Solo/Mute modes faulty in Audio Mixer

Has anyone else noticed this bug in PP CS 5.5 Audio Mixer: When you have more than 1 audio track in your sequence, you press Solo button, and all the other tracks except the one you're soloing, should mute. Alternately, if you press Mute, just that track should mute. However, when I depress either the Mute or Solo button, they both produce the same result; the track button pressed, mutes.

Damndest thing..! I noticed this bug while doing a big project. I am now on sequence 3 of the project, which also has 3 audio tracks. I click Solo this morning (by accident) and it works as it should. Adobe, this bug is growing bigger... please get some robo-insecticide and kill it (bit by bit, or byte!) It has given me countless unnecessary work-arounds which is time-wasting.
Background: I honestly was'nt sure of something: I thought the buttons did work correctly at one time, but because I started this project on PP2, then moved it to CS 4, then to CS 5.5, I thought I was mistaken, and that it must've been while on PP2 or PP4 that my memory seems to recall that it worked properly. But now that I see it working properly this a.m. on PP 5.5, I believe my memory was correct, that it did indeed work properly on PP 5.5 in the beginning, then went rogue.

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My iphone4's mic is not working. I can assure that my iphone4 is not on mute mode. The audio is working only when headset/handsfree plugged in.I tried reset my handset many times already but still nothing got success.what is the remedy to comeout from it.

My iphone4's mic is not working. I can assure that my iphone4 is not on mute mode. The audio is working only when headset/handsfree plugged in.I tried reset my handset many times already but still nothing got success.what is the remedy to comeout from it.

Try plugging the headphones in and gently wiggling them around for a few seconds. It may be that the sensor that tells the iPhone that headphones are plugged in has gotten stuck. If this doesn't work, they try a reset (hold down Sleep/Wake and Home all the way until the Apple logo appears on the screen).

Audio Mixer

I am using PE4 and would like to know if there's a simple way to eliminate the audio that is recorded with video which shows up as Audio 1 in the mixer. When I have added a sound track and am editing in the sceneline I have to decrease the Audio 1 level for each added clip. I would like to turn off the Audio 1 and only mix the added soundtrack. Mute turns the Audio 1 off but doesn't keep it off when going back to review the video. Thanks, John P.

John,
Open Audio Mixer, set Mute and then keep Audio Mixer opened. You can drag a corner to minimize the size and drag it to a position, where it will not be in the way, if you need the screen real estate. If you exit from Audio Mixer, it defaults back to playing all Audio Tracks.
This works differently, than in Pro. There, I keep my Audio Mixer docked into the Panel with Effects and Source Monitor and just Tab between those individual Panels. I do not know what sort of Workspace changes might be in PE7, but this is a little problem for me, as well. Still, with the Audio Mixer made quite small, it's not in my way. Since my PE4 is on my 17" laptop (and I do most of my editing on a dual 21" CRT workstation), I've had to learn about Workspaces in a new way (for me, at least). In Pro, one can also just Mute an entire Track in the Timeline, without even using Audio Mixer. It also has little features, like "locking" a Track (Audio or Video), which I love. However, the interface in PE4 was re-designed to simplify general editing for the user-base. It also costs about US$600 less, than Pro, so one must be prepared to give up a few features.
Hunt

Audio mixing (track not clip) .Precise level entry for KF levels?

Ive done a lot of tutorials on setting and mixing audio levels, both clip and track in PrP 5.5 . I want to know the best way to add a keyframe on the timeline (in track audio mode) and enter a precise db setting. Dragging up and down is pretty random and not accurate, especially when setting levels for 2 mono tracks for stereo.
I am not interested in using the track mixer in live mode because again it is to inaccurate and needs cleaning up. I tried right clicking on the keyframes and got everything EXCEPT the ability for numeric entry. A real basic function for audio mixing.

Well, upon further inspections its the CLIP volume key frames that are displayed in the Audio Effects area. When you are trying to do TRACK key frames on the timeline, its necessary to click on the SHOW KEY FRAMES icon at the start of the TL audio track. When you switch to SHOW TRACK KEY FRAMES suddenly the clip cannot be loaded in the SOURCE window (which kind of makes sense) and so the TRACK key frames are not visible for numeric entry.
So the problem with no ability for numeric entry assigning key frames a db still exists.

CS6 Audio Mixer Track Keyframes not Generated

Hi: I am using CS6. I have several audio tracks and started mixing audio using the audio mixer in write mode. I got a few of the tracks done and it works fine. I came back today to do the rest and I can't for the life of me get it to write the keyframes. I have tried both "write" and "touch" methods, but no luck. I tried adding a new track and no luck. I tried adding a new sequence and then it works, but for some reason I can't add more keyframes to my primary sequence. This ever happened to anyone else? I found a couple indications that it has happened to people but no solutions were offered other than to make sure it is set to "write". I am aware that this method generates track keyframes and not clip keyframes. When I chose to see track keyframes, it shows the ones I made yesterday, but is not generating new ones today. Please help!

