Tips for quick logging of digitalized footage

I just recently came over to final cut pro express from avid express, which used "locators" as a quick and convenient way to mark selected clips through a color coded dot system. Is there an equally quick way I can mark or code selected clips as I play back my digitalized footage in FCP Express? I need to quickly find a way to locate highlights in basketball games.

Thanks. Markers come close to Avid's Locators. Prob is that every time I open up Edit Marker window my extended clip freezes. I can no longer play the whole clip. What's up with that?
ManorVail
Look into Markers. Unfortunately I'm pretty mac-less
at the mo' so I can't help you with keyboard commands
or menus.
However, they should do the trick. I think even allow
comments and when marking a long clip you can easily
flick through it by going to the next marker,
previous marker, etc.
You can also use extended markers to mark a length of
time, not just a point in time. These can be useful
for making sub-clips of the longer clip.
Sorry, I can't be of more help, but that should give
you something to search for.
A few general tips:
1) The usual response with software forums is to RTM,
not the case here as a lot of the FCE manual is
incorrect and refers to features only found it it's
big brother FCP
2) therefore a good book would be a better
alternative. Many recommendations here

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I am a pretty good source for basic sound info - you can email me if you like
[email protected]
you are right about the link - I am sorry - i checked the website before I typed the link in too! A blond moment
A low shelf filter - as included in FCE and soundtrack cuts the bottom off a soundmix. 20hz is a low frequency - not many speaker systems can reproduce this frequency, and most speaker systems can't even get to 40hz - even you high fi system or speakers which say they may be able too present sound for 20hz to 20khz - well unless you have spent an aweful lot of money and have a sub bass speaker the size of a car probably may only go down to 40hz, and the production of any 20hz sounds is more likely a feeling - a psychoacousticc effect. The thing about cutting off the bass is that practically it can make the recording sound less muddy, and you can make the recording sound louder. Most recordings for CD play have the bass started to roll of pretty heavily at 40hz and nothing present at 20hz... theirs this thing called narquist theory which talks about frequency responce - but it is this math heavy thing - so basically cut out a good amount of the sub bass. A low shelf filter does this and If you want to be conservative cut below 20hz, and if you want to be real give it a good cut below 35hz.
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If you put the bass in mono (below 250hz ish) and keep the phase right speakers find it easier to work with the signal. Also stereo bass is not something that translates well on speakers... Bass tends to just flood the room where as the more mid and trebbly sounds give the audio a feeling of distance and space and left and right. The monofilter has a bass compression/limiting and phase correction built itno it, and implimented on a slider called 'trim'. Listen to your recording on good speakers and probably just bring the trim down a touch (my guess)... as complex as it sounds the monofilter is very easy to use, and is super clever. Now I thought that nugen had a mac audio unit plugin - that is a pity if they don't and kind of makes my advice seem irelevant unless you are prepared to download an application that can use VST's.
Amy
be careful using an eq as most eq's disrupt the phase of the signal and can reek havok on live recordings. but do give it a low shelf filter at least below -20 but probably below -40 to -80 for practicalitys sake
This is a bit over my head, I am afraid. Do you know a source of basic info for sound recording to help explain such things? It could be a book or an online resource?
lol, what i meant was 20hz or 40 too 80hz - their is a low shelf filter in soundtrack that works well - I am talking about cutting off the low frequency bits of the recording here. Nugen audio has a little pdf that comes out with the monofilter talking about bass signals... I know it is geared towards music and perhaps music that you want to have a nice bass feel - however it translates to the real world too - You will be suprised at how great your audio will sound if you cut off a chunk of the sub bass, and put the low bass in mono.
then you could look at exciting the signal - but that is another story....

Tips for quick logging of digitalized footage

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