Speedgrade scene detection clips export easily into premiere pro??
I have a .mp4 movie and want to scene detect it to get different clips using speedgrade.
Then I want to switch to premiere pro in the most easy way!
I dont want to change the order of clips. the clip splitting is just for speedgrade adjustments.
(Im just starting to use the programms)
SG erzeugt keine Clips. Die Szenenerkennung wird nur intern verwendet, um separate Korrekturen voneinander zu trennen. Wenn, dann müßte jedes Segment separat exportiert werden. Aber umgekehrt kann SG wunderbar vorseparierte Premiere Sequenzen verwenden...
Mylenium
Similar Messages
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When importing rendered clips from davinci into premiere they look darker and more contrasty.
After importing the graded and rendered clips from davinci into premiere pro cc they look darker and more contrasty. I've checked the exported files from DaVinci and they look totally fine if you play them with any media player, but when I import them in Premiere Pro CC, they appear darker and way more contrasty than I've graded them in Resolve. Anyone have a solution for that?
Thanks!
AndrewThis is a long-standing and complicated issue. To start with, different media players interpret footage differently. You can hope for the best, but there can be no expectation that footage in one player will look the same in another. Ridiculous, but true. The situation is further aggravated by different display cards and different monitors, and no prevailing standards of how color and levels are interpreted.
In your specific case, you need to look at the waveforms, in Resolve and in PPro. It sounds as if the blacks are being crushed in PPro, which could mean you're monitoring them at 64 in Resolve, but they're being output at 0 or remapped to 0 in PP. This may also relate to whether you've monitoring with data or video levels in Resolve.
Is there a setting in PPro which covers how values are mapped, as data or video? I think so, but just can't recall.... Anybody? Staff? -
Exporting Sessions to Premiere Pro
Hi There,
I'm a newbee to Adobe products. I was wondering; I had three or four clips of audio in one track of a Premiere Pro project, opened it in Audition, worked on it, then exported it back into Premiere Pro. The problem is that, when I exported it into Premiere Pro, Audition created one clip out of the three or four clips that I had. Yes they were all in the same track, but I need them separated so that I can apply different effects, volume and EQ to each later on.
Any Ideas?Here are some screen shots detailing what I mean.
This is Adobe Audition. As you can see, the large track is divided. It has five sections to be exact.
I click the export to Adobe Premiere Pro, but when it opens in Premiere Pro it joins the five sections on the one track and converts it into one section on the one track. Hope these help. -
How do I get audio back on single clip that loses audio when imported into Premiere Pro CC?
I've got one clip out of many that for some reason won't play any audio when imported into Premiere Pro. I am new to Premiere Pro so am hoping it's something stupid I've done, but this is a problem with just a single clip exported the same way as all my others, the original audio is loud (not quiet) and none of the FAQ issues seem to apply (ie I haven't muted the audio or anything stupid like that)
The clip was exported from Plural Eyes into a "master" Premiere Pro project where the audio is fine. I exported it as a short MP4 clip and if I play the clip in Windows Media Player the audio is there loud and clear.
But when I import the clip into a fresh Preimiere Pro CC project this clip appears with just the "film strip" icon on the far left in the Timeline panel, unlike other clips which have an icon that shows "film strip" in the background and "audio wave" in the foreground.
I'm hitting so many glitches with the CC editions of Premiere Pro and After Effects which have annoying inconsistencies between them I'm tempted to just go back to Sony Vegas Pro (single program, no hassle) but hoping most of these issues are down to "newbie incompetence". Very hard to understand why this one clip out of many should be giving me this specific problem though. Any ideas?I'm getting so many weird results. Most go away by simply closing the project and re-opening and I only have 6GB memory but even so, I'm disappointed by what I thought was supposed to be more "world class" video editing software than Sony Vegas Pro which I found to be a lot more stable. Also struggling with differences between Premiere and After Effects. Every time I want to do something in Pro I seem to need to go to After Effects and vice-versa. After Effects lets me do more of what I could "just do" in Vegas Pro timeline, but it's hideous for lining up audio and having to render anything in RAM to even get a clue as to what a change has done. Need to add Audition to the long list as well I suspect. Fun times!
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Can't import prores files into Premiere Pro CC or SpeedGrade CC
Can't import prores files into Premiere Pro CC or SpeedGrade CC. But I can into After Effects CC.
