Start working with adobe premiere pro cs 5.5 in german

It doensn' make fun to start working with adobe pro cs 5.5. I dont find do kuse the programm window. I cut one scene and after that I did'nt hear the audio.

Are you sure you want to start in German.
Most tutorials are in English.
Best place to start is with Adobe tutorials:
Learn Premiere Pro CS5 & CS5.5 | Adobe TV

Similar Messages

Does the 13 inch macbook pro, retina display, 256 GB HD, 16 MB Memory, Intel Iris Graphics work with Adobe Premiere Pro CC? I'm worried about the Intel Iris Graphics

I'm thinking of buying this computer, mostly for screenwriting. But I might want to occasionally use Adobe Premiere Pro CC

not good enough. you need a 15" that has 2 graphics cards (both dedicated and discreet graphics card).

NVIDIA Geforce 840M with HP Envy 15 Lapytop - working with Adobe Premiere Pro

I have had this HPEnvy for a fortnight and am wondering for how much longer. I use the laptop extensively for video
editing, often away from home. To begin with, everything was fine. Now, just a fortnight later, it will often start Premiere Pro with the "Video Rendering and Playback" options greyed out even though the previous day it wasn't greyed out. When this happens, playing back video within Adobe Premiere, it runs for a few seconds and then becomes very jerky and stuttery.
I have tried updating ALL video card drivers.
I notice that there are two video cards displayed in Device Manager. One is the NVIDIA Geforce 840M, the other sometimes appears as 'Basic Microsoft***" and sometimes as Intel***. Should there be two display cards showing?
I would expect you to point me at Adobe but I believe something is happening BEFORE Premiere gets a look in. The laptop seems sluggish when loading any software. Just for the record, I have uninstalled Premiere Pro CC and have restored the Laptop to it's "as delivered" condition. This took some time, of mcourse, but did not improve matters.
As things stand at present, I cannot use the Envy 15 for it's intended purpuse.
I would be grateful for any advice as to why this is happening. Has anyone else experieced it?
Many thanks for your time and expertese.
Alan S.
This question was solved.
View Solution.

A little further information, following a full day of trying this and that!
It MAY be associated with the power pack. If I remove the mains power pack, it reliably boots and when Preiere CC is run, it allows selection of the CUDA/Mercury Playback options. If I boot the laptop with the mains power connected, then Premiere CC will not allow selection in the CUDA/Mercury box in Project Settings.
BTW the profile notes say I am running Windows NT. That should read Windows 8.1 - I am not sure where the NT came from!
Thanks again,
Alan S

XDCAM HD workflow with Adobe Premiere Pro CC and Macbook Pro

Hi folks,
I have an assignment for a TV production to secure and convert the data (mxf files XDCAM HD 422 1080i 50 / 50 Mbit/sec with 8 audio channels) from Sony XDCAM camcorders (PDW-700) for postproduction.
The producer wants me to convert the mxf files during production to Apple ProRes 422 (HQ) for faster and smooth editing during postproduction.
I'm not sure about the final output yet, but I guess it will be either 720p50 or 1080i 25, since the production will be broadcast and as far as I know this is the standard for HD on German television. It is also not clear which NLE will be used for editing (usually one of the producers edits their projects with FCP, but this time they've got their hands full and are still looking for someone to outsource postproduction.
Unfortunately, my Macbook is getting fixed as we speak, so I can't try things out.
Since this is the first time I'm doing this workflow, could someone please check if I got everything right?
1. Can someone please confirm that I can actually convert the mxf files using AME CC to Apple ProRes 422?
Or do I need to install any other tools/converters for this task? Does MPEG streamclip do the job? Any other freeware?
2. When converting to Apple ProRes422, the producer suggested to deinterlace the footage (1080i 50) to 25p, if 720p or 1080p I have to find out tomorrow since our conversation got interrupted this afternoon.
In my opinion this doesn't make sense, though. First, if output to 1080i 25 it has to stay interlaced anyway. Second, in case the output will be 720p 50 I would edit the footage either natively or in Apple ProRes 422, but leave deinterlacing until the very end when outputting to the final format. This way I could use an advanced deinterlacer, e.g. the one from Magic Bullet Suite, rather than just checking some deinterlace box in the export settings for Apple ProRes 422.
The reason the producer suggested to deinterlace right away when using an intermediate like ProRes was that she and the client got irritated by the jagged lines from the interlaced footage when editing the last project with the same requirements on a progressive display.
3. What would be the best solution to tackle this issue (jagged lines) during editing?
As I said my Mac is getting fixed, so I have no way of trying things out,and I usually edit DSLR footage which is progressive anyway.
But if I remember correctly I can switch my monitor between 1080p and 1080i. This should do the trick, shouldn't it?
4. Can I keep all of the 8 audio tracks when converting to ProRes using AME CC ?
5. Is ProRes422 (HQ) really necessary, or is the regular quality sufficient for this kind of job?
6. Let's assume the whole project would be edited within Adobe Premiere Pro CC and system specs as stated below:
Since Adobe Premiere Pro CC has native support for XDCAM HD is there any advantage of using an intermediate like ProRes at all?
How smooth is native editing with XDCAM HD in Premiere Pro CC? I don't think there will be more than 3-4 video tracks in use...
Thanks for your help!
working with
Adobe Premiere Pro CC and Adobe Media Encoder CC
Apple MacBook Pro
Intel Core i7 Quad Core Prozessor
2.3 GHz and 6MB L3 Cache
16 GB RAM 1600MHz DDR3,
256 GB SSD
Intel HD Graphics 4000 512MB + nVidia GeForce GT 650M with 1 GB GDDR5 RAM

