Snow Blizzard looks like "Eyes" on monitor.

Hi, I'm hoping someone can help. I'm new to Motion and am working on a project with the Snow Blizzard, Particle Emitter. On the computer monitor the effect works fine and appears as I have hoped. However, when I export the clip to a quicktime movie and bring it into Final Cut it looks like 2 eyes traversing the screen (kind of like the funny ones you've seen in cartoons in no light scenes).
The scene I'm creating is white text on a black background with the snow falling around. The monitor is NTSC, I am using a G5 dual with an Aja IO connection. I'm hoping to have this look like snow when I make this as a DVD and not eyes, is there someone who has experienced this and can help? Thanks!
Peter

Ok, I was able to answer this one myself. When I was creating the snow, the snow flakes were falling faster than they could draw on on a monitor. It worked on the computer because it was HD but on progressive scan monitors it can't draw quickly enough. So I slowed down the snowflakes as they fell. When I did this I needed to increase the life of the flakes as well, since they fell slower they died faster. This solved my problem.

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com.apple.ImageCaptureNotifications.DiscoveryDatabase
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99 Å/tableSourceFile_IOUSBDeviceSourceFile_IOUSBDevice CREATE TABLE SourceFile_IOUSBDevice (sourceFileID integer, ioUSBDeviceID integer)ÅL            // ÇGtableIOBluetoothDeviceIOBluetoothDevice
CREATE TABLE IOBluetoothDevice (ID integer primary key not null, typeID integer, DeviceClassMajor integer, DeviceClassMinor integer, SDPServiceClass integer)Å^   ?? ÇKtableIOSCSIPeripheralDeviceNubIOSCSIPeripheralDeviceNub          CREATE TABLE IOSCSIPeripheralDeviceNub (ID integer primary key not null, typeID integer, ProductIdentification varchar(256), VendorIdentification varchar(256))Å+   // Ç tableIOFireWireAVCUnitIOFireWireAVCUnit CREATE TABLE IOFireWireAVCUnit (ID integer primary key not null, typeID integer, Unit_Spec_ID integer, AVCSubUnit_b integer)ÅF   // Ç;tableIOFireWireSBP2LUNIOFireWireSBP2LUN CREATE TABLE IOFireWireSBP2LUN (ID integer primary key not null, typeID integer, Command_Set integer, Command_Set_Spec_ID integer, Device_Type integer)Å%   )) Ç tableIOFireWireUnitIOFireWireUnit CREATE TABLE IOFireWireUnit (ID integer primary key not null, typeID integer, Unit_Spec_ID integer, Unit_SW_Version integer)ÅG   )) ÇItableIOUSBInterfaceIOUSBInterface CREATE TABLE IOUSBInterface (ID integer primary key not null, typeID integer, bInterfaceClass integer, bInterfaceSubClass integer, bInterfaceProtocol integer)Å    ## ÅktableIOUSBDeviceIOUSBDevice CREATE TABLE IOUSBDevice (ID integer primary key not null, typeID integer, idVendor integer, idProduct integer)Ç    !! Ñ tableSourceFileSourceFile CREATE TABLE SourceFile (ID integer primary key not null, typeID integer, bundleID varchar(256), bundleVersion integer, bundlePath varchar(256), deviceDiscoveryPath varchar(256), deviceDiscoveryModDate varchar(20), readDate varchar(20), isTWAINDS integer)v      Å;tableDBVersionDBVersion CREATE TABLE DBVersion (ID integer primary key not null, typeID integer, value int
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com.apple.bluetooth.txt
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Welcome to the discussions.
So what make you think, to quote you "bluetooth set up to monitor me in home and w/ iphone" ? That stuff looks like a bunch of data files, some sqllite, some plist, and some possibly binary. There's lots of this kind of stuff floating around your system.
You are not being monitored. And if you were bluetooth is about the last mode to even try to use due to its limited range. In addition your post says you are using a mac pro and the bluetooth on mac pros leaves a lot to be desired to say the least (I'm being kind using those words). The built-in BT on mac pros is lucky to reach the mouse on your desk!

What monitor is the best for gauging what the printed document will look like?

I am working on a 300+ page book that contains a lot of photos that I have converted from color to grayscale in photoshop. I am using a laptop computer and I cannot judge the quality of the photos on this laptop monitor. What is the best monitor for gauging what the finished product will look like? It is a hardcover book that will be offset printed. I do not know if this particular printer uses computer-to-plate technology or if it is "old style." Thanks!

If you are talking about judging the tonality of the grayscale images there are 2 color profiles that affect the display of a grayscale image. The monitor's profile-- the profile that is created when the monitor is calibrated and describes your monitor's display. And the gray profile that is assigned to the image, if no gray profile is assigned Photoshop's working gray profile is used. By default it is 20% Dot Gain. The accuracy of your grayscale image display depends on how accurate your monitor profile is and the accuracy of the gray profile. You can choose the default 20% Dot Gain but it might not be the press profile.

