Still sequence setup for max resolution

Hi All,
I am creating a still sequence with audio but no video using CS4 PrePro. I would like to provide the end-product to someone to use on their computer at the highest possible resolution. The sequence contains pan and zoom effects. Since there is no video what are the best parameters to use when setting up the PrePro project and for encoding? I can setup the photograph using Photoshop CS4 to fit the suggested PrePro parameters. It is my understanding that DVD does not support Hi Res.
Thanks,
Randy

Randy,
That is correct. DVD-Video is pretty limited. This ARTICLE will give you tips on resizing your images for the best possible results with DVD-Video.
Good luck,
Hunt

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Deleting AD users vs Disabling. What is the difference? If an account is disabled, can it still be setup for mail forwarding to another user? If an account is deleted, what files get deleted?

Deleting AD users vs Disabling. What is the difference? If an account is disabled, can it still be setup for mail forwarding to another user? If an account is deleted, what files get deleted? Thanks.

Hi,
Disable Users: Nobody can log in to the mailbox, but the data is safe and it can receive email. Once it is enabled, it is back to normal.
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Iphoto photo import - best image type for max resolution (jpg vs tiff)

What is the recommended image type for maximum resolution of photos brought into iphoto albums, since I will be enlarging them? (ie assuming everything brought into iphoto is set/reduced to a standard resolution, then jpg might allow more digital data for later enlargement; on the other hand tiff is often recommended for best resolution though it requires more space). Thanks, - D

Thanks, Terence - OK, lets assume I shoot a 5-meg photo of a painting and adjust the paralax etc in photoshop so it is perfectly set inside the rectangular format. Now I want to import it into iphoto, knowing that I will use the crop tool to make two blow-up enlargements to go along with the original full-size image... total 3 related images of the artwork. As you mentioned these will eventually go into iweb as part of a series inside an album, with a hyperlink connecting the two enlargements to the full-size image... so viewers can tap to see finer detail and then go back to the overall composition. My question is, for the original photo image of the painting should I drag a 10-meg tiff into iphoto or a 2-meg jpg? (I do not know what importing the image into iphoto does to the original in terms of final image resolution and data size... Will a 2-meg jpg provide sufficient data to work with and enlarge via the cropping, or would the 10-meg tiff be better as a starting point? Or, if everything gets translated into a certain pre-ordained size anyway, would the tiff get watered down to, say, a 2-meg-size image anyway?) Thanks, - D

Max Resolution or DPI of still images

Hi,
This is an offshoot of a problem I thought I was having with Encore CS5 and transcoding, but it is also part of the solution.
I was creating about a 30 min project on Premier CS5 with AVCHD and still images imported with a couple of mp3 music tracks. Win 7, GTX 295, 6MB Ram.
I can do whatever I wanted in premier in terms of any jpeg could be imported, scaled, add motion, zoom, effects, whatever..
When it was time to put it on a blu-ray, it would get send to Encore via the dynamic link and would always fail at seemingly random places during transcode and of course, ultimately crash, or come up with an "object not found" and ultimately never burn.
I tried all the suggestions, taking spaces out of file names, burning to a blu-ray folder, and everthing else I could find in the forums.
I also spent 2.5 hours with Adobe logged into my computer and they could not figure out why:
ENCORE CS4 would transcode and burn the exact same project CS5 would choke on and fail.
I had ignored the suggestion in the forum that Premier can't handle large image files.. After all, they seemed to load and work, I couldn't imagine that transcoding would fail on a still image at 4000X3000 and 300dpi, but wouldn't you know it, I resized all of my images to lower res, and bingo, CS5 churned and burned the blu-ray. I did notice after trying, that if it won't render in the work area of PPro CS5, that it would also fail in the transcoding in Encore CS5, but not CS4. If it didn't like a particular image, it would just freeze the render process and lock PPro CS5 right up.. After several image resizes and lots of reboots, it finally all rendered, and then it was fine in Encore CS5 after that.
So this brings me to my point, and I would love an official answer or guideline from Adobe..
What is the max resolution of still images that can be used in PPro CS5 and consequentally be handled in Encore CS5? What about dpi?
Am I correct to assume that 300dpi is useless in HD? Meaning, even in true HD on a tv screen, isn't it still 72dpi? I couldn't figure out if it was the DPI or the dimensions of the image it couldn't deal with. It seemed as long as I was around 2500X1500 and under 200 DPI I was ok.. but more than that was definately a show stopper. However, I would also think a 300dpi picture would be sharper and crisper, so this stinks that premier can't seem to deal with a 8-10 megapixel jpeg or image..
I really can't believe it, I really thought Adobe would be ready for todays images from cameras, I mean I think nearly every camera you can put your hands on now shoots 8-10 megapixels which would put you right there in 4000X3000 and 300 dpi, how could Premier Pro CS5 and Encore choke on those? And more amazingly why does Encore CS4 not choke?
D.J.

