Tones changing on importing raw files

Hello, I have a Canon 10D and I am shooting in raw and at adobe rgb 1998, when i opened up my files in bridge (I have photoshop cs2, and lightroom 1.0) I could see the nice skin tones there then right in front of me without touching anything, each picture began to change to a redish tint, every picture did that, so i opened up lightroom to see if it happened there, and it did, this has never happened when i shot in jpg srgb, so is this because of the change of profile, Can I fix this without all the editing? I want the natural skin tones back that i can see are there but get changed for some reason...please help
thanks
katrina

>My goal is to keep the EXIF version of the shot preserved without bridge/ACR changing my files.
As Jeff points out, that is an impossibility.
The RAW image would not be viewable at all without the demosaicing and conversion by ACR.
You seem to be under the misconception that ACR should perform the same conversion that the software inside your camera does in order to perform the in-camera conversion to generate the the accompanying JPEG.
ACR is not designed to emulate the in-camera conversion nor the conversion provided by the camera manufacturer's software.
This has been covered ad nauseam here. Please do a forum search.
Camera manufacturers, Canon and Nikon in particular, perform in-camera RAW to JPEG conversions designed to generate the over-saturated, over-contrasty and over-sharpened images that appeal to most amateurs.
Their stand-alone RAW conversion software also performs the same conversion to your RAW images.
Noise is also hidden by compressing the shadows so you don't see much of the noise inherent in the image.
Adobe Camera Raw, ACR, on the other hand, comes with default settings designed to give you the most detail possible (even if this sometimes means revealing some of the noise hidden by the camera manufacturers in their RAW conversion software), as well as the most natural images.
That being said, you can calibrate your camera to ACR and come up with your own settings to produce exactly what you want, including the JPEG-look of the camera manufacturer, and save that as your profile.
The key is to learn how to use ACR properly and to calibrate your camera to ACR.
CLICK HERE for some essential reading.
The ACR defaults are nothing more than a suggested starting point.
The color temperature won't necessarily match either.

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