.srt or .sub export with timecode

How to produce an .srt or .sub original to use the text with timecode as a base material for language versions?

I have not used Final Cut Pro X. You might look in the Final Cut Pro X manual, search or perhaps post a question in the Final Cut Pro Discussions.
However, based on what I have read about Final Cut Pro X to date, I doubt that the current version supports .sub/.srt exports.

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Is there any way to export 2.35 Anamorphic source to a 16x9 letterboxed frame WITH timecode or text overlays?

I have been trying to export temp cuts of an anamorphic project (2.35:1) in a letterboxed 16:9 frame with timecode and text overlays and other Additional Video Effects. Converting the 2.35 to 16x9 has been a breeze with the Preserve Aspect Ratio option in Cropping & Padding . The problem is that the black bars that that puts in the 16:9 frame appear OVER any of the Additional Video Effects, thus covering them up.
E.g. if I select a Text Overlay and place it in the Center, I can see it just fine. But if I want it Upper Left, Title Safe, it is covered by the black space of the Letterboxing. So the Additional Video Effects are getting added, they are just getting covered by the letterboxing. You can even see the very edge of the text in the Title Safe position, peeking out from behind the letterboxing, which is, of course, frustrating .
Thus far it's been a two-step process: letterbox the anamorphic source, then add TC and other video effects in a second job.
So - is there any way to do this in ONE step? It would really help my anamorphic workflow.
(apologies for the lengthy question.)
[I'm using FCPX 10.1.3 & Compressor 4.1.3, in OSX 10.9.5 on Retina MBP, Late 2013, w/ NVIDIA GeForce GT 750M 2048 MB]

Thanks for the reply Russ.
Yes, I've considered adding titles and/or generators in the FCPX storyline, but this creates a need to render the entire timeline. As I'm juggling library locations and hard drive spaces I just didn't want to add a new render that will occupy a lot of space. It's also a bit of visual clultter for me, so my goal is to find the best workflow for adding this stuff on or after export.

Exporting an .mov file with timecode

Hi -
I'm trying to find the best way to export an .mov file from Premiere or Encoder with timecode either burned in (as well as embedded in the file). Right now when I export the .mov files no timecode is coming through. Normally I would be able to read the timecode with the earlier version of Quicktime, and I can see it is just starting at 0.
I'm trying to export as .mov files so they can be given to transcribers.
Thanks for any help!
Elisa

It get's it from where you tell it to in the effect's settings. If it wasn't right, correct it.

Export audio with timecode

Hi all!
How van i export audio with timecode from FCP?
Can you guys help me?
Thank you!
HBars

Thank you all for the msgs!
In audio post-production a .BWF files is used (broadcast wave file), with all the "audio information" timecode is used to sync with an external video...
To do this kind of export i would need an extrenal hardware to record it... i was trybg to know if you guys have another way os doing it.
I can sync by 1khz, 3/5/10 seconds from start... but with tc ... it would rock on!
Thank you all...
Tips are welcome!
HBars

How to export quicktime with timecode burn?

I am scoring a film (in Pro Tools HD) and the editor isn't quite sure how to export the film to a quicktime movie with timecode burned in (i believe that's the term for timecode being visible on the preview...?). I don't know what version of FCP he's on but I was hoping someone could give me some generalized instructions I could give him.
Also, if I have to compress the video to slipstream the processing/reading in pro tools, will I retain proper timecode? thanks!

He would have to change the Timecode offset value under the Filters tab in the Browser.
Find a scene that starts on a hard cut, say 1 minute or so into the movie. Note the timecode.
Your guy then fiddles around with the beginning, making it 6 seconds and 8 frames shorter.
Go back to the reference cut and you will see that its TC has changed by that much.
Adjust the Offset parameter to match. This has to be done by entering the number of frames. You can use positive and negative values as required, which will also cover for the changed scenes turning out longer than they were originally.

