Transcoding RED footage with Final Cut Pro 7 Log & Transfer

I'm ingesting and transcoding REDCODE files for a project and everything's going fine. But there's one .RDM folder that's causing problems. WheN I try to mount the volume within the Log and Transfer tool, it just immediately shuts down FCP completely. It's happened on multiple computers using multiple versions of FCP so it's obviously the folder itself or the footage it contains that's causing trouble. Anyone know how to resolve or troubleshoot?

Use RED software to convert the footage....like RED Cine X.

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Red footage with Final cut pro X

I am intersted in going for Red Scarlet so I want to know how well does editing Red footage work on Macs with FCPX with out the Red Rocket card? I have an iMac i7 but will have to switch to a Mac pro and get a Red Rocket card if it doesn't work well on an iMac.

http://www.fcp.co/final-cut-pro/news/611-two-new-colorspace-transformation-plugi ns-for-final-cut-pro-7-and-fcpx

How to work efficiently with HDV footage in Final Cut Pro 6

Hello everyone! I am fairly new to Final Cut & Mac. I have worked with Final Cut Pro 5 on my Powerbook G4 two years ago. But when I moved to HD, I switched to a PC with Adobe Premiere. Recently, I made the move back to Final Cut as I had problem with the stability of both Premiere 2.0 and CS3. I am really happy with it so far. In Premiere, I used the Cineform codec which performed very well. I also got a license for their MAC codec but unfortunately, I still have to capture under Windows.
Since I have not worked with HDV on the Mac before, I have a few questions which I hope people on these boards can answer.
1) How does Final Cut Pro 6 handle native HDV?
2) Is it beneficial to convert to Pro Res 422 (in terms of quality, but also in terms of editing speed, rendering time, in favor of processing speed etc.)
3) Which Pro Res 422 setting is advised? I will be capturing HDV through firewire and then recompress to Pro Res 422. The Canon XL-H1 squeezes 1080i into 1440x1080. So I figured I need the 1440x1080 setting. There are two options: normal and (HQ). The HQ files are around 4-times bigger then the native HDV file. The normal setting results in files around 2-times bigger. Coming from HDV, do I see the difference between normal and HQ?
4) What systems are recommended so I can work efficiently? i.e. how to setup the scratch disks. I currently have the applications installed on Disk 1, all scratch disks on Disk 2 + 3 (RAID 0) and final results on Disk 4.
I have the following system setup:
- Apple Mac Pro Quad-Core (2.66Ghz)
- 5GB of RAM
- ATI X1900XT 512MB
- Harddisks:
-1- Western Digital 750GB SE
-2- Western Digital 500GB RE2 (member of "VIDEO" - raid 0)
-3- Western Digital 500GB RE2 (member of "VIDEO" - raid 0)
-4- Western Digital 500GB SE
- Two Dell 2407 FWP 24" LCD monitors
Thanks for your help and don't feel obliged to answer all questions, I am already happy if one of them is answered!!

1) How does Final Cut Pro 6 handle native HDV?
Just like FC5.... no worries
2) Is it beneficial to convert to Pro Res 422
Just like the Cineform codec you will benefit from an all i-frame codec when working with titles and graphics. I wouldn't recommend capturing native then converting to ProRez as this will take an extremely long time. Many have found editing native up until the compositing then dropping the sequence into a ProRez timeline to render. I prefer to uncompress the HDV with hardware into a capture card and transcode on capture in real time. Depending on the flavor of HDV and the equipment you use you can probably find a method for this. I shoot run & gun field work on to tape, then with the deck I can export via HDMI and together with another product from Convergent Design it is converted to HD-SDI in the a Kona LHe into FC. The benefit for me is the all digital decompression from 1440x1080 4:2:0 to a 1920x1080 4:2:2 uncompressed HD-SDI signal to use anyway I need to. As to which level of PR I can't comment but I have used the lower level and it looks great. As to raid setup I can recommend www.maxupgrades.com to help you add two - four more drives internally for unbelievable speed and expanded storage space you will want. The owner (Syed) will give you all the support you need to take advantage of the Mac Pro capabilities for a low cost high performance raid solution. Sounds like you have a great setup in mind, you may want to look into the Kona LHe capture card for capturing and monitoring and a Convergent Design product like the HD-Connect SI or MI depending on the deck you are using. If you need broadcast quality monitoring look into the Matrox MXO.
Good Luck
Z1

Editing with Standard Footage (DV) with Final Cut Pro X

It is possible to edit with Standard Footage (DV) with Final Cut Pro X? How? Thanks for your kind responses

The usual way is to make a new project and have the settings based on the video. You make the project, put a DV file in it, and the project properties will be set. If you don't have a DV file to use, you make a new project, use custom settings and select the format you want NTSC or PAL, anamorphic or 4:3.

