Stop Motion

I am trying to create a movie with both video clips AND stop motion. I have searched and searched but i havent found a clear answer. I have already inserted all the video clips that I want for the intro. Now I just need to insert the stop motion part. HELP!

We have about 3000 sequenced photos we want to put together into a Stop Motion video. We would also like to add an actual video clip to the beginning and to the end of the Stop Motiuon segment. Can this all be done in Premiere Pro? If so how? If not - what other Creative Cloud programs should we use and how?
Do a search on how to manage Sequential Image files.
Basically ...Select All> Import>  multiple files and check  as sequence.
I would do it in AEFX and create a digital intermediate files.   Others wil have a different opion on that workflow.
Jim - if you lock a Post / THread..how about putting "Locked" in the Title.
That post also had the additional info asked for.

Similar Messages

  • What programs/functions do I need to master in order to create stop motion animation?

    Hi,
    Im just starting a new job, and will be creating a handful of films for my new employer.
    I want to create something interesting, and have been leaning towards stop motion animation.
    What initially inspired me was this music video:
    http://www.youtube.com/watch?v=zfcHq0hhFWg
    To me, it looks like a bunch of stop motion ( ex; the paper balls and hand colored individual frames of the guy playing guitar), paired with some digital animation (walruses). Please correct me if I am wrong about this.
    So - to focus my question:
    1) What program does one use to play all the individual pictures taken to create the stop motion animation? In other words, once I have shot all the individual pictures of the objects I want to animate, and am ready to organize them and set a playback speed, what program would I use? Do most people just throw all the pictures into final cut and do it that way?? Or is there a better program?
    and
    2) How do you cut portions of pictures / drawings / frames out to allow for a deep layering effect? I figure most people take each frame and manipulate it individually using photoshop (cutting portions of an image out so something else can be seen through the void). But is there a better way??
    For example, lets say I have two crecent shaped pieces of black paper, and I want them to move towards each other from the left and right sides of the screen, and eventually completely obscure whatever is going on in the background behind the paper images. First I would take a series of pictures, moving the pieces of paper in small increments, until they closed the gap and overlapped each other. From that point, I would lay down whatever video I wanted playing in the background into the timeline. Next, I would import the series of photos with the pieces of paper moving towards each other - then comes the problem. The portion of the pictures used for the animation that is NOT PAPER would be obscuring my background video. So at this point, is it easier to shoot the animation against a white background and just chroma key the white out? Or do most people cut the non paper part out using photoshop? or is there a better way? 

    frisbee681 wrote:
    Hi,
    Im just starting a new job, and will be creating a handful of films for my new employer.
    I want to create something interesting, and have been leaning towards stop motion animation.
    Congratulations on the job. Not many of them out there.
    frisbee681 wrote:
    1) What program does one use to play all the individual pictures taken to create the stop motion animation? In other words, once I have shot all the individual pictures of the objects I want to animate, and am ready to organize them and set a playback speed, what program would I use? Do most people just throw all the pictures into final cut and do it that way?? Or is there a better program?
    Easy to search the app store, as mentioned, or just google stop motion for macintosh. Mastering the application is easy. Learning how to animate is where you need to start.
    frisbee681 wrote:
    2) How do you cut portions of pictures / drawings / frames out to allow for a deep layering effect? I figure most people take each frame and manipulate it individually using photoshop (cutting portions of an image out so something else can be seen through the void). But is there a better way??
    In the odlen days, we used multiplane stages. Each set of drawings was placed on a glass stage, one under the other. INcredibly fun, absurdly difficult to keep clean and properly lit. Now all of that stuff is done with alpha channels and compositing software like Motion or Afer Effects. 
    frisbee681 wrote:
    For example, lets say I have two crecent shaped pieces of black paper, and I want them to move towards each other from the left and right sides of the screen, and eventually completely obscure whatever is going on in the background behind the paper images. First I would take a series of pictures, moving the pieces of paper in small increments, until they closed the gap and overlapped each other. From that point, I would lay down whatever video I wanted playing in the background into the timeline. Next, I would import the series of photos with the pieces of paper moving towards each other - then comes the problem. The portion of the pictures used for the animation that is NOT PAPER would be obscuring my background video. So at this point, is it easier to shoot the animation against a white background and just chroma key the white out? Or do most people cut the non paper part out using photoshop? or is there a better way? 
    Umm, yes. You're only guessing. And, honestly (Did you want honesty?), your heart may be in this but you don't have much a clue. Techniques and effects (and the experience to guide the decisions to do them in camera, on the shooting stage, or in software) are not where you start animation. You start by learning how cameras work, how shutter speed and f-stop relate to ISO speed, how to shoot on-2s (or if you should), how to do eases and stretches and squishes, how to develop characterization in inanimate objects so you can invoke emotive responses from the audience, how to shoot to hooks in the soundtrack, how to plan, how to storyboard, how to budget time, how to establish and maintain quality shooting conditions, how to do animatic or rough tests, how to learn from the tests, how to have fun, how to make money, how to get it done.
    This is kind of like saying you've just inherited a hundred acres and are thinking about getting into farming. You plant some seeds and do some stuff and then pick it and sell it. How hard can it be?
    bogiesan

