Split Edits using Timecode (dashboard) on FCPX 10.0.7 - icons?

Hi! My FCPX 10.0.7 does not show the "roll edit" or "ripple edit" icon in blue on the timecode dashboard, and just shows blue-ed playhead icon. Because of this when I manually enter on the dashboard frame counts to go forward or back at the time of attempting Split edits, the edit point in the time line does not move. Only the pleayhead moves. How so? Is there a way for the dashboard to not show playhead icon?? Please help!
Thank you!
Katie

Please post a screen shot. You select the edit point and type -15. You do NOT click in the dashboard. You simply start typing after the edit is selected and you will see this

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FxFactory Pro: Timecode Plugin
Generates a timecode based on the current playback position relative to the duration of the clip.
Full Disclosure: I work for Noise Industries.
I may receive some form of compensation, financial or otherwise, from my recommendation or link.

Raw materials on MAP with split valuation used in standard cost estimate

We have a few raw materials which are purchased from different vendors and of different brands. We have opened split valuations for these raw materials. These raw materials are later used in manufacture of different finished goods. We use MAP for raw materials and Std. for finished goods. What configuration and processing steps will be required to run standards cost estimate and what will be standard price for a finished good considering the following example:
Material X is finished good
Raw Material A with split valuation @ USD 5 (brand aplha) & USD 10 (brand beta)
Raw Material B without split valuation @ USD 1
It is expected that we used brand aplha 60% of the time and brand beta 40% of the time and production batch size is usually 100 Kg.
Please reply
Edited by: Chris SAP on Sep 29, 2011 7:56 AM

hi chris
Hope you have configured the material A for split valuation. while calculating standard cost estimate for the material C. through ck11n, the system will pick up the header price from material master.
But here you are saying that you have chances of using the material A, 60% of brand alpha and 40% brand beta
Instead of using split valuation use mixed costing concept. create the material A with separate Ids and create two boms one with alpha and the other with beta.
create procurement alternative in CK91N and mixed ratio with Ck94 and release the mixed cost estimate
please go through this thread also
Re: Difference between Split Valuation and Mixed Costing
Krishna

I did not save using timecode

How do I archive/save a project if I did not do a batch capture using timecode? I plan to back the entire project onto its own external hard drive. Also, do i need to save any render files? My goal is to get the project off my computer while preserving the ability to re-edit if necessery in the future. Any assistance or advice is greatly appreciated. Thanks!

A little self reliance and reading of the manuals goes a LONG way. You've got all the hints toward success.

Can't Split Edit - What Am I Doing Wrong?

I have placed a clip on the timeline, with space in front and behind (no potential clip colision). From the timeline I double click to open the clip in the viewer. I roll back (or forwards) a few frames from the in-point to set a split, but all the items in the Mark Split menu are greyed out, and the usual keys don't work.
There's space on the head and tail of the clip and there is no clip colision.
What am I doing wrong?

as a workflow I'm with Jerry. you seem to be choosing to use a very "linear" edit logic ... still, if you really do prefer to work that way then fcp's split edit functionality should allow you to do so but you are getting it mixed up a bit
you need to mark your edit points, split or otherwise, in the viewer and/or canvas, but not in the viewer window when it is showing a clip already in the timeline
so don't put the clip into the timeline first, double click it in the browser to load it directly to the viewer. mark your split edits as required and then edit to timeline.
or even better, create the splits in the timleine using the roll tool. you'll find it much faster once you get the hang of it

