Sony 50mm f1.4 ZA SSM Lens Profile in 8.4 RC  any way I can download file and load into Lightroom ?

Sony 50mm f1.4 ZA SSM Lens Profile in 8.4 RC  any way I can download file and load into Lightroom ?

Short answer. No.

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  • Sony AF 35mm F1.4 G Lens Profile Available

    Hi there,
    for all you Sony Alpha 850/900 users with the Sony/Minolta 35mm F1.4 lens, I've made a profile for that lens last night.
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    http://www.florian-knorn.com/2010/10/sony-35mm-f1-4-g-adobe-lens-profile.html
    Best wishes,
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    According to the Adobe Lens Profile Downloader:

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  • Correct Lens Profile Not Available for Exported/Imported Image Files

    Any help with this would be appreciated.  I just noticed yesterday that when I have RAW (DNG) files in my LR5.2 library, I can select the correct lens profile to apply.  When I take three of those files and merge them together in Photomatix Pro they come back as a single TIFF file.  Now LR only has one lens profile available, and it is the wrong one.
    This is happening with my Sony NEX-7 and Tamron 18-200mm f/3.5-6.3 XR DI-III VC.  With the RAW files, I have a list of Tamron lenses from which to choose, and the correct one is available.  For the merged TIFF file, however, only a single Tamron lens is available for selection, and it is not the lens I used.
    If anyone has any ideas about this and can get me past it, I would greatly appreciate it.
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    ~Steve

    Here's my workflow for this particular situation:  After importing the original RAW files, I apply lens correction using the correct profile.  I export to another application that creates a new (TIFF) file that comes back into LR.  Even though I already applied the correction to the original files, I can see that there is a difference in distortion between the original files and the new TIFF.
    If your other application is opening the Raw file directly, it will likely be disregarding either most, or all, Lightroom adjustments even if they are somehow communicated to it. It will come down to whatever independent Raw support is built into the other application.
    The other application would still need to (a) "understand" about Adobe lens profiles etc, (b) "know" where to find the appropriate Adobe profile on disk, and (c) be equipped to do the specific and proprietary processing that they refer to. The same applies for all the other Adobe-proprietary processing instructions. The only software I am aware of which can do all this reliably, in partnership with LR, is Adobe Camera Raw plus Photoshop.
    I've trained myself that whenever a new file is created in an application outside of LR (including PS), I always re-apply lens correction upon first returning to LR.  If I'm interpreting   the above responses correctly, I shouldn't need to re-apply lens correction if I applied it to the original files.  But again, it's not my observation that this is the case.
    If your particular workflow is failing to reflect the first application of lens corrections (as well as perhaps, other specific adjustments) - then what returns to LR will not have undergone those kinds of corrections yet.
    I'm also hearing that I may need to download a lens profile for this lens for a TIFF file format.  I've never needed to do that before, so perhaps I'll give that a shot.
    As I understand it, Photomatix can also accept converted TIFFs or JPGs from LR - instead of Raw fles. I am skeptical that you will realise any "clear water" advantage from sending Raws rather than TIFF (or even, high quality JPG in many cases) from LR into Photomatix  - assuming the LR conversion is already optimising the images for the required purpose. You would be doing that step in an interactive environment rather than blindly via a generic converter. Such intermediate bitmaps are in my experience perfectly good candidates for HDR processing, or for exposure fusion (which I prefer - though I don't use Photomatix in particular).
    Any workflow which causes LR to in effect Export suitable bitmaps that incorporate all current adjustments, will embody lens corrections as part of that. By the way, the workflow into Photoshop HDR is similarly done by way of converted bitmaps - though in that case it is ACR rather than LR which achieves these converted bitmaps, and into memory rather than into separately saved files, but the outcome is effectively the same.
    The only downside is the "cleanup" is to get rid of intermediate TIFFS or JPGs afterwards. I usually put the completed "merged" image at the top of a "stack" containing the component exposures, and collapse the stack down. But the (disposable) intermediates don't get imported to LR, and by setting these to occur in a subfolder or with a distinctive name suffix, they are easily found and deleted in due course.
    RP