  • Can I use canon eos40d for stop motion capture in premiere elements 9?

    I Want too do stop motion capture but when I click get media, the pop up dialog box proceeda as if to import still photos. How do I get the "capture panel" that is talked about where I can select stop motion?  Is premiere elements 9 supposed to work with a still camera like mine for stop motion at all?   Thanks!!'  Kimberley

    Kimberley
    Thanks for the reply. This is my take on the situation that you describe.
    You wrote
    The camera was linked to PC with USB cable and then the software showed on the PC what would normally be in the camera viewfinder.  The enter key on the PC worked as a shutter release and onion skinning worked.  Can premiere elements do this?
    That more or less describes the Premiere Elements Webcam experience if Premiere Elements recognized the Webcam.
    If you have made a USB connection between the Canon 40D and the computer and you are not getting a Capture Window when you use Premiere Elements' Add Media Webcam or WDM compatible device, then Premiere Elements does not support that simple route. It is my understanding that WDM compatible device represents Windows Driver Model (a framework for device drivers).
    I have done some Google searching, and I have found instance where claims have been made for the Canon 40D as a webcam. I post one of these links for informational and non promotional purposes.
    http://extrawebcam.com/
    Have you explore any utilities that came with the Canon that might supply drivers for the Canon as a webcam?
    Have you tried to use the Canon 40D as a webcam with Windows Movie Maker?
    Please review and consider. (Also, 9.0.1 Update can be downloaded and installed from the project's Help Menu/Update or obtained online from
    http://www.adobe.com/support/downloads/detail.jsp?ftpID=4929
    We will be watching for further developments.
    Thank you.
    ATR

  • Making a stop motion movie with stills. Please help!

    I have a question for someone really smart:)... I am making a stop motion movie on imac with still photos.  when i select a photo from iPhoto, and add it to the imovie project, it is adding multiples of each picture and i have NO idea why.  I dont know if i changed a setting somewhere or what.  This simple project went from fun to frustrating pretty quick.  Any help is GREATLY appreciated.  Thanks in advance.

    Hi
    I would - to test and get project going
    • Start a New User account (Apple  Menu - down to System preferences / Accounts)
    • Log out and into this
    • Now test iMovie and see if all is OK
    If not - the problem might lay in iPhoto photo-library - To try to mend this - YOU NEED TIMES - lot's of times - did it Yesterday > 8 hours !
    When nothing but Mac OS is up and running
    • Keep alt+cmd-keys down - During Full Up-Start of iPhoto
    • Now You get a Menu
    • Select all options
    • KEEP Mac connected to Power-Mains as if lap-top battery might not last the full process
    • Have a nice day / book or whatever - as this will take long long time !
    Yours Bengt W

  • Problem with stop motion film

    I want to make a stop motion movie. But when I upload the pictures imovie automatically makes them "zoom in". instead of each picture just shwoing it zzoms in and out of each one which looks stupid when you're trying ot make a stop motion.
    HELP?!

