Stabilize a Multicam Clip

This is driving me nuts!    I'm used to being able to right click on a clip in an FCP timeline and say send to motion - stabilize *just that part of the clip* and return to FCP. Job done.   Not so in Premiere Pro AE it seems.
So, here's the problem.
4 Cameras - each have long clips.   As I've cut them in Multicam I need to take out a small wobble in a 6 second section of (say) track 3.    If I right click on this clip and replace with an AE comp so I can stabilize it the entire multiclip appears in AE and it now wants to stabilize the entire 40 mins rather than just this 6 second piece. Crazy.
What is the easiest / fastest workaround for this?    Stabilizing the entire 40 min clip is not practical for several reasons, including the time taken to analyse (many hours) and the fact that the camera moved position in this time so the footage wouldn't even match anyway!
Help! Going crazy since I'm trying to get this project finished and delivered..... it's the first Multicam I've done in PP after switching from FCP7.

Perhaps, I missed something... Correct me, if I'm wrong...
Supposing, I had several long multicam shots. I placed footages into nested comp and synchronised them (specially for you: total movie length is of about 55 min):
Then made cuts on Master sequence via Multi-cam Monitor:
Found out that my movie needed stabilisation right from 15:00:00 to 15:05:00.
OK. Made two extra cuts on 15:00:00 and 15:05:00:
Replaced that short clip with AE comp. Checked nested AE comp for proper camera view:
Applied Warp Stabilizer onto my short AE Master comp (it was actually completely useless footage, just for playing around)
It took of about two minutes to calculate all the stabilisation within AE

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double click on the clip which brings up the angle editor with the range and angle selected.
press cmd-B to blade the clip
turn on image stabilization.
Unfortunately, step one doesn't work. I'm forced to open up the angle editor and manually skim and search for the desired angle and time range. It would be okay if the playhead in the angle editor was slaved to the one in the timeline. Then when you went into the angle editor you'd be right at the desired source material, but no, the two seem to be independant of each other. It makes performing the task much slower and more tedious. So much so I am convinced more experienced users are going to know a quicker way to do it.
So, does anyone know an easier work-around for this?

Thank you Tom and Luis, but I'm not with any of this. I can add a clip to the timeline or insert a clip into it via the "arrow tools". If I attempt to shorten the clip IN the timeline there is a blank space representing the amount trimmed from the clip.
I want the next clip along to that I've trimmed to automatically move along the timeline albeit shortening the total project duration.
Pressing "A" on the keyboard doesn't achieve this.
I simply click on the clip in the timeline to highlight it with the yellow margin. I then click on one "edge" with the arrows symbol and drag the edge inwards. This then leaves the space I do not want.
As for "Preferences" when I click this under "Final Cut Pro" i see nothing either relevant to this problem or that I could trash.

How can I use all tracks from multi-channel source audio with Multicam clips?

I cannot figure this out. Working in Premiere I'm prepping for a 2 camera show, with typically 4 to 6 track dual-system audio recorded by the sound guy. I can sync, and make multicam clips any number of ways–whether sync by timecode, sync by audio, or eyeballing–but whenever I edit using the MC clip, Premiere mixes down all the audio channels into a stereo single track, and I cannot pick and choose which audio track from the original to use. With 2-5 people mic'd on lavs, I need to be able to choose which audio is either cut in or heard at any given shot.
Is there any way to have control in multicam clips over which track of audio gets edited into the timeline, or even: that all tracks of audio get cut in? It's very important for the editors to be able to see waveform (which also disappears for some reason in the mixdown) and pick and choose which audio is heard?
I'm sure this might be a simple fix, but I cannot get my head around it for workflow purposes for my assistant editors. We need to use multicam, but this audio thing is driving all of us crazy. None of us can figure out how to have a multicam clip and use it with control over what audio is cut in.