Multiclip on FCP 7 with timecode: multiple files for the same camera have different Angle

I have FCStudio 7 with OS 10.6.8
I just filmed a concert with 6 cameras (Sony XDCAM). They are all timecode sync'd.
For various reasons there are multiple vid files for each camera (i.e. 172_003 thru 172_006 for camera 1).
I imported into FCP 7 using SonyXDCAM plug in with no problems. Each camera file group was given its camera number as the Reel Name (i.e. Camera 1) and that camera's number as its Angle Name (i.e. 1).
Now when I try and create a multiclip using all six cameras, instead of keeping all the files for a specific camera under a single angle name it treats each file as its own camera angle. It treats each file as an individual camera instead of having the files flow as a single clip from a single camera based on their timecode. In viewer I have 8 different angles for a single camera (because of 8 files). In the make media window for multiclip, the Angle Name is different for each clip but its position is still aligned to its timecode.
I worked the same project last year and the multiple files for each camera lined up fine, based on its timecode value and camera/reel name. I can't see what has changed.
I need each camera's files to sync under that camera Angle Name, and for the files to play in the same angle spot in viewer.
All advice welcomed as I'm in a major time crunch to complete the job.
Thanks.

Well why not just prebuild each angle in its own sequence with sequence timecode matching the source timecode? Export with current settings and import these files back into fcp and then create your multiclip.

Import a .srt or .sub file into QuickTime movie

How do I import a .srt or .sub file into QuickTime movie (i.e. pre-made subtitles). I don't want to burn or create a new copy of this movie. I'd just like to view this movie (which is in Italian) with the *.srt subtitle file that came with it.
PowerBook G4 Mac OS X (10.4.9) QuickTime 7.1.6

Thank you Dave, but unfortunately I've tried both of these. Well, I don't have QT-Pro, just the regular OEM version and incorporated the TitleLab components to my Library > QuickTime folder, but to no success.
Do you think that this TitleLab software will work properly on OS X 10.4 and QuickTime 7? This product is designed to run on the following operating systems: Mac OS Classic, Mac OS X 10.1 & Mac OS X 10.2...
So, the upgraded QuickTime 7 Pro doesn't have a native subtitling ability? That's unfortunate!
I also tried the Perian "JackKnife" beta version. It doesn't quite work... It pretty much places the subtitles in brand new blank screens (not aligned with the film at all). I.e. The film will run, talking will occur, then the screen will go blank and the subtitles will appear at the top, then the subtitles will disappear (after the same duration as the film portion) and the film will resume... Essentially, it's messed up.
Thanks. Maybe another suggestion?

Error message ''Disk Full' when trying to export with CS6, works fine in 5.5

I get an error message when I try to export media in Premiere CS6 that I don't have in CS5.5
I use export media for a AVCHD 60fps sequence with a few photoshop images on top of the main track. In the export settings I choose ''match sequence settings'' which gives me a .mpeg I- frame, 1920 x 1080 P, 60fps, quality 50, and a I tick the ''use maximum render quality'' check box at the bottom.
It used to work fine but now I get a message: Disk Full where there is 1.5 TB free on the disk?
I have the exact same sequence made in Premiere Pro CS 5.5 and it exports fine.
It started to act weird after I used the queue for the first time and it went to the CS6 encoder.
Since I used that once and it gave me that message for the first time, even when I try to do the same thing directly in Premiere CS6 , I always get the same error message.
Question 2, is there a place to change the settings from 50 to 100 for the quality of this export profile?
By the way I can export with other profiles without problems but this setting is the only one that I've seen that lets me keep my 60 frames per second in the export
process. (Example: I can export this sequence in the H.264, 1920 x 1080, 30fps, high quality preset, using the maximum render quality in CS6)

Hi Guys,
Thanks for the input but if you read my message correctly and until the end I already can export to other settings and I want an answer to this problem. There's no logical explanation to why this suddenly wouldn't work with the same sequence that it used to do fine with and that CS 5.5 handles fine.
As I said earlier this is the only setting that lets me export my sequence with the 60 fps, that I know of, for further and easier manipulation. As my main camera provides me with these 60 fps I'd really like to be able to have them left in that transition phase and, no, I'm not gonna give up until I know, really, what's going on and solve that problem. If this is a bug it needs to be fixed, if not I want to know what's happening.
Also there's no answer to my question 2: Question 2, is there a place to change the settings from 50 to 100 for the quality of this export profile?
So for you experts out there the question is still hanging.