Your experince with final cut pro vs adobe premiere?

I am just wondering about your experience with final cut pro and adobe premiere and which you like better and why. Thank you.

dorian86 wrote:
I am just wondering about your experience with final cut pro and adobe premiere and which you like better and why.
I've posted this in other threads here: I've tried the Final Cut Pro X 30 day trial on my old Mac Pro 5,1 (heavily modified) and my new Mac Pro 6,1 (8-core, D700s). I have a specific benchmark that I run on an NLE when I'm testing it: how long does it take to export one of my movies to a 720p h.264 MP4?
If we assume the length of the movie is represented by 't' (for time) -
The old Mac Pro and Final Cut Pro X 10.0: 2t
The new Mac Pro and new Final Cut Pro X 10.1: 1/2t + epsilon
The old Mac Pro and Premiere Pro CC: 1/2t + epsilon
The new Mac Pro and Premiere Pro CC: 1/2t - epsilon
The newer version of Final Cut Pro X is substantially faster at exporting my movie than the older version. But Premiere is still faster than it is. Also, Apple still can't get the whole "edit the source footage raw" bit right; my source footage is all spanned-clip AVCHD, with files that are over 4G a piece. FCPX can't just open those raw, it insists on putting a MOV wrapper around the footage. There's no transcoding happening, but the file I/O for those massive files slows the whole process down significantly.
Because I don't have years of experience editing with NLEs, I'm not married to any particular UI. FCPX's UI is ... strange, but I didn't find it too difficult to become used to it. If it were faster and more efficient for what I do, I'd reconsider it. But for now, it's all Premiere.

Exporting HD footage in final cut pro

Hey guys, not sure if anyone can help me or not, but i'll post away anyway.
I'm using a Canon Vixia HG20 video camera for videowork at a summercamp. it shoots in full HD at 1920x1080.
I'm editing with Final Cut Pro 7 and my first project is an 8 minute short film. So i use the Log and Transfer window which successfully captures all my clips into .Mov files at 1920x1080.
the problem is that the file sizes are huge! i've just completed the film and my exported 8 minute movie is around 6.51GB, which is way too big for YouTube which is where i'd like to upload it.
Does anyone know what export settings i should use to get this file down to roughly 1GB in size for YouTube? or is there something else i'm doing wrong?
Any help would be appreciated,
Cheers.
HB

The file size is huge because your Canon Vixia captures in AVCHD, which is not natively supported in FCP. In order to work with the footage, Final Cut converts it to Pro Res (unless you specified another format in the Log and Capture window). Pro Res is much larger than AVCHD.
So with your exported file, open compressor and go to "other workflows" where you will find a few presets for Web streaming. The format to use is up to you, but I prefer H.264. You may have to adjust resolution sizes ( i think it defaults to a 320X240)..
Expect the file to be a bit larger than 1 gb, but it's still smaller than before. Good luck.

Panasonic camcorder HDC-TM90 any experience using Pavtube Video Converter with Final Cut Pro X

Does anyone have any experience using Pavtube Video Converter with Final Cut Pro X for Panasonic camcorder HDC-TM90 shooting in 1080 P 60 ( mts file extension)

Don't use these generic offbrand converters to get footage into FCP X. they re-encode your video and cause loss of quality. If FCP X cannot import your video then use a utility that simply re-wraps it into a quicktime file with no transcoding or loss. I prefer Clipwrap which works great and is updated frequently but there are free alternatives like Media Converter or Rewrap.
But version 10.04 of FCP X should import it directly from camera as long as the folder structure is complete and you are not trying to merely import it from single mts files.

Does Canon XF100 work well with Final Cut Pro

Does the Canon XF 100 work well with Final Cut Pro 7.03

I have read the information about this camera and I have looked at several discussion groups. Apparently you cannot edit in native format with this camera. This has been confirmed to me by a Canon rep. You have to bring in footage thru log and transfer which means it takes more time as it converts. I have never had to do this before. Because I have always imported thru log and capture. So because I was wondering if anyone out there can tell me if they are using the camera and if it works well inspite of it. Or anyone has a better camera recommendation but in the price range of the XF100.
Thanks,

Hi I shoot on a canon 5d mk11 and I record my audio on an external device yet when I open up my footage in final cut pro x I can't find my external audio files only the ones attached to the clip which are off the camera mic

I shoot on a canon 5d mk11 and I record my audio on an external device yet when I open up my footage in final cut pro x I can't find my external audio files only the ones attached to the clip which are off the camera mic

What device?
What format?
How are you importing it?
Can you find the external audio with Finder?
Where is your destination file when you import it?
Andy

Is the Canon Legria HF M56 compatible with Final Cut Pro X

I am new to Mac and new to Final Cut Pro X. I am looking to buy a new HD Video Camcorder to use with my new computer/software and wondered whether or not the Canon Legria HF M56 is compatible with Final Cut Pro X.
If it is, do you have to import the footage directly from the Camcorder, or can you first save the files to the Mac and import them that way?
I currently use a Sony HandyCam HDR-SR10 which produces AVCHD .mts files. I have these saved on my Mac after transferring them over from my PC but Final Cut Pro X cannot import them. Very frustrating for a professional app to be unable to import these files. Even Cyberlink Power Director can use these files.
Thanks for your help
ConvertedAppleFan

It's not on the tested list but it may well work.
http://help.apple.com/finalcutpro/cameras/en/index.html
Why don't you download the trial and try it?