Ann,
Thank you for the link to that article, and it sort of explains the limits, but it doesn't explain why an image off of a camera that was a jpg at 4000X3000 and 300dpi , which is about 10 megapixels and about 5MB in file size choked the transcode process, as it doesn't seem to be anywhere near the limits. As soon as I changed the images to something more like 2500X1200 and 180 dpi or less, everything was fine.
Could it have anything to do with cumulation? For example, I had about 20 of these images set up in a slide show sort of way, and added some motion to them in the effects.. Do you think that matters?
Also, the DPI in relation to video, as I said, it sure does seem that a larger image at 300 dpi offers quite a bit more clarity in the final product than something at a lower DPI..Especially in the case where I want to zoom in on the image or use some motion.. Maybe I'm nuts and a 72dpi 1920X1080 image is all I will ever need, but then in that case, it doesn't leave much room to be able to zoom in or out and move it around.. And if you do zoom in a lower quality image, then the quality will really be seen when it becomes part of the video.. Which is why I wanted to start with higher res stuff in the first place..
D.J.

T400s max resolution for external monitor ?

Hello
What is the max resolution for an external monitor connected to a thinkpad t400s ? The reason i am asking is that:
a) Intel says: the max resolution of Graphics Media Accelerator 4500MHD is 2048x1536
b) Lenovo says: DisplayPort + D-sub dual-display output support 2560×1600 maximum resolution
What are your experiences and what maximum resolutions on external monitors have you succesfuly tried in real life ?
Would it be possible to connect a 30" monitor at 2560x1600 to a thinkpad t400s ?

i don't know and i never tried but i'm inclined to trust intel more than lenovo on this...unless the t400s has some beefed-up x4500mhd
T400s - 2815RW1 + Win7 Ultimate
Don't pm me for help! That's what the forum is for. Also, Google's nicer than me. Ask him.

T510 w/ NVS 3100m can't show max resolution for a dell 30Inch

T510 Docked
Windows 7 64bit
Dual-Link Cable attached to Dell 3007WFP monitor.
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NVIDIA NVS 3100m
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I have the latest drivers

sonniep5 wrote:
I had same issue, tech support advised me to return T510 since it didn't ship what I ordered. In my case the resolution should be 1920x1080.
you are talking about the FHD on the T510, this is slightly different to what the OP is asking.
Regards,
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May this year, be the year of 'DO'!
I am a volunteer, and not a paid staff of Lenovo or Microsoft

Max resolution and format for Apple TV from imovie and itunes

I use iMovie '09 to make movies from my HD 1920x1080P camera that I SHARE to mobile me, itunes and for use on Apple TV via itunes.
I am trying to figure out the max resolutions and formats.
If I SHARE from imovie with 960x540 it goes right into itunes and shows as an HD movie on the Apple TV
If i export from imovie in 1280x720p i can drag into and play from itunes however it doesnt show up on the Apple TV? i thought the apple TV supported 720p? is the format wrong? when you export it comes out as .mov and when you SHARE it comes out as .mp4?