I also can't export to DNxHD files to an MXF file either.
I do have latest Quicktime Pro installed and I also have Avid Media Composer and the other pieces of the Avid package.
Conflict?I only have one account on the computer and it has Administrator priveleges. What I am doing to make it work is opening the application using the "Run as Administrator" command (e.g., right click application shortcut on desktop, choose "Run as Administrator"). I am not a Windows guru but I would guess there is something different between opening an Application with a user that has Administrator priveleges and opening an Application choosing "Run as Administrator". Also, your answer still does not address the fact that I can't use my jog wheel.
Anyone else have some ideas? -
Can't import audio from clip into Premiere Pro CC.
I can export a clip, with audio, from Premiere Pro, but when I import it back into PP the audio track is missing. I noticed that when I delete the .xmp file from the file folder the audio will import with the clip successfully. Can someone please instruct me as to how I can edit the .xmp file so as to correct this problem? Thanks.
I export a clip using the "match sequence settings".
Mmm, don't ever use that. It's for people who don't know what they're doing, and often causes more problems that it solves.
Better to know what you're doing and set up your export manually. Try that, then report back what happens. -
Export .wav with markers from Audition into Premiere Pro CS5.5
Hi,
I need help in getting a multitrack mixdown with markers from Audition into Premiere.
This is what I have:
An Audition CS5.5 multitrack session with lots of markers
This is what I did to export:
Audition > File > Export > Multitrack Mixdown > Entire Session > .wav & "include markers and other metadata"
When I import that .wav in Premiere Pro there are no markers, neither in the source monitor, nor in the sequence.
When I import it into After Effects, all markers are there. Unfortunately, this does not help me in my editing in Premiere.
Is there any workaround for that? A direkt export from Audition via
Multitrack > Export to Premiere Pro
did not help either.
There is a thread on this in Soundtbooth (sorry for posting there, too) where it is stated that it should work in Premiere, too:
http://forums.adobe.com/message/3908899#3908899
Please help, regards,
AndreasHi Tim,
first of all, thank you for your help.
I also just filed a bug report, as you suggested.
Now let me share the results of checking out the workaround that you suggested:
1. Export to Premiere Pro via "Mulitrack menu > Export to Adobe Premiere Pro"
I had tried that before and found it not working. This was a partial mistake. What I mean by that is, when you do that, the exported .wav files get automatically added to the sequence timeline. And do not show markers. BUT, what I overlooked was, that there is a sequence created alongside which resides in the project panel. This sequence does in fact include the markers, as sequence markers.
Now comes the bitter part: When I delete the automatically added .wav from the timeline and replace it with said sequence, the markers are treated as clip markers. By contrast to After Effects, in Premiere Pro clip markers do not contain any text / names. I.e. all metadata is lost except the mere fact of anonymous markers on the timeline.
2. Export to Premiere Pro via " File menu > Export > FCP XML Interchange Format"
Same as above. Except, that I had not tried that before. What I had tried before was ...
3. Export via " File menu > Export > OMF"
Interestingly, this cannot be imported in Premiere Pro at all. Could this be another bug?
Comment:
I really hope that the markers export/import gets fixed soon.
I also wished, that clip markers in Premiere Pro would be as intelligent as in After Effects (naming, updating, showing their text clearly in the timeline)
I also wished that sequence markers would be as intelligent as comp markers in After Effects in showing their text clearly in the timeline.
... but thats a lot of wishing going on
Kind regards,
Andreas -
QuickTime 10.1 Screen Recordings Blurry Once Imported into Premiere Pro CS6
I am doing screen recordings with QuickTime 10.1 that appear to be of good quality until I import into Premiere Pro CS6 and then they display and export very poorly and very blurry to the point that you can't read the text on the page. Any suggestions to fix this problem?
Hi Kristine,
Make sure that the clips are positioned on the X,Y axis as whole integers, not integers + decimal points. See if that works for you.