Thanks Jim! I knew there must be a reason xdcam is widely uses for eng aquistion :) I think they used FCP 6 or 7 on their last project... So what about monitoring interlaced footage on a progressive screen? Any advice on that? Is there a converter built in to APP CC that deinterlaces in realtime when monitoring interlaced sources on a progressive screen? And would you agree that deinterlacing source material is best left right before outputting?

Avid Unity with Adobe Premiere Pro CC and After Effects

Has anyone used Avid Unity for media with Adobe Premiere Pro CC? I'd like to hear some feedback as we are working on doing that right now, and I'd like to know what the hurdles or pitfalls might be.

Open System Preferences > Mouse and/or Trackpad.
Adjust the speed.
If that fails, try running the combo updater.
OS X Mavericks 10.9.3 (Update (Combo)
http://support.apple.com/kb/DL1746

I couldn´t see imported videos with Adobe Premiere pro

Hello:
My name is Oren. I´m from Spain, and this is my problem.
One month ago I bought a Toshiba Satellite 850-31M. It has an x64 processor, 16 GB of RAM and I have 2 hard drives, the c: an SSD of 500 GB and other of 1 Tb hardisk, configured as D:. It has a GeForce GT 630M graphics card with 2 GB of RAM. W8 operating system.
I wanted to try the Adobe Premiere Pro CS6 and I downloaded the trial version. No problem, until I tried to import a video in the source window. Appears a small window that says "importing" and give to play in the source window and start .Audio be heard, but not the image. I've tried different video formats and always the same. The same video are seamlessly Quick Time and other video viewers ..... I do not know what to do, I think I've tried everything, even restart the computer to its factory settings and install Adobe Premiere vacuum and the problem remains. I tested with a trial of Premiere CS5.5 and got it. You hear the audio but no video . Insert the video in the timeline and recognizes it as such, even the first frame, but said, is not seeing in the "source", nor in the preview, only the audio.
What could it be? Am I you could lend a hand I'm desperate?
thank you very much

Hello:
I have the vídeos in a hard-disk. I'd tried in different video formats and
always the same. I hear the audio but I couldn't see the video image.
El jueves, 25 de abril de 2013, Jim Simon escribió:
Re: I couldn´t see imported videos with Adobe Premiere pro created by Jim
Simon <http://forums.adobe.com/people/JSS1138> in Premiere Pro - View
the full discussion <http://forums.adobe.com/message/5265806#5265806

FCP 10.1 DV capturing from camera breaking the scenes into unwanted clips by flashing a black screen on import window. But its fine and accurate with adobe premiere pro cc ? Any solution * Advance Thanks

FCP 10.1 DV capturing from camera breaking the scenes into unwanted clips by flashing a black screen on import window. But its fine and accurate with adobe premiere pro cc ?
Any solution * Advance Thanks

FCP X will import into separate clips every time it detects a scene change (as when you stopped and started recording in the camera). There is no option to avoid this, as far as I known.
You may try importing from camera using Quicktime Player X and then bringing the imported file into FCP X.

