Sony F5 R5 Raw Recorder not showing 4k option

Hi Sony users, I'm new to the R5 recorder so sorry if this is a dumb question. I can only get my F5 to display 2k raw, not 4k. It is in Cine mode and camera is selected to raw. Any reason for this? Thanks

That would take more time to explain than I have at the moment. Perhaps someone else will jump in or you can check out my book where all of those questions are addressed in detail. It is not a firmware issue, but you should be running the latest versions regardless. https://itunes.apple.com/us/book/doug-jensens-guide-to-sony/id892493476?mt=11&ign-mpt=uo=4

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Hi all,
I just got a Canon 50D as an addition to the current 400D (Rebel in the USA).
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i.3d
OK, here's a boy who answers his own questions...
The Apple Camera RAW update 2.4 does NOT list 50D as a new supported camera model, and yet... what do you know... it does include support for Canon 50D.
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Message was edited by: i.3d

As to the Adobe RAW, I thought that it also becomes a "system extension" (for the lack of a better wording) which COULD help, and which obviously doesn't. Thanks for the info.
In regards to the Apple Update, I just assumed that the latest would contain all previous updates, or if it did not, upon install inform that one needs the previous one installed first (Just like Java updates do) - which, again, obviously it doesn't. Again, thanks for the info and the link. I am downloading as I type this, so will see soon - after a restart, so an edit is coming...
Strange thing with the yesterday's RAWs working 100% and today's not at all.
Hopefully the 2.3 will do the trick.
Stand by.
We have a problem, the 2.3 tells me that it DOES NOT NEED to be installed as a newer version is already installed. This would imply that previous updates are indeed included in 2.4 (just like the security updates - enough to install the latest one.
Well, that's a bit of a problem, innit?
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Message was edited by: i.3d
Message was edited by: i.3d

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kenmb wrote:
When you're able to distinguish between ACR and PS Image Processor,
kenmb,
You have no reason and no right to be posting snide comments, as you have failed to give us the most elementary information requested. Your posts so far have been the antithesis of a model of clarity, so we are still in the dark both as to what you have been doing and as to what the exact nature of your problem is.
Please take a step back and try to calm down.
At the risk of being insulted by you once again, I'm going to try once more. After all, I have a thick skin and can hurl insults back with the best and the worst of them.
So far you have written about "Adjustments" that the lab workers can detect in Camera Raw and are not being "reflected" on your prints. This is indeed the Camera Raw forum so, given the paucity of information received from you so far, we can only assume that you are indeed performing adjustments to your images in ACR.
You then speak of saving your files through the Image Processor.
Here's the rub: we are missing one step. Unless you Open an image in the Camera Raw panel (dialog box) by using the OPEN button in ACR after making your adjustments, the adjustments WILL NOT BE applied to the pixels, they will be just stored only in metadata. That's what happens when you use the "Done" button in the the Camera Raw panel (dialog box). That does you no good, especially since your lab will be using a non-Adobe application that cannot read the adjustments embedded in your file. When you do that and then proceed to use the Image Processor to batch process your files and save them for the lab, you end up with files the pixels of which have not been touched, despite being saved by the Image Processor.
Let's for a moment forget about batch processing and let's concentrate on what needs to be done to a single individual image:
First, you need to use ACR to perform your adjustments on the image. When finished, you need to click on the "Open" button in the ACR panel (dialog box). <—— THIS is the step that actually applies your adjustments to the pixels. Then the image will be opened by Photoshop and kept in RAM only until you actually save it in Photoshop, before using the Image Processor on that file. You now have a saved file to the pixels of which your adjustments have been directly applied. ONLY THEN can you use the Image Processor on that and other files similarly saved already.
If you run the Image Processor on files with adjustments embedded in metadata as opposed to adjustments applied to the pixels themselves, only Adobe software such as ACR, Bridge and Photoshop can detect the embedded adjustments, but non-Adobe software (like the one used by your lab to print, e.g a RIP) will not be aware of the existence of the embedded adjustments. That's why the lab staff can see the adjustments when they use Adobe software (ACR) to view the images.
It's a combination of the missing step of Opening and Saving the image files in ACR before using the Image Processor and the lab using non-Adobe software that is generating image files with embedded adjustments in metadata which are being ignored by the printing application used by the lab.
If you disagree with any of the above, I would hope that you take the time to explain exactly what you're doing, rather than resort to throwing tantrums and insulting people who are only trying to help you.

Sony F5 R5 Raw Recorder not showing 4k option

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