Thanks,
Kevin -
CANNOT IMPORT FCP .XML FILE INTO PREMIERE PRO CS5
Hi,
Camera used:-Sony Pmw Ex3
Footage :- XDCAM sp(1440 * 1080i) PAL
Edited in :-final cut pro 7
Error :- failed to import .xml file into premiere pro cs5
I tried to import the .xml file into premiere CS5 ,it asked for the media files to relink .whn i linked the .mp4 files it showed the error messege "The selected file cannot be linked becouse it has 2 audio channel(s) and the clip was created with 1 audio channel(s).
then i tried to relink the .mov instead of .mp4 file (which i used in final cut pro on apple machine)i got the error "Codec missing or unavailable"
what should i do???..i almost done all the editing in final cut pro and i bought the adobe coz i thought i can finish all the pending FCP projects in Premier Pro..??What is the CODEC in your MOV file(s)? MOV is but a "wrapper," like AVI. This ARTICLE will give you some background. It could be that you just need the proper CODEC, or it could be that it is a Mac-only CODEC, and then you will need for the producer to Export in another CODEC, that is PC-compatible.
This ARTICLE will give you some background on CODEC's, in general.
Good luck,
Hunt -
Importing IMX50 footage into Premiere Pro CS5.5
Hi,
I've been trying to import a Final Cut 6 project into Premiere Pro CS 5.5 without any success. The footage is originally imx 50 codec. I do an xml import and I get a error message saying it cant read the .mov codec. It can see the sequence but can't associate any of the footage to it. I also tried transcoding the FCP sequnce to prores and then doing an xml export but with exactly the same result! Can anybody help?Hi Colin,
Here's the analyis you were looking for. I'll run those other test today and see what happens.
MEDIA INFO ANALYSIS begins:
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File size : 389 MiB
Duration : 50s 960ms
Overall bit rate mode : Variable
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Tagged date : UTC 2011-10-12 21:28:46
Writing library : Apple QuickTime
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©TSC : 25
©TSZ : 1
Video
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Bit rate mode : Variable
Bit rate : 62.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.026
Stream size : 380 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Audio
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Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
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Channel(s) : 2 channels
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Bit depth : 16 bits
Stream size : 9.33 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Menu
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File size : 27.6 MiB
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 master tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 2.00 GiB
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Overall bit rate mode : Variable
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Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
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Codec ID : apch
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Bit rate mode : Variable
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Stream size : 3.15 GiB
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Audio
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Format : PCM
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Stream size : 79.4 MiB (4%)
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Menu
ID : 3
Duration : 7mn 13s
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:27:39
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.32 GiB
Duration : 2mn 55s
Overall bit rate mode : Variable
Overall bit rate : 64.6 Mbps
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Writing library : Apple QuickTime
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Bits/(Pixel*Frame) : 6.080
Stream size : 1.29 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Audio
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Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 32.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Menu
ID : 3
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Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:29:31
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
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Duration : 3mn 45s
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Writing library : Apple QuickTime
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Bits/(Pixel*Frame) : 5.852
Stream size : 1.60 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Audio
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Format : PCM
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Codec ID : sowt
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Channel(s) : 2 channels
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Stream size : 41.4 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Menu
ID : 3
Duration : 3mn 45s
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:31:52
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk2
Format : MPEG-4
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Codec ID : qt
File size : 186 MiB
Duration : 25s 120ms
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Writing library : Apple QuickTime
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Height : 576 pixels
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Frame rate mode : Constant
Frame rate : 25.000 fps
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Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.848
Stream size : 182 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Audio
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Format : PCM
Format settings, Endianness : Little
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Codec ID : sowt
Duration : 25s 120ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 4.60 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Menu
ID : 3
Duration : 25s 120ms
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:32:07
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu1 tk1
Format : MPEG-4
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Codec ID : qt
File size : 1.02 GiB
Duration : 2mn 12s
Overall bit rate mode : Variable
Overall bit rate : 66.1 Mbps
Encoded date : UTC 2011-10-12 11:32:07
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Duration : 2mn 12s
