Theme with color

Yep its unanimous Office general black grey themes suck. Just downloaded Office 365 and instead of trying to find any new features (which is what I usually look for first), the first thing I started looking for was how can I change this crappy looking thing
I was staring at. In a short time I found the Change appearance option, clicked the DrownDown list and all the lovely options appeared, "Really!" are you guy serious?
On Snowy, rainy evenings I quit driving because everything is a dull black and grey.............

Hi,
I understand there are only three theme colors in Office 2013 which is not so satisfactory to some users. I've collected the suggestion and please be assured that any improvements in the product are based on users' requirements. Our developers strive to
capture Microsoft users' ideas and are working hard to create a more powerful and easy-to-use product.
Regards,
Melon Chen
TechNet Community Support
It's recommended to download and install
Configuration Analyzer Tool (OffCAT), which is developed by Microsoft Support teams. Once the tool is installed, you can run it at any time to scan for hundreds of known issues in Office
programs. Please remember to mark the replies as answers if they help, and unmark the answers if they provide no help. If you have feedback for TechNet Support, contact
[email protected]

Similar Messages

Can I scan line art (B&W drawings) into Elements and then fill them with color?

In Photoshop CS I could do this. Can this be done with Elements? All I see under "IMPORT" is importing from a camera. Can I import something I have scanned as well?

I see you’re in Tiger and I’m running Leopard. If I remember correctly, in Tiger it’s something like Print > PDF > Quartz Filter > Gray Tone. In Leopard, it”s
Print > PDF > Open PDF in Preview > Save As > Quartz Filter > Gray Tone.
If Quartz Filter doesn’t directly follow PDF there may be a menu that says Filter and then Quartz Filter. My memory, to quote Henric, is “porous.”
Walt

I need help with color pallette in iPhoto 11. I have created a book and would like to use a different color background than those given in "background." I have found the color palettes but can't seem to incorporate them into my backgrounds palette.

I need help with color pallette in iPhoto 11. I have created a book and would like to use a different color background than those given in "background." I have found the color palettes but can't seem to incorporate them into my backgrounds palette.

That is not a feature of iPhoto - suggest to Apple - iPhoto Menu ==> provide iPhoto feedback.
Additionally I have no idea what you are saying here
I have found the color palettes but can't seem to incorporate them into my backgrounds palette.
And it always helps for you to dientify the version of iPhoto that you are using
LN

Where can I download Color Finesse and how I can install them with Premier Pro or After Affect ?

I recently purchased master collection 5 DVD version. On DVD box I have three serial numbers: Master collection, Ppro/AE CS4 32 Bit and Color Finesse. I used Master collection serial to activate my product. I am having 64 bit os, so I did not use Ppro/AE CS4 32 Bit serial. My question is about Color Finesse Serial. I searched about it and found it as an Plug-in for Premiere Pro or After Affect. Now where can I download Color Finesse and how I can install them with Premier Pro or After Affect?

This serial is only required for the CS4 version. The CS5 version does not require an extra serial. Both versions are installed automatically with the main programs. Nothing more to do.
Mylenium

Problem with Custom Theme and Color of Registers

Hi everybody,
I am implementing a custom theme with EP SP 15 (Sneak Preview). All the changes I am making in the Theme Editor are displayed correctly, except for the colors of the registers.
The preview in the Theme editor works fine but when I activate the theme in the portal the background of the registers is still the same as in the standard theme (the images for the borders or the registers however are the ones I chose).
I read about the caching problem in the SAP library and deleted the browser cache before saving but it didn't help.
Any ideas or hints would be appreciated!
Regards Andy