  • Need lens profile rokinon 14mm for sony nex7

    Please does anyone know if there is a Lightroom 5 lens profile for Rokinon(aka Bower/Samyang)  14 mm for sony nex 7??
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    The Adobe Lens Profile implementation is not camera model specific.  Cameras with the same sensor size should theoretically be able to use the same lens profiles regardless of the camera make or model. Adobe also provides the capability of using lens profiles from larger sensor size (full-frame) cameras with images shot using smaller sensor (APS-C) camera models (i.e. Crop Factor). As best I can tell the Adobe and User created lens profiles are agnostic, except for image file type. Different lens profiles are required for raw and JPEG images. As long as the lens profile crop factor is the same or smaller than the target camera it should work just fine. The Sony Nex7 has a 1.5 Crop Factor sensor size, so any lens profile with a 1.5 to 1 crop factor should work. Lens profiles with the nearly same sensor size 1.6 crop factor should also work.
    The Adobe Lens Profile Downloader lists numerous lens profiles for this lens under 'Camera Make' Nikon for both raw and JPEG. You could also use any of the lens profiles that appear under 'Camera Make' Canon.
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  • How to use lens profile from Lightroom 5 in Lightroom 4

    I'm using Lightroom 4.4 on a five-year-old iMac.  I haven't been able to upgrade to LR 5 because it requires an operating system upgrade, but the technicians at the Apple Store say my machine is too old for the upgrade.  I just bought a new Sony 18-105 lens which requires siginificant software lens correction.  It has been included in the latest ACR in LR 5, but not LR 4.  Is there any way I can locate and load the lens profile for just this one lens in my LR4?  I've looked and there is no profile in the Adobe Porfile Downloader I can use.

    Zenfolio purposely disables saving of images from the gallery, so requires some deviousness to get to a smallish version of the underlying JPG image, here:
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    Figgie123, can you provide an original-sized raw file to test with?  Upload it to somewhere like www.dropbox.com then post the public download link, here. The file on Zenfolio is small, difficult to even download, and isn't what you're working with when the lens profiles are not working for you.  The idea is to repeat what you're doing to see if we have the same issues.
    Here is what applying a Sony E PZ 18-105 F4 G OSS profile looks like in Photoshop Lens Corrections and I don't really see any change compared with the Zenfolio image:

  • Lens Profile Not Showing Up in Lightroom 5.7

    Despite the profile for a particular lens appearing in (what I presume to be) the correct places on my hard drive (see paths below), the lens profile does not appear in the drop-down within LR panel for Lens Corrections / Lens Profile.  Other new Sony lenses (FE series) do show up but not ALL of them that are in either location (paths below).  Weird.  What am I missing?
    The profile does show up in ACR 8.8.  Similarly, Photoshop CC 2014.2.2 populates the profile automatically when I use Filter>Lens Correction but it just won't appear in Lightroom.
    Background: CC subscriber, Lightroom 5.7.1, Win 8.1, 64-bit; I have restarted my computer and LR several times.
    Profile that is not appearing: SONY (Sony FE 24-240mm F3.5-6.3 OSS) - RAW.lcp
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    Thank you.
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  • Lens profile not appearing in Lightroom

    Hi folks,
    I have installed Lightroom 5.4 from CC on Windows 8 and just ensured it is updated.
    I am attempting to use a lens profile correction for a Sony E 35mm 2.8 lens (which should have been added in the Lightroom 5.3 update).
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    Do I need to activate anything in order to get the Sony 35mm to show?
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    The lens profile is likely built in and always applied so there’s nothing to select; however, if you want to upload a raw file I can check in Photoshop, which actually tells you that it’s using a built-in profile, rather than leaving you wonder.  Use http://www.dropbox.com and post a public download link, here, in a reply.