I have been struggling with this for some time. We have great HD cameras, and fairly capable consumer grade video editing capability with iMovie; but we have limited HD viewing opportunities other than a computer.
Apple TV does play it in 720p provided you meet the specs below - perhaps your 720p movie exceeded these specs. You see, there is 720p, and then there is 720p with serious Mbps.
At least for me, when I export at 720p @ 5Mbps the viewing is jittery and not smooth. I guess it is too much processing, although it seems to work fine when it is a downloaded movie in HD, just not an iMovie production.
So, I just use the 960x540, which is clear and smooth, and wait for the day an improved Apple TV hits the market with the processing power to smoothly handle 720p and beyond. I have a big (100") screen, so I can use all the resolution I can get to keep that large of an image sharp.
The alternative is to use a Mac mini and route through HDMI to your TV. That does a good job but is more expensive (triple) the ATV.
Video formats supported:
H.264
up to 5 Mbps, Progressive Main Profile (CAVLC) with AAC-LC audio up to 160 Kbps (maximum resolution 1280x720 @ 24fps, 960x540 @ 30fps) in .m4v, .mp4, and .mov file formats
MPEG 4:
• up to 3 Mbps, Simple Profile with AAC-LC audio up to 160 Kbps (maximum resolution 720x432 @ 30 fps) in .m4v, .mp4, and .mov file format

What is the max resolution for external monitors from the intel hd 4000 graphics driver

What is the max resolution supported by the intel hd 4000 graphics driver found on the 13in MacBook Pro for EXTERNAL monitors?

OK so after doing much research... this seems to be the best workflow.
Bring HDV in to FCP as ProRes 422.
Edit show... add bells and whistles, etc.
Export movie as ProRes 422.
Then for the client - ensure that they have latest version of Quicktime and download the Apple ProRes Quicktime Decoder (for mac or Windows). (It is assumed they have a decent computer to play back on.)
The client will then be able to play a movie encoded as proRes 422 and all will be happy.
As a back up a high resolution h264 file can't hurt.
Thanks for everyones input. We got there in the end.

Max resolution for 30inch display from a MacBook Pro

Hi - what's the max resolution I can drive a 30 inch cinema dsplay from a 15 inch MacBook Pro?
Thanks
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The MacBook Pro has a dual-link DVI port. From
<http://www.apple.com/macbookpro/specs.html>
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AP Check printing setups for printing checks on your own

HI
I am wondering if there a good document which deals with AP check printing with MICR and signature on your own check stock
thanks