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Bit rate : 64.5 Mbps
Width : 720 pixels
Height : 576 pixels
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Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.225
Stream size : 1 021 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 12s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 24.3 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Menu
ID : 3
Duration : 2mn 12s
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:33
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 cam2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 262 MiB
Duration : 35s 720ms
Overall bit rate mode : Variable
Overall bit rate : 61.6 Mbps
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 0BA3D2D7-2464-4BB6-92BB-54560243ECB9
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Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 35s 720ms
Bit rate mode : Variable
Bit rate : 60.0 Mbps
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Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.790
Stream size : 256 MiB (97%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 35s 720ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 6.54 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Menu
ID : 3
Duration : 35s 720ms
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:33:55
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.27 GiB
Duration : 2mn 50s
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C138D770-ED74-4FEA-865D-681D34ABAE7D
Media/History/UUID : CA3A07FF-5DEE-4C3E-96B4-0BCD1EE5633E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 50s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.019
Stream size : 1.24 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 50s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 31.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Menu
ID : 3
Duration : 2mn 50s
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:35:43
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 tk3
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 526 MiB
Duration : 1mn 8s
Overall bit rate mode : Variable
Overall bit rate : 64.2 Mbps
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 8FF7D341-111A-4535-AAB3-36F641389640
Media/History/UUID : AE250985-6D04-4D27-B1C8-8D590F8AB65B
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 1mn 8s
Bit rate mode : Variable
Bit rate : 62.6 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.039
Stream size : 513 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 1mn 8s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 12.6 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Menu
ID : 3
Duration : 1mn 8s
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:36:27
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 tk4
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.39 GiB
Duration : 3mn 7s
Overall bit rate mode : Variable
Overall bit rate : 63.6 Mbps
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 250A8C23-93E8-4FD5-B529-19095DA598DA
Media/History/UUID : 06CF860D-F780-4876-A302-03AB6B1C851E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 3mn 7s
Bit rate mode : Variable
Bit rate : 62.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.981
Stream size : 1.35 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 3mn 7s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 34.3 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Menu
ID : 3
Duration : 3mn 7s
Language : English
Encoded date : UTC 2011-10-12 11:38:24
Tagged date : UTC 2011-10-12 11:38:24 -
I'm trying to import a sequence into premiere pro and suddenly a few sections are 'media offline'
I'm trying to import a previous premiere pro sequence into premiere pro and suddenly a few sections are 'media offline' (it has always worked up until now). I would be able to relink the clips but the offending ones aren't showing up in the project's clip bin. To make things worse I can't drag and drop the corresponding clips from my finder into the clips bin and then 'replace clip with' in the timeline, as the clips in the project have been renamed, and are synced up to audio (this is a 90 minute feature film).
Can anyone help??!!Right click on the offline clips and select Reveal in Project. This will call up the bin they're in, where you'll be able to relink.
-
I use Premiere Pro CC to edit videos, and videos render fine when I export through Premiere Pro, but when I try to use Media Encoder CC, the video exports with weird splotches of green/purple artifacts all throughout. It almost looks like the video is glitching and having a seizure of green and purple. No idea why this happens. Could anybody help me? I use Media Encoder to export bulks of videos at a time through its queue feature, which is why I prefer to use Media Encoder for video exporting.
Please and thanks.
Specs:
Motherboard: MSI® Z87-G45 Gaming [Red on Black color] 2x SLI/CrossFire
Processor: Intel® Core™ i7 4770K 3.5GHz/3.9GHz Turbo 8MB L3 Cache HD 4600
Memory: 16GB Corsair® Vengeance™ DDR3-1600 1.5V (2x8GB)
Graphics and GPGPU Accelerator: AMD R9 295x2
Power Supply: 1300W EVGA
Operating System: Microsoft Windows 7 Home Premium 64-bitMitch,
I was hoping that you and others might have some insight as to whether the purple and green artifacts / splotches seen in the attached screenshots (taken from 4 consecutive frames here but occurring through the entirety of the clip) could possibly have resulted from exporting video with ~ Premiere Pro CS5 or 6 ? As seen below, these splotches alternate back and forth between purple and green in every consecutive frame. I was also hoping that someone might know if this is a relatively common type of artifact and how it is caused. -
Import mpg video into Premiere Pro CS6
When I try to import video taken with a Sony Handicam DCR SX63 I get a "There was an error decompressing audio or video". In searching this issue I find many people with the same issue but never a resolution. Is there one? That a novice could implement??
MPG format is clearly stated to be compatible. Copied directly from camera to computer via USB it plays just fine. Converting it to a different format (MP4) with DVDVideoSoft Free Studio I can import it into Premiere Pro and do my splicing / editing.
But.. my end result is not as clear (and files are much larger) so feel if I could use the original and stay in that format.. my results would be much better.