  • Lightroom Bug: with GoPro Hero4 Silver Lens Profile, crop settings do not sync properly in Lightroom 5.7.1 when Constrain To Warp is checked

    I was having a bit of difficultly in getting crop settings to properly sync in Lightroom 5.7.1 (running on OS X 10.10.1) when Constrain to Warp was checked.  This appears to be a bug in the latest version(s) of Lightroom that include(s) the GoPro Hero4 Silver Lens Profile settings.  I'm working with a lot of files from a GoPro Hero4 Silver camera shot in the time-lapse / interval timer mode.  All of them are horizontal with the same resolution (and dimensions).  I've tried various sequences to get this to work in terms of using Auto-Sync, resetting the settings on all images except one and then copy and pasting settings, etc, though the crop is not properly syncing regardless of what I do.
    Here's are instructions of how to duplicate this issue (there are some extra details/steps here, though this should be clear enough to produce the same result):
         1.  in the Develop settings for a single selected image, go to Lens Corrections, click to Enable Profile Corrections (in the Profile tab), and then pick the GoPro Hero4 Silver Edition (Adobe Profile) if it is not automatically chosen for you (if you are using files from a Hero4 Silver camera).  After this, click on the Manual tab, and set the Scale setting to 76.  (as you will see, you now have the full horizontal width of the image that was getting cropped off, though you do see white around the edges that have been warped/shaped to correct the fisheye distortion)
         2.  Press the R key (or click on the Crop Overlay tool just below the histogram).  Change the Aspect option to Custom.  Click to unlock the lock next to it (this seems to re-lock after setting to custom even if it was locked before).  Place a checkmark next to the Constrain To Warp option.  (At this point, you'll see the image gets cropped back to an approximately 4:3 ratio and the full horizontal width is not included in the cropped area)  Click the upper right most corner of the crop area and drag as much to the right and top as it lets you go.  Do the same for the lower left corner, dragging it as far to the bottom left as you can go.  (Now, you will see that your cropped area is the maximum rectangular width and height you can select without getting any of the excessive white area)  Click the Close button (or press R again) to leave the crop overlay tool.
         3.  Press G to go back to the grid of images.  Make sure the image you just adjusted the settings for is the only one selected.  Right click on it, go to Develop Settings, and click Copy Settings.  Click Check All on the window that appears and then click Copy.
         4.  De-select the image you were working on.  Select multiple other images in the grid.  Right click on one of these, go to Develop Settings, and click Paste Settings.  (at this point, you will see their aspect ratio has become more panoramic than the 4:3 aspect ratio the images previously were)
         5.  De-select these images.  Select one of these image, and then press D to go to the Develop settings for this image.  Press R to go to the Crop Overlay tool.  Here you will see the bug where the crop was not properly copied over from the first image.  The selected area is smaller than the full width and height available to crop.
    It seems that the bug is that Lightroom is only copying the aspect ratio (and the other settings), but not the actual crop selection.
    I just thought of a workaround that I've tested and can confirm works (and will also work in a slightly different workflow than above).  In step 1 above, for the Model (and Profile), manually pick the "GoPro Hero4 Black Edition" or the "GoPro Hero3-Silver Edition".  If using the "Hero3-Silver" setting, the Scale (also in step 1 above) need only be set to 79 (rather than 76 for the Hero4 profiles).  By picking one of these Lens Profiles and doing everything else the same as the other steps above, the crop settings do copy and paste properly.  This does also appear to work properly when selecting the "GoPro Hero3-White Edition" Lens Profile, with a Scale setting of 75, which yields a slightly more rectilinear image (with a wider aspect ratio -- almost, but not quite 16:9).
    While this isn't too big of deal as it does work by picking one of the other lens profiles (and the Hero4 Black Edition profile appears to make the same exact correction to the image), this was incredibly frustrating last night to notice that some files had the proper horizontal field of view / crop and others didn't, and other users may experience this or not even notice their crop is not copied properly (as, depending on one's composition and image, it's not extremely obvious with such a wide view).
    I hope this discovery helps someone else and provides feedback for Adobe to correct this issue in the next version of Lightroom 5.
    On a separate, additional note for Adobe:  Please allow the crop overlay tool to "crop" an image to a size that is larger than the original dimensions of the image.  This would allow for one to retain maximum original sharpness in the center of the image when using the Lens Profile tool to correct, or "de-fish" a lens, without having to scale the image down with the Scale option on the Manual tab of the Lens Corrections settings.  For example, when I do the above process selecting the Hero3-White Edition profile, my final image dimensions are 3840 by 2257 pixels, reducing the size of the image in the center by 25%.  If the tool allowed one to crop/scale a larger image size, and I kept the Scale option of the Lens Corrections settings at 100 rather than 75, my final image dimensions would be 5120 by 3009 pixels (larger than the 4000 by 3000 pixel dimensions of the original image which the tool now limits me to).  Yes, the edges would be a little softer but the center would retain the original detail.  (this is essentially what the Calculate Optimal Size button found in the Hugin open source software does, when using it on a single image for lens transformations/corrections)

