Strange posterization/color banding effect (CS5.1/CS6)

Stumbled over a strange effect with only one of my photos:
As usual, I made basic development on a DNG file in Lightroom 4.1RC2. Then, again as usual, I select "edit in Photoshop" in the context menu in the library grid. Both Photoshop CS5.1 and CS6 open the DNG and show me an image where I can clearly see strong posterization in the blues.
I save the psd file and go back to LR4: When I let LR4 display the psd, everything looks allright, as if there never was posterization! Looks like the original dng! Tried to apply different color spaces, reducing bit depth, no success.
Only cure for me at the moment is to open the dng in Photoshop and then switch to 16 bit mode... First thought it's somehow a LR4 issue, but on the other hand, LR4 displays the psd file correctly, Photoshop doesn't...
Andreas

OK, so the problem is something in the GPU color conversion path.
That could be a driver bug, a GPU limitation (some older cards don't interpolate correctly, and fail to say so in the driver), a problematic display profile, or a bug in the Photoshop GPU display code.
Since this happened in 5.1 and 6, I'd bet on one of the first 3 items.
Which GPU/video card are you using?
Which GPU driver version?
(you can look in Help->System Info for that)
Can you post your display profile somewhere so we can take a look?
And what profile are you using for your documents?

Similar Messages

  • How to use Color Splash Effect in Photoshop CS6?

    Hi everyone
    Can you guy help me out How to use Color Splash Effect in Photoshop CS6? I need to use in slide in my web
    Thanks

    You mean "leave part in color and make the rest black and white"?
    Just select or mask the part that should be B&W and desaturate, or use the B&W adjustment.
    Or you can add a B&W adjustment layer and mask out the parts that should stay in color.

  • Problem of variation of color between Firewoks CS5 and CS6 ?

    Hy everyone !
    I have problem of variation of color between Firewoks CS5 and CS6.
    An Hexa color defined in a CS5 file, dont have the same Hexa component when opened with Firewoks CS6 ?
    Example with au GREEN color :
    #80BB39 (Created with Firewoks CS5)
    is becoming
    #7FBC2E (When opened with Firewoks CS6)
    Thank's for your help.

    Nemo71 wrote:
    I have had a problem with opening some PSD template files.  It doesn't happen all the time and it doesn't happen with every template.  All of the templates were downloaded as zip files and opened and saved using Photoshop CS 5 on a Windows XP PC. 
    As far as I know Photoshop can not open Zip files.  If you unzip the zip archive and it contained PSD files.  How do you know they were all saved on a XP system with Photoshop CS5 with max compatibility.  The message you getting seem to be contradicting that.

  • Upgrading from After Effects CS5 to CS6

    I am creating a new post for this since my previous post on Design Premium was "Answered" yeaterday.
    I went ahead and purchased the Creative Suite Design Premium 5.5 Upgrade today which apparently includes a FREE upgrade to CS6 Web & Design Premium Package following its release (i.e. if you pay for the upgrade from 5.0 to 5.5 before May 6th you get a FREE Upgrade to CS6).
    Unfortunately Design Premium Suite of products does not include AE so I have always had to purchase that upgrade separately. Am I correct that there is no such similar upgrade incentive for a single product like After Effects CS5 as is being offered on the Design Premium Suite right now?
    Regarding my After Effects "standalone" copy, from what I can tell, my upgrade cost to CS6 would be the same as if I had never upgraded to CS5 (i.e. the upgrade price to CS 6 from CS3 or CS4 is the same as upgrading from CS5) - about $350, but if I upgraded to AE_CS5.5 then the jump to CS6 would be about $175, but if I upgrade "now" to AECS5.5, it would be $179 + another $175 when AECS6 comes out - is that right? $179 seems like a fair upgrade price from AE_CS5 to AE_CS6, but $350 is pretty steep for just one product - especially since 5.5 was not a full incremental jump?
    Am I missing something? From where I am right now, my only path from AE_CS5 to AE-CS6 is about $350? (i.e. about the same price as being forced into the entire Cloud Subscription the first year?). Also, about the same as what I paid today to get ALL my other CS5 Apps upgraded to CS6 in total.