Any pre keyed effect sites that work with adobe premiere elements 11?

I have been trying to find a legit non scam/virus site with pre keyed effects like explosions, gunshot fire, fire, and other effects like that.
Most sites that I've tried are virus' or only work with imovie.
Anyone know of any good sites that have pre keyed effects that works with adobe premiere elements 11? (they don't have to look good, I am just practicing with those)

In my book "Cool Tricks & Hot Tips for Premiere Elements 11", I recommend and show you how to use clips from the wonderful site http://detonationfilms.com/ to create explosive effects.

Export multichannel mp4/h.264 with Adobe Premiere Pro CC

Dear community,
we currently test the Adobe Premiere Pro CC trial (German) on a Windows 7 Professional PC.
However, we are not succentful in exporting a multichannel mp4/H.264 clip.
We haven't found an answer on our issue so far, so I hope that this question was not answered several times before in this forum.
If we chosse the H.264 exporter, we cannot select a multichannel audio export (only mono, stereo, 5.1).
In contrary, if we select the Quicktime exporter, we are able to export our sequence with a 4 channel audio master with 4 mono tracks, but we can only export it with a DVCPro Codec in a mov container.
If we try to select a HD H.264 preset we get an error alert stating that the preset contains a not compatible video codec.
What are we doing wrong?
Thanks for every suggestion.
Thanks in advance
André

Thanks for your thoughts, Richard.
Your are right, we currentky use the Adobe Premiere Creative Cloud version.
We managed it to solve at least the error message. It was caused because Quicktime was not installed together with the Adobe Premiere Pro / AME setup on our computer.
After we installed Quicktime 7 manually, we can select a Quicktime/H.264 preset without any problems within the exporter settings.
However, the Quicktime/H.264 export dialog seems to only allow a mono or stereo audio export. No multichannel-audio export.
This possibility is only displayed in Richards case, if we select the Quicktime exporter and an Uncompressed Video or DV preset.
Our question to the Adobe developer guys is the reason behind this limition? Other video authoring prograns can export a mp4 with H.264 Codec with multichannel AAC without any problems.
How can we do this with Adobe Premiere Pro (not necessarily via Quicktime)?
André

When is Apple going to start working with ADOBE and let us enjoy some videos and other things on our beloved iPads and iPhones?

When is Apple going to start working with ADOBE and let us enjoy some videos and other things on our beloved iPads and iPhones?

How totally clueless can one be?
Apparently not more than you.
Adobe has given up on mobile flash for any device. They announced this a while ago.
They admitted mobile flash is a disaster and are jumping on the HTML 5 bandwagon.
Adobe has moved on, why can't you?
http://www.technobuffalo.com/mobile-devices/adobe-announces-the-end-of-flash-pla yer-for-mobile-devices/
http://latimesblogs.latimes.com/technology/2011/11/adobe-to-end-mobile-flash-plu g-in-development.html

Working with Adobe Premiere and After Effects

I want to work with Adobe Premiere and After Effects in terms of text and I do not see the Temple in Composition sttings
Please help me!!!!

Google is your friend
Here is a "tample"
https://www.google.co.nz/search?q=Tample&oq=Tample&aqs=chrome..69i57&sourceid=chrome&es_sm =122&ie=UTF-8

Audio-Problem with Adobe Premiere Pro CC 2014 by using long Clips in AVC-Intra Codec (4Gb Border)

