Spot channels not colored correctly

Spot channels not colored correctly from CS5 to CC. How do I open CS5 files and have spots view as they were intended and not black??

That did not work. Even quit PS and relaunched. The problem is that in CS5 I have a channel called E089 and its a light brown color. If I open that same file in CC it shows as black.

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[svn:bz-3.x] 5036: Bug: BLZ-347 - Secure amf polling channel not working correctly on IE in BlazeDS /3.x branch.

Revision: 5036
Author: [email protected]
Date: 2009-02-23 06:24:31 -0800 (Mon, 23 Feb 2009)
Log Message:
Bug: BLZ-347 - Secure amf polling channel not working correctly on IE in BlazeDS/3.x branch.
QA: Yes
Doc: No
Checkintests: Pass
Details: This is BlazeDS part of the fix. For MSIE over HTTPS, we need to add additional Cache-Control headers.
Ticket Links:
http://bugs.adobe.com/jira/browse/BLZ-347
Modified Paths:
blazeds/branches/3.x/modules/core/src/java/flex/messaging/endpoints/AbstractEndpoint.java

Revision: 5036
Author: [email protected]
Date: 2009-02-23 06:24:31 -0800 (Mon, 23 Feb 2009)
Log Message:
Bug: BLZ-347 - Secure amf polling channel not working correctly on IE in BlazeDS/3.x branch.
QA: Yes
Doc: No
Checkintests: Pass
Details: This is BlazeDS part of the fix. For MSIE over HTTPS, we need to add additional Cache-Control headers.
Ticket Links:
http://bugs.adobe.com/jira/browse/BLZ-347
Modified Paths:
blazeds/branches/3.x/modules/core/src/java/flex/messaging/endpoints/AbstractEndpoint.java

Color correcting certain parts of a video

Hello,
I am sorta new to Premiere, having come from Final Cut pro. I have a video that has spots that neec color correction. How do I correct those spots, without correcting the whole video?
Any help is appreciated.

I would suggest doing that in After Effects, not Premiere.
-Import your footage and create a new composition.
-Create an adjustment layer with your corrections (color corrector, curves, etc)
-Draw a mask around the region you want the color correction to actually show up. The rest will be unaffected by the correction.
You can create as many seperate adjustment layers as you want to correct each spot within your frame.
Then export the footage and bring it back into Premiere (or use dynamic linking if your machine can handle it).
If you don't want to use AE or don't have it -- you can follow a similar process in Premiere.
-Select the clip you want to add correction to and make a copy of it. Place it on the track above your original clip.
-Apply your color correction effects to the clip on the top track. Initially it will apply to the full frame and that's OK.
-Once you are done with making corrections apply a Garbage Matte to the top clip (four-point garbate matte, eight...sixteen...whatever).
-Adjust the matte to the shape of the area you want to correct.
(note: to edit the garbage matte points, you have to select the effect in the Video Effects panel)
You should be left with a color corrected region defined by the matte itself. Just repeat until you have all the different areas corrected.

Add keyframes color-correcting a clip

I'm using Final Cut Pro 10.1.4 on an iMac with Yosemite 10.10.1.
When I try adding multiple sequential color corrections in a single clip, there is no way to add keyframes to each correction.
In the video inspector the add keyframe symbol does not appear.
In the show video animation window, if I clik "control k" the keyframe symbol does appear, but if I add more than 1 keyframe only the last one is active, so I can only correct the entire clip.
Is there any way to add more than 1 sequential correction using keyframes, instead of cutting che clip into multiple segment and correcting each one of them?

I have an RGB Channel Mixer that can be keyframed.
First, I recommend turning on Video Scopes (RGB Parade) and turning off the Color board for the title (you do not want to accidentally color grade the title).
RGB Channel Mixer is a title effect, so just drag it over the region you need to color "mix". You can use this effect in conjunction with the color board for the storyline clip. (Do not color correct the channel mixer!
You can toggle the view with the channel mixer selected — type 'v'.
You can download it here: RGB Channel Mixer
It won't hurt to try it and if you don't like it - just delete it. (It's still a bit of an experiment at this point.)
The effect works by mixing the red, green and blue channels separately against a black background solid. The Amount values use opacity to change the mix. The Boost values are different. They add a little "gain" in the channel. There's a subtle difference between the two. Contrast and Brightness controls are added to help with the lack of range assist (shadow, mids, highlights).