Hi,
If you are talking about custom registration page, accessed via login page, you have to change its background manually by editing logon package. There is a procedure on help.sap.com how to change logon page.
Here I'm pasting the necessary parts. But hava a look at original doc.
To customize the logon UI, we recommend the following procedure:
   1. Make a copy of com.sap.portal.runtime.logon.par.bak and rename it. In this example, it is renamed to my.new.logon.par.
   2. Move my.new.logon.par to a location outside of the <SAPJ2EEngine-deployment-dir>.
   3. Extract the files from my.new.logon.par preserving the directory structure.
   4. Modify files in the extracted PAR file.
   5. Put the modified files back into my.new.logon.par.
   6. Copy my.new.logon.par back to <SAPJ2Eengine-deployment-dir>\cluster\server\services\servlet_jsp\work\jspTemp\irj\root\WEB-INF\deployment\pcd.
   7. Rename the file <SAPJ2Eengine-deployment-dir>\cluster\server\ume\authschemes.xml.bak to authschemes.xml.
   8. In authschemes.xml, replace all occurrences of the string "com.sap.portal.runtime.logon" with "my.new.logon" in the tags <frontendtarget> and save the file.
   9. Restart the portal.
--> Changing the authschemes.xml File
You can change the authschemes.xml file using the Config Tool of SAP Web Application Server Java. When you edit the file, you should download the file to a local directory, edit it, and when uploading the edited file, create a new node in the configuration tree for it. In this way you do not loose the original version of the file.
       1.      Start the Config Tool by executing <SAPJ2EEEngine_installation>\j2ee\configtool\configtool.bat.
       2.      Choose the symbol for Switch to configuration editor mode.
       3.      In the tree, navigate to cluster_data u00AE server u00AE persistent u00AE com.sap.security.core.ume.service.
       4.      To switch to edit mode, choose (Switch between view and edit mode).
       5.      In the tree, select authschemes.xml and choose (Show the details of the selected node).
       6.      Choose Download and save the file to a local directory.
       7.      Edit the file locally.
       8.      Create a new node in the configuration tree for the edited file as follows:
                            a.      Select the node com.sap.security.core.ume.service.
                            b.      Choose the symbol for Create a node below the selected node ().
                            c.      Select the type File-entry.
                            d.      Choose Upload and select the file from your local directory.
                            e.      Enter the name for the entry, for example, authschemes_productive.xml. By default, the name of the uploaded file is used.
                              f.      Choose Create.
                            g.      Choose Close window.
The new node appears in the configuration tree.
For UME to use the new file, you have to change the value of the property login.authschemes.definition.file to the name of the new authschemes file. Change the property as described in Editing UME Properties.
       9.      Restart the nodes in the cluster for the changes to take effect.

Photoshop: Making a text box with color or border.