Try:
Set up a new sequence and copy all the clips / media into it from the original sequence.
It maybe that the original sequence has recorded a mixer move in Audio 1.

Audio mixer having no effect

Hi all
Now it was late at night.. working to a deadline and I had all my tracks laid out and ready to go. As I have done many times before I brought up the audio mixer, changed my background music track to write (or latch or touch) and and ran it through fading up and down as usual.All looked normal - BUT when I replayed it back my audio slider changes had had absolutely no effect (as if I had been in read mode) .The slider stayed at 0 during playback. Same with the other audio tracks when I tried. If I add keyframes manually and drag up and down on the timeline - all is fine (but sooo time consuming) Opened another project and all worked fine. It is a 1280x720 25 timline btw. Any ideas? Thanks Mike

Hey thanks Bill - it is a weird one. When I looked at track keyframes I could only see the ones I manually adjust. Audio mixer is focused and all seems well - but it just does not populate the track with the zillions of keyframes you expect when you adjust the sliders on write.
Anyway, my customer liked the end result and didnt even notice the flaky manually keyframed audio - which stood out to me like a sore thumb.
So next day I created a new sequence in same project (with same sequence settings to match footage as normal) and then copy and pasted the whole (troublesome) timeline there - and then it works just fine with the audio mixer in the new sequence!! (just wish I has thought of that in the wee hours of the morning when I was trying to hit the deadline)
Curiosly, If I delete everything from the troublesome track and cut and past it back there from my new ( working) sequence - then I have same audio mixer problem -- so it is some glitch on that specific sequence - even though both appear identical. One to watch for - but alls well that ends well. Thanks again
mike

Unable to perform multi audio tracks mixing with Audio Mixer

How do you get a simple multi track mix with the Premier Pro 1.5 Audio Mixer?
I got 2 audio clips, each sitting at the start of its own separate track (Audio 1 and Audio 2). I just want to mix them into the Master track. Simple enough.
So I go to the Audio Mixer. Position the CTI at the start of the tracks and hit the red RECORD button. The red spot starts blinking. Then I hit the START/STOP button expecting the tracks to start mixing into the Master track. Instead, I get this error message
"PLAYER ERROR: You cannot record without enabling at least one track for recording."
I get the same problem if I try the mix onto a submix track.
What am I missing? I combed through the Premiere Pro User Guide and J. Rosenberg's Premiere Pro Studio Techniques but to no avail.
Thanks for any help.
JB.

Jacques, I havn't seen 1.5 for a while, so I need to stress that what I'm about to say is more of an educated guess linked to a rough memory.
Each audio track in the mixer has a small chip (tickbox in 1.5??) that you click in order to enable that track for recording. In CS3 it's a little microphone.
Having said that, I DON'T think that's going to give you what you want, as the intention of the recording functionality in PP is to record audio FROM AN EXTERNAL SOURCE (like a microphone) straight to an audio track, say, when doing a Voice Over for some video.
You can't "mix down" to the master, as the master is not a track per se. It's just a "final" level control. The master will always be the sum of the active tracks, and THAT'S what will be rendered in the final output.
You can still "live mix" your audio with the faders, it's just that those movements get recorded as keyframes on each of the tracks you modify (including, BTW, the Master).
The advantage to this workflow is that every fader move you make is infinitley editable... a small error when riding the faders can easily be fixed by dragging keyframes.
HTH.
Matthew

__is there a way to save a preset for audio mixer settings...??

I have CS5
Looking to speed up the process so that I don't have to redo the audio mixer settings for every project - rather just tweak where needed.
So wanted to setup the audio mixer how I want it - and just have it set as default for all projects or have some automated way to apply the same audio mixer settings to each new project.
What's the best way to do this my people ?
Thanks!

I agree with Jim Simon. Creating your own template is a good workaround to what would be a good feature.
The ability to save audio presets (and more) is in my feature request list for Pr:
http://forums.adobe.com/message/4392211#4392211
Please add your voice to the chorus requesting this feature, and any (or all) of the other useful features on my list. Adobe listens. Strength in numbers. Here's the feature request link:
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
Bookmark it.

5.1 Surround audio mixing

Does anyone have some recommendations for a good 5.1 surround audio mixing program?

