Sync edit multiple video tracks

How do you sync multiple video tracks so edits effect all of them?  For example, we have 3 items in video 1, 2, & 3.  If we do a cut and delete to a track in video 1, we want it to do the same thing to video 2 & 3.  We have the sync track on for all video, but it only cuts & deletes in the track we are in.  We're using PPro CS4 on a Vista machine.

Thank you!!  That's what we were doing wrong, we were just using the Razor tool, not Sequence
>Razor at Current Time Indicator.  I just tried that and it worked perfectly.  Thanks again for your help!!

Similar Messages

  • HELP!! Multiple Video Tracks

    I need to know if you are able to have multiple video tracks and once they are all lined up in the sequence you want, am I able to cut from one video track to another just like you would edit from scene to scene with 1 video track (like in Imovie)? I need to edit a dance recital with video from 3 cameras, so i need to line up the videos so they are all in sync as far as time is concerned, then switch from one video track to another without seeing the other tracks playing at the same time...in essence "mask" the other video tracks I don't want to see, but keeping all three video tracks in time and sync'd.
    If yes....then I'm buying Final Cut...if no...I need something else!
    Hope you understand what I'm asking!!!
    Thanks, DJ

    You can do it though FCP does it more efficiently.
    It is a bit fiddly in FCE though Piero's free PIP filter makes it a bit easier:-
    http://web.mac.com/piero.fiorani/PieroFFCE_Effect/QuarterPIP.html

  • How do I copy and paste text style for multiple video tracks?

    hello,
    I am creating multiple video tracks with text.  I want to easily copy and paste the style, i.e., Font, Color, Size - rather than having to scroll down the giant list of fonts to find the one I want, then change the color, then change the size - each and every time.  This is arduous.
    I tried copy / paste of one text onto a new video track, but when I type in a different word, it alters the original.
    I have 9 tracks of video for 9 different texts that will pop in and out of my video.  I would like to be able to copy/paste then just change the text.  This would save me a huge amount of time.

    paulrudophmusic
    I know of no way to alphabetized the Adobe Styles that come with the program.
    If you had the time and the inclination, you could rename them all to force them to appear alphabetically, but that does not seem all that practical.
    But, if your interest is in the Styles that you save and you do not hit the Reset File List, the new Styles will be at the bottom of the list and you can name them so that they appear that alphabetically at the bottom of the whole Styles list. But that does not address the matter of you having to scroll to the bottom of the Styles list.
    In some instances, some things that you think that you cannot do in Premiere Elements obvious features, can be done by computer keyboard shortcuts. I check the keyboard shortcuts under the Edit Menu/Keyboard Customization and unfortuately did not find any that would be applicable to this situation.
    As for your changes in one text file popping up unwantedly in another text file, that is because you have text files with the same name. Look into creating duplicates (with different file names) in Project Assets at the onset.
    ATR

  • Synchronize multiple video tracks

    How can I synchronize multiple video tracks using iMovie? i.e.: I want to make videos of myself playing different instruments, and then use clips from each to make a music video (with the sound track being all the instruments combined). The problem is having each clip synchronized to the music.

    You would be much better off with Final Cut Pro 7, as it supports multi-cam clip editing.  This feature allows you to do what you want.  iMovie and Final Cut Pro X don't support this type of feature.

  • Transitions applied to multiple video tracks

    Is there a way to apply a transition, such as a cross disolve, to multiple video tracks by only placing it on the top track and having it applied to the others below it rather than duplicating it on each track below?
    For example: Say I have 3 video tracks that all start at the same time. Can I apply only ONE cross disolve somehow and have it affect all 3 tracks so they disolve at the same time? Or do I have to have 3 separate copies of the transition?

    If the edits are lined up you can command click to select them together and apply the transition. A separate transition gets applied to each track. If you're going to black or to a single piece of video you can also add a transition to a slug or the video on a higher track to go to that.