How do you fill a text box in Photoshop?
Answer: You CAN’T.
Solution: You CAN do anything you want in Photoshop -we know it’s GREAT - but the steps are not always so easy. See below for solutions to making it seem that the text box is filled with color, bordered, semi-tansparent etc.
In Photoshop, a text box is mostly about the text inside and less about the box that surrounds it. In other words, the box is always transparent and all effects apply to the font shapes typed inside by the user. Photoshop (CS4) can produce incredible, professional, amazing text images. No Doubt About It!
A Photoshop text box can display one of two types of bounding boxes:
Its OBJECT bounding box is there for moving the whole text layer, rotating it, duplicating it and distorting. Clicking once on the text layer pallet and selecting the move tool (v) will produce this bounding box. The direct selection tool (a) won’t recognize it. Note: If you try to resize the box as an object, it also distorts/stretches the text inside. This can make cool effects but usually you want the text to stay the way the font was designed. See: Layers>Type>Warp Text.
The TEXT bounding box is there for highlighting, re-typing and selecting the margins of the actual text/paragraph etc. Selecting the text tool and clicking over existing text will produce this bounding box.
Some features are accessible in either mode.
The Photoshop text tool has two types of cursors:
The NEW text box cursor looks like a text insertion cursor (often seen in word processing) WITH a dotted box around it.
To produce the new text box cursor just select the text tool and move over to a new work area.
The EDIT text cursor looks very much like the ordinary cursor people are familiar with (no dotted box).
To produce the edit text tool, hover the text tool over EXISTING text and the cursor changes to the simple insertion shape (without the dotted box). A click now will put you into text editing mode, not new text box mode. This drove me batty for a while because I was used to clicking anywhere inside an existing text box and the blinking cursor would pop in automatically - usually at the end of the last letter. This doesn’t happen in Photoshop; if that NEW text box tool is active, it will try to place a new box anywhere you click sometimes overlapping another.
When in this mode (edit existing text) you can carefully hover the arrow to the edges of the text box and resize the bounding box without altering the shape of the text itself. This is how you make the text box larger or smaller to fit/accommodate your needs. You can also highlight text, insert between words/letters. Highlighted text is available for changing its font, color, size, cutting/pasting etc.
To get OUT of the EDIT text mode, click the check box on the tool column above or type enter (not return) or type cmd-return (MAC), ctrl-return (WIN). If you want to cancel any changes to an existing text box click the ex-circle on the tool column or press the esc key (top left of keyboard-escape key)
OK, THE MAIN POINT:
To make an effect that looks like a text box that is filled, bordered, semi-transparent etc., you will have to create an object shape (box) and place it just behind (under) the text box. Linking the two allows you to move them around easily. The drawback is that, when you need a larger box, you’ll have to alter the size of both boxes and possibly re-center them to each other (I know it’s sort of dumb to have so many steps just to get a shaded text box or bordered one.)
Begin by selecting the Rectangle shape tool and draw a shape on the screen of any size. In the layers pallet a layer is created with two items (layer thumbnail and vector mask) Double click the one on the left the layer thumbnail). Change its color to a light one such as baby blue or yellow.
Now select the text tool and click once over that shape. A text box is created exactly the same size of the rectangle (any shape will work too).
Type some text into that box and change the font type, size and color to something you might use regularly. Check to see that the text color is black (can be changed later). The text automatically wraps around when you reach the edge of this box and fits well (inside margins can be altered by pixel later).
Now link the two boxes to one another. Shift-click each layer in the layers pallet to select both and choose the link button at the bottom of the window for layers or go to Layers>Link Layers. Now when you move one it will move the other too!
Using the paragraph tools you can center text, indent first line, and add space between paragraphs. Except the first paragraph seems too close to the top of the colored rectangle; doesn’t it? Photoshop won’t add extra leading (horizontal space) between the text box and the top of the first paragraph.
There are two ways to fix this:
1.     Select the text tool and click inside the existing text then hover the pointer just above the little box/tab in the top center of that rectangle and bring it down just a bit.
2.     Or you could unlink the two layers (to unlink just click link again while one of the two layers is selected in pallet) and move the colored rectangle up just a bit.
In the first instance it was not necessary to unlink the boxes. This is the advantage because altering the colored rectangle without unlinking will distort your text as will altering the text box if you are not in object text mode (see intro.)
Ok, some advantages:
Now that you have this set up you can use the background box (colored rectangle) to make other effects. Select it as a separate layer but you won’t have to unlink it. To make the box semi-transparent change either the layer OPACITY or the layer FILL (found in the layer pallet).
To create a border box:
1.     Select the colored rectangle box and under Layers>Styles>Blending Options (or just double click in an open area of the layer pallet for that shape.)
2.     Select Stroke, change: Fill Type color, Color black, Size 4, Position inside, Blend Mode normal, Opacity 100%. Click OK/Apply
3.     Back in the layer pallet, change the Fill to 0% and you will just have a border with attached text box. You may have to alter the inside text box again depending on the thickness of that border especially if you made the Position to be inside to keep the sharpness of the rectangle.
4.     Yes this will work with other shapes and even custom shapes. Remember to draw the shape first and immediately place a new text box over it BEFORE any other alteration is done. This ensures that Photoshop creates a text box exactly the same size/dimension of your chosen shape. It even makes margins fit irregular shapes like triangles.
5.     Try it!

