the video assets alone?
I am wondering as well whether using Toast's custom encoding settings or DVD Studio Pro would permit me to tune for the visual performance I desire.
iMac 2.33 CoreDuo2 24" Mac OS X (10.4.8)

I should have clarified this, sorry. I am recording to MiniDV and going directly into FCExpress or iMovie. The market is becoming confusing with the advent of these low-cost MPEG-4 solid state recorders like the Aiptek which are suggested on lots of helmet cam discussion boards, and with the HDD recorders from Sony that create muxed MPEG-2 files.
The challenge I am having is at the step where the DV source is encoded for DVD by iDVD. The amount of compression here is tremendous, from 13GB of DV down to about 3GB that iDVD creates for a Best Quality setting. Still, the professional industry clearly has ways to deal with high motion as evidenced by the look of high-motion Hollywood DVD releases, so there has to be a way to improve quality beyond what I'm getting now.
Last night I tested with a short clip of Dakkar race footage from TV that I saved to DV format. I created a disc image from iDVD at Best Quality and from Toast 8 with average bitrate set to a high 7Mbps. I was able to notice some difference in this footage, but only when I step frame by frame to compare results. In contrast, the blockiness I get when encoding my helmet cam footage is on a gross scale.
This encoding quality stuff is hard to piece together!

Compressing video for dvd - which tool?

I am wondering what tool would give the best results (quality wise) for encoding for DVD - FCP, Compressor or DVDSP?

Yeah, I'm using Compressor now. I also have an older copy of BitVice Lite that I bought a couple years ago, but I haven't used it for quite some time (just getting back into the video thing). So I was also wondering if Compressor is comperable to it, or any other third party tools.
I just edit "film" for fun, so I'm aiming for the best quality possible, but it is not for professional purposes.
Thanks for your comments.

Encoding for SD DVD using H.264

Hi everyone,
I'm wanting to output my JVC HDV 720p25 7 minute short film to dvd. I've already done a standard mpeg2 encoded DVD, but I'm wanting to try and see if I can get better results encoding to H.264 using compressor.
I know that there a presets with compressor with the HD DVD: H.264 presets abd the H.264 for DVD studio pro. With those presets compressor allows between 50 and 70 minutes of video on a DVD-5.
What I really want to know what settings should I use? Does anyone have a tried and tested bitrate method? I understand about mpeg2 bitrates, but H.264 is very new to me.
I obviously want to get the best results possible for an SD DVD, but I don't want to boost the bitrate and make it unplayable on DVD players.
Can anyone offer any suggestions?
Also are there benefits to using H.264 over Mpeg2?
Thanks in advance.
James

James:
You must encode to MPEG2 to create a SD DVD. Take a lok at this Site/titorial: Bonsai’s HDV to SD DVD page to get the most of your HDV.
As you have been told, forget the H.264 step.
Hope that helps.
Alberto

HDV - DV for DVD

Hi I have edited a small movie taken on my Sony HVR A1E in HDV, I now need to export it in DV PAL so I can burn it to DVD. I remeber seeing something about adding a DV sequence and the copying one to the other and it downscales the movie to DV for export. Can someone please gie me the correct workflow to make this happen?
Thanks,
Nick

You are not alone on this - I think the 'Bonsai Method' fails for time-remapped clips, and, I think the very setting that 'fixes' HDV -> DV, namely 'Motion Filtering Quality' = 'Fastest (Linear)' is what also ruins time re-mapping.
The solution is to render your HDV timeline to a file, as HDV, and then bring that rendered file, not the sequence, into the DV50 timeline, to encode for MPEG, that way the time remap gets done separately from the down-convert.
I know, even more rendering, even more of a pain - but, there it is.
This also fixes problems with font positions, picture in picture and the like, if people are having trouble with that.
I suggest the Apple Intermediate Codec for the rendered file, if you have a lot going on, its bigger, but faster, and not prone to the weaknesses of MPEG on post processed footage. The quality drop, over Native HDV, will not be noticeable when on a DVD.
Post back if that does, or does not, fix it for you.

Whats going on when after i have put my new project it tells me that cannot burn because my encode it too large for DVD

I am trying to convert a video into a dVd i did one and it will not play on my blueray, but, at least it will do on my computer. Now i am trying to do a different dvd and it tells me after i have downlowed my new project, that i cannot burn the idvd because it is too large check my encoded?