Audio - Extracting, Unextracting, Split Edits

Hey, there:
I've used iMovie 3 & 4 in the past for animated photos/slideshows for friends' wedding rehearsals - taking photos and using various fx and Ken Burns effect.
Now I want to add video into the mix - my thought was to use a mix of stills and cut back and forth between them and the video. I've gone ahead and broken-up the video interview (45 minutes) into 40 clips, one for each question/section, and imported all the photos into iPhoto (which crashed every 5-10 minutes due to external editing in Photoshop - nice stablility, Apple!).
My problem is confusion over doing true split edits; I want to be able to:
- arrange the video in logical order, trimming the clips as need be
- adding video title screens to ask questions
(BTW - how to do still, centered titles w/ no fades? I'm doing them in Photoshop for now.)
- overlaying photos on top of video, so that you get:
TITLE -- VIDEO -- PHOTO -- VIDEO, with original video audio underneath, possibly coming in early under the Title Card.
I guess I just want to be able to cut back and forth between photo and video without losing sync,
It seems like the best way may be to use the "paste over at playhead" to insert the stills at the playhead, but this overwrites the original clip and splits the audio. Plus, it takes a ton of time - I'm working on a 2.0 GHz Intel iMac and this is taking 10 minutes to insert a 5-second title into a 30-second video clip!
I've also thought about duplicating all my clips and letting it split the audio on each overnight; I'd then have the originals plus clips with extracted audio, but it won't let me drag the video AND audio into the clip bin, just the video. So, nope.
Also - is there any way of simultaneously trimming a split audio and video? I can do both separately, but it doesn't keep the sync even when I lock the audio. I can drag them when they're locked, but not edit both in sync.
This is completely frustrating - I feel screwed!
Thanks in advance -
-Mark-
iMac 20", 2 GHz Intel Dual Core Mac OS X (10.4.4)
Mac OS X (10.4.4)

Hi, Mark!
I can't answer all of your questions, but whenever I am going to do "paste overs," I always extract the audio from my main track FIRST. It may take awhile depending on the length of your base clip, but I think you'll find this will make your inserts go a LOT faster.
Also, I can't answer this definitively without the application open in front of me, but I think you can do title without fades by simply setting the fade slider for the effect to zero. Alternatively, you can create a regular title complete with fades then, while watching it in the main iMovie window, pause it when your title is showing fully and choose the menu command "CREATE STILL CLIP FROM VIDEO" (I forget which menu header it's under, but it shouldn't be hard to find). Then, you can set the duration of that still to last as long as you'd like.

Synchronization of multiple clips from two cameras using TIMECODE

Hi there and greetings everyone,
I'm new to the adobe forum, but I'm quite familiar with premiere pro and generally with filming and editing.
My question is simple, yet complicated:
I have 2x 5D mark III synched via timecode to the second and I have an event of about 30 minutes, where each camera recorded individual clips in an alternating way (so there are gaps between clips from the same camera, but almost 100% coverage with the 2 cameras together - we used this method for a more creative / interesting end result)
HOW DO I import the clips from the 2 cameras in such a way that there will be two different video tracks (so for exemple track 1 for cam 1 and track 2 for cam 2) yet I will be able to sync them via timecode in my timeline ?
Aditional info:
- the only thing I managed was to select all the clips, create a multi-camera sequence and open that in a timeline format (everything is synced up, but each individual clip is on a different track, so I have 61 video layers basically instead of 2)
I've asked lots of people, red tens of topics, watched lots of tutorial videos, none seemed to answare my question
- I know there is the Multi Camera Monitor, but that option is designe for editing and synching clips when there is 1 long clip / camera, and where you actually watch the entire recording and do the editing real time, which is not my case.
- Some sugested me to use plural eyes, but I don't see any point in using andio based synchronization if I have excelent timecode.
- I also need it done the way I described because for me it;s more manageble that way, I can edit it faster, and I already know what to look for, so it;s again nonesence to use the multicam feature.
The bottom line is that I am looking for something similar to pluraleyes (when you import everything in one timeline) and use the audio info to sync it, but in this case I would use the embeded timecode.
I've red a post where someone mentioned that in other editors its just select all / sync / done, so I can't believe it;s that complicated in Premiere.

