Technicolor Color Assist and FCPX

I have been experimenting with Technicolor's Color Assist, but it seems to have a color management problem. That is, when I view the results in FCPX, the clips are brighter, have less contrats and saturation that they do in Color Assist. The differences are much greater than I see between FCPX preview and the same clips in Premiere Pro, or Quicktime after export. I am wondering if anyone else has noticed this issue, and if they have a solution. At this point, Color Assist is useless to me.

Yes, that too. I have had issues with Coremelt's Lock & Load. You can't use it and Color Assist on the same clip.

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Updated Projects that used Color Assist Cause FCPX to Crash

Hi All,
After it's release I used Technicolor's now defunct and unsupported Color Assist software to grade a couple of projects. I've recently upgraded those project and events for use with 10.1. The projects and events appear in the browser but show a missing pugin warnning me that Color Assist isn't available.
I'm not worried about retreiving the grade - my loss thanks to Technicolor. I would however like to somehow preserve the project intact for re-grading later.
I've tried removing the Color Assist folder from the Project folder prior to performing an upgrade but no dice, FCPX still crashes.
I'm sure the solution must only involve trashing the right render folders to wipe out any trace of Color Assist from the project. Anyone know which render files/folders I need to trash?
Many thanks!

Yes I too want to know if anyone else here resolved this issue as well.
As OP mentioned, I'd like to preserve the project wihtout FCPX crashing , the grading can go to kingdomcome for all I care
Regards

Kindly suggest me a free effect or plugin for color grading and correction in fcpx ....

I can't buy any more third party plugins at the moment .....plz now the only work remaining in my music video is color correction ....I want to give it a film look....can you suggest me a free effect or plugin with some presets to give it a good look.....Thank you....

I'd have to start by echoing what Tom said - the color tools in FCPX are well capable of creating a "flim look" and fixing color issues - which is all you've said is required.
I'd start with effects like "Dry Heat" and combine it with other effects and coloring.
3rd party tools are only going to give you similar presets that won't work in all cases, and you'll have to do the same thing. That is, you still need to figure out how to color properly whether you get 3rd party tools or not.
Having said that, I use Magic Bullet Mojo, because it ultimately combines many useful "Dry Heat"/filmy type effects into one and is sensitive to, and has several special parameters, for getting skin tones right.

Where are the scanner mode (color, black and white) saved on a windows 7 machine?

We have 30+ Canon 2580c scanners and the users are constantly changing to color scanning and forgetting to change it back to black and white.
I'm trying to figure out where these settings are saved. I have compared full registry dumps before and after changing the mode but do not see any differences that look scanner related. There is a file setscan.ini the appdata/roaming/isis drivers folder that gets the date modified updated each time but nothing is changed in the file.
Any help would be appreciated.

Hi mswalter2012.
I will be glad to assist you. When using the CapturePerfect program, I recommend using the [Scan Job] setting. There are two jobs already registered in the program.. You can select [Color Document], which is 24-bit color as Simplex 300 dpi, or [Binary Document], which is black and white as Simplex 200 dpi. To create a new job, please follow the instructions below:
1. Select [Create/Delete Job] in the scan menu.
2. Select a number to register a job, and then click [Create/Edit].
3. Enter a title for the job.
4. Click the drop-down for [Function] and select where you want the scan to be sent.
5. Click [Detail Settings].
6. Click the [OK] or [Save] button to close the settings.
7. Click [OK] to close the [Create/Edit] window.
To scan using the saved scanned job, select [Scan Job] from the CapturePerfect file menu.
I hope this information is helpful. Should you need further assistance, please contact us at 1-800-OK-CANON (1-800-652-2666).
Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.

