Still from FCP sequence

Hi everybody,
I have a problem exporting a still image from a FCP sequence that is rendered fine.
I have selected format under options of still image under export with QT. Seems to do something with I click on register, but nothing is done. I can't find any picture. I even searched my disk with "find" to make sure.
I never had this problem before. I just re-installed my FCP5.1, and upgraded. Nothing works.
What could be wrong ?
Thanks in advance
Ivan

Just to make sure go to the finder, open a new window (apple, N) then when the new window opens push Apple F to do a search. Change the where it says kind to Date Created and then right next to that choose Today. You will get a list of all the files you created today. If it doesn't come up with the images then you will know for sure that you didn't create, final cut pro is broken and you're screwed...
Just kidding. I would then trash prefernces, repair permissions and so forth. Before we go there do what I just described and report back.

Similar Messages

Exporting 1-frame stills from fcp

Here's my problem: I've captured lots of 1-frame stills from clips, stored in the Browser. Using 24PA Anamorphic Setup, wanting my final DVD to play 16:9 on a widescreen LCD. I then create a new Anamorphic Sequence and drag all stills to the timeline. Then, I export all the stills as jpg's, using QT Conversion to jpg. This works fine. But when I look at the resulting stills in Photoshop, they are squashed. Now, I can convert them to QT files and then get a nice correction by exporting the stills back out of QT, using Show Movie Properties>Visual Settings>Unchecking "Preserve Aspect Ratio">Changing Dimensions to 853 x 480. But then I've got a QT file which doesn't open in Photoshop. Yikes! By the way, in fcp, it doesn't seem to matter what format I set for the export--png,jpg,photoshop, etc. The stills always look squashed, compared to the video that they came from. Thanks for your help.

Drew13 or anyone! Oops! I just discovered another problem. I changed the pixel aspect ratio of all the 1-frame stills that I had exported from my 16:9 fcp project, and while there in Photoshop they look correct. But if I open these pictures in Preview, they still look squeezed. Then, if I open them again in Photoshop, I get this notice, "Pixel aspect ration correction is for preview purposes only. Turn it off for maximum quality." When the picture opens, it looks correct at 16x9 again. Apparently, changing the pixel aspect ratio in Photoshop does not "really" change the photo. My goal is to use the exported stills in a DVD slideshow,and have them look correct at 16x9 dimensions, but now I'm stuck with all squeezed photo-stills. Hmm.

Making a still from FCP video

I need to make a still (JPEG, tiff, ...) from a frame of my video on FCP so I can put it in a Word doc afterwards.
How do I proceed?
Thanks

Hi,
Place you playhead over the frame you want to create your still from, hit shift N and then export (using quicktime conversion) . Choose still image from the format menu and under options choose you prefered format, JPEG TIFF etc.
DM

How to take a still Jpeg from FCP sequence?

Hi, a client wants a still Jpeg from my timeline to use in the local newspaper. How do I get a good still image out of the Final Cut Pro timeline?
Thanks
Kevin

Unfortunately, you're limited to the resolution of the source video. Load the source clip in the viewer, (you can match frame back) park it at the appropriate frame, and go to file: export: quicktime conversion and choose still image. You will be limited by the pixel dimensions of the source with a dpi of 72.

Can't export EDL from FCP sequence

I've been trying for days, weeks now, to export an EDL from my Final Cut Pro 6 sequence. I keep getting the same error message:
The media files of one or more clips are missing reel names and may also be missing timecode tracks. Proceeding with the export will result in an EDL that cannot capture or reconnect all the media used.
I went through all my clips and added reel names, went to Modify-->Timecode to give reel names and timecode to slugs and music tracks, and nothing seems to be working. If I take just a piece, it works fine, but the whole thing just won't work, even though I've gone through it twice. There is one clip that somehow (I don't know how) became variable speed. There's actually a lot of speedramped clips and some SmoothCam slips that need to be reanalyzed. Could any of this be the problem? It's driving me crazy. Help!