Toxic Cumquat wrote:
How do you fill a text box in Photoshop?
Answer: You CAN’T.
Solution: You CAN do anything you want in Photoshop -we know it’s GREAT - but the steps are not always so easy. See below for solutions to making it seem that the text box is filled with color, bordered, semi-tansparent etc.
In Photoshop, a text box is mostly about the text inside and less about the box that surrounds it. In other words, the box is always transparent and all effects apply to the font shapes typed inside by the user. Photoshop (CS4) can produce incredible, professional, amazing text images. No Doubt About It!
A Photoshop text box can display one of two types of bounding boxes:
Its OBJECT bounding box is there for moving the whole text layer, rotating it, duplicating it and distorting. Clicking once on the text layer pallet and selecting the move tool (v) will produce this bounding box. The direct selection tool (a) won’t recognize it. Note: If you try to resize the box as an object, it also distorts/stretches the text inside. This can make cool effects but usually you want the text to stay the way the font was designed. See: Layers>Type>Warp Text.
The TEXT bounding box is there for highlighting, re-typing and selecting the margins of the actual text/paragraph etc. Selecting the text tool and clicking over existing text will produce this bounding box.
Some features are accessible in either mode.
The Photoshop text tool has two types of cursors:
The NEW text box cursor looks like a text insertion cursor (often seen in word processing) WITH a dotted box around it.
To produce the new text box cursor just select the text tool and move over to a new work area.
The EDIT text cursor looks very much like the ordinary cursor people are familiar with (no dotted box).
To produce the edit text tool, hover the text tool over EXISTING text and the cursor changes to the simple insertion shape (without the dotted box). A click now will put you into text editing mode, not new text box mode. This drove me batty for a while because I was used to clicking anywhere inside an existing text box and the blinking cursor would pop in automatically - usually at the end of the last letter. This doesn’t happen in Photoshop; if that NEW text box tool is active, it will try to place a new box anywhere you click sometimes overlapping another.
When in this mode (edit existing text) you can carefully hover the arrow to the edges of the text box and resize the bounding box without altering the shape of the text itself. This is how you make the text box larger or smaller to fit/accommodate your needs. You can also highlight text, insert between words/letters. Highlighted text is available for changing its font, color, size, cutting/pasting etc.
To get OUT of the EDIT text mode, click the check box on the tool column above or type enter (not return) or type cmd-return (MAC), ctrl-return (WIN). If you want to cancel any changes to an existing text box click the ex-circle on the tool column or press the esc key (top left of keyboard-escape key)
OK, THE MAIN POINT:
To make an effect that looks like a text box that is filled, bordered, semi-transparent etc., you will have to create an object shape (box) and place it just behind (under) the text box. Linking the two allows you to move them around easily. The drawback is that, when you need a larger box, you’ll have to alter the size of both boxes and possibly re-center them to each other (I know it’s sort of dumb to have so many steps just to get a shaded text box or bordered one.)
Begin by selecting the Rectangle shape tool and draw a shape on the screen of any size. In the layers pallet a layer is created with two items (layer thumbnail and vector mask) Double click the one on the left the layer thumbnail). Change its color to a light one such as baby blue or yellow.
Now select the text tool and click once over that shape. A text box is created exactly the same size of the rectangle (any shape will work too).
Type some text into that box and change the font type, size and color to something you might use regularly. Check to see that the text color is black (can be changed later). The text automatically wraps around when you reach the edge of this box and fits well (inside margins can be altered by pixel later).
Now link the two boxes to one another. Shift-click each layer in the layers pallet to select both and choose the link button at the bottom of the window for layers or go to Layers>Link Layers. Now when you move one it will move the other too!
Using the paragraph tools you can center text, indent first line, and add space between paragraphs. Except the first paragraph seems too close to the top of the colored rectangle; doesn’t it? Photoshop won’t add extra leading (horizontal space) between the text box and the top of the first paragraph.
There are two ways to fix this:
1.     Select the text tool and click inside the existing text then hover the pointer just above the little box/tab in the top center of that rectangle and bring it down just a bit.
2.     Or you could unlink the two layers (to unlink just click link again while one of the two layers is selected in pallet) and move the colored rectangle up just a bit.
In the first instance it was not necessary to unlink the boxes. This is the advantage because altering the colored rectangle without unlinking will distort your text as will altering the text box if you are not in object text mode (see intro.)
Ok, some advantages:
Now that you have this set up you can use the background box (colored rectangle) to make other effects. Select it as a separate layer but you won’t have to unlink it. To make the box semi-transparent change either the layer OPACITY or the layer FILL (found in the layer pallet).
To create a border box:
1.     Select the colored rectangle box and under Layers>Styles>Blending Options (or just double click in an open area of the layer pallet for that shape.)
2.     Select Stroke, change: Fill Type color, Color black, Size 4, Position inside, Blend Mode normal, Opacity 100%. Click OK/Apply
3.     Back in the layer pallet, change the Fill to 0% and you will just have a border with attached text box. You may have to alter the inside text box again depending on the thickness of that border especially if you made the Position to be inside to keep the sharpness of the rectangle.
4.     Yes this will work with other shapes and even custom shapes. Remember to draw the shape first and immediately place a new text box over it BEFORE any other alteration is done. This ensures that Photoshop creates a text box exactly the same size/dimension of your chosen shape. It even makes margins fit irregular shapes like triangles.
5.     Try it! Or try using Indesign!
There. I fixed that for you.