There are currently better sync features in the works!
I know your frustration. For a similar and more in-depth discussion, see another thread I posted in here: Batch syncing audio and video using timecode
Unfortunately in CS6 (what I currently use) it creates a separate track for each clip, which can be a mess if you have hundreds of clips. The best way I have found to make things easier is to create a separate TC synced multi-cam sequence for each individual cameras footage. For example, I follow the same steps you did for each of my cameras footage independently so that I have a TC synced sequence for camera A, a TC sequence for camera B, etc. Then you can select all the footage of each sequence, nest it, and copy each nest into a master sequence to work with. What you end up with is a single clip for each camera. MUCH easier to work with! To keep track of where clips start and/or end in the nested sequences you can go into your original sequence and place a marker (shortcut "M") at each clip. These markers then show up in your Mastertimeline clips for reference.
I know things could be easier, but this is currently the best option I know of. I already put in a feature request and was told by the Engineering Manager of Premiere Pro that new sync features were in the works. (see thread link above)
Hope that helps!
...and for the record, here is my TC sync process:
SELECT ALL clips you wish to sync from your Project Tab/Window.
RIGHT-CLICK and SELECT "Create Multi-camera Source Sequence..." In CS6 it is the next-to-last option in your popup window.
A dialogue box will appear. For the Synchronize Point, SELECT the box that says "Timecode" and UN-CHECK "Ignore Hours"
You will now see a new multi-cam sequence in your Project Tab/Window.
RIGHT-CLICKyour new multi-cam sequence and SELECT "Open in Timeline"

Issues with Using Data Dashboard and Using Web Service

After running a system for many months it has suddenly decided to not work at all. I am using Data Dashboard to read variables on a host. I'll outline the system here to get a baseline:
I'm running LV 2012 SP1 f5.
I collect data from one Ethernet port and interfact it to another Ethernet port to form a proxy.
I use a fixed IP address from my DSL along with port forwarding/port triggering in my router for data observation and control.
So, what have I done so far?
1. Repaired my original LV 2012 SP1 and tested system.
2. Upgraded to LV 2012 SP1 f5 and tested system.
3. Ran service.msc and checked all the NI services that should be operational. Started and stopped several of them and rebooted computer.
4. Deployed all my SVs (multiple times)
5. Disconnected second Ethernet interface becasue sometimes the variables would deploy to this IP address.
6. Turned off my wireless because sometimes the variables would deploy to this IP address.
7. Checked "Web Server Configuration" "Application Web Server" for correct port number.
8. Checked "Web Services Management" and under "Deployed Web Services" there is one category: SV is marked as running. NOTE!! WebService is NOT listed and this could be a problem
I can use the following to retrieve data&colon; localhost:<port number>/sv/variable. But when I substitute my DSL IP number, I can no longer get any data.
So, what am I missing?
Thanks,
Paul.

Siana,
Thanks for your response.
I haven't touched the NI code in months. It is running on an XP laptop and I have the Windows updates turned off. McAfee is running on it and of course that updates regularily. This laptop is a dedicated machine that I only use for this function, nothing else. I haven't added or subtracted any programs for many months.
There have been no changes to the DSL from me. AT&T is constantly trying to get us to upgrade to U-Verse but we have resisted. All DSL modem and router hardware is the same.
Confusing, huh?

How To Perform Lot Split Transactions Using Transaction Open Interface (MTI)