How can I have Main report with a sub-report with in a sub-report??

I have a main report that has about 5 subreports, almost like a dashboard. I need to make one of those subreports contain another subreport.
I don't have the option to add a sub-report with in my sub-report, so what I thought would work is remove my sub-report from my main report, then add my new sub-report, then add that report back to my main report.
Everytime I add the sub-report that has a sub-report to my main report I lose the second sub.
From what I've read on the internet is you can't have a sub-report contain another sub-report. What some say is you can hyperlink that second sub report.
When I setup my hyper link to open the second sub-report I'm prompted to re-enter my report parameters.
Can some help me link a sub-report to a sub-report or show me how to pass a date range parameter in my hyper link so the reports just opens up?
I'm using CR IX R2
Thanks

Nate,
You are dealing with a product limitation. Crystal cannot have nested subreports within a sub report.
You can generally use shared variables between sub reports to achieve your desired result

How do I stop Illustrator automatically adding numbers to file name when exporting with artboard?

I need to export with artboard. Illustrator automatically adds a number to my original file name. It won't even let me replace the old file. It is extremely annoying and makes flow with other programs really hard because they can't auto update, since the file name changes. When you have multiple files, you can't be manually renaming all the time. Anyone knows how to fix this? Thanks.

This has been discussed a few times, and here is a summary of the usual solutions.
http://forums.adobe.com/message/2989508#2989508
What is it EXACTLY you are trying to do. Are you trying to export a single page from filename.ai and make it filename.psd, (without any number afterwards). In that case you could delete the extra artboards prior to export, and then you won't have to checked use artbaords as there is only one page. Otherwise I would plan ahead so your end result will be filename-01.jpg, filename-02.jpg, and then everytime you use export artbaords those names will replace.
I am happy with the function as is, and would prefer to have a serial number automatically after the name when checking use artboards. But sounds liek you and others desire more options and thte ability to turn off adding to the filename.

Bug with workflow that creates a folder and sub folder with the same name.

Hi,
I've found a possible bug in SharePoint 2010 workflows. I only have access to SharePoint 2010 and SharePoint Designer 2010 over my companies intranet, afaik I don't have access to to logs or anything server side so sorry for the any missing information.
I had some problems with a workflow in one list that needed to create some folders and subfolders in a second list. The production version did a lot more so I setup a test area with 1 list and a workflow that only does the folder creation part and have managed
to consistently replicate this problem.
The test list has two columns, [title] and [sub folder title]
The workflow starts by getting the values for [title] and [sub folder title] into variables.
It then creates a folder in the same list with the same name as [title], and then creates a sub folder under this with the name from [sub folder title]
So the resulting structure would be:
Test List:-
List item with fields [title] and [sub folder title]
[folder: title]:-
[folder: sub folder title]
If both folder names are different (e.g Folder1 and Folder2) then it works perfectly fine, if both folder names are the same (regardless of character case, e.g. samefolderName and sameFolderName) then the workflow fails.
As part of the test i made the first action of the workflow to log the message "Workflow Started" to the history list. When the workflow fail there's nothing logged in the history list other than the error: "The workflow could not update the
item, possibly because one or more columns for the item require a different type of information."
Creating a sub folder with the same name as it's parent works fine manually but for some reason a workflow can't seem to do it in one action.
As there's no history list entries before the error it looks like the workflow is just failing to start but if i do something like add an if statement to check if [title] and [sub folder title] are the same, and only create the subfolder when they are not
then it runs fine doing what it's set to.
The function of the workflow in our office was for convenience so were just working without it. Just wanted to post to see if anyone else has come across this/could try to replicate or explain this and see if it's a SharePoint bug or something specific
to our setup.
thanks,
Martin

not sure about the specifics of your workflow, but if you're querying the list for the folders... keep in mind that a list lookup will only ever bring back ONE item... even if there are several items that meet the filter criteria... example: if i search
a list for an item assigned to "john doe", there may be 15 tasks that meet the criteria, and it'll only grab one... this is why SP Designer WARNS you when your list lookup may exhibit this behavior.
Scott Brickey
MCTS, MCPD, MCITP
www.sbrickey.com
Strategic Data Systems - for all your SharePoint needs

Sub-contracting with chargeable component.

