Still image issues (I've already read the other similar post- didn't apply)

Still having issues with still images in my timeline. Viewer they're fine, Canvas they're repulsive.
Seq. settings are NTSC, 29.97, 48k. I have tried several different extensions for the stills and have even tried importing them at different sizes. I know I'm not the first person to incorporate stills in my timeline - how do I solve this? (I followed the advice on a similar thread from a few days ago).
Also, I exported a small clip and viewed it on a different computer as a QT file and it was just as bad.
Please help. I'll make you a mix cd or a burrito if you can help me out. Thanks.

#1 Transitions "Insufficient Content"
Shane's Stock Answer #1: Trying to add a Transition and get the error "Insufficient Content"
A full 1 second cross fade reaches 15 frames into each clip. So, if you want to change a cut to a cross fade, there has to be at least 15 additional frames of each clip. Say you're trying to cross fade from one clip into the very first frame of a second clip. FCP cannot 'create' 15 more frames of the second clip to do a cross fade. If they're not there, you're out of luck.
What you are running into is that you are marking an out point at the far edges of a clip then adding a cross dissolve, say 30 frames (one second) in duration. Since the dissolve is centered on the cut, it will start 15 frames before the cut, and try to go 15 frames AFTER the cut...which it can't do. What you need to do is plan how long your dissolve will be and back-time your cut so that it works.
You need to make sure that your clips have enough media (called 'handles') at the beginning of the incoming clip and at the end of the outgoing clip for the transition. For example, if you have a 1 second (30 frame) dissolve, your in and out point need to be at least 15 frames from the edge of the clip.
I have them all here:
http://library.creativecow.net/articles/rossshane/fcpfaq.php
http://library.creativecow.net/articles/rossshane/fcpfaq2.php
http://library.creativecow.net/articles/rossshane/fcpfaq3.php
Most of them...I keep adding.
one of the most popular is number 8:
Shane's Stock Answer #8: External Monitor Viewing
If you are working with DV, this is simple. First connect your computer to a camera or deck via firewire, Then connect the camera/deck to your TV/Monitor via RCA or S-Video.
Then start up your camera and tv, then open fcp.
Go to the View Menu, choose > External video > all frames
VIEW>Video playback should be Apple firewire NTSC (If you are using an NTSC set)
VIEW>Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section.
If you are working with HDV footage, FCP 6 allows you to view this via firewire, but ONLY as downconverted DV. It won't look the best, but you can see it. To do this,
If you need to view any format other than DV at full resolution, then you need to look into capture cards. Several standard definition and high definition models are available from www.aja.com and www.decklink.com. With these options you'll need a proper monitor to view full broadcast colors, but all models allow for realtime standard definition downconvert, allowing you to view HD on an SD monitor.
The Matrox MXO is another option that is output only, but allows you to view your footage on an Apple Cinema Display at full broadcast quality.
Shane

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