Color Correction Workflow Question

If I am color correcting on the "original clip" - and then pulling that color corrected "original clip" into its own "clip sequence" that I then pull into a "master sequence", along with all the other "clip sequences" that make up my edit, and I am trimming those "clip sequences" to get just the snippet I need...
Is that creating a longer rendering time than if I...
Do not color correct on the actual "original clip" - still put the "original clip" into its own "clip sequence" - trim and resize that "clip sequence" to just the snippet I need, and then do the color correcting on that "clip sequence" instead of the "original clip" itself?
I'm hoping there is no descernable difference in the approach, but I thought I'd throw it out there.
Thanks.

Good enough for me.
BTW Jim the workflow set-up you held my hand through (http://forums.adobe.com/message/5522489#5522489) is what I'm utilizing here - so far it has truly changed the way I approach everything for the better.

Photoshop CS6 - Spot channels are not saved correctly in the psd files.

Hi,
I'm using Photoshop CS6 and something happent a few days ago....some Windows or Adobe update messed up everything...I don't know...
Here's how things are.
If I add to an image a couple of new spot channels (any Pantone color) and remove the informations from the CMYK channels (or not-the problem it's there anyway), I should have an image with 6 color plates (CMYK and the 2 Pantone). It doesn't happened anymore...
I'm using Corel to print the files and the previous saved files are fine, I have all the Spot colors there. Now, If I edit any file I've worked on before, and save it again, the spot colors dissapear when I'm importing the psd file in my Corel document. And if there is no information on the CMYK channels, I'm getting a blank image...
I hope someone will give me some ideas because I don't know what to do anymore...
Codrut

Right. It's not reading these new saved files correctly. The old ones are fine.
I forgot to mention one thing. I've got this CS6 as an upgrade and I still have the CS5 one running on the same computer. The CS5 version does the same thing...
Today I tryed again to open a PSD (CS6) with another CS5 version from another computer and came with an error message "Could not complete your request because the specified color book cannot be found". And the file didn't opened....
Who messed up my color book and how can I fix it?

Spot colors not showing correctly in acrobat 11

Spot colors not showing correctly in the output preview as well as the page correctly. I have a spot pms
295 on a page in a few different areas of text and backgrounds. The spot color shows on 1 of my backgrounds
and text and a spot color on another background does not. These items are on the same page. Although I
can use the eyedropper to check the color of these items and it states the spot color is present. The page
also prints correctly. Previews not happening.

I included 3 screen shots from Acobat 11 of the test requested. Also, included the last screen shot from Acobat 9 of same file.
Which shows correct preview. To eliminate possible ICC profile issue. I did change profiles to all that were in the profile list
with no change in either test.

Selective Color Correction - Adding to multiple channels

Hi - I am using CS3 on a Mac OSX 10.5.6
I am experiencing an oddity when making color adjustments with Selective Color Correction. I am working with RGB images trying to adjust to get colors in gamut and to maintain detail before converting to CMYK. As an example, I have an image comprised of various red items. I want to add cyan to get some detail for the highly saturated areas. Regardless of the Relative or Absolute setting, when I add cyan I am also getting a lot of black added. By the time I get a 3% dot in cyan I may have 10-12% K. When I reduce the black it also reduces the cyan.
Is this because I am in RGB mode? I want to make these adjustments before separating to CMYK so I can keep detail that is getting blown away in the conversion. I would have hoped that because it is controlled with sliders for CMYK it would isolate it's effects to the specific channel but that is not what is happening.
Any ideas?

I am working with RGB images trying to adjust to get colors in gamut and to maintain detail before converting to CMYK.
If you are trying to bring totally oversaturated RGB colors into the CMYK gammut, then ideally you will have to learn about channel mixing. It may be necessary to reproduce the Cyan channel (Red) by finding detail from other channels. Selective color, as you've discovered can only take you so far.
Luminosity blended Hue/saturation adjustments taken to low opacity is another high end tip, and work around. If you cant deal with the complexity of masking and channel mixing

LaserJet Pr0 200 color MFP M276nw Touch Screen not Working correctly

Hello, I'm having an issue with a LaserJet Pr0 200 color MFP M276nw Touch Screen not Working correctly. I have followed the instructions to reset the printer, but now am unable to select 'English' as my language because every time I select the 'English' option 'Spanish' is selected. I am then given two options to select 'Si' or 'No' both of which can not be selected on the touch screen?
Anybody know of a way round this?