Can anyone give me some guidance on how to perform lot split transaction using MTI?
I am using the following code:
DECLARE
l_transaction_type_id NUMBER := 83;
l_transaction_action_id NUMBER := 41;
l_transaction_source_type_id NUMBER := 13;
l_org_id NUMBER := 1884;
l_txn_header_id NUMBER;
l_txn_if_id1 NUMBER;
l_txn_if_id2 NUMBER;
l_txn_if_id3 NUMBER;
l_parent_id NUMBER;
l_sysdate DATE;
l_item_id NUMBER :=287996;
l_user_id NUMBER;
l_distribution_account_id NUMBER;
l_exp_date DATE;
BEGIN
--For Lot Merge, there should be only one resultant lot.
--The transaction_quantity populated in MTI/MTLI should be the entire
--quantity that is available to transact for the org/sub/item/locator/LPN in
--that particular lot number.
--Get transaction_header_id for all the MTIs
SELECT APPS.mtl_material_transactions_s.NEXTVAL
INTO l_txn_header_id
FROM sys.dual;
--Get transaction_interface_id of resultant record
SELECT APPS.mtl_material_transactions_s.NEXTVAL
INTO l_txn_if_id1
FROM sys.dual;
l_parent_id := l_txn_if_id1;
l_sysdate := SYSDATE;
l_user_id := -1; --substitute with a valid user_id
l_distribution_account_id := NULL; --needed for lot translate
l_exp_date := NULL; --set if required
--Populate the MTI record for resultant record
INSERT INTO MTL_TRANSACTIONS_INTERFACE
transaction_interface_id,
transaction_header_id,
Source_Code,
Source_Line_Id,
Source_Header_Id,
Process_flag,
Transaction_Mode,
Lock_Flag,
Inventory_Item_Id,
revision,
Organization_id,
Subinventory_Code,
Locator_Id,
Transaction_Type_Id,
Transaction_Source_Type_Id,
Transaction_Action_Id,
Transaction_Quantity,
Transaction_UOM,
Primary_Quantity,
Transaction_Date,
Last_Update_Date,
Last_Updated_By,
Creation_Date,
Created_By,
distribution_account_id,
parent_id,
transaction_batch_id,
transaction_batch_seq,
lpn_id,
transfer_lpn_id
VALUES
l_txn_if_id1, --transaction_header_id
l_txn_header_id, --transaction_interface_id
'INV', --source_code
-1, --source_header_id
-1, --source_line_id
1, --process_flag
3, --transaction_mode
2, --lock_flag
l_item_id, --inventory_item_id
null, --revision
l_org_id, --organization_id
'EACH', --subinventory_code
1198, --locator_id
l_transaction_type_id, --transaction_type_id
l_transaction_source_type_id, --transaction_source_type_id
l_transaction_action_Id, --l_transaction_action_id
100000, --transaction_quantity
'EA', --transaction_uom
100000, --primary_quantity
l_sysdate, --Transaction_Date
l_sysdate, --Last_Update_Date
l_user_id, --Last_Updated_by
l_sysdate, --Creation_Date
l_user_id, --Created_by
l_distribution_account_id, --distribution_account_id
l_parent_id, --parent_id
l_txn_header_id, --transaction_batch_id
2, --transaction_batch_seq
NULL, --lpn_id (for source MTI)
NULL --transfer_lpn_id (for resultant MTIs)
--Insert MTLI corresponding to the resultant MTI record
INSERT INTO MTL_TRANSACTION_LOTS_INTERFACE(
transaction_interface_id
, Source_Code
, Source_Line_Id
, Process_Flag
, Last_Update_Date
, Last_Updated_By
, Creation_Date
, Created_By
, Lot_Number
, lot_expiration_date
, Transaction_Quantity
, Primary_Quantity
VALUES (
l_txn_if_id1 --transaction_interface_id
, 'INV' --Source_Code
, -1 --Source_Line_Id
, 'Y' --Process_Flag
, l_sysdate --Last_Update_Date
, l_user_id --Last_Updated_by
, l_sysdate --Creation_date
, l_user_id --Created_By
, 'Q0000.1' --Lot_Number
, l_exp_date --Lot_Expiration_Date
, 100000 --transaction_quantity
, 100000 --primary_quantity
INSERT INTO MTL_TRANSACTIONS_INTERFACE
transaction_interface_id,
transaction_header_id,
Source_Code,
Source_Line_Id,
Source_Header_Id,
Process_flag,
Transaction_Mode,
Lock_Flag,
Inventory_Item_Id,
revision,
Organization_id,
Subinventory_Code,
Locator_Id,
Transaction_Type_Id,
Transaction_Source_Type_Id,
Transaction_Action_Id,
Transaction_Quantity,
Transaction_UOM,
Primary_Quantity,
Transaction_Date,
Last_Update_Date,
Last_Updated_By,
Creation_Date,
Created_By,
distribution_account_id,
parent_id,
transaction_batch_id,
transaction_batch_seq,
lpn_id,