Recently we started to deal with AP check printing in our organizatin. It was a daunting task with the information and resources scattered all over and missing critical pieces of information to make sense out of the whole process flow. We attempted to go through the AP check printing internally and succeded.
I decided to post the information for the benefit of people about the our experience
Check Printing Basics and Beyond for Printing Checks on Your Own
by
Sarma Chilukuri
This article deals with what is needed to get your own checks printed. It is a first attempt to uncover all the hidden rules that one should be aware to get your own checks printed. The first section deals with the basic AP check printing setup, while the 2nd half explores some of the flow of events that make it possible to print the check.
Part I â Basic Setup
AP Setup for check printing
There are multiple steps in the AP check printing. First set of steps deal with the AP side setups. The second step is to get the System side setups. The system side setup deals with printer setup and program options setups. The last step would be to make the print format files configured with the vendor provided escape sequences in the laser print format file.
Step 1: login as Payable Manager
Step 2: Bank Setup: Navigate to Setup: Payments > Banks
1.     Make sure the Bank # etc are present
2.     Tab to âBank Accountsâ, and make sure your account # has been setup
3.     On the Bank Accounts screen, tab to the âPayables Documentsâ and verify that Payment format (E.g., COK Laser Format) has been entered. This âPayment format links to next section where we associate it to the right payment program.
Fig 1. AP Payment Bank Setup Screen
Step 3: Program Setup (Setup: Payments > Programs)
As we know there are only 5 formats 3 of which are âEver Green Laserâ (APXPBFE G|L|F) which are explained in the AP Users Guide. For your own form printing, you have to associate the format to APXPFEL (laser format) program. Also, the APXPBFEL or APXPBFEF call the APXPBFEG, which is the base program that pulls the data from oracle base tables. APXPBFEL is the one which allows us to print the checks with MICR and signature on a plain paper not on a pre printed stationery.
Fig. 2 AP Payment Format Setup Screen
Printer Styles, Drivers setup
The above process summarizes the AP Setup. As a DBA, the printer setup needs to be validated. The base install provides the right setup to some extent. But the differences in printers and print queues may add some complexity to the final configuration. The following section discusses the set up the base install provides and changes as needed.
Step 1. Login as system Administrator
Step 2: Style (Install : Printer > Style)
Look for the âPORTRAITHPLJ4LASCHECKâ. This one is associated with the SRW Driver Called, âAPLASPâ (AP Laser printer format).
Step 3: Driver (Install : Printer > Driver).
     1. The âPORTRAITHPLJ4LASCHECKâ is associated with a âUser Driverâ of PORTRAIT for HPLJ4 and and a SRW driver of âAPLASPâ
     2. Also notice that there is an Initialization string at the bottom of it. This initialization string gets called as pre-report trigger for the APXPBFEG program (APXPBFEG.rdf) file. It sets the kind of format it should be. Please see the Appendix A for details on these printer pcl code translations. The Initialization string was as follows:
Initialization: /eE/e&l0o2a7C/e(s0P/e(8U
Step 4: Printer type (Install : Printer > Register)
Each printer type is associated with a set of styles. Make sure the printer that was selected has the above style and its associated driver listed against that.
Fig. 3 System Administrator Printer Seups
Step 5: Program Setup (Concurrent > Program > Define)