Hi @dnhowes ,
I see that you are having issues with the touch screen not working correctly. I will do my best to help you.
Make sure the printer is connected directly to a wall outlet. (don't use a power hub or a surge protector) This ensures the printer is receiving full power and may help this situation.
Was it the Nvram reset back to factory settings that you tried or a hard reset?
Try selecting the option on the display a little higher above the icon to see if that helps. Some touch screens are finicky.
I find that on the Lab printers when I am selecting different menus.
If the issue continues, please call our technical support at 800-474-6836 for further assistance. If you live outside the US/Canada Region, please click the link below to get the support number for your region.
http://www8.hp.com/us/en/contact-hp/ww-phone-assist.html
Have a nice day!
Thank You.
Please click “Accept as Solution ” if you feel my post solved your issue, it will help others find the solution.
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Gemini02
I work on behalf of HP

Upgraded to CS5 Illustrator form CS3 Illustrator. Colors are not printing correctly in CS5

I have just recently purchased CS5 Premium Suite. I am working with Illustrator. When I print my CS3 Illustrator files in CS5 the colors are not printing correctly. Is there a way to fix this problem

I've been doing more troubleshooting since I wrote this post. I've now tried printing from a non-Adobe app and I'm getting the same margin error. So it is definitely a Xerox issue and I have a tech coming out on Monday.
The reason I originally figured it must be an CS5 issue is because just two weeks ago when I was using CS2, our landscape-oriented programs were printing with .25" margins as they should. Then last week after upgrading to CS5, the inside page (2nd page) was noticeably out of whack and shifted to the right (not left). But when I started trying to troubleshoot this week, everything started shifting to the left.
The only thing different between those two weeks was the fact I updated to CS5.
But obviously, my printer as decided to go to crap in more ways than one all in a two week period. Hopefully the tech can sort it out next Monday.
Thanks!
Christi

Secondary color correction not working in Premiere CC

Greetings,
I'm unable to build secondary color correction masks in Three Way Color Corrector, RGB Curves etc in the current version of Premiere CC.
In any of these plugins, when I check "show mask" I get the usual white slate filling the frame. But when I use the color picker to make a selection the whole frame stays white. It appears that I'm making selections but it's not building the mask for some reason. When making an extreme color change I can see that the mask is not building as it affects the whole frame.
This started after upgrading to CC. I've recently updated to the most up to date version (yesterday) and am still having the same problem.
Premiere CC 2014.1 Release
8.1.0 (81) Build
Macbook Pro Retina, 15" Late 2013
2Gh Intel Core i7
8Gb
Intel Iris Pro 1536Mb
Yosemite Version 10.10
*note-my Colleague is not having this problem, he's working on the same OS and same CC build but he has an Imac. So I'm guessing this problem is unique to my hardware config.
Anybody else have this problem or know of a fix?

I have the same Problem new MAC OS Premier Pro CC or Premier Pro CS6 both have an issue with the Title Tool. If you open the title tool and try to make color changes or change size of the font it sticks at the default color and default font. SOmetimes the title tool will work and then when I exit it's back to the default first type location, default font and default color. Sometimes it will not even let me exit the Title Tool.
Please help I have Projects I'm working on Deadlines and I pay a monthly Fee for Software that works and it's not working.
Model Name:          Mac Pro
Model Identifier:          MacPro5,1
Processor Name:          6-Core Intel Xeon
Processor Speed:          2.4 GHz
Number of Processors:          2
Total Number of Cores:          12
L2 Cache (per Core):          256 KB
L3 Cache (per Processor):          12 MB
Memory:          16 GB
Software OS X 10.9 (13A603)
Graphics ATI Radeon HD 5770 1024 MB

Transitions not working in Premiere CS6.Video was color corrected in AE 6 and sent back to PPro cs6.

I exported my film to AE6 from Premiere CS6 for color-correction and got it back to Premiere Pro through DYNAMIC LINK.Now,the problem is that AE has discarded all the transitions and also cross-dissolve and film-dissolve don't seem to work on this color-corrected video.I am able to apply the transitions but they don't work....somebody please help!

As Jim said, not all effects and transitions are properly translated when you replace a group of clips with dynamically linked AE composition. Actually you should have noticed that your cross-dissolves etc. had been replaced with black solid layers in After Effects, which didn't reflect your PrPro transitions.
Now you can jump back to your AE project and fix broken transitions there.
For your future work you should keep it in mind and decide whether to replace a group of clips (and, therefore, fix broken transitions in After Effects) or a single clip, taking care of its handles.