Need help with Color Profiles between Photoshop and iPhoto

Hey guys, I'm a photographer and have always used Photoshop in comination with iPhoto. I am having great difficulty lately with color profiles randomly changing within albums of pictures. I need all of my images to be in sRGB, but some somehow end up in Adobe RGB. It seems to happen at random. Apple seems to think it's an Adobe problem. Adobe isn't sure what to do. Anybody aware of any known issues between CS5 and iPhoto using OS 10.8.4 with regard to color profiles and how to fix them?

SRiegel schrieb:
I don't know inkscape, but this article seems to indicate that is will support cmyk.
The article also says you need Scribus to then further process the SVG file.
@shaunamm You need to open the SVGin Illustrator, not place it. But I doubt that you will be able to get the effects in Illustrator.

Help with working with color and profiles

Like many others, I suspect, I am having trouble managing the colors on my iMac to match the prints I get. I have a few questions, but first, some background:
1. Screen calibrated with Huey Pantone. Calibration was done with monitor brightness all the way to lowest. I don't use Shades or anything else. I have my Display Profile set to this profile. I'd be happy to post my .icc profile if I knew how. I can email it to anyone who can help here.
2. I have been sending my prints to Costco with the option of turning OFF their Auto Correct. To try to get things to match, I downloaded Costco's printer profiles from http://www.drycreekphoto.com/icc/Profiles/Minnesota_profiles.htm#MN (Eden Prairie, Glossy and Lustre paper profiles).
3. I shoot photos with a Canon XTi with color space set to sRGB. I am using iPhoto 08.
So here are my questions:
1. I loaded the Costco printer profile icc files into /Library/ColorSync/Profiles/Displays. When I open ColorSync, I see them under Profiles/Displays. However, in ColorSync/Devices/Displays/iMac, when I go to change the profile, I navigate to these files but the computer just beeps and won't take them. I thought all icc files could be used by monitors and printers - can these Costco iccs only be used for printers (I noticed the Costco files are 4MB, the other display iccs are 4KB)?
2. How does iPhoto handle color spaces? I import my photos off my CF card. Under iPhoto / Prefs / Advanced, I have both Copy Items and Embed ColorSync Profiles checked. Which color profile is it embedding? The one from the camera (some generic sRGB) or the one my display is using (the Huey)?
3. As a test, I exported my photo as a full size TIFF (a 3.3MB jpeg became a 28MB tiff). I opened the TIFF in Preview. Preview / Tools / Assign Profile came up as "Camera RGB Profile" (so I think this answers question 2 but I'm not sure). While in Preview, if I now change the Display Profile (from Huey to Adobe RGB), the whole screen changes, including the photo I'm looking at in Preview - shouldn't Preview hold the photo the same since it's using a different color profile?
4. I set the Display Profile back to Huey. In Preview, I go back to my photo and under Tools / Assign Profile I assign the profile my Huey profile (instead of Camera RGB). I save this as a jpeg and reimport into iPhoto. When I compare these two photos side by side in iPhoto, they look indistinguishable. Why, if on the original import iPhoto embedded the Camera RGB profile into the photo and I make a copy assigning the Huey profile do they look identical? There's no reason to assume that the Camera RGB and Huey profiles are the same! Or is it some trick where the Display Profile is overriding everything?
5. Lastly, I reopened the original TIFF export in Preview and assigned it the Costco profile (happened to use the glossy one). Lo and behold, what appears on the screen is a much closer version to what I got back as a print. Finally, as one last tweak, I changed my Display Profile from Huey to Adobe RGB and the picture I saw in Preview was closer still to what I got back from Costco. I changed the Display back to Huey, kept the Costco profile assigned and saved my TIFF back to a JPEG. I imported into iPhoto and compared - it looks much closer to my Costco print.
So I'm utterly confused. How do professionals manage their color workflow? Is my Huey calibration whacky? Why, if I assign a color profile to something in Preview, does it really depend on what Display Profile I have set (I thought profiles managed color, but it looks like it's relative).
I apologize for the rather long post, and very much appreciate any help and suggestions here!
Thanks!