    If you have questions about pricing, upgrades, and such, contact Adobe Customer Service:
    http://www.adobe.com/support/contact
    People on this forum will not know the answers to detailed pricing and upgrade questions.

  • Having trouble with Color Swatches - InDesign CS5 to CS6

    This may be a repeat - I'm not sure I posted properly the first time.
    Having trouble with the Swatches in CS6. When I add our institution's colors, they look dull/gray in CS6. I know it's not just my screens because I created a quick EPS in CS5 for comparison. When I add the EPS file to my doc, the colors pop into the Swatches box but they are clearly different colors. The most remarkable is Pantone 484, which used to be a bright scarlet. Now it's a strange, dull mauve.
    I took a screen shot to show a colleague with more experience, but he's stumped. There are very few of us that use InDesign on our campus and we're all self taught. Our tech folks usually come to US for solutions.
    I did try the instructions under "Display or Output Spot Colors Using Lab Values" in the Help menu, but nothing changed. That seemed to be the only applicable FAQ that I could find on my own.
    Here is the relevant chunk of the screenshot I took - can anyone see what's gone wrong? Color blocks are "old" colors, next to Swatches which show the "new" hues.
    Thanks for any help!

    Answered in your other thread...
    Problems with Color Palette/Swatches in InDesign CS6

  • After Effects CS5 and CS6 Quicktime Rendering Error

    Hi there
    Recently I have a challenge with rendering in Quicktime output, one day my AE just stopped rendering my videos in Quicktime formats, specially "Photo Jpeg", I had AE CS5.5 on that moment. I shift to CS6 and yet the problem exists. The error number is: -1610153464 and for better understanding here is a screen capture of the error:
    I went through all the existing discussion and forums but sadly no one was helpful, I tried evrything and no result. Surprisingly rendering in other formats are perfectly fine and fast, only Quicktime seems has problem.
    Please someone help me out here, it just stops me from my daily works and projects, thank you so much.

    I shift to CS6 and yet the problem exists.
    How can you? It's not even released yet.
    Please someone help me out here, it just stops me from my daily works and projects, thank you so much.
    Again, how can it? If you are already using CS6, you are either using a prerelease version and discussions about bugs and issues have no place on a public forum or on the other hand you are simply using it illegally. Everything else - yes, that's a Quicktime error, but since you did not provide any more information, nobody can help you. we need to know exact settings, system specs, file storage options, Quicktime version etc.
    Mylenium

  • New PC for After effects Cs5.5, Cs6 and probably very soon CC

    I want to buy a new computer in the folliwng days/weeks.
    I use essentially After Effects (also Photoshop, Illustrator and Cinema 4D)
    I had planned to buy the following pc configuration:
    - CPU: Intel Core i7-4930K (3.4 GHz)
    - MB: ASUS P9X79 PRO
    - RAM: (32 Go or 64 Go  ?)  G.Skill RipJaws Z Series 64 Go (8 x 8 Go) DDR3 2133 MHz CL11  (cerrtified by Asus for this MB)
    - GPU: Gigabyte GV-N770OC-4GD - GeForce GTX 770 4 Go
    - POWER: Be Quiet ! Alimentation Dark Power Pro 10-850W 80PLUS Platinum
    - HDD (for OSD and programms): Samsung SSD 840 PRO 512 Go
    - HDD (for current project and AE cache): Samsung SSD 840 PRO 512 Go
    - Stockage HDD: 2X Seagate Desktop SSHD 2 To
    I would to know if I made mistake(s) about this configuration if experienced AE users have suggestions for me ?
    Notable relating to:
    -1- 32 or 64 GO RAM
    -2- GPU choice
    -3- CPU choice:
    -4- I planned to buy two SDD (Samsung 840 Pro 512 Go): one ofr the OS and one for the current project and the AE cache. Is it useful ?
         Could I buy only one SSD (for the OS AND for the current project and the AE cache) ?
    I would be happy to get your suggestions or user experience about this configuration.No one ever wants to waste money.
    Cheers
    Yann