Secondary Color Correction layer not working in .look file

I needed to edit an image for continuity reasons so I exported a .dpx frame from that section of my premiere pro project and worked on it in speedgrade. In the workflow I have set for myself, it is best to apply the look in after effects using the "apply color lut" function. Unfortunately, the secondary color correction layer does not apply, but other layers such as primary will.

Hi ACD,
After Effects and Photoshop CS6 take .Looks via the LUT engine. That indeed allows for using primaries with low mid high differentiation and should yield really good results.
Secondaries can be expressed in a LUT as well, but I would typically not recommend using them when you want to integrate .Looks with your After Effects workflow. Here's why:
- a LUT is never as precise as you'd want it to be for something as complex as secondary color grading - a LUT is always based on interpolation (as opposed to applying the effect in SpeedGrade - there it's all native, no interpolation at all)
- For a good key you would typically use the denoise and the blur function in the secondaries. Both (by nature) don't translate at all into a LUT, so you'd have to give up using these 2 important tools
- For a lot of work you'd want the LUT to be accompanied by a mask. That's something that also can't be described in a LUT.
Think of the LUT support for .Looks you created in SpeedGrade more as a really helpful tool for matching your comps to an overall look you design, not necessarily as the tool to apply a final grade.
Hope this is helpful.
Pat

HP Photosmart premium not printing correct colors or contrast on photo paper.

My HP Photosmart Premium does not print correct colors or contrast level on photographs using photo paper. This happens with using most any application and setting the paper type to one of the photo papers... By using MS PhotoAlbum and selecting the photo tray then forcing "regular paper", I can get a somewhat decent print (this trick only works with MS PhotoAlbum). When I setup to any of the "photo paper" types, I do not get correct colors or contrast levels (even if the print preview looks good).
I have the same issue with 8.5 x 11 inch photopaper. Unless I select "regular paper" as the paper type, I get incorrect color and contrast (even if the preview looks good). The ICC "Color Profiles" look to be OK (at least the titles are correct).
Anyone have any ideas?

Try the troubleshooting steps in this page. My bet would be the Photo cartridge (the black with the bow tie symbol) is out of ink. This is only used when photo paper is selected, for plain paper printing the regular black cartridge is used.
Bob Headrick, HP Expert
I am not an employee of HP, I am a volunteer posting here on my own time.
If your problem is solved please click the "Accept as Solution" button ------------V
If my answer was helpful please click the "Thumbs Up" to say "Thank You"--V

Color gradients not displaying correctly

I'm having an issue with my color gradients in type and objects not displaying correctly in the content viewer. For the last app I created, I made sure the colors were RGB and that seemed to fix it. With the current app I'm working on, that dosen't seem to fix the issue. Actually, when I test in the viewer on my iPad, it shows the correct gradient in the split second that it's loading the update but then once it's loaded, it goes to a gray white gradient (the correct gradient is from a yellow to a gray; attached a pict for referrence).
Anyone know why this is happening? Thanks in advance!
UPDATE: It seems to view fine if I preview the page via the foilo overlay but when I preview the folio, that's when it's no viewing correctly.

The Color Picker is unreliable for choosing colors based on what you see because it is not color managed while Color panel and Swatches are.
In your image, the color that you see in the Color Picker is how your monitor displays R=0 G=255 B=0. The color that you see in the Color Panel represents the same values in the file but the color management sends different values to the video card and thus to the monitor to display a color with appearance in the color space selected for the document. In your image this is a CMYK color space which you can check from the Show popup menu at the bottom left of the document window. To check the different values the video card is using, make a screen capture, save the image, open it in Illustrator and measure the color with the eyedropper. The color translation from the values in the file to the video card allows simulation of color spaces other than your monitor's. This simulation is accurate if you have a monitor profile installed in your system that correctly describes how your monitor displays colors. Such profile is created by using a color measuring device and profiling software. If your monitor profile (color space) installed in the system is the same as the color space of the document then there will be no translation (simulation) which in effects shuts down the color management - then the colors in the Color Picker will be the same as in the document. Many people do not bother to get an accurate profile of their monitor and use a generic sRGB profile for that. In such case working in RGB color mode using the sRGB color space (default in the Color Settings) will give the same colors in the Color Picker and the document. This usually is a sign of using a monitor that incorrectly displays colors.

Spot channels not colored correctly

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