My project is very simple.. combine some clips, remove some bad footage and burn to a DVD.. any advice on alternate formats would be appreciated as well.
Thank you for your time
RalphThank you for your time John.
Your last link deals with taking files off a SD card.. this is not my case but there is mention of renaming files creating a problem. So.. I re-download all my video from my camera using Windows Explore and copied the entire folder and root (Videos\MP_ROOT\101PNV01). My previous download using Windows Media.. did in fact rename the files. However I get the same error when trying to import with Premiere Pro.
In my previous searches for a solution I was pointed to your mediainfo applet.. running that on any of the newly downloaded video gives me this report: Open to more suggestions..
From MediaInfo:
General
CompleteName : D:\Videos\MP_ROOT\101PNV01\M2U00026.MPG
Format : MPEG-PS
FileSize/String : 77.7 MiB
Duration/String : 1mn 9s
OverallBitRate_Mode/String : Variable
OverallBitRate/String : 9 371 Kbps
Video
ID/String : 224 (0xE0)
Format : MPEG Video
Format_Version : Version 2
Format_Profile : Main@Main
Format_Settings_BVOP/String : Yes
Format_Settings_Matrix/String : Custom
Format_Settings_GOP : M=3, N=15
Duration/String : 1mn 9s
BitRate_Mode/String : Variable
BitRate/String : 8 929 Kbps
BitRate_Maximum/String : 9 100 Kbps
Width/String : 720 pixels
Height/String : 480 pixels
DisplayAspectRatio/String : 16:9
FrameRate/String : 29.970 fps
Standard : NTSC
ColorSpace : YUV
ChromaSubsampling : 4:2:0
BitDepth/String : 8 bits
ScanType/String : Interlaced
ScanOrder/String : Top Field First
Compression_Mode/String : Lossy
Bits-(Pixel*Frame) : 0.862
TimeCode_FirstFrame : 00:00:00:00
TimeCode_Source : Group of pictures header
StreamSize/String : 74.0 MiB (95%)
Audio
ID/String : 189 (0xBD)-128 (0x80)
Format : AC-3
Format/Info : Audio Coding 3
Format_Settings_ModeExtension : CM (complete main)
Format_Settings_Endianness : Big
MuxingMode : DVD-Video
Duration/String : 1mn 9s
BitRate_Mode/String : Constant
BitRate/String : 256 Kbps
Channel(s)/String : 2 channels
ChannelPositions : Front: L R
SamplingRate/String : 48.0 KHz
BitDepth/String : 16 bits
Compression_Mode/String : Lossy
Video_Delay/String : -70ms
StreamSize/String : 2.12 MiB (3%) -
Exporting mpg2 in premiere pro cs6
exporting mpg2 in premiere pro cs6
When exporting a clip as mpg2 (win 7), the resulting output has a green screen lasting 1 second, folowed by a weird cross dissolve 1 second, then the video is starting and displaying correctly. I never had this problem before, it just happened today. Can someone help me solve this problemWhy do you need mpeg2.
If its for DVD use a mpeg2-dvd preset.
For other purposes H.264 is usually the best choice. -
Placing After Effects CC files into Premiere Pro CC
Hey all,
I noticed after upgrading to CC products and Mac OS 10.9 that all After Effects files, very simple text animation, placed into Premiere Pro come in "RED" to render. I could swear they were "YELLOW" or less to render before. Has anyone else experienced this? Then when I render them, at times, it takes forever to render. With my system below I should have no problem with this. Let me know if i'm wrong.
In PP cc my "Optimized Rendering for" is set to: Performance. I'm not sure I have noticed a difference when it has been set to "Memory."
Also, my start up drive is a PCIe SSD (500gb Mercury Accelsior from OWC) - has anyone else done this? I'm not positive it's the best thing to do - wondering other's opinions.
My System:
Mac Pro 5,1 - 2 x 2.93 GHx 6-core - OSX 10.9 - 64GB Ram - Nvidia K5000 video card
Hard Drives: Startup is PCIe SSD OWC Mercury Accelsior 500gb + (2) Apple 500gb SSD's + (2) Apple 2tb Sata'sHello Jim
Thanks for the reply!
When I import my after effects composition into premiere, it is perfectly visible and the audio is correct.
But now it is suddenly impossible to select > export > OMF
Do you know why this is?
Thanks!
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