transfer_lpn_id
VALUES
l_txn_if_id1, --transaction_header_id
l_txn_header_id, --transaction_interface_id
'INV', --source_code
-1, --source_header_id
-1, --source_line_id
1, --process_flag
3, --transaction_mode
2, --lock_flag
l_item_id, --inventory_item_id
null, --revision
l_org_id, --organization_id
'EACH', --subinventory_code
1198, --locator_id
l_transaction_type_id, --transaction_type_id
l_transaction_source_type_id, --transaction_source_type_id
l_transaction_action_Id, --l_transaction_action_id
100000, --transaction_quantity
'EA', --transaction_uom
100000, --primary_quantity
l_sysdate, --Transaction_Date
l_sysdate, --Last_Update_Date
l_user_id, --Last_Updated_by
l_sysdate, --Creation_Date
l_user_id, --Created_by
l_distribution_account_id, --distribution_account_id
l_parent_id, --parent_id
l_txn_header_id, --transaction_batch_id
3, --transaction_batch_seq
NULL, --lpn_id (for source MTI)
NULL --transfer_lpn_id (for resultant MTIs)
--Insert MTLI corresponding to the resultant MTI record
INSERT INTO MTL_TRANSACTION_LOTS_INTERFACE(
transaction_interface_id
, Source_Code
, Source_Line_Id
, Process_Flag
, Last_Update_Date
, Last_Updated_By
, Creation_Date
, Created_By
, Lot_Number
, lot_expiration_date
, Transaction_Quantity
, Primary_Quantity
VALUES (
l_txn_if_id1 --transaction_interface_id
, 'INV' --Source_Code
, -1 --Source_Line_Id
, 'Y' --Process_Flag
, l_sysdate --Last_Update_Date
, l_user_id --Last_Updated_by
, l_sysdate --Creation_date
, l_user_id --Created_By
, 'Q0000.1' --Lot_Number
, l_exp_date --Lot_Expiration_Date
, 100000 --transaction_quantity
, 100000 --primary_quantity
--Get transaction_interface_id of Source record-1
SELECT APPS.mtl_material_transactions_s.NEXTVAL
INTO l_txn_if_id2
FROM sys.dual;
--Populate the MTI record for Source record-1
INSERT INTO MTL_TRANSACTIONS_INTERFACE
transaction_interface_id,
transaction_header_id,
Source_Code,
Source_Line_Id,
Source_Header_Id,
Process_flag,
Transaction_Mode,
Lock_Flag,
Inventory_Item_Id,
revision,
Organization_id,
Subinventory_Code,
Locator_Id,
Transaction_Type_Id,
Transaction_Source_Type_Id,
Transaction_Action_Id,
Transaction_Quantity,
Transaction_UOM,
Primary_Quantity,
Transaction_Date,
Last_Update_Date,
Last_Updated_By,
Creation_Date,
Created_By,
distribution_account_id,
parent_id,
transaction_batch_id,
transaction_batch_seq,
lpn_id,
transfer_lpn_id
VALUES
l_txn_if_id2, --transaction_header_id
l_txn_header_id, --transaction_interface_id
'INV', --source_code
-1, --source_header_id
-1, --source_line_id
1, --process_flag
3, --transaction_mode
2, --lock_flag
l_item_id, --inventory_item_id
null, --revision
l_org_id, --organization_id
'EACH', --subinventory_code
1198, --locator_id
l_transaction_type_id, --transaction_type_id
l_transaction_source_type_id, --transaction_source_type_id
l_transaction_action_Id, --transaction_action_id
-200000, --transaction_quantity
'EA', --transaction_uom
-200000, --primary_quantity
l_sysdate, --Transaction_Date
l_sysdate, --Last_Update_Date
l_user_id, --Last_Updated_by
l_sysdate, --Creation_Date
l_user_id, --Created_by
l_distribution_account_id, --distribution_account_id
l_parent_id, --parent_id
l_txn_header_id, --transaction_batch_id
1, --transaction_batch_seq
NULL, --lpn_id (for source MTI)
NULL --transfer_lpn_id (for resultant MTIs)
--Insert MTLI corresponding to the Source record-1
INSERT INTO MTL_TRANSACTION_LOTS_INTERFACE(
transaction_interface_id
, Source_Code
, Source_Line_Id
, Process_Flag
, Last_Update_Date
, Last_Updated_By
, Creation_Date
, Created_By
, Lot_Number
, lot_expiration_date
, Transaction_Quantity
, Primary_Quantity
VALUES (
l_txn_if_id2 --transaction_interface_id
, 'INV' --Source_Code
, -1 --Source_Line_Id
, 'Y' --Process_Flag
, l_sysdate --Last_Update_Date
, l_user_id --Last_Updated_by
, l_sysdate --Creation_date
, l_user_id --Created_By
, 'Q0000' --Lot_Number
, l_exp_date --Lot_Expiration_Date
, -200000 --transaction_quantity
, -200000 --primary_quantity
END;