The contractual requirements between the vendor and your company may be the key. The contract may or may not discuss whether the vendor's permission to modify the material includes an obligation to make the documents usable. "Usable" may be construed to mean providing original files. If the vendor is required to provide originals, they may or may not be required to provide them in a common format, like MS Word, rather than the proprietary FrameMaker format they use. Their providing a PDF may completely satisfy their obligation; your lawyers may be helpful here.
HTH
Regards,
Peter
Peter Gold
KnowHow ProServices
bmr0330 wrote:
I did ask them for the source file but they haven't been forthcoming with that. I may look into the evaluation copy of FM anyway but considering the price ($868 USD through our catalogue supplier) I doubt I would be able to get a licensed copy once the evaluation runs out. I do appreciate the suggestion though. Thank you. Brian

Custom theme with Fiori launchpad

Hi
I have created a custom theme using the theme designer as per detailed in Colorful Fiori - Part 3 - Sea Blue
I can see some changes taking effect in the preview but not all. For e.g. the tile title color, icon color did not change.
When I use the custom theme with the fiori launchpad url, I do not see any of the tiles. Only button I see is the logout button.
I checked in debug, it did show me few 404 errors. wondering why the custom theme works for my ui5 application but not with launchpad url.
Appreciate your help, in identifying what I might be doing wrong.
Thanks
Kalpana
Tags edited by: Michael Appleby

Hi Masa,
Thanks for replying !
We found that our exact issue was resolved in Version 1.1.7 of UI Theme designer (OSS note 1941092) .
So we upgraded our SAP_UI component to SP08 and now we are on version 1.2.2 of UI theme.
I am now able to see the tiles on my Fiori launchpad and the logo I defined in the custom theme. But the custom theme I applied did not get applied to the tiles and the background.
I still see the whole page (Except our company logo) with sap standard sap_bluecrystal theme.
I did the Inspect element, and see that it is still using the standard CSS. Cleared the browser histroy just to make sure that it is not picking the old theme from cache - but with no help.
If I go back to the theme designer and open the custom theme, I can see the csutom theme changes in the preview.
Any help is appreciated.
Thanks
Kalpana

Brushes have pixelated edge: when filled with color there's a white line at the border

Hello,
I'm trying to make geometric shapes that are black outlines filled with color. I'm drawing the shapes with the pen tool. When I fill them using the bucket tool, there's a pixellated white line separating the black outline and the color infill. How to do make the color fill directly to the black outline?
Thanks for your help,
DJ
CS4
OS 10.5.8

In addition to Chris's post wanted to advise you that stroke effects in Phothsop have rounded edges in Phothoshop. You will notice this on thin strokes (eg: 1 pxl).
Set the stroke to go on inside for squared edges, not center or outside. Adobe has been aware of this since CS, but has not been find a solution for Photoshop to handle this.