This step holds the key for check printing. It is necessary to define whether you need the check on top followed by the Stub or the other way around. The way it is controlled is based on the APXPBFEG.rdf, the report definition file and the APLASP.prt (Printer Style associate with the Portrait laser check format SRW driver). The APLASP.prt file ($FND_TOP/reports) has two identical setups called the 100 series and the 200 series. Those identical sets of setups define where the MICR and signature print on the check. The following table lists the some of the codes in the 100 series. Please refer to Doc ID #146452.1 for complete details.
Fig. 4 System Administrator Concurrent Program Definitions
CODE #     Code Definition
100     Electronic check activation string
101     1st Check #
102     2nd Check #
104     Deactivate check number mode string
111     Activate MICR line
112     MICR Deactivation / reset the printer head position
121     1st Signature
122     2nd Signature
141     Address font activation string
199     Return to default state string
Table 1. APLASP.prt -- MICR Activation Codes
The above code block repeats itself the same way in the 200 series. The decision to activate one way or the other controls the Check printing.
Step 2: Setting up the Option block
In the concurrent program definition for the APXPBFEL, there is an Options block in the middle. You need to list the codes that you want to activate. Please refer to Doc ID # 186640.1 for some explanation on these.
E.g.,
p_printer_code_mask="201,211,221,241" p_sig2_amount="" p_sig3_amount="" p_sig1_vendnum="" p_sig2_vendnum="" p_sig3_vendnum="" p_country_to_ignore="US" p_continuous_stationery="N"
Step 3: Output format is Text
Text format is sufficient, as the printer will pick up these escape sequences anyway.
Fig. 5 System Administrator Concurrent Program APXPBFEL Options Definition
UIPRINT.TXT, UIFONTS.ALI
One needs to be aware of a few more pieces in this puzzle. The UIPRINT.TXT identifies to the Oracle Applications the print queues that were setup. This file is needed to set your PCL / Post Script printer definitions. I did not have to really tinker with these files other than identifying the PCL and Post Script Qâs that were setup on the UNIX box.
Part II: Integrating all the pieces
The above setups are all documented in various articles. We need to understand a few more steps to see how all these pieces come together.
What you need to know about APXPBFEG.rdf
APXPBFEG (.rdf) is the report file which when called pulls the data from Oracle. If you open the APXPBFEG.rdf in the Oracle reports, there is initialization to the report called, SRW.Init. This will bring in the initialization string associated with the PORTRAITHPLJ4LASCHECK driver definition file. Also, please be very careful with this report format file. When you open it, there is small tiny empty block. in the first block which calls the printer initialization code 100/200 under the Format Mask (from APLASP.prt). If this portion gets changed or messed up, one can end up with some unexpected results. Each of those blocks like MICR, CHECK etcâ¦ have associated format triggers and printer codes.
Please make sure that the printer mask is properly handled. I noticed that the 200 series MICR (211) and Signature (221) printer masks were tied to 111 and 121 respectively. These should have been 211 and 221. The other place you need to be careful was the printer code before and after is proper.
For E.g.,
For the MICR, the âprinter code before and after columns â should be 111 and 112 (or 211 / 212) respectively while Format Trigger should reference to 111 (211).
Fig. 6 APXPBFEG rdf file printer mask and Format Triggers
The escape sequences in the APLASP.prt file for these codes will play the crucial role in getting our format around the report output that gets generated from the APXPBFEG program. Please refer to the explanation of these escape sequence codes in the APPENDIX A.
