Submix into 5.1

I got a problem and could not find any answer yet. I got a project in Premiere CC with 3 camera-views and several aditional sound-tracks. I started off in stereo (as all of them are in stereo) and now I am reediting it into 5.1. The current situation is that I set the used soundlines into 5.1 via submixes and i set the dot where the sound should go. On the timeline itself all ups und downs and effects are defined.
But setting the stereo-sound-layers as a submix I got additional submix-layers in 4.1 underneath the original audiolayers (still in stereo defined) but those submix layers are empty and the master layer only shows stereo.
In the audio preferences I set the default audio tracks all tp 5.1 and Mixdown to Front and rear as the LFE wont probably have any effect for tv-users only anyways. I just wonder if this is what it needs to get 5.1 surround sound when I will export it to make both Bluray AND DVD (will be a 3-disc-set containing 1xbluray, 1xDVD and 1 DVD-ROM with all necessary files for mobile media) since I can not define the master as 5.1 and like I said, the submixes are empty on the timeline.
I followed the advise to creat a new sequence and copied the all the timeline into the empty timeline there, but it did not only sound terrible but also the picture was in 4:3 only not in 16.9
Also checked what would happen to export everything into Audition but that seemed to be no different than the tools I had in Premiere and I did not find the option to show the picture .... but I was in a hurry so maybe it was just me.
But hopefully somebody can give me some advice how to proceed from Premiere CC onwards where everything sounds and looks fine now. Thanks in advance.
Ronnie

The long work answer is ... if you've got decent skills on a mixer software and all, you can mix to a surround-sound audio output, which is what 'the big boys & gals' essentially do. But ... how much time do you have to learn this? And ... yea, you need a mixing audio software that does give a monitor for video as you do need to see when to send X audio channel to Y track ...
I spent a day trying this ... decided to stick to stereo for now. Too much work to actually get out, no REAL need of it yet. Someday ...
Neil

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As for the AVI, Curt is correct. There should be a utility for the Mac, like G-Spot, which will tell you everything about your AVI file. Unfortunatly, I do not know if G-Spot is ported for the Mac (www.headbands.com/gspot), so you might need to find similar for you platform. You can then identify the necessary CODEC and install it.
Last, you should be able to find an edit-shop that has CS3 on PC and get them to Import the old Project, then Export it in CS3, so you can open it on your Mac. If not a commercial shop, then maybe a friend with CS3 on PC? Next best thing might be to find a Mac with Premiere 6/6.5 (last Mac version, prior to CS3 ?) and try that route.
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Off the topic (Again!!!)

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But... it's a reality to want to use these plug-ins
fairly early in the game, as you suggested.
So my solution, for now, is to do an offline bounce,
of say, the drums, with all their delicious UAD
plug-ins activated.
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"Song Title- For Recording".
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Instruments and tracks."
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Export feature to export continuous regions, and
bring it back into the "master" song file.
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and easy enough to do, at least for the way I like to
work.
The problem with this method, especially if you work to picture, is that all the resultant audio files will have some "digital null" as Apple calls it, blank audio to me, at the beginning of each track and so if you bring in the auido files they will not be out of syne with the picture unless you trim them all.
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How Best to Import iPhone 4 video into Premier Pro CS5 - Settings for new import "sequence preset"?

Shooting video with my iPhone 4 (ATT version) and am trying to import file into Premiere Pro CS5 (5.0.3) running on Macintosh OS 10.6.6.
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<my comments in angle brackets>
???? = Question
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Wow. Thanks Colin.
When I follow your approach, I don't get the same "sequence preset" dialog box popping up.
FU question, though, the motion is frequently jagged. Is there a way to smooth out/increase the quality of the rendering?    I have 16gb ram, Mac Pro.   which is able to handle iPhone video rending fine in quicktime.   (I've tried rendering for "performance" and "memory" but both seem to produce, eh results.).
Michael

Creating submixes and using the Bus and Send features...

I'm unfamiliar with creating a submix.
I know that I want to create 2 groups of vocals ( 6 tracks left and 6 tracks right, stereo image) to simulate a choir. I also know that I want to create a submix of 10 tracks of drums down to 2 tracks stereo.
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No. Sends are irrelevant here. The output should be set to Bus 3 on all your individual drum tracks.
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How to turn stereo into 5.1 suround sound

Hello i have cs 5.5 i would like to take old vhs or 8mm video tapes and put them on dvd in 5.1 surround sound can anyone tell me how to spit stereo into the left center tight live left surround right surround every time i try my receiver kicks into Dolby d but the sound only comes threw the front left and tight can anyone help me and if so a step by step would be a great help.

This is gonna get complicated..so I'm gonna put pics in first and then explain them cause I dont remember what order I made the pics in...plus I'm an idiot so my explanation will be weird.. plus I never do this stuff can im using cs3...
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above image is where you choose what to add to project
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above image is real stereo wav in stereo track..like yours...
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Submix into 5.1

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