Smart Object with spot color

how do I import an illustrator file with a spot color into photoshop as a smart object without it being converted to four color

Try thread http://forums.adobe.com/thread/1121348?tstart=0

Similar Messages

How to copy objects from Pages (5.5.1) and paste it into Photoshop as a vector smart object with high resolution?

I recently have bought a new Macbook Pro (Version 10.10.1) with the OS X Yosemite. The computer comes with the new Pages (version 5.5.1).
Here is the problem: I like to create artwork using the shapes on Pages. Previously, on my old mac, I used Pages 4.3 to create objects, which I would copy then paste to Photoshop and it would become a vector smart object. However, in the new Pages (version 5.5.1), when I copy objects, they would appear on Photoshop as instead, a layer and it would not be in full resolution.
Also, I know there is nothing wrong with the Pages file itself because I have converted the document to PDF form and it is high resolution when inserted into Photoshop that way.
Does anyone know how I can copy individual objects from Pages (5.5.1) and paste it into Photoshop as a vector smart object with high resolution as I have done before?
Thanks!

ghotiz wrote:
copy the image and have it in a high-quality PNG format that does not include the background from the Pages document.
Oh, well if you don't actually need vector objects then it looks like this is possible. As I said earlier, Pages is putting a PNG on the clipboard. I tested it and it does paste into Photoshop as a transparent layer, because I can see the transparent background of the pasted PNG graphic if I either turn off all layers behind it in Photoshop, or if I start a new Photoshop document to paste into but make sure I choose Transparent for the Background Contents in the New Document dialog.

LR4.1 : "Edit-In" "Open as Smart Object with Photoshop..." feature doesn't work with 32bits

Hi there,
I am running LR4.1/CS5/ACR6.7 on a Win7 64bits system.
The feature "Edit-In" > "Open as Smart Object with Photoshop..." does work Ok with raw files (.NEF).
However, when i do try to use the same feature with 32 bits .TIFF files (which are output of the LR4.1's "Edit-In" > "Merge to HDR Pro in Photoshop..." other feature), nothing does happen (the Photoshop application windows does open but w.o the image that i've just selected).
I've used search engines and Adobe online help to see if there was any limit preventing the usage of this feature with 32 bits .TIF files but couldn't see such note.
Thanks for your help !
Albert

Thanks Rikk,
That did work with a DNG file :-)
I am working with very huge .TIF files (400MB), so i am wondering if size could be the main issue (although my PC has lots of HW resources).
I will explore the DNG way, a format which seems anyways to be very promising now with LR4.
In case anyone has an idea why it doesn't work the .TIF files, please shoot !

InDesign Workflow with spot colors only

Please can someone explain me why InDesign treats working with four spot colors differently than working with CMYK? They are just four colors or channels, right? What is the difference between Cyan or PANTONE Reflex Blue?
It is true that 99% of the time CMYK is used. It is also true that you can work in CMYK and tell the printer to put a different ink instead of the a Cyan, Megenta, Yellow or Black ink. The project I work on now involves four Pantone spot colors and a few illustrators how need/want to see what they are doing, so...
The question is mainly because InDesign is soooooooooo slow working with spot colors. It feels slower than Quark Xpress 4.11 on a Mac OS 9 G4 machine.
Many thanks!
[-> InDesign CC, MacBook Pro 7i 2011, SSD, 16 G RAM, 1 G GPU]

I have never seen ID slow down with spot colors, but, I have not gone past CS5.5 nor do I work with OSX, both of which have many threads releating to screen draw times, and general lag.
SproetS wrote:
Please can someone explain me why InDesign treats working with four spot colors differently than working with CMYK? They are just four colors or channels, right?
I would suggest working mostly in Overprint Preview when working with Spot Colors.
What is the difference between Cyan or PANTONE Reflex Blue?
Excepting that they are both defined colors...everything about them is different.
Consider this - c, m, y, k are all spot colors. They are base colors, not different (to me) than Warm Red, Rhodamine Red, Reflex Blue, Pantone Green, Pantone Purple, Pantone Violet, Pantone Rubine Red, there are a few others..
In you color pallet, Yellow is not a spot color - it is a mix of (typically) y and 0~20% m.
Same for each color in the default pallet - 0~100% of c,m,y,k
It is true that 99% of the time CMYK is used.
Many spot colors cannot be accurately reproduced in the cmyk spectrum.
It is also true that you can work in CMYK and tell the printer to put a different ink instead of the a Cyan, Megenta, Yellow or Black ink. The project I work on now involves four Pantone spot colors and a few illustrators how need/want to see what they are doing, so...
Those days are gone. You would need to be more familair with the hammer and screw approach to avoid overprint mistakes, tints are not the same as transparencies, many hurdles here that have long been forgotten. What you would see on screen would be nothing near to the actual project.
It should be determined before preceeding if the project will be printed cmyk or as 4 spot colors.