You might be interested in my post from the Compressor forum on exporting from FCP to Compressor 2 for Dolby Digital:
Here is my procedure for a basic 5 channel project consiting of one stereo pair for the front speakers, a mono track for the center, and a stereo pair for the rear speakers.
First make a copy of your FCP surround project and name it as such.
i.e. My Project saved as My Project_surround
This will leave your original project untouched as a two channel mix should you wish to provide the user of your DVD with a seperate mix optimized for stereo only playback.
We will now be changing audio track assignments.
"My Project_surround" will now not play all tracks in your stereo audio monitoring environment unless you have a soundcard with at least 5 outputs.feeding a surround speaker set-up.
(or you use the Audio Mixer from the Tools drop down to monitor a downmix to two channels)
Open My Project_surround.
Let's assume that your timeline has a stereo pair "A1/A2" for the front L/R speakers, a mono file "A5" for the Center, and a stereo pair "A3/A4" for the rear speakers, Ls, Rs.
Use command "0" (zero) to open the project properties.
Go to the Audio Outputs tab.
Choose 6 from the Outputs Tab.
in the 1/2 grouping choose stereo (leave downmix at "0").
in the 3/4 grouping choose stereo (leave downmix at "0")
in the 5/6 grouping choose "dual mono" (turn off 6 using the downmix drop-down)
Click OK. (ignore the warning that pops up)
In your timeline we will assign your tracks to the appropriate output channels.
In the empty gray area next to the lock icon on track A1 right click, or control click, and you will get a dropdown menu
In the audio outputs sub menu choose 1 & 2.
Do the same for A2. (choose 1 & 2)
For A3 and A4 use the same procedure now choosing outputs 3 & 4.
For A5 choose 5.
Save the project.
In FCP export menu choose Export/Audio to AIFF(s)
(create a new folder on your media drive to hold your exported files)
You will get four files named after the project appended by: 1-2, 3-4, 5 and 6.
Delete "6" as it is a dummy/empty file.
Close your project.
Close FCP.
Open Compressor. In the batch window click on the speaker icon to open the "import surround sound group".
In the graphical interface either drag the file with the 1-2 suffix to the left speaker icon, or click the icon and choose the file.
Compressor will intelligently assign the left channel of the file.
Repeat by dragging or choosing the same file for the right speaker.
Compressor will intelligently assign the right channel of the file.
For the mono center file either drag the file with the "5" suffix to the center speaker icon, or click the icon and choose the file.
Use the same procedure for the Ls and Rs assignments.
Once done click OK.
Click to select your new group in the Batch window and from the dropdown menu choose "audio formats/Dolby 5.1"
Setting up your Dolby settings as a preset for this project is now up to you.

Audio Mixer Won't Slide

We are currently editing a project that has lots of sound fx. When I open the audio mixer I can only adjust the level slider on 3 of my tracks. All of the other tracks say -inf, and they won't move. Even if I enter a number in the box it stays at 0. Any ideas?

You have to have your playhead in the timeline parked over what you want to adjust. If there is no audio where the playhead is located, the audio mixer will behave like you describe.
In order to adjust audio where your playhead is not, highlight the clip/s in the timeline and use modify -> audio -> gain +/-

Audio levels on the timeline & Audio Mixer

I'm confused why when you change the audio levels on a clip using the Audio Mixer it changes the levels for everything on the track?
I'm from an FCP & Avid background where you can adjust each clip using the Audio Mixer, is there a way I can do this? I find using the yellow sliders in each clip is very unaccurate and having to open each audio clip in the viewer is such a time waster.
Thanks, Andy

Audio in Premiere Pro is different--but quite a lot, in many circumstances. I'd recommend going through the help file's audio section to get a better idea of what some of the main controls are: Adobe Premiere Pro CS5 & CS5.5 * Editing Audio
But to answer your question more directly: the Audio Mixer controls track volume, not clip volume. By default, the Audio Mixer isn't set to drop keyframes, so it will affect the level of a track as a whole; check out Recording audio mixes to get more background on setting up the Audio Mixer for automation, so that you can record level changes.
The rubberbands (the yellow lines you're referring to) can be more finitely controlled by holding down the Ctrl/Cmd key as you drag; the values will move in smaller increments, then.
You don't have to load a clip into the Source Monitor to adjust the levels, if you want to adjust by the numbers. Just single click a clip in the sequence, and if the Effects Controls panel is forward, you'll be able to adjust the volume with the standard effects sliders/dials. Note that keyframing is enabled by default for the Level property, so if all you want to do is adjust the total level of a clip, it might be faster to do it in the sequence.
Audio mixing in Premiere Pro is pretty capable and the feature set is pretty deep, but I'll grant you it's a little overwhelming coming from a different NLE. I don't know if any of the previous helps you, but post back with any specific questions and we'll try to figure out a way to approach this in a fashion that makes sense to you.