What are you using the EDL for?
What is the physical media the EDL is going to point to (tape, DAT, film, etc)?
An EDL is normally used to allow a computer to acquire the media necessary to build your sequence from physical media sources - and as such you would not want to be arbitrarily changing reel numbers and TC tracks, etc.
If your media is digital - camera files, audio files, etc, then you don't want to use an EDL to move the project from one computer to another, as the EDL would then not contain any useful information, other that edit durations.
If this is the case, you want to move your project by taking all your digital media to the new computer (on an external dirve{s}), and then open your FCP project and reconnect to those drives.
MtD

Still images from FCP Studio 2

Ok, I have done it again. I edited a documetnary yet, forgot to have a photographer on the set.
I have captured some great images using my HVX200 but of course when exporting a still from FCP, the resolutin is only 72dpi and I need 300.
Could I import teh stills from FCP into Photoshop and just change the dpi? Would this be suitable for printing the images?
When doing that, it seems just to make them a larger photo.
THANKS!
Lawrence

Yes, you can change the DPI to 300. No, this won't make the images any sharper. They started out 1280x1080, 72dpi. Merely increasing the DPI won't make them higher resolution. It will still look like video. If you hire a photoshop pro, a graphics designer, they might have a few plugins in their toolkit that can help, like Genuine Fracals that help with upscaling smaller images, plus know-how on how to deal with this. But it won't look like it originated from a 12 MP camera.
Suitable for printing? That's up to you. How does it look to you?

Still from .mov to PhotoshopCS to DVD Studio - square/rectangular?

Although the non-square pixel option in PS cs is a great addition, it has made murky for the the already mind-twisting square/non-square pixel business.
With this workflow -
1)Export still from FCP/Motion for Photoshop
2)Use still as reference to create overlays
3)Import overlays into DVD Studio Pro
My uncertainty is with this-
When I open the still in PS do I change to 0.9 pixels to do the overlays? Or any consideration at all with this matter?
Thanks

Pretty much what the others have said also, ditto. Bear in mind that you may also need to throw a deinterlacing or NTSC filter on it if need be (may not dependning what comes out.)
The whole 720 x 540, 720 x 534, 720 x 486, 720 x 480 choices, coupled with the version of DVD SP and version of Photoshop, as a wise man oncee said, makes it a bad day to give up sniffing glue somtimes
(Sizes and NTSC filters are NTSC centric)

STP from FCP

I'm having the hardest time sending a clip from FCP sequence 'send to' Soundtrack Pro Audio File project. That open is grey -- does anyone else have this problem and how can I fix it. At this point, it gives me Multiclip option -- can anybody help?
thanks
kchen

I knew you could open the original clip in an audio file project, but as you mentioned, this can be time consuming. Again, all of this is likely because of how it was captured in the first place. So, you have a decision. You could recapture everything making sure your audio isn't linked, or you could work on as you are. It's up to you at this point. One thing you could do to save time. Open a clip in your preview window. Mark an in and an out. Now, open that clip in STP (not from the timeline) as an audio file project. Your in out marks should show up in STP. Using marks in STP you can work on just the areas of the clip you need to . . . not wasting any render time on areas of the clip you don't need.
Hope this helps.
jimi

Audio out of synch after bringing in FCP sequence

In an open FCP project I highlighted the sequence I wanted to get into Motion. I used "send to Motion Project" and the project opened in Motion as expected. It looks good but audio can't seem to keep up with video. It's perfectly synced in FCP.
Any suggestions on what could be happening? Is Motion overloaded and need to reduce file sizes of project elements or did I mess up the importing? Any help is appreciated.
Jagr

No, I didn't try a RAM preview, I just hit play. I'll give that a try. Sequence is about 3 mintues long. I've also noticed that audio from FCP sequence that was in stereo, doesn't play in stereo in motion. Is that normal?

Can you send/export a still frame from an FCP sequence?

Can you send/export a still frame from FCP as a picture to the desktop? Doesn't matter if it is a .jpeg, .tiff, . bitmap
G5 Mac OS X (10.4.8) Dual 1.8

serach the forum for any of the hundreds of posts detailing this process -
my personal favorite is shift-N, apple-9, type name, drag to bin, batch export.
The best thing about the batch export queue is you can set up a batch with the file format and destination folder and then keep adding new clips/stills to export.
Hope this helps -
Max Average

Problem importing Sequence from FCP 7 to Color 1.5!!!!!