    Without knowing anything about your work it is impossible to judge these things specifically. Generally I'd say you are hopelessly overdoing it with the GPU. I don't know a single use case that actually uses 4 GB on any graphics card except for games. Most OpenGL plug-ins in AE are limited to 2 GB and while this of course could change in the future, currently I see no realistic scenario to push it beyond that, because in most cases then the plug-ins will simply crash due to bugs or their internal logic not being able to deal with more VRAM. Likewise you will see zero benefit of this in C4D unless you use a GPU third-party renderer like Octane. C4D's OpenGL performance will collapse on itself long before you have filled all the memory with textures... Similarly, I see no advantage of 64GB RAM over 32GB. I do heavy CAD scenes all the time, but still have enough room left on my systems with 24 and 32GB, respectively. AE won't use that much RAM even with all MP settings at full on most projects as well. Having the fastest CPU is another matter and many functions in AE, PS and C4D are of course pur CPU and will work faster on a faster processor. With regards to the cache stuff, scroll down a few posts and make up your mind...
    Mylenium

  • Why am I suddenly getting a strange banding effect when printing.

    I've been using Adobe Photoshop CS5 for the last two years and I've started getting a strange banding effect on my prints.  Photoshop seems to be the only application that is effected.  I print on a large format printer, my drivers are up to date, if I print a smaller size and fit to page (test print) the print is ok.  When I print to full size I start having the problem. 

    However, when something starts acting weird suddenly, that is usually a sign to re-set your Photoshop preferences.
    Preferences files vary by name and location for each version of Photoshop.
    To re-create the preferences files for Photoshop, start the application while holding down Ctrl+Alt+Shift (Windows) or Command+Option+Shift (Mac OS). Then, click Yes to the message, "Delete the Adobe Photoshop Settings file?"
    Mac OS
    Important: Apple made the user library folder hidden by default with the release of Mac OS X 10.7. If you need access to files in the hidden library folder to perform Adobe-related troubleshooting, see How to access hidden user library files.

  • Photoshop CS6 PSDs into After Effects CS5.5

    Hi there,
    Our graphics department have recently upgrade Photoshop to CS6 version 13.0 x64. I am trying to open a .psd file they have created in After Effects CS5.5 version 10.5.1.2. However I get the following message:
    'After Effects error: could not open (.psd name) because it is not a valid Photoshop document. ( 51 :: 19 )'
    Is there any way they can save their photoshop files differently so that they will open or do I need to upgrade to After Effects CS6?
    Thanks in advance for the help.
    (wasn't sure whether to post this here or in the photoshop forum - thought I would try here first though)

    I've never encountered such an issue, and switch between both versions regularly.  On the machine I'm working on right now I have CS6 Creative Cloud installed, but do most of my AE work in CS5 or 5.5 because the clients I'm working for haven't upgarded yet.  But all my PSD work is done in CS6. 
    Is there anything unusual in the file, ie 3D content?  As Mylenium says, PS 3D has changed and is no longer supported by AE.  Otherwise, are you moving between platforms, ie Windows to Mac?  Does the file have a valid PSD extension?