The reason why your DVD will not play maybe your choice of disk.
Was it a DVD + or DVD - ?
Always use a good quality DVD blank disk, at least Verbatim and check what format your player will play.
Next, to achieve the best quality export from iMovie, Share your Project to Media Browser.
Then open iDVD and use the media button (bottom right) to import your movie.
A possible reason that you are getting a too large error message is the time length of your DVD.
The default setting in iDVD for Encoding is Best Performance (60mins) and you need to change this to either High Qualirty or Professional Quality which will allow more to be encoded on the disc (120 mins).
iDVD > Project > Project Info > Encoding to change this setting and see on the Capacity slider if your project will fit.
Otherwise check how much free space you have on your HD.
Z.
PS Slow your burn speed down to x4 for error free results.

Any free way to encode 5.1 audio track for DVD?

Besides the limited 3-use SurCode for Dolby Digital that comes with Premiere, is there any free way to encode or convert a 5.1 PCM WAV file to a surround format for DVD?
Thanks!

I can't find the post, but I saved it...Here it is:
Like most of you, I was annoyed to find out I couldn't create AC3 surround sound files with my CS4 software, and also that we got downgraded from Audition to Soundbooth. We all paid a lot for it! I know many people have ranted about that already, so enough said.
Here is a workflow that gets around that problem without ponying up for the SurCode Plug-in, and/or buying Audition!
To convert your mixed 5.1 audio, or stereo audio, to the DVD standard AC3 file that Encore wants, download the latest version of Audacity here:http://audacity.sourceforge.net/ It is available for Mac OS X, Microsoft Windows, GNU/Linux, and other operating systems. If you don't know already, it's free!
Now, before I start getting flamed, about Audacity, it works great! The UI is not the most modern, but the quality is top-notch. I've used it for years and most complaints about it are unjustified.
You'll need to download the latest version: "Beta: 1.3x - for advanced users." There will soon, I hope, be an Audacity 2.0 stable release. Until then, use the Beta release for this workflow.
Note: I'll focus on Premiere Pro CS4, because that is where I originally troubleshooted this, but something similar will work for the other Adobe products that use sound.
Workflow:
Create your mixed 5.1 surround sound audio in Premiere, and output the audio only by going to File > Export > Media, and selecting "Windows Waveform" as the output. You should only have "Export Audio" checked. Verify the format in the Summary section. You should see something like: 48000 Hz, 5.1 Surround, 16 bit. Now under Audio codec, make sure "Uncompressed" is selected. Click Okay, and Adobe Media Encoder should launch. Click "Start Queue" and your audio file will be created. You'll get an interleaved 6 channel wave file. Not all applications will open it, but Audacity will.
Note: When you mix your surround sound in the Audio Mixer, you'll place your little "Puck" where you want the sound to come from. Picture yourself in the middle of the "dish," if it's a puck, isn't it in a rink, as in hockey rink...ah, but I digress. Anyway, you'll notice that volume meters in the 5.1 (6 channel) Master section are laid out in the following order: L,R,LS,RS,C,LFE. Also, if you open a 5.1 audio file in the Source panel, you'll see the same order from top to bottom: L,R,LS,RS,C,LFE.   Soundbooth also does it that way. Ahh....Adobe...nice try.
The actual channel order should be L,R,C,LFE,LS,RS. That's the order that you'll probably have to assign in the "Audio Output Mapping" section in the properties menu to get your channels to play correctly with your surround sound hardware. L,R,C,LFE,LS,RS is also the order that interleaved files use. So after you create your 5.1 file, and open it in another audio program that displays them in the "proper" order, like Audacity, you'll see your tracks laid out from top to bottom in that order. I'm not sure why Adobe does it that way, but oh well.
Surround sound primer:
The LFE channel is not, despite popular misconception, a subwoofer channel. Bass from all the channels in a surround sound Amplifier is summed and sent out to the Subwoofer. The LFE channel is supposed to be used only for very low frequencies, to create extra ...oomph. I think that is the technical term. It is not supposed to be used for bass frequencies from the other tracks. It is for explosions, dinosaur footsteps, ...etc.
Audacity will open DVD ".vob" files, and even let you select which stream (usually Language) to open. As an example, open up a movie with some action in it like Ironman (The movie starts at "VTS_03_1.vob") and look at the LFE channel. It's the 4th track from the top in Audacity. You'll see it's silent except at parts where there is thumping AC/DC music at the Intro, or explosions. It's not used as a subwoofer channel!
With that in mind, you may have noticed, unless I'm missing something, that there is no way in the Premiere Mixer to assign an audio track only to the LFE channel. Sure, you can dial up the "Bass Clef" knob to 0.00 db, and send a mono channel's audio to the LFE channel, but there is no place to put the "Puck" that only outputs to LFE. There is one for the center channel, but without someplace to put it, your 40 Hz dinosaur footprint "Thump" is going to also be assigned to some of the other channels. Which channels depends on your "Puck" placement. This is not correct. Again, unless I'm missing something, Adobe needs to correct this oversight. We'll get back to this problem with a solution later, but first let's continue with the AC3 issue.
At this point you should have your wave file. If you want to apply any global changes to all 6 channels, you can open it in Adobe Soundbooth and trim the beginning or end, and apply effects to the entire file. You cannot, however, make changes to individual channels. Audacity will! We'll get to that later.