Hello
We own a Panasonic camera (AJ-PX5000G) and we film in 1080p50 with the AVC-Intra100 Codec. When importing longer clips in Premiere Pro, the video is fully loaded, but the waveform of the sound ends at the Time Code 00:02:28:35.
Sometimes the sound could be played after this Timecode but otherwise there is no audio. Even if we use the same clip several times we see that it works sometimes and sometimes not. It looks random.
We also tried to import the Clips with Adobe Prelude directly from the P2-Card but there are the same problems.
The Clips in 1080p50 AVC-Intra100 have a bitrate of 227Mbps. After 2 Minutes and 28 Seconds 4Gb are written on the P2-Card and the Camera starts a new picture file and 4 sound files..
It looks like Adobe Premiere Pro has problems with the correct relation of the files that all get together to one clip.
Is there anybody who can confirm this problem? Can anybody help me with this Premiere Problem?
Dennis
(Workstation: Dell Precision T3600, Intel Xeon E5-1620 @ 3.60 GHz, 16 GB RAM, Windows 7 Professional 64-bit, Service Pack 1, Premiere Pro CC 2014.1 (Build 8.1.0)   )
Mediainfo of the P2-Cards:
General
Complete name                            : \CONTENTS\VIDEO\0068T7.MXF
Format                                   : MXF
Format profile                           : OP-Atom
Format settings                          : Closed / Complete
File size                                : 3.92 GiB
Duration                                 : 2mn 28s
Overall bit rate                         : 227 Mbps
Encoded date                             : 2014-10-15 13:33:41.000
Writing application                      : Panasonic P2 2.0
Writing library                          : Panasonic P2 2.0
Video
ID                                       : 2
Format                                   : AVC
Format/Info                              : Advanced Video Codec
Format profile                           : High 4:2:[email protected]
Format settings, CABAC                   : No
Format settings, GOP                     : N=1
Format settings, wrapping mode           : Clip
Codec ID                                 : 0D01030102106002-0401020201323104
Duration                                 : 2mn 28s
Bit rate                                 : 227 Mbps
Width                                    : 1 920 pixels
Height                                   : 1 080 pixels
Display aspect ratio                     : 16:9
Frame rate                               : 50.000 fps
Standard                                 : Component
Color space                              : YUV
Chroma subsampling                       : 4:2:2
Bit depth                                : 10 bits
Scan type                                : Progressive
Bits/(Pixel*Frame)                       : 2.193
Stream size                              : 3.92 GiB (100%)
Color primaries                          : BT.709
Transfer characteristics                 : BT.709
Matrix coefficients                      : BT.709
Mediainfo Audio-Datei P2-Card:
General
Complete name                            : \CONTENTS\AUDIO\0068T700.MXF
Format                                   : MXF
Format profile                           : OP-Atom
Format settings                          : Closed / Complete
File size                                : 13.6 MiB
Duration                                 : 2mn 28s
Overall bit rate mode                    : Constant
Overall bit rate                         : 770 Kbps
Encoded date                             : 2014-10-15 13:33:41.000
Writing application                      : Panasonic P2 2.0
Writing library                          : Panasonic P2 2.0
Audio
ID                                       : 3
Format                                   : PCM
Format settings, Endianness              : Little
Format settings, wrapping mode           : Clip (AES)
Codec ID                                 : 0D01030102060400
Duration                                 : 2mn 28s
Bit rate mode                            : Constant
Bit rate                                 : 768 Kbps
Channel(s)                               : 1 channel
Sampling rate                            : 48.0 KHz
Bit depth                                : 16 bits
Stream size                              : 13.6 MiB (100%)

Hi,
we have the same problem!
It is not possible to play audio with the AVC-Intra100 Codec fluently.
Can anybody help?
Thanks,
Anja

Can't get GeForce GTX 560 Ti card CUDA to work with new Premiere Pro CC 2014 version

In the past I've been able to get CUDA on my GeForce GTX 560 Ti card to work with Mercury Playback engine by adding "GeForce GTX 560 Ti" to the cuda_supported_cards.txt file. But with the new CC 2014 version of Premiere, that file isn't in the Premiere Pro directory anymore. Is there a way to get my GTX 560 Ti to be listed as a CUDA-supported card with CC 2014?

Okay, I figured it out. I installed the latest graphics driver and then opened the NVIDIA control panel. In there I selected "Manage 3D settings" and went to the "program settings" tab. I selected Adobe Premiere (adobe premiere pro.exe) from the list and under the "CUDA - GPUs" feature, I changed it to "Use these GPUs" and selected my GTX 560 Ti (which was the only one listed).
After doing that, I opened Premiere Pro CC 2014 and selected "Project Settings - General" and was then able to choose "Mercury Playback Engine GPU Acceleration" under Renderer (which had previously been unavailable).
Hopefully this will help someone else if they encounter the same problem.