Color space and profiles clarifications

Does FCPX consider the embedded color profile of my clips ?
What is the default color space of FCPX projects ? (if any)
Can I select a specific color profile for my projects ?
My clips (according to after effect_cs6>interpret footage>color management) have this color profile embedded: HDTV (Rec. 709) Y'CbCr, but if I check out the same clip once transcoded to prores422 by FCPX there is no color profile anymore. What's goin on ?
I come from the photography world and we consider color profiles very important, what should I know about them when working with video ?
Thanks a lot

Thanks TOm, what do you mean internally ? In AE I can select a color space from a long list for my projects while FCPX discard the color profiles from the imported clips... how can it even manage them ?
Thanks

Removing color casts, and correcting colors to match reference materials? any guides/tutorial/videos

I have been looking for tutorials showing how to use SpeedGrade. I am now comfortable with the UI enough to use it after watching these: http://www.youtube.com/user/AdobeTV/videos?query=speedgrade
I am looking for tutorials that show how to do a couple things, first I would like to be able to remove any color casts. In photoshop to do this you can use a curves layer and use the set white point color picker and click somplace that is supposed to be white. and in premier you could do something similar using the Fast Color Corrector. So basically I am looking for a way to target an area in a frame that should be grays, In Anime, the eyes generally will always be shades of gray, so that is what I would target usually when working with anime in photoshop/premiere. If anyone knows of a tutorial that shows how to do this type of color cast removal color correction in SpeedGrade could you please share a link.
Some of the older 80's and 90's anime on film, the film has aged and that is where the color cast came from. There is also a loss of color information across the board. For instance in the below picture. The sky is supposed to be more blue instead of teal/sea green.
Another thing is back in the 80s and 90s a lot of Anime worked from limited color palletes; something like maybe 16 colors total, so a lot of colors are used repeatedly. So even with only a limited amount of reference material I should be able to get the corrections close. (I dont have reference clips for every single episode, only a handful of scenes from a handful of episodes.)
I have some reference material showing approximately what the colors should be. So my next question is if anyone knows of any tutorials/guides/videos showing how to use SpeedGrade to color correct a clip so that the colors match up with the colors used in a reference clip
I was also wondering about auto correction based on a reference clip, although I am guessing this is still not possible.
When I watched the websiminar: http://seminars.adobeconnect.com/_a227210/p738pxm9zs0/ at about 43 minutes into it, a feature is shown that automatically adjust the color using a clip that contains a colorchart.
I was wondering if a tool like that could analyse a clip start to finish, to create a pallete of used colors, and then compare that to the colors used in another clip and correct them. (a feature like this would probably be more useful/accurate in anime than it would liveaction but who knows.)
Another UI related question:
I did have one question, the only place I see to access the colorwheels is in the looks tab, my video I am working on, just manages to fit at 100% in the monitor.
So I would prefer to hide or collapse the different looks(maybe even with a hotkey) so that I can access the color tools that it is covering, I attached a picture of what I am talking about. I know pressing "P" hides everything at the bottom, and figured maybe there is already a way to hide/minimize/collapse the look presets to access the tools behind them without shrinking down the size of the monitor preview.

There is a special grading filter called "Color match" which can assist in cross-referencing the black/white/gray levels from one playhead to another but it's not documented yet. The suggested way to set black/white/gray points in Sg is to adjust it visually, using the waveforms as a guide, but there's no chance of doing that for something as small as a character's eye. There's no "eyedropper" picker on the primary grading panel because Sg isn't a correcting tool, but a cinematic grading tool. 99% of the time the end result of an Sg grading session is a long way from what the camera pixels actually recorded.
If all you are doing is reversing a color cast then Speedgrade isn't the right tool to use - you should be working in Premiere Pro (with the Fast or 3-Way Color Correctors). If you're a Photoshop person the UI is much more recognizable, it'll handle all the native footage you can throw at it, and you get your B-G-W eyedroppers.
In Speedgrade CS6 you cannot hide the Presets panel in the Look or Mask tab. The UI is really designed for use in a two-monitor system (which all professional colorists will have), and/or with a hardware controller (which means you can keep the entire bottom panel hidden).

Messed up color display and resolution because of mini-DVI to video adapter

Once I connected the mini-DVI to video adapter to the tv and got weird colors on my screen for a while but then it worked out, then after a while I disconnected the cable and turned my computer off. After that, everytime I turned my macbook on, the color is fine for two seconds and then it turns into a weird offset color, really bright colors, kinda sketchy and just a few colors, and a weird resolution and display obviously, but then I just connect my Mini-DVI to video adapter and disconnect it again (quickly) and the color returns to normal. How can I make the normal colors stay and not have to connect the mini-DVI to video adapater everytime I want to see the normal color display and resolution??
please help!