I am trying to export a Sequence from FCP 7 into Color and am experiencing problems. When I send the Sequence to Color from FCP 7 Color receives the incorrect in and out points for many of the clips in my original FCP sequence. All of the footage being used was captured with the same settings from the same camera (Canon xha1). I have made all of the clips in my sequence that had basic motion effects into self-contained QT movies, so the basic motion ramping I've done shouldnt be a problem, right? There are no filters on the clips either. After hours and hours of searching, reading, and trial and error I cant figure out why Color will not recognize and play the clips as they appear in FCP. This is killing me and the project I am working on is due ASAP.
Any idea what I am doing wrong? Thanks.

In the Logging Info tab in Item Properties, the self contained QT movies I made have a TC Rate of 24 whereas the normal clips from the sequence have a TC rate of 30. Could this be the reason Color wont read the sequence correctly?
I have tried to remake the self contained QT movies with the Apple ProRes 422 1440x1080 30p 48khz setting, yet still the TC Rate shows 24. What am I doing wrong?
You probably have "24" fps media on a 29.97 fps timeline, which would explain a few other things, especially why the in/out points are wrong on the COLOR timeline. COLOR does not look at express timecodes -- it functions like a good old fashioned EDL and works on durations -- so if the frame rate disagrees, the trims will also be incorrect.
I have no idea how you are making the self-contained QTs. Are you using Export QT, or Conversion? Are you manipulating the export settings in any way? Are you exporting from the timeline?
I myself am very disappointed with Apple's inability to cope with 23.98/29.97, because you are also dealing with three flavours of cadence/pull-down, not all of which are handled correctly, especially with ProRes.

Audio falls out of sync with FCP sequence after export from STP

Hey all,
editing sound on a short film. sent FCP sequence to sweeten the dialog and add effects, according to the timeline it is the same length as sequence length in
FCP, but when exporting from STP to FCP to complete movie, the sound ends up being about 10 frames longer than the video and starts in sync and falls out of sync over the duration of the film.
Have tried changing preference settings in STP, exported about 5 ways to breakfast and all have same result.
Anyone have a solution to this problem?
Much thanks,
Holly

I just experienced this same thing, and as Christof says, it had to do with 'Easy Setup' and 'all formats'. I've been editing a picture shot on RED in Apple ProRes 422 (HQ) at 2K (2048 x 1152) and 24fps...FCS 3 (FCP 7 latest version). Whenever you trash preferences or start up FCP new, you get the 'easy setup' menu. Previously, I could just hit 'okay' and go ahead into FCP and change the settings/resolutions within the project...even if the 'easy setup' default was, say, DV/NTSC 29.97. Also, when opening up an active project after trashing prefs, the project itself would still have the same editing/playback settings/resolutions, even if the 'easy setup' window had its default DV/NTSC setting. Plus, if you create a new timeline and its default is one format, once you drop a different format into it, it asks you if it should adjust to that format anyway, and of course, you say yes and everything is fine.
Well....in this most recent FCP update, whenever I'd export an AIFF from the timeline and reimport....or if I'd just import an AIFF...it would do something to the playback rate of that newly imported/reimported sound file and suddenly its sync has drifted all over the place within just a minute or so. But strangely, it wouldn't do it to audio that's attached to picture (.mov/MP4/etc.)....only isolated audio files (AIFF/WAV). So naturally, I wondered if something was going on during the export process or the like.
The solution is to make sure that when you open FCP (newly, or after trashing prefs), make sure you pick the settings/format/framerate in that 'Easy Setup' window that matches what you intend to edit as closely as possible. In my case, the format is Apple ProRes 422 (HQ), 2048 x 1152 @ 24fps, and I use a Blackmagic Multibridge so I have settings for it. Hence......*Format; HD, Frame Rate: 24, Use: Blackmagic HDTV 1080P 24 - 10 bit.* Whereas the default upon startup is....Format: (all formats), Frame Rate: 29.97, Use: DV/NTSC 48KHz.
You can also set these in the 'Audio Video Settings' menu. Now, whenever I export and reimport an AIFF, or just import an AIFF (like the soundmix prepared by our sound designer), sync stays and there's no drift. So make sure you've picked the right settings when starting or reopening a project, again as Christof pointed out.