True, but what I need to be able to do is have my multicam sequence in the source monitor, and cut into my working sequence with either just the audio I need from the sound guy's multi-channel WAV, OR cut in all the sound and from then I can just enable or disable what I need or don't need. But also be able to match back to the Multicam source from my working sequence.
I don't want to have to open the synced sequence, and razor blade the things I need and have to copy and paste into my working sequence in order to have the full spectrum of my multi-channel mono lav WAV files...with their waveforms visible.
Essentially, I want my Multicam clips to load in the source monitor, and the ability to cut them into the working sequence without it mixing down the audio into a single track with no visible waveform–which is what it is doing currently. Can I choose to edit in either ALL of the tracks of the WAV file along with the camera shot I want, or control which audio gets cut in?

Fcx-creating multicam clip with two different frame rate

I have created a multicam clip with 2 clips, one shot with iphone 3gs, 15 fps, and the otherone with a dslr
i remember that with fc7 the main task to accomplish this was to shot with same setting but now it seems to work althought they are not same.
how final cut process the clips when tries to sync them ?
thams

I have created a multicam clip with 2 clips, one shot with iphone 3gs, 15 fps, and the otherone with a dslr
i remember that with fc7 the main task to accomplish this was to shot with same setting but now it seems to work althought they are not same.
how final cut process the clips when tries to sync them ?
thams

How to use two audio souces in one multicam clip

I have a three cameras, and an additional audio source. Making the multicam clip with of the four elements was easy, however I would like to use both the audio from two different sources at the same time. Is this possible? I know about switching the audio from one source to the other, but in some cases, I have talent on stage left and on stage right, and I need the audio pick up from both regardless of the video angle.

You can do it this way.
In the multicam select audio to left clip.
Then find the right clip, detach its audio, take its audio & align it to the multicam clips.
This way you have audio from let & right

How to mute ALL audio in one single go in an edited multicam clip?

Hi there
I'm having to replace some audio in an already edited multicam clip. (there are mulitple audio parts I'm replacing by the way)
How can I mute ALL of the audio in one go, as I have about 400 cuts and am currently having to mute one by one per cut.
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Easy. Select them all. In the inspector, click the Audio tab. Under "Channel configuration", uncheck the box which would say something like "400 selected clips".

How to replace a clip that is part of a multicam clip in FCPX 10.0.9

I am having an issue with a project drifting out of sync in FCPX 10.0.9. In the time line everything is in sync, however when I export a master .mov file the video drifts out of sync. I believe this is because my main audio is an mp3 file.
MY plan is to convert my mp3 audio to an AIFF file and replace it with the mp3 in my project. The only problem is that this audio file was imported as part of an hour long musical performance and I took the part I needed and made it a sub clip. I then took the sub clip and made that part of a multicam clip.
Is there anyway to replace this MP3 sub clip with my new AIFF file in the multicam clip?
Any help is greatly appreciated.

jfriedman93n3h wrote:
… I took the part I needed and made it a sub clip. I then took the sub clip and made that part of a multicam clip.
never good practice to 'bundle' clips, sticking compounds into compounds... and in very rare cases needed/could be done 'better' using the tools 'n features FCPX offer....
Why not simply adding the new audio to your project timeline and synch it?
http://help.apple.com/finalcutpro/mac/10.1/?lang=en#verc1fabc30
When done, erase the track in your MC ...

I get "Modified File" message with AVCHD clips after making Multicam clip?

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I selected "create optimized media" and "create proxy media" when I imported. I'm currently transcoding today's offensive clip again, as fcpx seems to think that is possible. Perhaps that will fix it this time, but I've been stuck in a continual cycle of the clips working and then disappearing and being replaced by various red error mesages for the last few days so I'd like to figure out what is wrong with my workflow.
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There's no automatic way to do this. You'll have to Match Frame the clips into the Source Monitor, find the In/Out timecodes, then load the new clip with audio and go to those same timecodes to set In/Out points. and add just the audio to the sequence.

Multicam Clip Audio Channel config greyed out

I shot an interview with two cameras. One of those cameras had the audio (lav on left, boom on right). That audio was imported as a stereo track on import, the angles where multicamed, and the edit happened.
Now I have a timeline with all my audio playing in stereo (lav on left boom on right). I want to change from stereo to dual mono so I can audio mix properly, but when I select the multicam clip in the timeline, the channel configuation in the inspector lists it as stereo and the dual mono option is greyed out. (don't know why they won't let me change here)
I can go back to the event and select the multicam clip there and change it to dual mono and it will also change in the timeline. So that seems like a work around, but I can't select MULTIPLE multicam clips in the event and batch change the channel config to dual mono. Says "selected clips are from different multicam clips."
Am I going to have to select every single multicam clip individually in the event browswer and change the channel configuration on each one?