Open the Universal Access pane of System Preferences, click on Seeing, turn off the White on Black, VoiceOver, and Zoom options, and drag the Contrast slider all the way to the left. If the issue persists, create a new folder on the desktop, drag half of the items from the Library/Preferences/ folder of the item in the Finder's sidebar with the house icon into it, and narrow down the files until you've isolated the one responsible.
(30807)

I recently bought a new macbook pro and set it up using the migration assistant and my mac mini. I can't get the text message forwarding feature to work with both computers.

I recently bought a new macbook pro and set it up using the migration assistant from my mac mini. I can't get the text message forwarding feature to work with both computers. It keeps saying that I only have 2 devices setup, my iPad and my macbook pro. When I mess with the setting on my mac mini, it goes from saying that that is one of the devices to my macbook pro being the 2nd device. I think that something happened as a result of my using the migration assistant and now it thinks that my macbook pro and my mac mini are one and the same computer. Any ideas?

Thanks, Sig.
The old computer is a 2.6 Ghz Intel Core 2 Duo
The new one is a 2.3 GHz intel core i7
In going over this, thanks to "tallking it out" with you, I did discover the Text Edit problem. Because I've still been unable to get the new computer text size (fonts or whatever) to match the old computer, I did not notice that the curser is now different--the line midway down the curser has to be placed on the line I am working upon, otherwise the edits go elsewhere on the page. Now, with a bit of difficulty, I am able to get Text Edit to work correctly.
If you have any ideas as to why my menu bar and Text Edit type are still so slow, I'd love to have them.
(I went through the process you suggested earlier, re my Trackpad preferences, and found no improvement.)

Best Practices for sharing media with iMovie and FCPX

So I've a large iMovie Events directory, and would like to use that media with both iMovie and FCPX projects.
I'd rather not duplicate the media, so would prefer to import as references into FCPX.
The dilemma is that I see that it's possible to modify or move media from within the iMovie application, and therefore break the reference to that media with FCPX.
I only see two options: (1) Never Ever modify the location/name of media in the iMovie Events file (even from within the iMovie app) since I would break an FCPX link if that media is referenced, or (2) always import (copy) the iMovie events into the FCPX Event Library making an independent original so that I can confidently operate on those media files in either application.
I'd surely rather not have to do (2 )(e.g. doubling my storage demands) to gain the flexibility of using either application to edit the video, but really don't want to live with the restrictions of (1).
Thoughts / Solutions? What might you consider as options or best practices?

Unless there is some other reason, users should own the right to share their mailboxes - it shouldn't be something that demands administrator management (if only so that the administrators aren't swamped by user requests for sharing their mailboxes).
For true shared mailboxes, when the mailbox is created, full access is granted by an administrator.

HT201471 I updated my iPad 2 (model A1395) to IOS 8 and all the colors changed and the photos are like negatives. why? and how do I fix it?

I updated my iPad 2 (model A1395) to IOS 8 and all the colors changed and the photos are like negatives. why? and how do I fix it?

Looks like someone changed setting in iOS8.
Change this setting.
Settings -> General -> Accessibility -> Grayscale or Invert Colors

My assistant and I are using two Lightrooms (i.e. two serial numbers) and need to share between our two computers. I provide originals to her onto a flash drive. She tags them and returns them to me. I then copy the photos from her flash drive onto my com

My assistant and I are using two Lightrooms (i.e. two serial numbers) and need to share between our two computers. I provide originals to her onto a flash drive. She tags them and returns them to me. I then copy the photos from her flash drive onto my computer and load them in my LR. The photos appear but witthout any editing or tagging. We need to be able to have her working on the photos on her computer with her copy of LR and me on my computer with my version of LR being able to access what is already tagged and given back to me. This seems hard. We need advice on if it is at all possible to have two computers simultaneously working on LR . I bought her her own version because I was told at the time of purchasing that that was the only way to share. Please advise urgently! Thanks.

Sounds like your assistant isn't instructing Lightroom to write the tagging and editing to the files themselves, so wehn the files return to you, they don't have editing and tagging information. She need to select the photos in Lightroom and then Ctrl-S (Cmd-S on Mac). Or alternatively turn on the option to autmoatically write this information to the files.
If you are using RAW photos, then this information will be written to a sidecar XMP file, and your assistant must provide you with the sidecar file. If these photos are not RAW photos, then the information is written directly into the photo file itself.
Lightroom wasn't designed to be a multi-user program, and so it is truly not possible to have two people working on the same catalog at once. The way you are doing things, as modified above, is probably the way to go.
As an alternative, you can transfer (portions of) catalogs as well as photos back and forth and then all of these issues disappear, but a catalog might be rather large for a flash drive (or maybe not, it depends)

I just ran migration assistant, and now I have two accounts on my new iMac...how do I merge my iPhoto libraries?