  • The point of multiple video tracks

    I am half way through the Adobe Premiere CS3 Classroom in a book and the only time multiple video tracks have been used is when working with multiple cameras and still there the multiple tracks where used only to sync up the four different cameras. In the book, to determine which camera angle to show the sequence had to be dragged into another sequence that was set to multi-camera.
    I see different marketing shots of the Premiere screen with lots of video tracks. How sand or why do folks use multiple video tracks? It seems that all the video transitions are between different clips on the same track, can a transition span tracks? Might there be some good videos or books that might enlighten me to some more advanced usages?
    Sam

    Here's an example...
    Video Track 1 - Clip (main program)
    Video Track 2 - Title (lower third graphics)
    Video Track 3 - Title (lower third text)
    Video Track 4 - Over the shoulder graphic (think "news report")
    Video Track 5 - Bug/logo lower left corner
    Audio Track 1 - Clip (main program)
    Audio Track 2 - Music (underneath)
    Audio Track 3 - Sound effects (whoosh! zing! bang!)
    Audio Track 4 - Audio commentary (director, talent)
    Just something to get your brain going. I've never used more than 10-15 video layers simultaneously (doing green screen work, titles, mattes, etc), and never more than about 6-10 audio tracks. But that's just me....many people need more than that to accomplish whatever they're doing.
    Another thought...even though you "can" do transitions and cuts all on one track for most simple projects, some people prefer to use the track numbers as an organizational structure. Put all your cuts for scene 1 on track 1, all your cuts for scene 2 on track 2, and so on. This can be very useful for scanning the timeline and looking for specific changes in the overall storyline (whereas a single, long track would require another system of organization...either sequence markers or perhaps pure memorization).
    Hope this helps!

  • Snow Leopard iTunes 10.5 will not play multiple video tracks in QuickTime .MOV files

    I recently discovered that Snow Leopard iTunes version 10.5 won't play multiple video tracks in a QuickTime .MOV file.
    Both video tracks appear and play correctly when playing the file in:
    - QuickTime Player 10 or QuickTime Player 7.7 on the same Snow Leopard machine
    - iTunes 10.3.1 on another Snow Leopard machine
    - iTunes 10.5 on Leopard or Windows 7
    So I think the problem is iTunes 10.5 on Snow Leopard (although I haven't been able to test iTunes 10.4).
    First test file is two 640x480 video tracks side-by-side (total dimensions 1280x480):
    http://160.94.17.23/demo/two-video-tracks-1280x480.mov
    All I see is the first (left) video track, and not the right one.  iTunes "Get Info" command incorrectly reports the video dimensions of the file as 640x480.
    Second test file is two 640x480 video tracks played one after another (duration of 10 seconds each):
    http://160.94.17.23/demo/two-video-tracks-640x480.mov
    All I see is the first video track, and although it reports the correct file duration (20 seconds), the second video track never appears -- it simply freezes on the final frame of the first video track for the last 10 seconds.
    Anyone else see similar behavior?  Unless I'm missing something, I suppose I should submit this as a bug to Apple.

    I have the same problem, i tried re-installing, converting it to AVC H264 but none seems to work so far

  • Multiple Video Tracks

    With Imovie HD, just wanted to know if it was possible to have multiple video tracks and how? Also I cant seem to find the 'project library' or any 'advanced' tool section...
    Cheers!!

    Hi
    No there are no "Multiple video tracks" in iMovie any version.
    If it is the effect "Picture in Picture" Then You can add plug-ins from
    third part developer that can give this.
    Stupendous software http://www.stupendous-software.com
    GeeThree http://www.geethree.com
    cf/x. http://www.imovieplugins.com
    Apple http://www.apple.com/downloads/macosx/video/ezediapluginsforimovievol1.html
    http://www.imovieplugins.com/fxhome.html
    But if it is real "Multiple video tracks" You need cheapest and "best" solution
    is FinalCut Express.
    If it is so that You shoot/record with multiple Cameras/Simultanious AND Continous
    Then You would gain greatly on FinalCut Pro (Studio 2 bundle).
    To work with this multi-clip function is Great.
    Yours Bengt W

  • IMovie to handle multiple video tracks?

    Would iMovie also be able to handle multiple video track? (like in a split screen format, but not in the form of the template)

    For example, here's how to do a split screen.
    http://docs.info.apple.com/article.html?path=iMovie/9.0/en/mov3a61cda3.html
    Matt

  • Multiple video tracks to line up with audio- iMovie or Finalcut??