At this point when you run the program, you will see that the formatted output report file will have all the initialization strings and the output associated with that. You can compare the fields and verify the results. Let us closely examine the parts of the 111 and 121 where the micr and signature prints. The key to this to code the escape sequences the right way to get the associate MICR and signature print out correctly.
Fig. 7 APXPBFEG rdf file MICR printer mask and Format Triggers
Code 111 and Code 112 from the APLASP.prt file.
I broke the line into pieces to illustrate the exact escape sequence code.
Code "211"
Part 1: esc "&f0S" esc "&f0y0X" esc "&l0E" esc "&a0L"
Part 2: esc "(8M" esc "(s0p8.00h8.0v0s0b80T" --- This will be provided by the ROM
Cartridge provider
Part 3: esc "&k15H" esc "*p3215Y" esc "&a13.8C"
code "212"
Part 1 : esc "&f1x3x8X"
Part 2 : esc "&f1S"
Let us go over these 2 sets of codes carefully.
Escape Code     Meaning     Comment
esc "&f0S"      Push Cursor Position
esc "&f0y0X"     Define Macro ID 0 and Start Macro Definition
esc "&l0E"      Define Top Margin at 0 Lines
esc "&a0L"      Define Left Margin at Column 0
esc "(8M"     8M Symbol SetNote : As per pcl codes this happens to be Font Primary JIS Math 8 symbol     MICR Part 1 : Provided by the Vendor from where you the ROM cartridge
esc "(s0p8.00h8.40s0b0T"     {Fixed Pitch}{pitch 8.00 cpi}{Font Style 8.40}{Medium Weight}{Typeface 0}     MICR Part 2 : Provided by the Vendor
esc "&k15H" esc "*p907Y"     Set HMI = 15/120" Vert position = 907 Dots
esc "&a13.8C"     Move to Column 13.8
     CODE 112
esc "&f1x3x8X"     {End Macro Definition}{Call Macro}{Delete Macro ID}
esc "&f1S"     {Pop Cursor Position}     At this point, the MICR gets printed
Table 2. Escape Sequences in APLAP.prt file Explanation
Fig. 8 APXPBFEG rdf file Signature printer mask and Format Triggers
The signature piece (221) has also similar meaning.
Escape Code     Meaning     Comment
esc "&f0S"     Push Cursor Position
esc "*t300R"     300 DPI Graphics resolution
esc "*p1500X"     Horiz position = 1500 Dots
esc "*p650Y"     Vert position = 470 Dots
esc "(4B" esc "(s1p53v0s0b102T"esc "&f0S!"     Symbol SetProportionalPoint Size 53UprightMedium WeightTypeface 102Push Cursor Position!     Vendor gave the us esc "(4B"esc"(s1p53v0s0b102T!"Note: the ! when the it pushes the ! and that is where it prints the signature piece. The first part forms the symbol set , say (4B and the later part forms the signature font and ! is the piece. I took the ! from the above and let it stay with the 3rd part of it so that signature does not print twice.
esc "&f1S"      Pop Cursor Position
esc "*p+121Y"     Move down 121 Dots
esc "&f1S"     Pop Cursor Position
Table 3. Escape Sequences for Signature in APLAP.prt file and Explanation
Summary
One can print their own checks using the above steps. This can work as a cost effective solution for small organizations where the budgetary constraints are tighter. We are successful in getting the AP Checks printed using the above method.
References
Metalink Doc ID # 186640.1, Different Payment Formats â¦
Metalink Doc ID # 60936.1, Step by Step Guide to Setup a Printer in Oracle Applications
Metalink Doc ID # 250543.1, How to Create An Initialization String for a Payable Check Format
Metalink Doc ID # 48680.1, Accounts Payable FAQ â Payment Batch, Check
Metalink Doc ID # 1074792.6, Exclamation Point (!) Prints On Check When Using APXPBFEL And Cartridge
Metalink Doc ID # 158486.1, APXPBFEL Evergreen (Long Laser)
Metalink Doc ID # 146452.1, Listing of p_printer_code_mask Default Values for APXPBFEL
Chapter 2, Oracle Payables user guide
Appendix A
APLASP.prt printer codes explanation
code "200" esc "&l0o2a6d66p8.000c2e1x0l63f1H" esc "&k12.00H" esc "(8U"
esc "(s0p10.00h12.00v0s0b3T" esc "&k11.75H" esc "&a1l0R" control(M) esc"&f3005y4X"