I just ran migration assistant, and now I have two accounts on my new iMac...how do I merge my iPhoto libraries? Is there anyway to do it without using an external hard drive?

Yes there is.
1: Log out and into the account you later want to remove.
2: Open your Pictures folder and look for the iPhoto Library.
3: Right or control click on it, a menu appears and choose the option "Show Package Contents", it's really a folder.
4: Find the folder called "Originals", select it and use the Finder menu to Duplicate it.
5: Move the Copy of Originals to the Desktop. Close the window.
6: From the Finder menu, select Go Computer.
7: A window appears with your boot drive, double click it and on the Users folder inside.
8: Select the OTHER users folder and open the folder called Public, inside is a folder called "DropBox"
9: Drag the Copy of Originals to that DropBox folder, it will copy it.
10. Log out and into the other account and access the DropBox folder, your files can then be imported into that iPhoto user Library from within the program itself.

I set up a new router and the windows machines have no problem with connectivity. I go through the MacBook Pro's airport assistant and view my network and then enter the WPA2 password. I get back a message saying the password is incorrect when it is

I set up a new router and the windows machines connect fine. My MacBook Pro does not. I go through the airport assistant and see the network yet when I enter the router WPA password I get a message back saying that the password is incorrect. And, it isn't! Very frustrating. What can I do as I had the same problem after I tried to reinstall my last router. Again, only on the Mac. Thanks!

If you kept the same Base Station name and network name, that can confuse Keychain Access. Either change the Base Station and network name, or open Keychain Access Utility and delete any reference to your Base Station and network name. Make sure you delete from the Login and System keychains.

I am trying to print a color photo on my MacBook Pro from iPhoto (not using Photoshop) using Epson 2200 printer, and everything I do in the Color Matching and Print Settings results in a photo with a pink cast to it. What am I doing wrong?

I am trying to print a color photo on my MacBook Pro from iPhoto (not using Photoshop) using Epson 2200 printer, and everything I do in the Color Matching and Print Settings results in a photo with a pink cast to it. What am I doing wrong?

Have you checked the ink cartridges and made sure the nozzles are clear? Are you able to print from outside of iPhoto with the correct color?
Try the following: make temporary copy of the library and do the following:
1 - delete the iPhoto preference file, com.apple.iPhoto.plist, that resides in your
User/Home()/Library/ Preferences folder.
2 - delete iPhoto's cache file, Cache.db, that is located in your
User/Home()/Library/Caches/com.apple.iPhoto folder.
3 - launch iPhoto and try again.
NOTE: If you're moved your library from its default location in your Home/Pictures folder you will have to point iPhoto to its new location when you next open iPhoto by holding down the Option key when launching iPhoto. You'll also have to reset the iPhoto's various preferences.
OT

HP AssistaNT AND wINDOWS 8.1

i Have an HP Pavillion mod 500-164. It came with Windows 8. I have upgraded to WIndows 8.1 so I could run Norton Internet Security which is not compatable with Windows 8.
Several weeks later, I get a message fromthe HP assistant stating me my PC was not tested with WIndows 8.1 and I may have compatability issues. It asks me to enter my product number and it will test compatability. I entered the product number and nothing happens. I then tried having HP detect the number. It gets a short way in the process then hangs. No error messages.
My PC seems to be running OK and I have not yet experienced any compatability issues.
ANy thoughts?
This question was solved.
View Solution.

Hi RGH406,
Thank you for visiting the HP Support Forums and Welcome. I have read your thread on your HP Pavilion 500 Desktop and the HP Support Assistant giving an error message. I would uninstall the HP Support Assistant and here is a link to download and reinstall it.
Hope it helps.
Thanks.
Please click “Accept as Solution ” if you feel my post solved your issue, it will help others find the solution.
Click the “Kudos, Thumbs Up" on the bottom to say “Thanks” for helping!

Technicolor Color Assist and FCPX

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