    Can you zip up a few of your GoPro images, upload them to dropbox.com and post a share link, here, so others can experiment with them, or do you mean this issue is global to all camera models?

  • Looking for D7000 and Tokina 11-16mm Lens Profile

    I would think by now someone would have posted this lens profile but I can't find it for the life of me, sorry. I am sure this has been discussed to death but I have downloaded the lens profile creator (haven't figured out how to use it yet) and the Adobe Lens Profile Downloader (doesn't seem to have any third party lens data for the D7000). Any help would be great.
    On a side note I am also looking for a lens profile for the Pro-Optic 8mm f/3.5 fisheye, which I knew would be even harder to find, but if anyone has either of those I would greatly appreciate a link to download the profile. Thanks, Scott

    There are only Nikon brand lenses in the dB, nothing from Tokina, and nothing for the 11-16mm.
    ~~~~~~~~~~~~~~~
    Scott Fillmer | Sent via iPhone
    http://www.scottfillmer.com
    cell / text 334-787-9317

  • Camera RAW v7.3:Lens Profile for Nikkor DX 17-55mm

    Hi,
    LR v4.3 correctly reads from NEF the lens Metadata like: Nikon AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED. This lens profile is properly assigned to the corresponding NEF file.
    Still in LR when converting the same image (via export dialog) to TIF, again this lens profile is used and reflected in the TIF-output (including metadata). So far so good.
    When converting the same image in Nikon Capture NX2 of course the lens profile (as set in LR) is NOT reflected in the TIF-output. This (should) can be taken care of by enabling a lens profile correction in LR (after import TIF into LR).
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    Unfortunately a profile for the Nikon AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED is not listed in the selection options.
    Question is:
    How can I best obtain a proper profile for the lens: Nikon AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED ?
    I find it strange that Camera RAW v7.3 has the proper lens profile for the NEF but suggest another profile for the TIF version of the same file. Apparently the profile is available for NEF but not for the TIF.
    How comes?
    Would appreciate to receive some reasoning and possible solutions.
    Thanks, Hans.

    My findings:
    The lens profile in ACR is for RAW files.
    For converted files (TIF, JPG, etc.) a different lens profile applies.
    Reason(s): The metadata of the TIF-file is not specific enough about lens profiles. (Lens profiles would need to be embedded - they are not).
    For example: Has the TIF-file been converted from RAW using a profile or not? If so, the specific name of the lens profile and it's physical location would be needed.
    Meanwhile it makes sense for me that this part is left to the user.
    The Adobe LensProfile Creator allows to produce a suitable profile for specific needs.
    For many popular lenses there is a non-RAW lensprofile (for TIF, JPG etc.) available that might be applied by the user.
    Thanks 'Geoff the kiwi' you lead me onto the right path to find the answers to my questions.