Convert PDF Document to PDF with Spot Color

I want to convert a regular PDF document with RGB/CMYK color profile to one with Spot color. Can this be done using Acrobat X Pro, if so How?

Hi Steve
I am still working on the process to automate the conversion of PDF file with RGB color profile to Spot.
I am nearly there, here is the method...
1. Have a prefight profile with the spot color fixes. For now I put in 10 colors.
2. Wrote a Javascript that will invoke the preflight profile
3. Cretated an application (AutoSpotFix) in VC++ and Acrobat SDK that will open the document and assign the javascript function to 'WillSave' document action. The AutoSpotFix will then trigger the save on the document.
Java script had to be involved because SDK cannot invoke the preflight profile.
Now my problem is the document can contain any spot color, I need to
a) Either put in the thousands of spot color into my preflight profile, which will take days to do. Or I can create a preflight profile file (*.kfp) and load it, which is an XML file.
b) Dynamically load the preflight profile file with the few current colors, for which I need to dynamically create the preflifgt profile.
Either way I have to create the *.kfp file, Is there a way to create the Preflight profile file?

Linking smart objects with it's layer mask

ther must be a way to link smart objects with it's layer mask without having to rasterize....isn't there?

You're pre-CS4 right?
1) Upgrade to CS4
2) Put SO in a group, link mask to group
3) ...
4) Profit!

How can I convert a layer into a smart object with Adobe Photoshop Elements 10?

How can I convert a layer into a smart object with Adobe Photoshop Elements 10?

That feature is only in PS. Elements as you buy it has only limited support for smart objects. If you use File>Place to add something to your image it will come in as a smart object (within the limits to which PSE understands smart layers). However, if you know someone who can write an action for you in PS you can install it in PSE, or you could look into something like elements+ from simplephotoshop.com.

CS5 transform camera raw smart object with mask funniness?

When I try and trasform a camera raw smart object that has a layer mask, the trasform box is not the size of the image, but is about a quarter of the image and it moves up to the upper left quarter of the image. If I first rasterize the smart object then add a mask it transforms just fine. Or if I rasterize the camera raw smart object, then make it a smart object and add a layer mask it transforms normally. So it appears to be an issue with transforming a camera raw smart object with a layer mask that is the issue. Is this a bug?
Thanks,
Steve

I can't post the image publicly because of NDA, but I will pm you a link to the file. I don't always have this issue in cs5. I even tried opening up the same file in a new document and then made a mask and it transformed just fine. But it also is not limited to just this file, I have had this happen with other images as well.
Thanks,
Steve

Anyone try Smart Objects with Aperture; is this useful?

Here’s what I did, wondering if this is helpful. I exported a master (which produces the RAW file) to disk.
Open the image in Photoshop using the Aperture “Open with External Editor” command. Now use the Place Command and you can create a smart object with the RAW file. It initially opens Adobe Camera RAW so you can adjust as you wish. When done, you can save this SO in the version.
Go back into that file from Aperture, and if you wish to edit again with Photoshop, you have the option of double clicking on the SO to call up ACR, tweak and save.
So layers are not supported but Smart Objects are multiple versions of a PSD embedded in the original (if my understanding is correct).
Am I crazy or does this allow us to do RAW conversions with ACR but use the rest of Aperture?

That's a neat variation. Here's mine:
http://discussions.apple.com/thread.jspa?messageID=1292903
Summary:
1) Export original to a hot folder which opens the file in ACR, convert.
2) Apple-Tab back to Aperture, 'open in external editor'.
3) Run an action that copies the image from the ACR conversion into the Aperture version and save. Action is included in the linked thread.
Combining the two approaches could work rather nicely.
Note - once an image has been opened using 'open in external editor' layers ARE supported. From this point on, 'open in external editor' passes the file directly to PS, without flattening. Just watch out for overwrites.
Ian