    I am trying to make music videos, like this: http://www.youtube.com/watch?v=aEzpIAdsur8&feature=channel_video_title
    I have iMovie, and my main problem is getting the video to line up with the audio. I can make the audio tracks like up just fine, but then I am stuck with just one video clip to use, I cant go back and forth between different video clips of me playing different instruments because I can't line them up perfectly with the song. Help?
    I have been debating wether or not to get final cut express 4, because from what the reviews say it allows multiple video tracks to be used. Would that solve my problem?

    This forum is for mobile iMovie (iPhone & iPad).
    You may need the iMovie Mac forum:
    https://discussions.apple.com/community/ilife/imovie

  • Dislaying multiple video tracks in FCE

    I have 3 video tracks I want to view all at once. I am an iMovie guy and only use FCE for multiple video tracks where I have several cameras on the subject at diffferent angles. I've read a technique here on how to do it but I don't understand it. They talk of shrinking the tracks to 1/4 size and puting them in separate corners. My tracks are sychronized does moving them to separate corners mean in the time line, if so there goes the timing. Could someone list a simple step by step process for this. I'm guessing they mean 3 canvas windows showing each track but I don't know how to get there.
    Dual G4 1.25 ghz   Mac OS X (10.4.6)  

    1. Double-click the topmost clip and open the Motion Tab in the Viewer.
    2. Move the Scale slider down to 50% and drag the small image in the Canvas to one corner.
    3. Do the same with the other clips. You will end up with 4 quarter size images in different corners of the Canvas.
    Ian.

  • What is it like to edit HD with FCE4 and multiple video tracks

    I would like to get an idea of what it's like to edit HD on final cut express on an Intel based Power MAC (let's say 2.8GHZ with a large hard drive and 4mb of memory)
    If one was to have 4 video tracks and a track of green screen with various transitions ( 4 minutes of video)
    I really can't get a handle on this when reading the threads and forums.
    When I hear people say I have no trouble editing HD on an Intel 2.8 power MAC, I often wonder that may be the case if you are editing one track of video, but what about multiple tracks, transitions and green screen layers?
    If anyone is doing this on FCE with an Intel based Power MAC, I'd like to hear what you are experiencing. I know it;s different for everyone but I'd like to hear some examples and times

    Four streams of video with effects can be handled by FCE using Unlimited RT, but it does depend on the computer and the drives. The internal drive of an iMac for instance would be hard pressed to do this without a lot of stuttering on playback. A fast external drive like a RAID would be needed to get good performance.

  • Maintaining sync across multiple audio tracks

    In the timeline I have a single video track  with some sync images and some B-roll images that float against the soundtracks. I have  8 audio tracks, some in sync with different video clips some not. I've trimmed one B-roll video clip and deleted a portion of it.
    How do I adjust the 8 different audio tracks so they don't lose their sync relationship with the video timeline as a whole?
    Used to be when cutting motion picture film multitracks we could delete an equal amount of fill from each track at different points for each so the overall sync stays the same.
    But slug doesn't seem the same as fill--you can't mark a portion of slug in the timeline and delete it.
    What I've figured out is to measure the timecode length of my deleted portion of a clip, and to advance each track along the timeline by that amount by selecting all audio tracks forward and entering the timecode. I guess if you inserted a B-roll clip you could do the reverse.
    This seems to work but there has got to be an easier way. Or isn't there?
    Doing these kinds of edits would seem to be standard for all kinds of docs and narratives but I can't find anything in the documentation except how to delete the same portions of tracks at the same edit points across all tracks.
    Thanks . . .
    Robert

    It's not clear to me exactly what you're trying say, but that's probably because didn't go to school for this... I'm pretty sure I know how to cut multiple audio and video tracks because I've been doing it since FCP3. No matter how you express it, the facts remain:
    You can cut with impunity if you go "old school" and unlink all the clips except the stereo pairs.
    You can create and cut slugs to fill spaces.
    You can mark clips to assist the sync process.
    What I usually do is find a good series of sync points and mark the clips, then de-link. From there I can fung shui the clips to my liking and add slugs to fill voids and prevent unintentional movement.
    Automatic? no. Difficult: no, not if you know your tools.
    ps: I also drive a manual shift car and navigate with a printed map...  it just works.