  • Lens profile downloader issue with download target dirs (Win7)

    Hi,
    I installed LPD on Windows 7 Ultimate 64bit and did some downloads.
    Now I find that this does not work very nicely.
    a) All downloads end up in adirectory "C:\Users\[username]\AppData\Roaming\Adobe\CameraRaw\LensProfiles\1.0\Downloaded".
    This is not really where Lightroom is able to find them. The Software is looking in "C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\[Maker]"
    b) While the preinstalled profiles have nice speaking names, the downloads for no obviuos reasons get a cryptic name. such as "92713070afd245e19b229e409f089b38.lcp", which makes moving the files to the right place not a fun job, since its not obvious what the content is.
    Anyone with similar or other experience under Win 7?
    I think the first issue is due to LPD trying to save profiles to the right place but not having the rights to do so. The "Roaming" dirs in Windows usually are meant for this I think.
    Any ideas how to solve it?

    Lens Profiles under the ...Roaming are findable by LR/ACR and this is the normal place, so a profile ending up there is by design not because of some system error.  It is a distinct location to keep them separate from the vendor-supplied profiles. 
    The gibberish for the name is to keep files from different sources but with the same name from overwriting each other.  The file is XML so you can certainly look inside the file to see what it is for and rename it to something you like better.
    Do your downloaded profiles not work as you're expecting or are you just seeing things you wonder about and suggesting there could be a problem?

  • 8.4RC mentions support for Fuji lens profiles - any details known?

    Curious if this is new support or if it's always been there and now ACR shows a message about it. I installed the ACR 8.4RC and loaded a RAW file from my X-T1. Looking at the Lens Corrections tab and the Profile sub-tab, there's now a message at the bottom that says "Built-in lens profile applied: XF14mmF2.2 R. Click for more info." When I clicked, a small dialog box appeared which  offered a little more info:
    Fujifilm X-T1
    XF14mmF2.8R
    This raw file contains a built-in lens profile for correcting chromatic aberration and vignetting. The profile has already been applied automatically to this image.
    I experimented and got this for RAWs shot with my X-E2 as well and also my 18-55 and 55-200 lenses. I then went back to ACR 8.3 and confirmed that the messages are not there.
    I notice that despite what they say, going to the Color sub-tab and checking Remove Chromatic Aberration was still required for some images.
    I didn't see this aspect of the update listed in any release notes. Does anyone know any details about this? Is there a way to turn it off if so desired? I'm curious if the Fuji profile is as good as one that could be created with the Lens Profile Creator. The message doesn't mention geometric correction which would be nice.

    The information about what built-in lens profile is being applied is new to ACR 8.4, but the application of built-in lens profiles is not new. 
    Whether those lens profiles do a perfect job is another matter, of course.  And just like in previous versions, you cannot turn the built-in profiles off, but if someone creates an external profile those can also be applied. 
    The one thing to be careful of is if the built-in lens profile also corrects the same aspect as the external profile, for example, vignetting, then it’ll get double-corrected and the way to avoid this is to set the manual strength setting of that profile correction parameter, either vignetting or distortion, to its minimum value, effectively turning off the external profile’s contribution.

  • Lens profiles not available in Lightroom CC

    I have downloaded and installed lens profiles but they do not show in Lightroom CC as choices in the drop down menu? They were there for Lightroom 4 but not since I purchased and installed Lightroom 5 via the Creative Cloud?

    I have downloaded lens profiles in an analogous folder on my computer and they work ok, so you're putting them in the right place, assuming you're logged in as user Michael.
    The other thing is are the photos you're opening RAW or non-RAW, and is the lens-profile you're hoping to use for RAW or non-RAW, and is it for the same camera manufacturer (Canon, Nikon, etc) as your photos?

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