Transcoding from 1080p 29.97 to 1080 50i?

My master project is mixed timeline of RED R3d's, Panni AVCHD and h264 and well as P2 material. I'm making my master as a TIFF, then need to send to Europe a 1080i 50i timeline to them with audio seperated....Can i get some of the tech savy to assist on this? :
Here's what i've done:
1. My sequence is set to: 1920x1080 @ 29.97 (see attached) with max bit depth & max render selected
2. Export media, then set my MASTER as a TIFF sequence at 1080p 29.97 with max set in Export settings dialague box as well--in both places
3. Send to QUEUE using AME for my Encode
4. Once finished (24 hours later)....then import TIFF file to a new Sequence--i am just choosing a Generic Sequence--like DSLR or anything that is 1080p @ 29.97...then i Render the sequence...SO--now i have my MASTER....
How can i get to a 1080i 50i Prouct for my client in the UK? Stumped here since i see plenty of 1080i 25 and 1080i 60.....
Thanks,

Why don't you make your life a lot easier and simpler, since you are using stills (.TIFF) by using a 1080/25i sequence without the Maximum Bit Depth? Or are you using 10 bit TIFF's and a third party card?
Harm: My original timeline is only moving images...R3s's, AVCHD and other material 90% 29.97 and a bit at 24fps....I should have preficed that i want my MASTER sequence as 29.97 since i have two markets that will get this...Europe and then USA. That said, if it is BETTER to make two Masters..great. But yes, i understand Tiff's are only images....and can then be put back any way....at least that is how i understand it....As for Maxium Bit Depth...Actually i have no idea what that is even used for---BUT, i do want highest quality possible for my master. So....why would i NOT use Max Bit Depth ? or Why turn off?
The whole Render to Tiff is new to me since i'm a throw over from FCP...and only rendered out prores for NGTV, Discovery etc....
Jim: Ah...3x export---well, i had problems with some flickering because i used the effect Shadow/Highlight---which (see attached) caused flickering--took me 2-3 days to figure this out and little did i know it is a known issue with Adobe....but now that i'm rendering now for a 4th time as i write this....what i did was this...
when exporting out...i chose Tiff....you are right--i did not need to choose a frame-rate etc...but i did choose 1080p & 29.97, then send to Queue--then AME comes up and the actual coding shows as Tiff custom....so those settings i chose i'm sure do nothing then since each frame is merely a picture file.
So....now what i have done is render out the Tiffs....to a folder. I go back to PrPro...set a new sequence as 1080p & 29.97....import Tiffs as a sequence and then render again...now there is my sequence....
Ok...so now that i have my Tiffs...i guess i can do anything i wish....But, how would i get to 1080i 50i ?
These are the Tech Specs I am to meet:
1. Tapes
1x 60' HDCAM 1080i50 16:9 English/International version: fully texted with textless elements for opening titles, closing credits, subtitles and captions.
The tape must be seamless - without any commercial breaks.
Please refer to the attached technical document (page 11) for a detailed explanation of what we define as English and International versions.
2. Audio configurations
Channel 1: Full Mix Stereo Left
Channel 2: Full Mix Stereo Right
Channel 3: Mix minus Narration Left (undipped)
Channel 4: Mix minus Narration Right (undipped)
All audio channels must peak no higher than -10dBs (measured on the EBU digital scale) or 6 PPM (when measured on the UK PPM meter).
3. Please make sure all the titles are within 4:3 (preferable) or 14:9 (acceptable) title safe area.

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