As far as I understand it, you cannot switch a "container" clip like the multicam to dual mono since it contains a clip which is stereo inside it. This makes sense, as per se it is not the multicam that is stereo or not.
You should make the change from stereo to dual mono in the actual AUDIO clip - either before creating the multicam, or after - in this case, after :-)
Open the multicam clip in Angle Editor (control-click the clip in the timeline and choose "Open in Angle Editor").
Now select the clip that contains the audio and make the change. Note that this WILL affect the relevant clip even outside the multicam.

Why can't I create a new multicam clip?

Just getting started with FCP X (10.0.5). I have imported from 3 cameras shot at the same time, but the clocks were not necessarily synchronized.
I select multiple clips, and "Create new multicam clip" menu item is grayed out. The only time it is available is if I select multiple clips from the same camera which were recorded one right after the other. I have set camera angle on each clip, and set the "content created" field to approximately the same time. According to the help, they can be different frame rates, resolutions, etc and still be combined to multicam clip.

OK I knew it was something simple. The clips have to be in the same event. Thought I had tried that but apparently not. Found the answer in another discussion. I couldn't find anywhere in the documentation that they had to be in the same event, and being new to FCP X wasn't sure the best way to organize multiple cameras.

How do you create a PIP in a multicam clip?

I know how to create a picture-in-pictre where I would overlay the PIP clip over the primary clip in my timeline, and reduce the size of the PIP window.
But I would like to use PIP in a multicam clip. I usually fully switch from one angle to the other. But how do I keep my master clip rolling and make my other angle appear in the PIP?
Thanks

Create your multicam clip including the PIP angle.
Edit the multicam clip into the timeline.
Select the PIP angle as the active angle. Go forward in the project a bit and cut to a different angle.
Select the PIP angle in the timeline and use Opt-Cmd-Up arrow to lift it from the timeline.
Stretch it out for the length of your video so it covers up everything else.
Select the PIP layer and press Shift-T for the transform function and shape the PIP and position it as you like.
Should look something like this. Hope you see the images

Trouble with my Multicam clip

I'm trying to synchornize my two camera shots using the multicam button. All is well in making the clip; however, i notice then when the created multi cam clip is in the timeline it is displaying in a linear fasion with the second camera clips ahead of the first camera footage. In other words, nothing seems to be sychronized. Cameras footage is placed one after the other (not stacked) If I double click on the clip nothing happens in showing the two clips (stacked) and they still remain all in one line. Very confusing.
Could use some help!

I've got everything synched but my latest problem is trying to make a DVD from my multicam clip. I'm noticing that the secondary footage is not joined to the primary clip. When I join the two clips on one line only one camera is presented and the other camera edited footage does not read or register.
I edited the multicam clip in the time line after double clicking from the clip board. I'm also noticing I cant work with titles very well with the two multicam clips in this mode and that when I try to make a copy and put it the two clips into a new project I get a notice that says the video properties of this clip are not recognized and when I click OK the clips reverse themselves in the New Project time line when presenting themselves. I'm stuck in multicam clip mode and don't know how to get to the next step in which I can move on from the synchronization.
Sometimes I think it would be quicker to manually edit these clips.