{Portrait}
{Letter}
{6 LPI}
{Define Page Length to 66 Lines}
{Set VMI = 8.000/48"}
{Define Top Margin at 2 Lines}
{Select 1 Copies}
{Disable Perf Skip}
{Define Text Length as 63 Lines}
{Feed from Tray 1 (upper)}
0.1 esc "&k12.00H"
{Set HMI = 12.00/120"}
0.2 esc "(8U"
{Roman-8 Symbol Set}
0.3 esc "(s0p10.00h12.00v0s0b3T"
{Fixed Pitch}
{pitch 10.00 cpi}
{Point Size 12.00}
{Upright}
{Medium Weight}
{Typeface 3}
0.4 esc "&k11.75H"
{Set HMI = 11.75/120"}
0.5 esc "&a1l0R"
{Define Left Margin at Column 1}
{Move to Row 0}
control(M)
0.6 esc"&f3005y4X"
{Define Macro ID 3005}
{Enable Overlay}
code "201" esc "&f0S" esc "&a1.25r70C" esc "(8U" esc "(s1p14v0s3b4148T"
{Push Cursor Position} esc "&f0S"
1.1 esc "&a1.25r70C"
{Move to Row 1.25}
{Move to Column 70}
1.2 esc "(8U"
{Roman-8 Symbol Set}
1.3 esc "(s1p14v0s3b4148T"
{Proportional}
{Point Size 14}
{Upright}
{Bold}
{Typeface 4148}
code "202" esc "&f0S" esc "&a20.25r70C" esc "(8U" esc "(s1p14v0s3b4148T"
{Push Cursor Position}
2.1 esc "&a20.25r70C"
{Move to Row 20.25}
{Move to Column 70}
2.2 esc "(8U"
{Roman-8 Symbol Set}
2.3 esc "(s1p14v0s3b4148T"
{Proportional}
{Point Size 14}
{Upright}
{Bold}
{Typeface 4148}
code "211" esc "&f0S" esc "&f0y0X" esc "&l0E" esc "&a0L"
esc "(0Q" esc "(s0p8.00h8.40s0b0T" esc "&k15H" esc "*p907Y" esc "&a13.8C"
{Push Cursor Position}
11.1 esc "&f0y0X"
{Define Macro ID 0}
{Start Macro Definition}
11.2 esc "&l0E"
{Define Top Margin at 0 Lines}
11.3 esc "&a0L"
{Define Left Margin at Column 0}
11.4 esc "(0Q"
{0Q Symbol Set}
11.5 esc "(s0p8.00h8.40s0b0T"
{Fixed Pitch}
{pitch 8.00 cpi}
{Font Style 8.40}
{Medium Weight}
{Typeface 0}
11.6 esc "&k15H" esc "*p907Y"
{Set HMI = 15/120"}
{Vert position = 907 Dots}
11.7 esc "&a13.8C"
{Move to Column 13.8}
code "212" esc "&f1x3x8X" esc "&f1S"
{End Macro Definition}
{Call Macro}
{Delete Macro ID}
12.1 esc "&f1S"
{Pop Cursor Position}
code "221" esc "&f0S" esc "*t300R" esc "*p1500X" esc "*p470Y"
esc "(30C" esc "(4B" esc "(s1p53v0s0b102T!"
esc "&f0S!" esc "&f1S" esc "*p+121Y" esc "&f1S"
esc "&f0S"
{Push Cursor Position}
21.1 esc "*t300R"
{300 DPI Graphics resolution}
21.2 esc "*p1500X"
{Horiz position = 1500 Dots}
21.3 esc "*p470Y"
{Vert position = 470 Dots}
21.4 esc "(30C"
{30C Symbol Set}
21.5 esc "(4B"
{4B Symbol Set}
21.6 esc "(s1p53v0s0b102T!"
{Proportional}
{Point Size 53}
{Upright}
{Medium Weight}
{Typeface 102}
21.7 esc "&f0S!"
{Push Cursor Position}
21.8 esc "&f1S"
{Pop Cursor Position}
21.9 esc "*p+141Y"
{Move down 121 Dots}
21.10 esc "&f1S"
{Pop Cursor Position}
code "222" esc "&f0S" esc "*t300R" esc "*p1500X" esc "*p650Y"
esc "(30A" esc "(s0p.426h35.25v0s0b128T" esc "&f0S!"
esc "&f1S" esc "*p+141Y" esc "&f1S"
{Push Cursor Position}
22.1 esc "*t300R"
{300 DPI Graphics resolution}
22.2 esc "*p1500X"
{Horiz position = 1500 Dots}
22.3 esc "*p650Y"
{Vert position = 650 Dots}
22.4 esc "(30A
{30A Symbol Set}
22.5 esc "(s0p.426h35.25v0s0b128T"
{Fixed Pitch}
{pitch .426 cpi}
{Point Size 35.25}
{Upright}
{Medium Weight}
{Typeface 128}
22.6 esc "&f0S!"
{Push Cursor Position}
22.7 esc "&f1S"
{Pop Cursor Position}
22.8 esc "*p+141Y"
{Move down 141 Dots}
22.9 esc "&f1S"
{Pop Cursor Position}
code "241" esc "&a-100V" esc "&l5.8C" esc "(8U" esc "(s0p12.00h10.00v0s3b3T" esc "&k11.75H"
41.0 esc "&a-100V"
{Move up 100 Decipoints}
41.1 esc "&l5.8C"
{Set VMI = 5.8/48"}
41.2 esc "(8U"
{Roman-8 Symbol Set}
41.3 esc "(s0p12.00h10.00v0s3b3T"
{Fixed Pitch}
{pitch 12.00 cpi}
{Point Size 10.00}
{Upright}
{Bold}
{Typeface 3}
41.4 esc "&k11.75H"
{Set HMI = 11.75/120"}
code "299" esc "(8U" esc "(s0p10.00h12.00v0s0b3T" esc "&k11.75H" esc "&l6D"
{Roman-8 Symbol Set}
99.1 esc "(s0p10.00h12.00v0s0b3T"
{Fixed Pitch}
{pitch 10.00 cpi}
{Point Size 12.00}
{Upright}
{Medium Weight}
{Typeface 3}
99.2 esc "&k11.75H"
{Set HMI = 11.75/120"}
99.3 esc "&l6D"
{6 LPI}