Offline/Missing Image Sequences in After Effects CS6 with Color Bars

I am working on a stop motion animation in After Effects CS6. Each clip has been imported as an image sequence from stills on my hard drive. When I open up After Effects, all image sequences now have color bars over them, as if they are offline. Trying to reload them does nothing. I cannot 'link media' because it isn't just one file; it's an image sequence so there are many of them.
I first noticed this when the color bars appeared in my dynamically linked comps inside of Premiere Pro. Everything played smoothly the first time I opened the project in Premiere CS6, after originating in CS5.5. Then the second time I opened up Premiere, the color bars appeared on the linked comps. I hadn't yet opened up my AE project in CS6 yet, so when I did, AE converted the project and I resaved it.
Any help related to this issue would be greatly appreciated.
Mid-2009 Macbook Pro
Mac OS X Mountain Lion
8GB RAM
Adobe Creative Suite Production Premium CS6 w/Creative Cloud

Thanks everyone, I think I'm beginning to solve this.
Rick, thanks for your advice. I tried this and it worked. The reason I didn't do this before is that, because it is stop motion, I couldn't remember how many frames I had imported for each sequence. For instance, if I shot 54 images and only imported 52 into the sequence, I wouldn't remember which 52 images to import...this might still be causing a problem, but I don't know yet. I think in most cases I imported all the images in a folder, so the image sequences should be fine.
I am having another problem, however. Even though the issue seems to be fixed in AE, it doesn't seem to be fixed in Premiere...each image sequence is dynamically linked from AE, but each dynamically linked comp is still being show with color bars as they did in AE...I think that maybe my Premiere project is still linking to the old CS5.5 AE project, and not the new one opened and saved in CS6...

Strange trouble with Color

I experience strange trouble with Color I can't overcame. I try to export DPX sequences in Color ("manually") without using Final Cut. I navigate in setup room to my folder where the files are stored and after I open that folder there is nothing there at all. I tried different folders as well sometime it opens empty and I have to go back up and open folder again to be able to see the contents. But some folder are never "refresh" always opens empty , but I am 110 present sure there are files in them ( I check in Finder). This starts to happen after 10.5.2 update. I have no idea what to do with this and how to overcame that problem., please help.
My setup is Mac pro 2x2.66Mhz , 3GB Ram, ATI Radeon X1900 video card, 2 Apple cinema displays.
Mac OS X 10.5.2, Color 1.0.2
Thanks!

Let me see if I understand this...
What you are attempting to convey is that you are trying to import .dpx files into COLOR directly and that COLOR does not recognize the files.
My bet would be that there is an issue with the .dpx file format. It may be the way they are written, stored, named, the bit-depth... any number of issues. The fact that they don't show up is COLOR's way of telling you that there is a compatibility problem. My experience is that 10-bit and above is poorly handled at the moment, and is not supported at all by some previous versions of Quicktime and Shake, for example, under Leopard, and not even Tiger .4.11. What I started getting were perfect proxy renditions, but actual rendered material was almost pure noise, except there were shadowy remnants of the original scene.
Consider yourself lucky that the application stopped you at this point, rather than allow the project to go forward, then corrupt after you had devoted a considerable amount of your time and energy to it, then have to go back to fix the original files and do ti all over again, or struggle with reconform, etc.
jPo

Strange problem with color measure in Mac.