the first MTI record should be the source record ...ie. it should have transaction quantity as negative.
new set of MTI records should have positive transaction quantities.
Also ensure that sum of transaction quantities for the set should be 0...
What is the error that you are getting?
Thanks,
Hrishi.

Error message: The preset used by one or more sequences in this project requires third-party components that could not be located. These sequences will be modified to use a custom sequence setting instead. To continue editing using the original preset, qu

Hello all,
I can't open a PP project without this error message appearing:
"The preset used by one or more sequences in this project requires third-party components that could not be located. These sequences will be modified to use a custom sequence setting instead. To continue editing using the original preset, quit the application without saving the project, reinstall any third-party components that are required and reopen the project".
What I had been doing before this occurred was editing a PP project using ProRes sequences and multi-camera editing. Multi-camera was not working very well and after a few attempts to fix that I gave up and finished the job cutting 3 layers of video instead. AME refused to render the three finished sequences of over 1hr duration so rendered final videos from the PP sequences.
I tried deleting plists for AME, PP and QT, repairing disc permissions and rebooting but there was no improvement.
Client is satisfied for now but will want to come back to this job at a later date so decided to uninstall and re-install AME and PP in the hope both would be ready to work properly when needed again. AME works fine in conjunction with a different PP project but now I can't open the PP project in question without the above error message appearing.
Having searched the net it would seem that the problem may be caused by ProRes but I haven't been able to find a definitive solution for the problem. Does anyone know either:
1. How to fix this?
2. If I chose the "modified using a custom sequence setting", can I be sure that my sequences will look the same even if they don't use ProRes? The final deliverable format will be mp4 so as long as the overall look doesn't change then I can afford a change in the edit codec. It's just that with three sequences over an hour long, I don't want days of work to be ruined.
Other older PP projects of mine open and work fine.
Premiere Pro CC 8.2.0
Media Encoder CC 8.2.0.54
OSX 10.10.2
Any help would be greatly appreciated.
Duncan.

Adobe web chat come up with a solution.
Open the PP project.
Export your sequence or project as a Final Cut Pro XML file.
Set up a new PP project.
Import the Final Cut Pro XML file.
This will get you back up an running.
Since getting back to editing this project I have found that some things will be lost or change in using XML:
You will lose position key framing, black video clips, dissolve fx, audio levels, audio dynamic fx, the ability to open a multi camera clip and change the camera view.
You will keep cut points, crop fx.
Not perfect but only took a couple of hours to save 3 days work.

What are the uses of Dashboard

what is the uses of dashboard for mac mini?
where i can find dashboard widgets?
can i put widgets on my desktop?
thanks a lot!

You can download and install Dashbord widgets here > Apple - Downloads - Dashboard
No... widgets cannot be used directly on the Desktop.
Just click the Dashboard icon in your Dock to access installed widgets.