    Go to FILE/PROJECT PROPERTIES and change the default action for your project. It is currently set to Ken Burns. Change it to FIT (letterbox) or CROP (will fill the screen by cropping your photo.)
    This will work for new photos you bring into the project. For photos already their, use the Rotate, Crop, Ken Burns Tool and select FIT or CROP.

  • Low quality export for stop motion animation stills from Canon 5D Mark ii

    Thank you very much beforehand to anyone who is willing to look through this issue, it's been a long and frustrating process so far...
    I am attempting to put together a stop motion animation in Final Cut Express but my exports are always either low quality, or medium quality and stretched. I am shooting on a Canon 5D Mark ii set to take pictures at 21M 5616x3744 [999] (though I'm not entirely sure what the 21M or 999 mean).
    When I first assembled my stills (unedited or altered in any way) and exported, it looked like this:
    A relatively drastic loss in colour and quality. This was achieved exporting through quicktime conversion using the following settings:
    Compression Type: H.264
    Compressor Quality: Best
    Size: 1920x1080 HD
    Preserve aspect ratio using: Crop
    Deinterlace source video: unchecked
    Unhappy with the result, I went through hours of testing and researching which only yielded a result after I discovered the control-Q Easy Setup menu. I tried setting up as an apple intermediate codec using HDV-Apple Intermediate Codec 1080i60 at 29.97 fps. I kept the export settings the same as above, but knowing that I was now working with a canvas that keeps to the 16:9 proportions, I tried cropping one of my stills in photoshop to fit that 16:9 ratio.
    I then imported my 16:9 cropped still and an unedited JPEG version from my camera and exported the resulting 10 second video. The result was better quality, but still noticeably degraded from the original stills. More importantly, both the cropped 16:9 and the unedited JPEG were stretched out of proportion as seen below (16:9 version):
    Of course I forgot to note the original settings on Easy Setup so I can't figure out how to get back to the original lower quality, yet undistorted image (not that I want to do that). I tried numerous different sizes for the export including changing the Crop (when necessary) setting to letterbox. Nothing worked.
    The canvas, however, immediately looked 100% better after switching the Easy Setup to HDV-Apple Intermediate Codec 1080i60 at 29.97 fps. It held the improved quality without distorting the image:
    I'm not sure if there's any hope of having a great image quality, but at very least I would like to be able to export at the decent quality of the second screenshot without the stretching and cropping.
    I need to have this resolved ASAP for work, I've already wasted too much time here. Any help is so appreciated, I'll be active in providing whatever additional information that I can to responders, though please keep in mind that I'm relatively new to all this, I don't know where to find everything

    I've decided just to try to get back to the export that I showed in the first screenshot. That result came before I started tampering with the Easy Setup. Like I said, when I changed the setup the canvas quality improved drastically and the dimensions seemed to fit much better, but the export was vertically stretched and cropped. I just reset my FCE settings and it turns out the default setup is DV-NTSC, but it's giving me a terrible quality still...
    I just want to get back to that second screenshot's quality.. Could someone suggest what I should switch the easy setup to for importing stills from my Canon 5D Mark ii to yield the right results?

  • How can I make a stop motion animation using Premiere Elements 13?