Multicam Clip - Nudging Selected Clip Moves Unselected Clips

Been having problems now for a while with on several projects when I need to manually align clips in a Multicam Clip. For instance when creating the Multicam Clip FCPX doesn't get some of the clips aligned 100% correctly. When I attempt to select a particular clip and nudge it it starts moving all the clips to the right of the selected clip. Suddenly I find the multicam is a complete mess and have to start again. I have to constantly fine work arounds because of this. It's driving me crazy and making what would be a very quick process with the help of FCPX audio align feature a huge nightmare.
Anyone else come across this. It doesn't happen all the time. And I've haven't been able to single out what starts causing it. It doesn't seem to be linked to a particular type of clip as it happens on many different formats such as 4K, 1080, mov, avchd etc.
I've shown this to Apple technical support on several occasions and they were not sure what is causing it, but did witness it themselves. I do believe this to be a bug and it's driving me crazy because it's wasting so much of my time. After spending hours finding work arounds and manually readjusting clips again and again, I would actually get this done much faster doing it 100% manually like I used to do in Adobe Premier CS6. Or perhaps use Adobe Premier CC which has audio align?

Thanks for the trying Luis. Much appreciated.
It must be something in my footage or some combination of something I'm doing.
Looks like I'm going to have to spend some time trouble shooting this to figure out what's causing it if other people aren't having the same issue. Apple was unable to reproduce it also.
Ya, the position tool is selected. I don't think it has anything to do with how I'm manipulation the footage itself. It has to be some weird combination of events together causing this. I'm wondering if it's something in the GH4 footage. I thought it may be only happening when I have GH4 4K footage mixed with 1080 but yesterday I had a multicam clip with only 1080 and it was happening.
Or it's something specific to my laptop and FCPX.
I'm going to make a quick demo video and post it for reference. Maybe someone can see something I'm doing wrong or at least show what I'm doing so someone can try to reproduce it.

One set of clips won't sync when trying to create a Multicam clip

I am trying to create a multicam clip using one long audio track, several clips from one camera and several clips from another camera. All three have audio recorded from the same shoot. One camera angle successfully synchronises with the audio track, placing the clips in the correct positions and leaving blank spaces where I don't have a clip. The other set of clips do not sync. It puts them in order by not synchronised. I have named camera angles and camera in the meta fields. Can anyone help? The camera which seems to sync ok was a canon XA10 the camera which doesn't is a canon 60D. The 60D took its audio teach from the linear PCM recorder I used for the Audio track. (It's still a little noisy in case anyone wants to know why I'm still using the PCM track). Can anyone help? I tried to call apple but seemingly they won't help unless I get an error message.

You could probably generate the content of the end file
separately, before including it in the final file to be accessed by
the user.
You could do this using CFSAVECONTENT
<cfquery name="getprinthtml" datasource="#dsn#">
SELECT abstractDirectory
FROM Abstract_tbl
WHERE (Abstract_ID IN (#url.abslist#))
</cfquery>
<cfsavecontent variable="theBody">
<cfoutput query="getprinthtml">
<cfinclude
template="/uploads/#getprinthtml.abstractDirectory#/#getprinthtml.abstractDirectory#_prin t.html">
<hr>
</cfoutput>
</cfsavecontent>
then use
theBody as a variable containing the entire contents at one
time when you generate the final Word doc so it does not have to
run any looping at that time.
Other than that, is there any chance the query is really only
picking up one row based on the cirteria ?

Adding angle to multicam clip

Hi
I have searched the internet and this message bord, but haven't found a good way to solve my problem.
I have shot a wedding ceremony with two cameras and one external audio recorder.
I have tried creating a multicam clip using these three angles, syncing them all with the audio angle. The first angle syncs fine, the second angle is not syncing at all, instead it adds all the smaller clips in weird order (not even according to the created time, even though they were all shot with the same camera).
I have a different part of the same wedding using the same angles that works fine. I think the main problem is that the first camera next to the altar and the audio recorder is close to eachother. The second camera was handheld among all the guests and therefore pics up a lot of background noise and whispering. But the sound of the priest and all the speeches are clearly audible.
So, the questions:
1. Is there a way to improve the sound so they can sync automatically?
2. If not, can I somehow sync angle 1 and the audio and then add the second angle and sync it manually to the audio? Problem here is if I add all the clips, they get inserted in one row instead of with gaps according to created time.
3. I tried adding "first markers" to the first clip of every angle and syncing them, but the second camera still is completely off.
Any ideas how to do this or do I have to add every single clip and manually sync it?
Thanks in advance!
//Mathias

No one out there that can help?

Stabilize a Multicam Clip

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