  • CS6 misunderstands color in edited CS5 NEF raw files: too purple

    This is a problem that Adobe CS6 / Lightroom 4 / Camera Raw 7 have in reading Nikon D50 camera raw NEF files.
    Here are other more informative but still unresolved posts:
    http://phtshp.us/10utPuk
    http://forums.adobe.com/thread/1146464
    I got Photoshop CS6 Extended from Creative Cloud.  I got a problem with how CS6 handles the color info from files edited with CS5. I spent time searching the web for answers but am afraid I did not find any.  Please help!
    In CS6, my CS5 files look too purple.  (Or you may call it too magenta or too blue.)
    How can I get CS6 to correctly understand the color information of raw NEF files previously edited with CS5?
    CS6 reads my previously edited NEF (Nikon Raw) files with a purple tint.  The purple shows up in Bridge thumbnails, Bridge Previews, Adobe Photoshop Camera Raw, and Photoshop itself.  If I process the raw (NEF) file with Image Processor, the JPEG produced is still purple. So, CS6 is consistent but not correct!
    The appended Apple Preview screenshot shows the difference in the JPEGs made with CS5 and CS6.
    (1) Top Red:  CS5 JPEG from image processor.
    (2) Middle Purple: CS6 JPEG from image processor.  It looks purple in Bridge, Camera Raw, and Photoshop.
    (3) Bottom Red: Nikon Raw file as seen by Apple Preview.
    I append an example of what my files look like in CS6 Bridge. Each pair of images should look the same, but CS6 makes the NEF raw images look purple. The left is the raw NEF file and the right is the JPEG that was produced from the raw file. There is no visible difference between NEF and JPEG images in CS5.
    The same purple result can also be found in Lightroom 4.
    Technical Info
    MacOS X
    10.6.8
    CS6:
    Photoshop 13.1.1 x64  Extended
    Adobe Photoshop Camera Raw 7.3.0.71
    CS5:
    Photoshop Extended 12.0.4 x64
    Camera Raw 6.7.0.339

    This is a known problem and Adobe employee MadManChan2000 created V3 beta profiles for Nikon D3, D300 and D700. It appears the V3 profiles have not actually made it into a LR release yet, but you can download them and install them into LR to see if they make a difference:
    See this post for complaints similar to yours:
    http://forums.dpreview.com/forums/readflat.asp?forum=1021&message=36291975&changemode=1
    And this post for details and download of the V3 profiles:
    http://forums.adobe.com/thread/780605?start=0&tstart=0
    For the most accurate Lightroom camera profiles I can highly recommend the Color Checker Passport by X-Rite. Every camera body's image sensor has its own unique color profile, so any "canned" profile is a compromise at best. The ColorChecker Passport also helps you to more accurately establish and set your White Balance in LR.

  • Why does my photo look normal in Adobe RAW, but when opened in CS6 it becomes strongly color banded

    Had this problem once before, but uninstalled all my Nikon viewing etc software and it cleared up. Haven't changed anything since then, but it just started doing it again. Photo looks normal in Adobe camera raw, but when opened from there into CS6 it becomes highly color banded and cartoonish looking. On some pictures it's only happening in the brighter, highlight areas, in others the whole picture is affected. I'm using a high end Alienware computer and didn't have any issues for about the first year, my graphics card drivers are up to date, will check on monitor drivers next I guess.

    What are your Color Settings?
    Please provide screenshots to illustrate the issue and set the Status Bar or Info Panel to display the Document Profile.

  • CS6 Using RGB Color Corrector effect, Reference Monitor will not update?

    When the current tine indicator is on a clip using RGB Color Corrector effect, the Reference window will not update.
    And not only doesn't it update the data on the graph, but if you change the type of scope (Display Mode) (e.g. from RGB Parade to Vectorscope), that also doesn't change until you move the CTI to view a clip without the RGB Color Corrector effect on.
    Anybody can help me to fix this problem, it is very important to me, many thanks!!!

    Take a look here: http://help.adobe.com/en_US/premierepro/cs/using/WSCB566F37-A8BA-4b43-8BD2-B6467AAE930E.ht ml
    Here the appropriate quotation from the help:
    Gang the Reference Monitor and Program Monitor
    You can gang the Reference Monitor and the Program Monitor so that both always monitor the same frame.
    Do one of the following:
    In the Reference Monitor, click the Gang To Program Monitor button .
    In the Reference Monitor’s panel menu, choose Gang To Program Monitor.
    In the Program Monitor’s panel menu, choose Gang To Reference Monitor.
    Both Monitors show the same frame. Moving the playhead in either the Reference Monitor, the Program Monitor, or the Timeline will move the playheads in the other two to the same frame.
    Regards
    Axel

  • CS5.5 & CS6 Spot to CMYK conversion not matching Pantone + Guide book

    Hey,
    I have both cs5.5 & cs6 indesign both of which are giving me different values of cmyk compared against the Pantone + guide, eg if I select pms 173C and convert to cmyk the values are not correct when I check the values in the book is there a way to fix this, other wise it will be highly annoying to have to manually put in the cmyk values for each job when matching spot colours for digital prints. Any help /suggestions or if there is any settings to change?
    Cheers.
    Jack.