    I am trying to make a stop motion animation with a series of still shots. So far I have managed to speed up the shots so that I have one frame per second but this is still not fast enough and I can't work out how to make them go any faster!
    I am working on a class project with my 8/9 year olds and the project has stalled at this point because I can't get past this hurdle. Any help would be greatly appreciated!

    yogawithlexi,
    Welcome to the forum.
    Im also needing to just edit the photos but adding text. Nothing fancy. I just want to make some flyers.
    For editing photos, to be output to the printed page (whether by a commercial printing service, or a desktop printer), I strongly recommend Photoshop Elements (PsE).
    If you need to output to a video file, then Premiere Elements (PrE) can possibly do what you want, but not for the printed page - at least not easily, and with the ultimate results. First, Video is not dependent on DPI/LPI (Dots Per Inch, or Lines Per Inch), where printed material will be. Also, while PrE can output a Still Image, the quality, when printed, will be far less, than what one can obtain with PsE.
    Do you currently have Photoshop Elements on your computer, or only Premiere Elements?
    Good luck,
    Hunt

  • Can I use DSLR to capture stop motion in PE8?

    No luck in having "Get Media" find my Canon T2i which I want to use for stop motion, or my Canon FS200 for that matter.  Other stop motion capturing software I have sees both, but I need to use PE8.

    I want to connect a Canon T2i DSLR to the computer via USB to view, control and capture using PrE from the computer monitor - i.e. I want setup the camera equipment and stage and not touch anything but the puppets. I don't want to take a bunch of pictures on the camera and import them.
    What I want to do is possible with, say Stop Motion Pro - and it works great, but I like the additional features of PrE.  Looks like I'll be using Stop Motion Pro.

  • Using Still images to create a stop motion film in imovie

    Hi all, I'm trying to create a stop motion film in imovie using photo's I've taken with my camera, I've managed to put it all into the sequence I want, and even put background music on, but for some reason I can't stop imovie, panning in and out on individual photo's/clips of my film, so whereas when i flick through the photo's on my camera, it creates a pretty good stop motion film, but on movie it looks as though I've held everything by hand not using a tripod, making it jaunty and not playing well.
    Does anyone know how to make it stop doing this? My friend hasn't been able to stop it from doing it either!
    Thanks

    but for some reason I can't stop imovie, panning in and out on individual photo's/clips of my film, so whereas when i flick through the photo's on my camera, it creates a pretty good stop motion film, but on movie it looks as though I've held everything by hand not using a tripod, making it jaunty and not playing well.
    iMovie '08 installs with the Ken Burns Effects preference selected. When you add a photo, it is automatically added by turning it into a "still frame" sequence of frames at the default length with the KBE applied. To get rid of it make sure your "Project" aspect ratio matches the aspect of your photos. Then select the photo sequence in the "Project" window, select the "Crop" tool, and choose the "Fit" option in the preview window. This will get rid of the KBE. Now all you have to do is select any single frame in your "Project" sequence (or multiple frames if you want to "slow" down the final motion sequence in your project), split the sequence, and then discard the unwanted frames. (You could also use Command-C to temporally "store" your selected frame(s) to memory, discard the entire sequence and then use Command-V to paste the frame(s) in memory back into the project window at the proper location in your "timeline.")

  • Stop motion on premiere pro

    Hello, i am trying to make a stop motion film using adobe premiere pro cc, and possibly premiere elements 12 if necessary. I would like to know how i can createa live feed of images from camera to software. I would also like to be able to use the onion skin tool whether that is available in either of the sed softwares. thank you

    Premiere Pro captures via FireWire natively, or via HDMI and SDI if you have compatible third-party hardware installed.  This is typically used to capture moving video, though.  I don't know if it will do a single frame.
    Honestly, your best bet may be to use a stills camera to shoot the frames.

  • Stop Motion and FCPX

    Hi,
    Could anyone tell me if it is possible to create a stop motion film with onion skinning effects using Final Cut Pro X?
    Failing that, is there any effect in FCPX which I could use to show me where the last frame was positioned in a stop motion film?
    I was wondering if I would need specific stop motion software or not,
    Many Thanks
    James

    What versions of the software are you using?