Hello, I am having a strange problem with color measure in Mac. For example i create a gradient in Photoshop from color 200 200 200 to color 240 240 240. When i measure the color of the gradient with the color measure tool of Photoshop or with the built in OS X color measure tool the measured color is from 200 199 197 to 240 240 238. I have measured the same gradient with Photoshop for PC and the values are OK (the same values that i create).
I dont know what is the problem, but i belive that the colors that i create would be the same that i measure after creating them, and also the same values between Mac and PC. I will appreciate it a lot any help or information that you could give me that helps me to understand what is happening here.
Thank you for your time
Marcelo.

Yep you got it, proof as monitor basicaly strips out any profiling and just delivers it straight.
is there any way to make the OS X color measure tool to measure the original color values
You mean the document colors - No, like I said photoshop is filtering your image through document profile, proof setup and monitor profile. Why do you want to use Digital color meter anyway for this?
i dont understand what is the point to measure color values that will change every time a calibrate my monitor.
Because color values are 'bigger' than whats on your monitor. Your monitor (via photoshop) is only doing the best it can to display those values - which can be anything from LAB colors outside the gamut of your monitor - to CMYK colors. Calibrating it is the only way to allow your monitor to do this in any way accurately. (not ever really possible) Monitors have a certain gamut and are only dispays/representations of the REAL colors that a document, with a profile, holds. So there's only one good reason to measure monitor values, and that's to generate a monitor profile.

Problem with color Epson 2200 on Tiger, Photoshop 7

I'm running Photoshop 7 on an iMac G4, 768 mb RAM, with an Epson 2200 printer. I've been using the same color management system with good results for 3 years. I hooked up an Epson R200 to print CD covers, and it caused my 2200 driver to crash. I reinstalled the driver, and now all my ICC profiles are messed up.
I've reinstalled the driver from the original disk, the updated driver from Epson, and the new ICC profiles from Epson. I'm getting a serious magenta cast on all of these, including ICC profiles I tried downloading from Ilford. I've contacted Epson, but all they told me was how to install the drivers, which I already knew. I responded back to them with a detailed description of the problem, but they never responded. I also took another Mac with Tiger and still have the same problem. I suspect that even though I've got color management turned off, the new Epson drivers are ignoring it and color processing anyway.
Does anyone have a solution to this problem?

Magenta cast sounds like double color management.

What can you do with Color Lookup Tables (CLUT) and other ranges.?

Ok.... I might be repeating something.... but someone
suggested to post this as it hasn't be answered....
Anyway I'm curious on what you can do with Color Lookup
Tables (CLUT) in Fireworks.... I've been looking for details on
CLUT, but have only found information on what it's all about....
Alright, to the point, I'm kind of having some trouble on
what to do period with them....in the optimize panel in Fireworks I
saved the Palette, of all the colors I wanted (or so it seemed,
idk), and made it so it would be for a PNG 32 file... *is this
suppose to be an .act file too?*.... I then took the image to have
the colors replaced to the ones I saved in the custom color
table... so I tried loading the .act file I had saved, that had the
colors I made for the other image, but nothing happened... so I
tried doing other various types of files..... I tried doing it as a
.gif, and it work.... but the thing is I don't want it to be a
gif... and yes, it is kind of vague, but I really don't know what
to really do....
Is there only certain ways that you can load up CLUT files
into different pictures...?? I want this picture to be a .png file
too, so is there any way to save the color palette, and load them
into these type of files..?? or it can't be done with them..??
overal, I want this image to be .png files... is there any
tutorial or info on this..?? it would be quite helpful...

AarokBomB wrote:
> Is there only certain ways that you can load up CLUT
files into different
> pictures...??
Choose File > Image Preview > Options tab. Set the
format type to PNG 8,
GIF, TIFF 8, or BMP 8. Click on the small button to the right
of the
Format drop down menu to open the tab options menu. Choose
Load Palette
and browse to the .act palette you you have saved. Clock on
OK to accept
the changes and close the dialog box. The imported color
table will be
applied to the image.
Linda Rathgeber [PVII] **Adobe Community Expert-Fireworks**
http://www.projectseven.com
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