How can I import DVD footage in Final Cut Pro X

I want to edit a showreel of my own work in Final Cut Pro X (version 10.1.4). A lot of my old footage is only available on DVD. I need to get this footage into Final Cut Pro X but don't know how to do this. There are programs to convert DVD to DV but I don't know which one to use, and how to use them.

The script provided by MPEG Streamclip worked for me.
But there is an alternate way, which is basically doing by hand what the script does.
The actual component that is needed is stored inside an archive file in the inside the package. This file needs to be copied to a place where the system can see it.
Here are detailed instructions. Be sure you fully understand before putting any files in the Library folders, as described below. No guarantees, but if followed correctly I believe this works.
1) Double-click the .dmg file.
2) Inside there are two folders. Open the one that says "For Quicktime 6.4 or later..."
3) Control-click the QuickTimeMPEG32.pkg and choose "Show Package Contents".
4) Copy the file "Archive.pax.gz" somewhere else on your mac - I will use the Desktop as an example.
5) Double click the copy of "Archive.pax.gz" on your desktop. It will expand and create a folder on the desktop called "System".
6) Inside the folder called "System" is a folder "Library" and then "Quicktime", with a single file called "QuickTimeMPEG2.component".
This is the file that MPEG Streamclip needs!
7) I suggest you place this file in your own user's Library. To do this, hold down the option key and select Library from the Go menu in the Finder. There, if it does not exist already, create a folder "QuickTime" and copy the component there. This should work.
Note: the script actually places the component in a different location - one which I think should not be messed with (inside /System/Library).
I think it should work in the user's Library, but if not I would put in /Library (the Library at the root of the drive) before trying the location above.

I have a Benq M22 HD cam. Is it compatible with Final Cut pro 7?

I have a Benq M22 HD cam. Is it compatible with Final Cut pro 7?

Hi Nick, thanks for your help, Im rather new at editing and FCP. I did everything as it said to do in the MPEG Streamclip download tutorial, but when it finished, I tried to open the .mov files and it was just sound but no picture, just black.
Now, another thing, the .mov converted files where saved into mi SD card after the program was done (is that ok, or should they have been saved somewhere else too?) then i tried to put them into my FCP by using the Log and Transfer and when I selected that it gave me this message: "100MEDIA" contains unsupported media or has an invalid directory structure. Please choose a folder whose directory structure matches supported media.
Help please!! I know that these problems are probably from my lack of knowledge on the program and the whole thing.. but im working on it!!
Thanks!!

Inputting footage from Final Cut Pro

I have input footage into Final Cut Pro, but would now like to try iMovie '09.
Can i move my footage from Final Cut into iMovie or do i have to input all over again?

iMovie should read all your FCP footage including ProRes movies as long as it's the same mac or another mac with FCP installed. Make a new folder in 'iMovie Events' and place your FCP movies. Next time you launch iM09 it will build thumbnails and footage will be read to use.

How do I import avchd sony cx700 camcorder footage into Final Cut Pro?

I've recently bought a Sony CX700 camcorder, but can't transfer the footage using the Log and Transfer window. Does anybody know how to import AVCHD footage into Final Cut Pro?

You use the log and transfer function.

Error messages during editing with Final Cut Pro

Hello,
I am working with Final Cut Pro for the first time, editing my first indie movie project. The software normally works fine and when I started this project it ran fine for a while. But the software is now operating increasingly slow, to the point where it won't let me advance frame by frame. And I am getting several error icons popping up in the viewer window and the clip window to the right and I don't know what they mean. One of the icons is a little yellow triangle with a black exclamation point in the middle. Another is a little whi circle with a black letter x in the center. Another is a small green circle with a check in it. Does anyone know what any of this means? Could I be out of ram on the hardrive? I noticed that the changes occurred as soon as I did ctrl + z to undo an edit - it went haywire right after that. I would greatly appreciate any tips, thoughts, suggestions. Thank you.

Slow performance can come from a number of different things. Without knowing more detailed information about your setup or workflow, it's difficult to accurately troubleshoot.
-What kind of Mac are you using?
-What is your source format?
-Where is your source footage located?

Transcoding RED footage with Final Cut Pro 7 Log & Transfer

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