  • Stop motion in FCP7

    Hi there,
    Sorry for the stupid questions that are about to be asked...I'm a bit of a beginner.
    I'm looking to prepare stop motion animations using hundreds of photographs and FCP7....and I have three questions:
    - How do I adjust the speed? I've been on the 'Duration' and 'Speed' menus but cannot adjust it to obtain the desired speed.
    - I couldn't workout how to rotate my photos? (This is probably the mother of all stupid questions). Sorry.
    - Finally, is there a shortcut that takes all the items on the timeline and puts them next to each other, deleting any blanks in between?
    Thanks for your patience and your time. Much appreciated.
    Greg.

    So, to answer your last question first: No, there is no way in FCP to execute a "Close All Gaps" function. This would be helpful in many instances. You may consider going to the Final Cut Pro Feedback page and recommending it.
    Next: How are you dealing with your stills in FCP? Sounds like to me you're just bringing in all the individual images into FCP and then arranging them in a timeline. First off, let me say, that you're dealing with an "Image Sequence", something that, frankly, FCP is NOT very adept with. But there's a couple of things you may try...
    Try adjusting the "Still/Freeze Duration" in FCP's preferences.
    You'll know better than us how long the frames should be: 1 frame each, 2? 5? Up to you. But note that this setting only takes effect AFTER you've set it up and added clips to a timeline. Meaning: if you already have a timeline full of still clips that are 5 frames each and then adjust the "master" duration in preferences to 2 frames, the 5 frame bits will not, all of a sudden, become 2 frames.
    So you set up your prefs. then add to timeline. If you don't like the speed, then delete the stills from the timeline, adjust the master duration, and re-add to timeline. It's going to be trial and error. But if you set up the duration, select your first clip, then hold shift and select your last clip (still) and do an "Insert" then all your clips are going to butt-up to each other with NO gaps. So this sort of "fixes" your close-all-gaps issue.
    Other than that, the only thing I can think of is:
    A.) Use QuickTime to open up the folder full of stills, as an Image Sequence, (under QT's "File" menu) and adjust the frame-rate there, before exporting to a QT movie. However, I can see this leading to some weirdness potentiall: If you're aiming for a 24 frames/sec. sequence (as an example) but your still sequence, in QuickTime, looks right when playing back at 15 frames/sec., there's going to be frame-holding and general un-smoothness when you put this mismatched movie into a 24 frame sequence back in FCP. However, if you're OK being "stuck" with a sequence whose frame rate your exported QT movie - whatever that frame rate my be - then it's that big of a deal, I suppose.
    B.) Get the frame rate looking close in FCP, using the "Still/Duration" preferences, as mentioned first. Then "nest" this sequence and apply time-remapping to the new nested sequence to get some fine-tuning of the speed.
    Hope this helps and wasn't too complicated. Like I said before, unfortunately, FCP is not great when dealing with Image Sequences.

  • Stop-motion with camera?

    I have a school project where I need to animate a stop-motion video. We used a Canon 7D to take pictures and I imported them in lightroom. What I need to do now is take all of these frames and put them together to make the video. I tried manually doing it, but it came out all shaky. There has to be an easier way then to manually do it like that.
    Please help
    Thanks
    -RJ

    I'm guessing that the jerkiness is based on the camera's moving from one photo to the next. While Flash has an onion-skin function for the timeline, aligning a lot of imported photos will be a long and painful process. Flash isn't really the right tool for this sort of thing. Photoshop, on the other hand, has a crop and straighten photos function that will organize all of your photos while you sit and sip your coffee. It's in the File... Automate... menu. When you have the photos aligned and cropped, you can then export a video file straight from Photoshop.

  • Stop Motion Technique

    I'm looking for any advice on how to create a stop motion look using your footage.
    Would you divide a sequence up frame by frame and manipulate the speed/duration to your liking, selecting various frames to put into your new sequence?
    any help is welcomed, thanks.

    just try speeding it up by some farcical amount (2000% or so) and see if that gets you where you're going ... or by a lesser amount and then add the Strobe filter

  • Stop Motion Effect?

    Is there a QUICK way to create an effect similar to stop motion animation (1 fps) with a video clip already on the time line in Final Cut Pro?

    Look for the STROBE filter.
    Shane

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