SEQUENCE SETTINGS FOR BETACAM

When I go to the Easy Setup for Beta SP, then go to the Sequence Settings they don't seem correct to me. Let me know if they are or are not right.
Here's what the Sequence Setting says:
Frame Size: 720 x 540, CCIR 601 NTSCC Sq (4:3)
Pixel Aspect Ration: NTSC-CCIR 601/DV (720x480)

Hi Brian,
I did as you said and chose "AJA Kona LH--NTSC 8 bit uncompressed" in Easy Setup and still got an aspect ratio of 720x540 when I created a new sequence.
The only time I was able to get 720 x 486 to appear in the Sequence Settings was when I chose "Uncompressed 8-bit NTSC 48 kHz." Does this sound right or may it indicate something's out of whack in my system?

Mac Mini Max Resolution?;CRT

I just bought a Mac mini and am looking to buy a CRT. What are the max resolutions the mini can support? (VGA analog, not DVI digital)
And, if the mini's supported refresh rate for a given size is say 100Hz and the CRT is only 70 Hz, will it still work?

For DVI it'll go up to 1920x1200. For VGA, probably higher, though I doubt it really matters at that point. For the refresh rate, you can lower it on the Mac, so it shouldn't be a problem.

Best Premiere sequence type for image sequences

Hi!
Lately I have been working a lot with intermediate image sequences and I'm looking for ways to improve performance.
The original footage is DVCProHD 1080p and when put it in a sequence created with the preset for that, everything runs very smoothly. But when I bring in intermediate files that were created with the same resolution, but that use PNG, Targa or Tiff instead, rendering becomes very sluggish. That makes me wonder if there maybe is a better sequence preset that I could use for playback of these image sequences? Or does the sequence preset even make a difference here?
Also, I think there are differences with the rendering speeds of different image sequence formats and that's why I'm asking which ones you guys prefer? I liked PNG because the file sizes are so small compared to TIFF or Targa, but (if I'm not imagining things) the render times seems to increase with PNG.
I welcome any discussion on the subject!

With image sequences, probably the biggest thing to address is the pixel x pixel sizes of the stills. For maximum performance (and quality in my book), I like to have those Scaled to match the Frame Size of the Project Sequence. The PNG format should be just fine, but size DOES matter. What are the pixel x pixel dimensions of your stills?
I do a lot of work with stills, but not usually in image sequences. For my work, I usually just leave the stills as PSD's, and never have any issues. These are Scaled to the Project, or only slightly larger (when I need to Pan on a Zoomed out image), and my Scaling is always done in Photoshop, prior to Import.
Good luck,
Hunt

Max resolution I can add in preferences is 4096X2048, but I have a 5K iMac

I would like to be able to add the 5K resolution in preferences, 5120X2880, and then set scaling so I can take advantage of the clarity of the extra resolution when using remote desktop, but it seems the max resolution I can add is 4096X2048. Is
there a workaround for this, or is there a plan to add support for that resolution?

Hi,
Thank you for posting in Windows Server Forum.
As per my research, agree with words of peter that still maximum resolution can adjust to 4096 X 2048 and above that is not supported and sorry to say but there is no any workaround to use above.
Thanks for your Support and understanding!
Regards.
Dharmesh Solanki
TechNet Community Support
Please remember to mark the replies as answers if they help and unmark them if they provide no help. If you have feedback for TechNet Support, contact [email protected]

Setup for HDV 720p25

I have a JVC GY-HD111E and want to log some footage shot in 720p25. I have FCP ver 5.1.2 and when I select HDV 720p25 from the easy set up menu, I can log and capture ok, but when I pull my clips into my sequence the come up as unrendered, surely in Easy setup this sets the sequence up correctly. I think this is a setup problem. Can someone advise me on what all my settings should be for working with HDV 720p25. Much appreciated.
KMAC.

thanks tall guy
but I am still in the dark a little, I guess I am looking a step by step setup for this, I just want to make sure I am using the correct settings. I am still doing something wrong regarding my sequence setting.

Still sequence setup for max resolution

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