Help with Adobe Premiere Pro and AME CS6

Hi all,
First off, i would like to state that i'm pretty inexperienced in video editing, so please keep that in mind when answering or questioning something.I will try to explain my question to the best of my abilities, but please answer in a 'simple' manner, and don't shoot me when i miss something obvious.
I came across a 'performance?'-issue (slow exporting) for which i don't really know how to find the solution. I've been struggling with it for a while.
Your (any) help or insight is greatly appreciated!
My system:
Windows 7 Professional - 64 bit (Service Pack 1)
RAM 20 GB
Intel Core I73770 (dual quad core)
Direct x 11.0
Nvidia NVS 310
Adobe premiere pro CS6 (upgrading to adobe CC is unfortunately not an option)
Adobe media encoder CS6
They asked me to edit some video's on a regular basis, nothing complicated, just a 'training'-video. Length of video is about 2 hours edited.
File info:
Source file is 1920x1080 (1,0), 25fps, Upper, 2:11:10:24, 48000Hz, Stereo
There is one audio channel (left is standard mic, right is a shotgun mic) which is split to two audio channels, edited in aodbe audition (basic noise reduction)
I've been running into export times of over 12 hours (exported to mp4), which i'm guessing is a bit much.. . The slowness is also occuring with other export settings.
I came across a possible solution (in short: changing the Video Rendering and Playback in the project settings of APP) but that field is inactive for me...? what's up?
"Use Preview Files" works in CS5.5 but is "Useless" in CS6
I don't really know what to do from here, to figure out the solution. Any suggestions on fixing or troubleshooting the extremely long export times??
Thx in advance.

Dual video problems - Do you have dual graphics adapters?
IF YES, read below
-http://helpx.adobe.com/premiere-pro/kb/error---preludevideo-play-modules.html
-http://forums.adobe.com/thread/1001579
-Use BIOS http://forums.adobe.com/thread/1019004?tstart=0
-link to why http://forums.adobe.com/message/4685328
-http://www.anandtech.com/show/4839/mobile-gpu-faceoff-amd-dynamic-switchable-graphics-vs-n vidia-optimus-technology/2
-Mac Utility for dual adapters http://forums.adobe.com/thread/1017891?tstart=0

Media Pending with Adobe Premiere Pro CS4

First of all guys, I know this is not a brand new issue but please help me out as am providing details. Thank you.
I have JVC Everio jvc everio gz-hd5 60GB camcorder. As you probably know that it records file into .TOD format, I converted them into .MPG format. This is how I am importing to Adobe Premiere Pro CS4 before it's showing me golden little screen displaying PENDING MEDIA forever.
1. Import -> new project
2. Capture format -> HDV
3. Available Preset -> HDV108030p
Operating system detail
Microsoft XP Pro Version 2002 Service pack 3
2.19 GHZ, 1.99GB RAM, Intel core 2 duo CPU
p.s - I read some forums but the way they explained is too confusing.

I dont think I have enough info about your computers and hard drives and so on to tell if you can really edit HD stuff , but at this point you should really convert the TOD file first anyway. I don't think just renaming the extension will make it work OK, but I found some info on the internet that might help you convert to a more editor friendly format...
Standard definition video is stored in MPEG program stream container files with MOD extension; in most other systems these files have extension MPG or MPEG. High definition video is stored in MPEG transport stream container files with TOD extension; in most other systems these files have M2T extension.[2] Transport stream files can be converted into more common program stream files without recompressing the video itself. For example, FFmpeg, a free software program, performs the conversion on Windows and Linux systems with the following command: ffmpeg -i myclip.TOD -acodec copy -vcodec copy myclip.mpg. Software, included with TOD camcorders, performs this conversion as part of capture process. A similar command is used for MOD files: ffmpeg -i myClip.MOD -vcodec copy -acodec ac3 -ab 384k myClip.mpg -acodec mp2 -ab 192k -newaudio.
You Gspot screenshot is good, and it shows that it doesn't recognize anything about the codec and codec name..the right side of the GSpot is usually full of information about the video file...like the frame size, FPS , aspect ratio, and so on. As you can see from the above paragraph you would probably benefit from converting the TOD file using FFmpeg or some other program like streamclip ( also free program )
That's your first step I think...
You will have to know what your video file is...from the camera manual you can find out the frame size and fps used, whether it is progressive or interlaced, etc... The reason you will need to know about your video file is because when you open the TOD file in a program like streamclip to convert it, you will want to convert it to basically the same specs, but with as a different "codec" and file type....but keep the same video characteristics as the original.

Start working with adobe premiere pro cs 5.5 in german

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