Hi All,
I am doing following scenario
Scenario: Sub-contracting with chargeable component.
Activity: Clearing (Consumption-Based)
T Code - /n/SAPNEA/JSCR19
Amount: 23,100,000
While action posting, we are getting following error message
Error Message: E The difference is too large for processing
Kindly suggest where to do necessary changes in the system.
Rahul

Hi,
This procedure provides the way of manual payment for Subcontract expense.
I want to clear Accrued revenue by deduction AP using T code /n/SAPNEA/JSCR19
While posting, I am getting error message Amount too large to clear", maybe the system set the limit for the tolerance value for clear document. Please suggest me, where to change the settings.
Rahul

Creation of sub item with serial numbers in outbound delivery

Hi All,
We need to create a sub item for an Outbound Delivery main item in change mode with serial numbers for sub item.
Process flow:
1. Sales order item created with main item
2. Outbound Delivery created with main item
3. Outbound Delivery interfaced to external logistics sytem
4. External logistics system pick the main item and a sub item (packaging) from warehosue and ship to customer
5. External logistics sytems send delivery pick confirmation interface with main item details and serial numbers for sub item
Now we have to create a sub item with serial numbers in the delivery referencing the same main item.
NB: Delivey can have multiple similar main items but there is only material number in SAP for sub item. Hence the requirement to identify relevant sub item serial numbers to each delivery main item.
Can you kindly tell me in what possible ways we can create sub item with serial numbers for a deliveyr main item in change mode.
Thanks in advance
Best Regards
Veer

Hi,
Does anybody have an answer?
Thanks in advance.

HELP! What are the settings to export with the highest quality (I will show my project in a cinema.)

Hello,
I have a project I will be showing at a local cinema, and I need to have the best possible quality for that......
My source footage is SD, so I am exporting it as a MPEG2-DVD project, the first time I exported (with the default MPEG2-DVD settings) and burned it, it looked good (at least on my 34" TV) but I am not sure if that quality will be as good when projected on a cinema screen...
So, what I need to know is, which of the MPEG2-DVD export settings I must change in order to get the quality I am looking for.....
BTW I am using Adobe Premiere CS4 and the whole Creative Suite 4....
Thanks in advance
Al

If it looks good on your tv it will look good at the cinema.
The resolution will still be 720x480/576 if a dvd player is hooked up to the projector.

Videos export with purple/green artifacts/splotches/flashes with Media Encoder CC but export fine with Premiere Pro CC?

I use Premiere Pro CC to edit videos, and videos render fine when I export through Premiere Pro, but when I try to use Media Encoder CC, the video exports with weird splotches of green/purple artifacts all throughout. It almost looks like the video is glitching and having a seizure of green and purple. No idea why this happens. Could anybody help me? I use Media Encoder to export bulks of videos at a time through its queue feature, which is why I prefer to use Media Encoder for video exporting.
Please and thanks.
Specs:
Motherboard: MSI® Z87-G45 Gaming [Red on Black color] 2x SLI/CrossFire
Processor: Intel® Core™ i7 4770K 3.5GHz/3.9GHz Turbo 8MB L3 Cache HD 4600
Memory: 16GB Corsair® Vengeance™ DDR3-1600 1.5V (2x8GB)
Graphics and GPGPU Accelerator: AMD R9 295x2
Power Supply: 1300W EVGA
Operating System: Microsoft Windows 7 Home Premium 64-bit

Mitch,
I was hoping that you and others might have some insight as to whether the purple and green artifacts / splotches seen in the attached screenshots (taken from 4 consecutive frames here but occurring through the entirety of the clip) could possibly have resulted from exporting video with ~ Premiere Pro CS5 or 6 ? As seen below, these splotches alternate back and forth between purple and green in every consecutive frame. I was also hoping that someone might know if this is a relatively common type of artifact and how it is caused.

.srt or .sub export with timecode

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