What kind of monitor is best for judging what the printed image will look like?

I am working on a 300+ page book that contains a lot of photos that I have converted from color to grayscale in photoshop. I am using a laptop computer and I cannot judge the quality of the photos on this laptop monitor. What is the best monitor for gauging what the finished product will look like? It is a hardcover book that will be offset printed. I do not know if this particular printer uses computer-to-plate technology or if it is "old style." Thanks!

helotes115 wrote:
What is the best monitor for gauging what the finished product will look like?
A good one...like for example this:
http://www.bhphotovideo.com/c/search?N=11083422&InitialSearch=yes&sts=pi
You need to set your calibration parameters very carefully. Eizo ColorNavigator (and NEC Spectraview) are the only calibrators that give you full control of the calibration parameters, because they communicate directly with the monitor. Hence my recommendation of the CS240, which is the least expensive model in this market segment. Excellent value for money.
Set the white point so that it is a visual equivalent to paper white, both in luminance and color. A little experimenting is necessary. Start around 100 cd/m² and 6300K, and adjust as needed. Ambient light affects your perception, which is why no fixed numbers can be given.
Even more important: set a realistic black point. Monitor manufacturers love to boast huge contrast ranges, like 1000:1 and so on. Impressive on paper, but in reality there's no way you'll get those deep blacks in print. Especially not offset print.
My starting point for offset is 0.5 cd/m², but often that turns out to be too low and I end up with 0.6 or even 0.7. This depends a lot on the paper stock.
Next, ask the printer what CMYK profile is used for the actual process. Here in Europe, that's most likely ISO Coated v2 300% (eci) or Coated FOGRA39, in other parts of the world it will be something else. Use Photoshop to soft proof to this profile. Again, the Eizo is wide gamut and covers ISO Coated almost 100%. A standard gamut monitor will be a lot less useful for soft proofing.
With a little experience and effort, you can get close to 100% reliable prediction on screen.

Why won't Apple allow an app like Covenant Eyes to monitor internet activity on the Safari browser on iOS?

Why won't Apple allow an app like Covenant Eyes to monitor internet activity on the Safari browser on iOS?

Yes, that is the app. It is used to monitor your internet activity, but because Apple won't allow an app like Covenant Eyes to monitor the Safari browser or any other browsers the Covenant Eyes app has to be its own browser which causes some issues. You can't click on a link and have it open because the iOS tries to open Safari by default when you do that.
I'm just wondering if there is anywhere on Apple's website that discusses this type of thing, why they don't allow an app like Covenant Eyes to monitor the Safari browser. The Covenant Eyes program for Macs will monitor internet activity on the computer.

Prints dont look like the image on the monitor

I have tried everything I can think of--I'm desperate for help!
Heres what I have and my workflow
Windows 7/64
All drivers and software are up to date.
Photos taken with 5D Mark iii in Raw
Developed in Camera Raw
Tweaked in CS6
Color space is 1998 RGB
Saved as jpeg
Using a Lenovo Desktop- Ideacenter B520
Printer is Epson R3000
Monitor and printer are calibrated with Colormunki Photo.
In photoshop I softproof using the profile created with colormunki and the image looks excellent.
Whn I print, I choose "photoshop manages colors", and in the printer setting I make sure color management is turned off. The prints look very dull and washed out. I make sure the correct printer profile is chosen (the one created with colormunki for the specific paper I use)
Bust, if using the same image, I choose "Printer manages colors", and then in the printer color management choose "Adobe 1998", the brints look wonderful.
What am I doing the is causing Photoshop manages colors to look worse than printer manages colors, when in both cases the image looks great on the monitor?
Thanks so much

you could probably start by posting a screenshot of
Photoshop> File> Print (window)
and
Photoshop> File> Print> Print Settings> Basic (window)
PHOTOSHOP MANAGES COLORS CS6 TUTORIAL

Snow Blizzard Emitter -

I am working on an animation using the Snow Blizzard Emitter in Motion and was trying to find the control or Life Span of the emission. Basically what I am trying to do is make the snow appear to stop and remain on the screen, looking like it is pilling up on the graphic below. Are there controls with this Emitter to make such an effect? Thanks!

27993buck wrote:
I am working on an animation using the Snow Blizzard Emitter in Motion and was trying to find the control or Life Span of the emission. Basically what I am trying to do is make the snow appear to stop and remain on the screen, looking like it is pilling up on the graphic below. Are there controls with this Emitter to make such an effect? Thanks!
You can use a wipe to reveal the piled up snow on a lower layer. It's crude but works in most cases. Takes a lot of energy to create the snow covered image, though, and to build it so the snow is masked by the alpha channel.
There are several plugins for After Effects that use an alpha channel as the collection driver for particles. I do not know if there is a similar product for Motion. Must be.
bogiesan
Message was edited by: David Bogie Chq-1

Snow Blizzard looks like "Eyes" on monitor.

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