    In CS6 the Pantone solid libraries are always defined as Lab—as far as I can tell the Ink Manager's Use Standard Lab Values no longer has any effect.
    So these libraries are now  defined as Spot colors with Lab definitons–if you convert the spots to process via Ink Manager your document's CMYK profile makes a color managed conversion:
    If for some reason you want a predefined CMYK mix (but for what press or device?) there is Color Bridge Coated and Uncoated—those colors are defined as process CMYK. So you could delete PANTONE 173 C and replace it with Color Bridge Coated PANTONE 173 CP.

  • Filters for Blown out camera and color shots for CS5

    What are some good filters to fix blown out camer and color shots in CS5?
    Thanks,

    Hi Bill, Here's the link the of the blown out footage. http://www.youtube.com/watch?v=4lxJJN2PgqM&feature=youtu.be
    Date: Wed, 18 Jul 2012 17:20:37 -0600
    From: [email protected]
    To: [email protected]
    Subject: Filters for Blown out camera and color shots for CS5
        Re: Filters for Blown out camera and color shots for CS5
        created by Bill Hunt in Premiere Pro CS5, CS5.5, & CS6 - View the full discussion
    Well, a few Effects, that might help - a little, would be Curves, Levels and Shadow & Highlight, along with the Three-way Color Corrector. However, the success will depend on the footage. Can you post a Vimeo, or YouTube example, as once one sees what you are working with, they may have other ideas. Good luck, and welcome to the forums, Hunt
         Replies to this message go to everyone subscribed to this thread, not directly to the person who posted the message. To post a reply, either reply to this email or visit the message page: http://forums.adobe.com/message/4566208#4566208
         To unsubscribe from this thread, please visit the message page at http://forums.adobe.com/message/4566208#4566208. In the Actions box on the right, click the Stop Email Notifications link.
         Start a new discussion in Premiere Pro CS5, CS5.5, & CS6 by email or at Adobe Forums
      For more information about maintaining your forum email notifications please go to http://forums.adobe.com/message/2936746#2936746.

  • Sony NEX-5N AVCHD 2.0 1080p50 and Premiere Pro/After Effects CS5.5

    Hi all,
    I have a new Sony NEX-5N and have shot some test 1080p50 video using it.
    On my quest for some new editing/production software to close the loop I have just downloaded and installed a Trial Version of CS5.5 Production Premium.
    I am able to load my video files into Premiere Pro.
    However, when I attempt to open the Video File in After Effects, I recieve the following Error message:
       After Effects error: '00023.MTS' cannot be imported - this '.mts' file is damaged or unsupported.
    I have tried renaming the extension to .MPG, .M4V, .M2TS all with exactly the same result.
    Perhaps this is a limitation of the Trial Version or perhaps a limitation of After Effects CS5.5.  Is anyone able to advise?
    As extra information I include below the TEXT output from MediaInfo for the file I am able to load into Premiere Pro CS5.5 but not After Effects.
    Thanks.
    General
    ID                               : 0 (0x0)
    Complete name                    : F:\AVI\Video\SourceMedia\00023.MTS
    Format                           : BDAV
    Format/Info                      : Blu-ray Video
    File size                        : 61.8 MiB
    Duration                         : 19s 616ms
    Overall bit rate mode            : Variable
    Overall bit rate                 : 26.4 Mbps
    Maximum Overall bit rate         : 28.0 Mbps
    Video
    ID                               : 4113 (0x1011)
    Menu ID                          : 1 (0x1)
    Format                           : AVC
    Format/Info                      : Advanced Video Codec
    Format profile                   : [email protected]
    Format settings, CABAC           : Yes
    Format settings, ReFrames        : 2 frames
    Format settings, GOP             : M=1, N=12
    Codec ID                         : 27
    Duration                         : 19s 680ms
    Bit rate mode                    : Variable
    Bit rate                         : 25.1 Mbps
    Maximum bit rate                 : 26.0 Mbps
    Width                            : 1 920 pixels
    Height                           : 1 080 pixels
    Display aspect ratio             : 16:9
    Frame rate                       : 50.000 fps
    Color space                      : YUV
    Chroma subsampling               : 4:2:0
    Bit depth                        : 8 bits
    Scan type                        : Progressive
    Bits/(Pixel*Frame)               : 0.242
    Stream size                      : 58.8 MiB (95%)
    Audio
    ID                               : 4352 (0x1100)
    Menu ID                          : 1 (0x1)
    Format                           : AC-3
    Format/Info                      : Audio Coding 3
    Mode extension                   : CM (complete main)
    Codec ID                         : 129
    Duration                         : 19s 680ms
    Bit rate mode                    : Constant
    Bit rate                         : 256 Kbps
    Channel(s)                       : 2 channels
    Channel positions                : Front: L R
    Sampling rate                    : 48.0 KHz
    Bit depth                        : 16 bits
    Compression mode                 : Lossy
    Stream size                      : 615 KiB (1%)
    Text
    ID                               : 4608 (0x1200)
    Menu ID                          : 1 (0x1)
    Format                           : PGS
    Codec ID                         : 144
    Duration                         : 19s 135ms