Batch Replace Smart Object With Different Image Quality and Sizes

Hi there,
I need help. I have this template that is in 1000x1000pixel and 300 dpi. I'm trying to replace the smart object inside with various JPEG that I have. These JPEG comes in large image sizes but lower than 300dpi. The issues is, when I run the script that I have, some of the pictures become really pixelated. Beforehand, I resized them to fit into the empty place in sizes that I find fit the best (8 cm x 6 cm). Some of them work okey, but then some of them just pretty bad. I'm wondering if you can help me fix the script that I have so I didn't have to resized the images before running the script, and for all of them to automatically fit into my template without altering the quality of the image that I put in.
below is the script that I am using and the screenshot of my template:
#target photoshop
if (app.documents.length > 0) {
var myDocument = app.activeDocument;
var theName= myDocument.name.match(/(.*)\.[^\.]+$/)[1];
var thePath = myDocument.path;
var theLayer = myDocument.activeLayer;
// psd options;
psdOpts = new PhotoshopSaveOptions();
psdOpts.embedColorProfile = true;
psdOpts.alphaChannels = true;
psdOpts.layers = true;
psdOpts.spotColors = true;
// check if layer is smart object;
if (theLayer.kind != "LayerKind.SMARTOBJECT") {alert ("selected layer is not a smart object")}
else {
// select files;
if ($.os.search(/windows/i) != -1) {var theFiles = File.openDialog ("please select files", "*.psd;*.jpg;*.jpeg;*.tif", true)}
else {var theFiles = File.openDialog ("please select files", getFiles, true)};
if (theFiles) {
// work through the array;
for (var m = 0; m < theFiles.length; m++) {
// replace smart object;
theLayer = replaceContents (theFiles[m], theLayer);
var theNewName = theFiles[m].name.match(/(.*)\.[^\.]+$/)[1];
//Raise color picker for Back cover;
try {
app.activeDocument.activeLayer = app.activeDocument.layers[app.activeDocument.layers.length - 1];
// =======================================================
var idsetd = charIDToTypeID( "setd" );
var desc7 = new ActionDescriptor();
var idnull = charIDToTypeID( "null" );
var ref2 = new ActionReference();
var idcontentLayer = stringIDToTypeID( "contentLayer" );
var idOrdn = charIDToTypeID( "Ordn" );
var idTrgt = charIDToTypeID( "Trgt" );
ref2.putEnumerated( idcontentLayer, idOrdn, idTrgt );
desc7.putReference( idnull, ref2 );
var idT = charIDToTypeID( "T " );
var desc8 = new ActionDescriptor();
var idClr = charIDToTypeID( "Clr " );
var idsolidColorLayer = stringIDToTypeID( "solidColorLayer" );
desc7.putObject( idT, idsolidColorLayer, desc8 );
executeAction( idsetd, desc7, DialogModes.ALL );
} catch (e) {};
//save jpg;
myDocument.saveAs((new File(thePath+"/"+theName+"_"+theNewName+".jpg")),psdOpts,true);
////// get psds, tifs and jpgs from files //////
function getFiles (theFile) {
if (theFile.name.match(/\.(psd|tif|jpeg|jpg)$/i) != null || theFile.constructor.name == "Folder") {
return true
////// replace contents //////
function replaceContents (newFile, theSO) {
app.activeDocument.activeLayer = theSO;
// =======================================================
var idplacedLayerReplaceContents = stringIDToTypeID( "placedLayerReplaceContents" );
var desc3 = new ActionDescriptor();
var idnull = charIDToTypeID( "null" );
desc3.putPath( idnull, new File( newFile ) );
var idPgNm = charIDToTypeID( "PgNm" );
desc3.putInteger( idPgNm, 1 );
executeAction( idplacedLayerReplaceContents, desc3, DialogModes.NO );
return app.activeDocument.activeLayer

Thank you for your answer.
I was resizing it before from bigger image size to a smaller one (121 cm to 8 cm) which fit my template size. But the dpi remains in 72 which makes the picture pixelized.
I am wondering if I can find a script that will keep the size of the first image that I put on the template for other images that I place, regardless the size they are imported to. Basically, how to make them all fit into the template regardless the size.
Thank you for the info about the scripting forum. I will write there too.
Sorry, I'm so new to this

Smart objects and convert color profile behaviour

I get different results when converting to the same color profile before and after converting to smart object. Why?
Do the following:
1. create a cmyk document with color profile 'Euroscale Uncoated v2' and fill the document with the color 86, 32, 14, 0
2. change the color profile to 'Euroscale Coated v2' -> the values change to 73, 29, 16, 0, no color change on the monitor
3. create a smart object -> the values stay the same, no color change on the monitor
4. create a second document like in step 1
5. create a smart object -> the values stay the same, no color change on the monitor
6. now change the color profile to 'Euroscale Coated v2' -> the values stay the same, this time we have a color change on the monitor
Why don't I get the same result?