Audio mixing questions

Since starting with Final Cut, I've set levels in the timeline. Problem is, when I set my first keyframe, whose level I don't want to change, most of the time I inadvertently lower the level by a few decibels. Not a huge deal, but a time waster that adds up and minor embarrassment when the client is sitting next to me. Any way to avoid this?
On the other hand, I've tried switching to the audio mixer, and I don't like that you can only set keyframes when the play head is moving. Is there a way to, using the audio mixer, set a keyframe when the playhead isn't moving, scroll to the desired location of the next keyframe, set a keyframe and adjust it's level, all while the playhead isn't moving?
Seems to me that this process is easier in Avid...but maybe there's an FCP feature I'm overlooking or misunderstanding.
Also, is it possible to gang tracks in FCP's audio mixer? I can't seem to figure that out.
Thanks in advance for help.

For me I have a completely different method when working with audio. Others might think this way is crazy but it works for me. I rarely use "rubberbanding" or keyframes when working with audio. I treat my audio clips the same as video...using edits. I will make an edit where I want the audio level to change and then add an audio cross dissolve between the clips. The only time I will add keyframes is if there is a random peak that I can't knock out using the Compressor/Limiter filter. Like I said though, I rarely need to. Not sure if this is the type of answer you're looking for as it changes the workflow, but I hated the finickyness of the audio keyframes so I just avoid using them.

How to i get an itrack solo to work with pro audio x?

how to i get an itrack solo to work with pro audio x?

Long shot perhaps, but...
how about...
following instructions in manuals?
http://help.apple.com/logicpro/mac/10/#lgcpebe92ce0

Getting a good Audio mix

SPOILER ALERT - rookie here...
..it's getting better, but i've had some difficulties getting a good final audio output.   There are 2 tracks, dialog and "background" music,
and i basically mix to bring up the dialog sometimes, (while also reducing the music), or vice versa, depending on the clip.
I'm using the audio mixer with the "Touch" method of automation. Actually, my first burn had an acceptable "mix", although
the ENTIRE level was too low, so i remixed, turning down my computer speakers, and running each track a little hotter. I'm a little
confused as to which meter i should be watching - the master meter in the mixer, or the meter that appears alongside the
timeline, which seems to vary somewhat.   If i use the timeline meter, it's hard to get it UP to -12db, and the audio mixer meter
doesn't seem to be adjustable.    Often, the audio 1 dialog can be pretty high, but the output volume just isn't a lot.
I've also played with the normalize track feature, and discovered that if i set it at, say "-8db",
it churns for awhile and gives me an errmsg regarding having to go to 0db, therefore not possible. I've been through a few tuts
but not finding some of the fundamentals i think i need to get this right. In short, the mix is pretty good, it's just that the final output
level seems too low.   (I have to play it at about 85 % volume on the dvd player).   MAYBE this is much ado about nothing, and
it's all perfectly normal, but i don't know enough yet to know one way or the other.    After working with vectorscopes and RGB parades
for awhile, i find it comforting for the system to tell me if it's correct, instead of relying on my own observation, although i guess that's
what needs to prevail at the end of the day/

Using the audio gain feature is for sure the easiest method of turning an entire sequence up, just as Jim correctly described by nesting everything then turning the gain up.
One thing I'd really recommend though taking a look at using in the future is a compressor. Once I started using one for my audio levels I found that it made my life extremely easy. Once you have it setup correctly it will raise your lows and lower your peaks for you. Basically what it does is reduce volume once it reaches a certain threshold. Then using the makeup gain option it also adds gain to the audio. I generally just apply the dynamics effect to entire audio tracks. The other great part about the dynamics effect is that it has a limiter on it as well. Which is wonderful because you can set a limit of -10db for example and it won't allow anything to go over that point. So it makes it very easy to achieve consistent audio levels. So normally I always put a dynamics effect on my master track, with only the limiter enabled. So that nothing can go over whatever value I set. Then I use the dynamics effect using the compressor/makeup gain only as needed for the rest of the tracks. However depending on what your exact needs are that setup may or may not make since for you. I really think that it sounds like using this effect could be helpful for you though, so you might want to try it out.

Audio mixer volume problem

I'm working with CS3. My timeline has two audio tracks. Track one is the clip verbal audio, that track is fine. Track 2 is the music that I want to fade in and out at certain chapter intervals. After adjusting all the volumes in track 2, when I go back to listen to the final product, my volume adjuster button keeps popping back to the bottom, no volume. When I did the adjusting I did it in "write" and then immediately saved it, but it keeps going down on its own. There must be a simple solution.

I've always had this problem in Premiere 6.5 too. I simply refuse to use the goofy audio mixer. I either do everything with envelopes, or if it's something much more complex I'll export to Audition and make my changes there.

Solo/Mute modes faulty in Audio Mixer

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