  • Multiple video tracks available???

    I am gradually moving over to FCE from Media100. In one of my earlier post on this forum, I wrote that I need to work on several (4-5) timelines at the same time in one project. I edit documentary work and need this flexibility in developing ideas and different sequences to select the best one. In Media 100, infinite 'programs windows' can be opened within the same project
    I went to an Apple demo; someone suggested I create different project names. Won't work for me. I need to refer to numerous sequences at a fast pace instead of closing out and opening a new project just to see a 45 second sequence, reopening, etc....
    I was informed on this forum that multiple timelines could be nested, but I dont understand this or how this is done. Is there only one video track in FCE? Would these different 'trial' sequences be made up on one video track in a differenet track location?. I see that audio has numerous tracks. Does video has this too?
    How is video nesting done?
    Thanks.
    Billp

    You can have as many sequences as you want in a single FCE project. You can have multiple projects open at the same time. Any sequence can have 99 tracks of video and 99 tracks of audio. By default, though this is user pref you can change, a sequence is created with one video track and four tracks of audio.
    You can have as many sequences as you want open at the same time in the timeline window. You can pull the sequence from the timeline window so you effectively have multiple timeline windows. Your screen will get pretty cluttered pretty fast though.
    Nesting simply means putting one sequence inside another. There are a number of ways to do it. The simplest is to drag one sequence from the browser into another sequence.

  • PRE8 - Transitioning between multiple video tracks

    Hi,
    I've been making Youtube vids for awhile with a web cam, and using a Microsoft app to sync my audio up with the webcam.
    I now have a second camera, and have purchased PRE8 for some of the effects, and to try to sync the video closer to the audio (as well as adding multiple camera shots).
    I've recorded all my video angles (5 in all) and have been trying to switch between video tracks.
    I first set my audio track into PRE8, then the first video. I work to sync the two, then mute the audio track from the webcam video clip.
    When I add a second video clip in, can I add it as a new video track, and then transition between them?
    The book I have only uses separate video clips, all stacked onto one video track.
    The problem with me doing that is, I need to pull all 5 video clips in, sync them to the audio track, and then change in between them.
    Having to clip them duration wise for every transition is going to take awhile, and seems like it would be hard to get right.
    Does anyone have any suggestions?
    Let me know if you need more information from me to help.
    Thanks!

    Well, the Multi-cam feature would simplify life a bit, but there is a big difference in the cost of the two programs.
    What I would do is look at a workflow, something like this:
    Import your main footage, probably a Clip with a medium wide shot, and drag it to the Timeline. Now, does this Clip contain the full song, or was that recorded separately? Either way, check for the sync for the entire Clip. When you play this Clip, use the * key on the numberpad (with NumLock ON), to place Markers where you think you will want the "cut-away" shots. Don't worry if they are not exactly where you will end up placing the cut-aways, as they are just there to remind you. Now, with the cut-aways, Import one of those into Project. From the Project Panel, Dbl-click on it to open it in the Source Monitor. Set the In and Out Points to suit, and then from the Source Monitor, drag that Instance of the Clip onto an upper Video Track. Let any Audio go where ever PrPro wants it, because you will Alt-click on that Audio, and Delete it. Now, slide it along the Timeline, until it syncs up with the "master" Audio Track. You have the benefit of knowing which strings you are plucking, or which chords you are using, so it will be much easier for you. Were I doing that, I would not have a clue, and would have to use that Clip's Audio to try and match up the visuals.
    Remember, that source Clip can have its In & Out Points set as many times as you wish, and you can add any number of Instances to the Timeline, where you wish, and repeat the process of visually syncing to the master Audio.
    Repeat for the other desired angles.
    When you are done, just add a Cross-Dissolve to each end of each of the additional Clips, as desired.
    From an aesthetic standpoint, you might also want to think about doing some of those "different angles" as PiP (Picture in Picture). I have seen that treatment used very successfully with musical pieces, especially if they are instructional in nature.
    Let me know if the above workflow seems logical for what you have, and what you want to do.
    Good luck,
    Hunt

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