    Hi and thanks, this is exactly what I am looking for :-)
    Tim Kurkoski wrote:
    Other question: Is it just this one file that fails to import or is it all files from that camera?
    All of the clips I have recorded fail to import to AE but work in PPro
    Tim Kurkoski wrote:
    Can you post a sample file that exhibits the problem so that I could try the clip on my machine?
    I just recorded 4 seconds of a clock pendulum swinging, surprisingly the file was 20Mb!?!?  Anyway, I have made the file available for download at the following location:
    http://andrew.net.au/~rowan/avchd/00032.MTS
    You can browse the directory at http://andrew.net.au/~rowan/avchd/ if you need to "right-click" and save as.
    I am hoping it is a limitation of the trial as I have noticed a few other "gotchas" with the trial version.
    Thanks for the advice about video format, I have noticed that my computer (Core 2 Duo) is very slow to process the H.264 stream, PremierePro cannot play the 30sec stream in realtime (starts to stutter around 23sec) and After Effects starts its stutter almost immediately (both just playing the stream with no effects) - that said WindowsMediaPlayer has no problem playing the same stream at full speed.  I am however reluctant to do any transcoding except to a lossless format as it seems counter intuitive - but this will be the subject of another post, as I don't want to clutter this one.
    Thanks again.

Maybe you are looking for

  • Extract a jar  from one place and put extracted files in another place

    Hi, I need to extract a jar file from one location ie source and to keep the extracted in another place ie destination directory.Is there any command in jar or can any one give java codings to perform this. Thanks in advance Vindo

  • How to give query in lookup type udf in OIM 11g

    Hi, In OIM 9.x, we were able to provide query in lookup type field in users UDF to fetch data from DB and display it in lookup table. Where as in OIM 11g, I cant find that option. We need to provide user id in lookuptype field based on some query. Pl

  • Controller connectivity fluctuates

    Hi, One of our subsidaries have a anchor controller setup. They have main controllers and second controller which anchors to the main controller to tunnel the traffic. They are seeing, frequent disconnections on the second controller. logs as below a

  • How Create LDAP Group Inside Active Sync Form?

    I have an Active Sync form that is working well to synchronize (and slightly massage) data from an Active Directory source to a Sun Directory Server destination. I need to synchronize group information from AD to DS. It must automatically create grou

  • Color change when transferring image from Photoshop to After Effects

    Hi everyone, I am trying to import a logo from photoshop CS6 to After Effects CS6, however the black color within the image changes to a dark grey when it gets into AE. I noticed on the color picker in PS that it changes to the same grey color that i