I own both Photoshop Elements and Photoshop (the original editor). I find the elements editor to be too cumbersome to use and would just like to edit using Photoshop. When I try to install Photoshop as a secondary editor in elements I get an error messa

I own both Photoshop Elements and Photoshop (the original editor). I find the elements editor to be too cumbersome to use and would just like to edit using Photoshop. When I try to install Photoshop as a secondary editor in elements I get an error message that I don't need to this because it is already supported on the edit menu and task bar. I can not find any way to send images to Photoshop for editing - all I can do is send them to elements editor or the premier editor. Can someone tell me how to send them to Photoshop? Thanks!

Hi,
The D810 requires Camera Raw 8.6 or later - the latest version that is compatible with Photoshop Elements 12 is Camera Raw 8.5 as far as I can see.
You need to either buy a new version of Photoshop Elements or use the free Adobe DNG converter.
DNG Converter 8.8
Win – http://www.adobe.com/support/downloads/detail.jsp?ftpID=5888
Mac – http://www.adobe.com/support/downloads/detail.jsp?ftpID=5887
Useful Tutorial
http://www.youtube.com/watch?v=0bqGovpuihw
Brian

Please help thanks. Adobe Digital Edition using across multiple computers

Hi
I have Adobe Digital Editions (ADE) installed on a laptop with Windows, and a Mac laptop.
I have authorized ADE on both machines. I use the laptops at different locations
Currently i have 2 separate libraries (small libraries of < 10 books) on both computers but I would like
to be able to keep both libraries in synch - such that the books and especially the notes/bookmarks
are the same when I read the book on both laptops.
For example what I want to be able to do is read and takes notes using ADE on the PC
and then when I logon to my Mac laptop - to read the same book, and continue where
I bookmarked last, and also see the notes I had added previously on the other laptop.
Is this possible? Thanks
your help is much appreciated. I read and take alot of side notes
and this will save heaps of time.
I am a new to ADE but it feels like each computer/laptop where ADE will hold
a different library, with different set of books and bookmarks. Is it possible
to synch the books/bookmarks/notes across different machines
Regards
Adam

Hello Sjpt
In windows xp serivce pack-2, ADE 2.0 is working perfectly for few days only, but after few days ADE 2.0 is not opening. I dont know why it is not opening? Can anyone tell me reason behind this?
If RUN>>MSCONFIG>GENERAL>DIAGNOSTIC STARTUP - LOAD BASIC DEVICES AND SERVICE ONLY > APPLY > OK and restarting the system then the ADE 2.0 is opening.
If RUN>> MSCONFIG>GENERAL>NORMAL STARTUP - LOAD ALL DEVICE DRIVERS AND SERVICES > APPLY > OK and restarting the system then the ADE 2.0 is NOT opening. As you people are well aware that we cannot use the diagnostic startup since it will allow basic service and devices only.
I have tried the following methods to overcome this issue (from internet)
1. Uninstall Adobe Digital Editions using one of these two methods:
Start > Programs > Adobe > Adobe Digital Editions > Uninstall
Start > Settings > Control Panel > Add Remove Programs
2. Initiate Uninstall
3. In order to remove all remnants of Adobe Digital Editions / Adobe Adept from the machine a "Registry Edit" will need to be performed:
Start > Run > Regedit
4. Search for HKEY_CURRENT_USER > Software > Adobe > Adept and Delete the full "Adept" folder
5. Remove only the structures that are under the "SOFTWARE" extensions. This will remove the Adobe ID / License and Activation Keys
6. Clear any outstanding tasks that may be associated to Adobe Digital Editions downloads
C:\data\my digital editions
C:\my documents\my digital editions
7. Delete any documents within these folders:
Restore > Tasks
Restore > Failed
8. Re-install Adobe Digital Editions
9. I have updated Windows xp from SP2 to SP3
The above methods didn't helped me to solve this issue. Then, i have used DIAGNOSTIC STARTUP and safe mode, it was opened, but not in normal user mode.
Thanks,
Mano.A

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