I found this topic looking for an answer to this exact same problem.
Many of you refer to it as a bug / unexpected behaviour, which i thought it was either. But after some tests, it seems very logical behaviour actually to me now.
It simply follows the rules in the color settings.
In "Color Management Policies", when CMYK is set to "Preserve Embedded Profiles", it keeps the CMYK numbers for smart objects. Setting this to "Convert to Working CMYK" would make the color conversion as expected.
However, i don't think this would be a good idea (depending on your workflow offcourse). For example, pasting a 100K shape from a coated.icc illustrator file into an uncoated.icc photoshop file, as a smart object, would convert the 100K (not keeping the CMYK numbers).
I guess the workarround with a CMYK smart object into an RGB smart object (or maybe LAB), is ok to use when CMYK to CMYK conversion is really necessary for smart objects.

Color conversion : special behavior with Spot Color "All"

Hello,
I have a document with printmarks which have a spot color "All". While I convert the page using the "Color conversion" to Gray 1.8 with Adobe Acrobat X the spot color "All" are still present (with the alternate color space DeviceGray).
Using Adobe Acrobat 9.x all objects have a DeviceGray color.
Is it a bug or a new behavior? Moreover the SDK method doesn't convert the spot color but keep the name (but I know this is not the right place to post it - it's just for information).
Regards,
Joe

I sense you may not understand the difference between sopt and process colors in the printing process.
When you use process inks you build all color representations by combining dots of varying sizes from each of the four process colors, cyan, magenta, yellow, and black. Because the dots are two small to be seen individually your brain is fooled into thinking it sees other colors. Process color printing requires four printing plates to produce the full range of colors possible, but that range is limited compared to what you can see in real life or capture in RGB.
Spot colors, in contrast, are similar to paint. Each color is mixed individually, and every spot color requires its own plate on the printing press (and you must use a press -- toner and inkjet printers use cmyk inksets and cannot print real spot colors). Because of the expense of these plates, the use of spot colors is usually limited to one or two colors in any print job, and if the job has other color (like photographs) that requires process inks, converting the spot colors to the closest process simulation is often employed if the spot colors can be simulated "close enough" to satisfy the client and the budget is tight.
I would avoid using process colors for type in small sizes or for very thin strokes, especially in lighter colors, as you are likely to see ragged edges.
So, how many spot color swatches did you use? More than two? More than four? Do you have a huge budget to produce the work? This may be a project that really should be designed from the ground up as process, or process and one spot for that hard to print bright accent color.

Can you replace embedded smart object with linked smart object?

Hi,
I'd like to update some document to reflet the new workflow that linked smart object provide. I have made some transformation on those embedded smart object and would like to not have to redo all those so is there anyway way to replace those SO with the linked version of the same SO?
TIA
Jeff

Hi,
I'd like to update some document to reflet the new workflow that linked smart object provide. I have made some transformation on those embedded smart object and would like to not have to redo all those so is there anyway way to replace those SO with the linked version of the same SO?
TIA
Jeff

Problem exporting file with spot colors to pdf

I have a book which I designed in InDesign CS3. It has 150 images in it which are Photoshop eps files: black line drawings with a spot color fill. InCS3, when I needed to send files back and forth to the publisher, the eps files came out fine in any pdf I made. Now in CS5.5, no matter what I do, only the spot color shows up in the images -- their black outlines won't show up. I'm sure it's got something to do with settings of some kind but I can't figure it out for the life of me. Help!

I'm viewing the pdf in Acrobat Pro X. I do see that if I turn Flattener Preview on, I can see the whole image in a separate preview box, but that's not going to work very well when I send it to an editor who is technologically challenged. Is there not a way to ake the pdf behave the way it does if I make it from CS3, where the flattening shows in the pdf by default? As it is, this seems like a step backwards, unless of course, there's something I am missing.

Trapping problems with spot colors

MAC 10.5.4 CS3
I have had two books present similar problems with one of our printers. Both books are 2 color. The first is 2 spot colors and the second is spot and black. The problem is that the traps are showing up as white. It looks like anything that is trapped has a white stoke applied. One book has headers using the spot ink for the text, in a black box. These are all getting the white outline around the text. The other book has the the darker spot for text overprinting screened boxes of the lighter spot. The overprinted text looks ok.
I had previously posted about the illustrations in the 2 spot book and have been able to take care of the issue regarding Transparency vs. postscript. But as we are still having this issue with some text and there is no transparency used I am wondering if there is some setting I can adjust to fix this.

How is the trapping being applied? Did you set it yourself in InDesign?
I think the default for InDesign is to use an InRIP trapping. And I always thought that was not part of ID's setup.
Maybe I'm wrong. So let me know.

Smart Object with spot color

Similar Messages

Maybe you are looking for