Encode with Audacity:
Install the software and go to Edit > Preferences > Libraries, and click on "Download" for the "FFmpeg Library." This is the library that Audacity will use to create the .AC3 file. Once installed, the library version should show up next to "FFmpeg Library Version" While the "Audacity Preferences" window is still open, select "Import/Export" and select "Use Custom Mix", this is used to export a 5.1 channel file. Now you're ready to open your .wave file from Premiere. Drag and drop it in the Audacity workspace and you should see 6 mono tracks laid out from top to bottom in the following order: L,R,C,LFE,LS,RS. Audacity will let you edit the individual tracks, unlike Soundbooth, thanks Adobe. But for now, we'll keep it simple. Set your "Project Rate" in audacity in the lower-left corner to what you want the AC3 file to be. For DVD, chose 48000 (Hz). If you leave it at 44100 (Hz) Encore won't import it.
Your almost done. Now let's export the file. Go to Files > Export... > and select "AC3 Files (FFmpeg)" in the "Save as type:" drop-down. Click the "Options..." button and set the "Bit Rate:" for your file. For 5.1 AC3 audio, probably 448. Now enter a file name and click "Save." This will open the "Advanced Mixing Options" window. This allows you to re-map the tracks to a different channel order. It should be correct, and it should show "Output Channels:" set to 6. Press "OK" and you're done.
Presto, you have a 5.1 channel AC3 file. Use that in Encore, or whatever DVD creation program you use, and when you play your DVD you'll have full 5.1 audio coming out your surround sound Amplifier. That is if you have one.
Test your file:
If you want to test your file, you can do a couple of things. Since Soundbooth and Adobe Bridge won't even open AC3 files, and Encore will open but only play the Left and Right channels in the preview, you'll have to either import the file into Premiere, or use another media player.
If you got Premiere to play your surround properly, then you can drag and drop the file into the "Project" panel and preview it from there. You will hear all 6 channels in the correct speakers, but I did notice that the quality is not very good. Maybe Premiere doesn't decode AC3 all that well. I heard some crackle that isn't in the file. How do I know it isn't just a bad encoding job by Audacity? Because I played the file with the VLC media player, and Cyberlink PowerDVD on the same computer, and also on a DVD in my home theater system with no artifacts. Maybe Premiere doesn't decode AC3 files well.
The VLC player, will play almost any file in the known universe, and at least on my computer, it automatically played the AC3 surround file, created by Audacity, with all the channels mapped correctly. That's right, full surround out my speakers with only default settings. It's a great player. Get it for free here: http://www.videolan.org/
Test with Encore:
So far so good. Now open Encore, drop the AC3 file in an empty project, throw it on a Timeline and build the project without Video, It will autoplay without a menu this way. If you set the End-Action to the same AC3 file it will repeat continuously. Either burn this to DVD-RW and test it in your DVD player, or better yet, Build the project to a DVD Image instead, and mount it in a virtual DVD   Drive with a program like "Virtual CloneDrive."
If you don't know what that is, or how to do it, it is very simple. Go to:http://www.slysoft.com/en/ and download "Virtual Clonedrive." It is free. It tricks your operating system into thinking you have another physical DVD drive. In fact, it can create up to 8 virtual drives. Now you don't have to waste time burning, and erasing DVD's every time you make a change to a project. You can build your project as a DVD Image from Encore, save the .iso file to your Desktop and "mount" it (load it) in Virtual Clonedrive. You're computer will now think you loaded a DVD into a physical drive, and launch whatever DVD player you have installed. Mine launches "Cyberlink PowerDVD" which plays the AC3 audio-only DVD in full surround sound on my computer.
Building and testing projects this way will save you endless hours. If you need to make a quick change, just "Unmount" the .iso in Virtual Clonedrive, rebuild your project to the same filename, and "Mount" it again. Instant testing!
Now, as promised, back to that LFE Channel problem with Premiere that I mentioned:
Audacity will let you modify the individual channels in your interleaved 6-Channel file. So don't put anything in that channel in your Premiere mixer. Leave the "Bass Clef" knobs at full CCW position ( -00 db ). The bass from the other channels will go to your subwoofer automatically in your Amplifier.
Now if you have some low frequency effects files, open them in Audacity. You can open multiple instances of Audacity at the same time by going to "File > New." Then, copy and paste them into the LFE Track at the correct point.
Audacity newbie Hint: Audacity doesn't yet have a "Mix-Paste" function, so to avoid altering the track length as you paste in your clips, do the following: Select the LFE track by clicking on it's info area. The info area should say something like "Mono, 48000Hz" Then press "Delete," That will remove everything from the track. Now copy and paste your clips into the track by clicking once with the "Selection Tool" where you want the clip to start, and selecting "Edit > Paste." If you need to fine tune the position of the pasted clip, use the "Time Shift Tool" to move it left or right. If you work from left to right, then you won't push clips over when you paste new ones in.
There is another way to do this by opening up new tracks, using the "Mix and Render" function, and re-ordering the tracks to maintain the L,R,C,LFE,LS,RS channel order. But that's for advanced users.