Aspect Ratio wrong in sequence imported from FCP

I'm a reasonably experienced user of Final Cut who intends now to migrate to Premiere (leaving the sinking ship?) So, at present, I'm trying to import current projects from FCP into Premiere using XML.
The result for a large scale and pretty advanced project was disasterous losses, so I've decided to start with a much smaller project, which contains a single sequence in the same format as the media, 20 or so HDV 1080p25 clips, and a handful of wav sound files. The result is better, but there are two problems I've encountered:
1. When I open the sequence in the timeline the aspect ratio, which should be 16:9 is squashed in to something more like 4:3. Opening a clip from the bin in the source monitor does not have this effect, but I can't work out how to rectify the change of aspect ratio when the sequence is playing in the program monitor. - Any tips?
2. The audio file icons in the project imported into Premiere are unlinked. When I try reconnecting them, Premiere says it can't because of a 'header error'. - Any clues to what this means and why it should be?
Thanks.

Hello Jim Simon,
Yes, I've tried importing one of these wav files into a new project, but it Premiere won't allow me to. It comes up with a message saying:
"The file cannot be opened because of a header error".
Any ideas?
PS. As this was a side issue to my main query, and the title of this thread doesn't refer to it and hence might make it hard for others to find, I've added a new query to cover this under the title: "Header Error when importing Wav files"
Message was edited by: andrewcopper

My sequence will not show up in Color 1.5.3 when sent from FCP 7

I cannot get clips from FCP 7 to show up when sent to Color. I had been able to get this to work perfectly fine earlier, but now for some reason, when sending a sequence from FCP to Color, Color doesn't automatically create a new project with the sequence in it. I've Googled for answers as much as I can, but cannot figure out what's going wrong.
By the way, the footage is from a Canon 7D, imported into FCP from PluralEyes 8.
EDIT: I've tried to manually export the XML from Final Cut into Color. Color will not even recognize the exported XML file. I've done what others have suggested online and deleted my Color & FCP preferences files out of my User/Library. I've created new FCP projects and tried to send to color from a new project. None of these have helped at all.

I just had this exact same problem. Clips from my FCP 7 sequence would not show up when I sent them to Color 1.5. No way. No how.
I solved my problem (at least for now) by simply restarting my machine. I realized that it had been running for days, and it probably just needed a reboot. Try it. It might work.
And yes, I'm running Mountain Lion, too. 10.8.2.
Good luck! ----Todd Ruel

How to setup Compressor to create video from multiple sequences within FCP?

I am wondering how I can set compressor up to create videos from multiple sequences within FCP. When I click file -> export - > compressor for a sequence and go into the program, it doesn't allow me to go back into FCP. I just get a spinning beach ball. Is there no way to set it up so I can prep a bunch of fcp sequences within compressor and then click submit and walk away? I have over 100 sequences that need to be exported so it would be a little difficult to do this one at a time. Thanks.

Batch processing
*Step one. Make sure everything in every sequence is rendered.*
*Step two. Make a folder somewhere and name it something relevant.*
*Step three. In FCP select all you sequences that you want to compress and right click (option), choose Batch Export from the contextual menu.*
*Step three point one. In the batch export window click on settings and choose the folder you made in step two for the destination. Make sure Make Self-Contained is not check and include Audio and Video.*
*Step four. Click export in the batch window.*
Once that is done you can close FCP.
Now in Compressor
*Step five. Make a setting that will give you the output that you want (mpeg2, AC3, h.264, whatever). Make a destination for where you want to save the output.*
*Step six. Make a droplet from the settings you made in step five.*
You can quit Compressor now.
*Step seven. Take the files that you batch exported from FCP in step three and four and drop them on the droplet you made in step six.*
o| TOnyTOny |o

Still from FCP sequence

Similar Messages

Maybe you are looking for