Should Progressive Source Pal Footage Be Encoded with "PAL DV Wide Progressive" Preset for DVD?

Hi,
I'm wondering how best to encode a 1080p25 video for DVD. Should I encode with Media Encoder's PAL DV Wide Progressive Preset? Or should I used the other preset, which I'm assuming is interlaced?

The wide progressive preset is correct. Avoid interlacing. If you end up with little black bars showing on the Export Settings "Output" window, you can change Source Scaling to "Scale to Fill" to eliminate black edges. At bottom of export settings, select "Max Render Quality" for best downscale quality.
EDIT: just to clarify, you do want the "MPEG-2 DVD" format, and THEN choose the PAL DV Wide Progressive preset.
Thanks
Jeff Pulera
Safe Harbor Computers

I need import dvd content to compressor or FCP to re encode for web

I need import dvd content to compressor or FCP to re encode for web
Is there a short cut?
When I tried, only the video went as the audio seems to be embedded. How can I encode a DVD to and Mpeg4 file with the audio?
Thank you all in advance.

Google MPEG Streamclip. It's free and works! This questions gets asked a lot. Take advantage of search when you can.

Best way to Encode 3 short SD clips for DVD

Im compressing three graphic, video, and audio heavy clips (7-12 minutes each) to put on DVD. I moved them from FCP to COMPRESSOR and am using the standard high quality 90 min. DVD encoding settings.. (bit rate between 6.1 and 7, high quality, two pass encode).. Im assuming this will be sufficient..
Does anyone have an even better way to encode these?
Thanks

Audio - AIFF from FCP or Dolby 2.0 from compressor? (and why?)
ac3 dolby from Compressor, primarily because uncompressed Aiff takes much more space while ac3 is compressed keeping quality very good and ideal for DVDs. There are are also reports of some Aiff audio hiccups occurring with a number of DVD players.
can you review the practical difference between CBR & VBR?....
CBR means that bit rate is assigned evenly according to your bit rate choice regardless of scenes, effects,transitions that require higher or lower bit rate. VBR allows you to set an average and maximum bit rate and a two- pass is even better because the video is first explored/analised then bit rate is assigned more intelligently.
In your case I think you'll be fine with CBR.
G.

No Audio? On MPEG-2 encodes for SD DVD

Help. I'm new to Compressor.
I'm trying to encode an MPEG-2 Elementary Stream for SD DVD production. According to the documentation DVD Studio Pro will only work with the elementary streams but it also states "that no audio is provided in this stream". So how am I supposed to encode to MPEG-2 (supported by DVD Studio Pro) and get my audio to go along with it?
Am I missing something obvious? Here are the details:
Source - 1080i60 HD .Mov file
Encode - MPEG-2 16x9 elementary stream.
Video comes out fine, just no audio to be found anywhere?
Thanks.

Correct. When you bring your source file into Compressor you need to create two settings. One setting for your MPEG-2, another for your Dolby Stereo .ac3 file. This will output two separate files, one video and the other audio. You then bring those files into DVD SP for authoring.
However do not use the default Dolby 2.0 setting. Start with that but change the dialog normalization to -31 and the Preprocessing Compression Preset to None.

SLLOWWWW encode for HDV to SD for DVD

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