Trouble with nesting sequences

Hello.
The "transparent" elements of my sequences are not preserved when I bring them into another sequence/timeline and apply an effect or motion to it. Is this typical? They appear to be fine, at first, but when they are rendered or exported, the nested sequence has a black background instead of a transparent one. I'm working targa files with transparent elements, which work just fine in their source sequence.
I apologize if my wording is awkward or if this has been answered elsewhere.

This is not my experience.
When I add transparent elements to a sequence and I nest this sequence into another one, transparency is preserved, even after rendering (I can superimpose the sequence with transparent elements to another clip in the timeline, and this appears in the transparent areas).
Exporting is a different issue. FCE can Export/Quicktime Movie only using DV or HDV codecs that do not preserve transparency. There is a possibility however: you may Export/Using Quicktime Conversion and select the Animation codec which preserves transparency. But before exporting you must make sure that the sequence is not rendered, otherwise the non transparent rendered files will be used (to do that you can make the tracks not Visible and then Visible again, in order to delete the render files; or you can disable and enable again the transparent clips).
Piero

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    I'm having two difficulties.  First, for whatever reason, I'm experiencing audio glitching when the cuts between sequence clips occur.  The glitch is like an audio "scramble," lasts about a half second, plenty of time to be distracting and detract from the whole of the project.  There are no such audio glitches present when viewing the interview sequences specifically.  I had applied effects to the audio tracks both within the interview sequences and the master sequence.  I've since disabled every effect but the problem persists, and it is still present upon rendering the master timeline.  I have absolutely no idea what to do about this.
    The second issue is more general.  I've got my media cache on an internal SSD, and I'm pulling my media from an internal HDD, with Premiere Installed on a different SSD with my operating system.  The two interview sequences play back wonderfully, no delays whatsoever.  The master timeline, however, with all the clips extracted from the interview sequences, plays slow as molasses.  It takes 10-15 seconds for the play head to even start moving once I click 'play', which has made this entire process excruciatingly difficult.  Is this a known issue?  Why would my performance be so completely degraded working with nested sequences?  Isn't everything referencing the exact same files?
    Ugh, long night working on this.  Thank you for any help.

    Well, I've come up with a terrible, but comical solution for the second issue which doesn't involve reworking anything.  It turns out that, upon launching premiere, I can play the master sequence with nested multi-cam sequences a grand total of ONCE with minimal delay.  If I stop the play through, then it will take 3-4 minutes to get the sequence playing again.  Of course, the Premiere decides to hang when I try to close it after playing this master timeline, so I'm finding that I can inch my way through this project by (1) launching premiere, (2) playing the master sequence, (3) make the edits I need, (4) forcibly crash Premiere, and (5) relaunch Premiere and repeat.  It's a terrible way to work, but the project is so close to completion that I'm willing to suffer through it.
    As to issue 1, I've taken each offending clip, extending the audio track one or two frames in the beginning of each clip, and then use those frames to ramp the volume up from silent to 0db.  This seems to avoid the brief moment of distortion at the beginning.  Notably I did try your suggestion by going back to the original, source audio, but I was still getting the same issue.  My work-around is the only solution I've been able to come up with.

  • Media Encoder CC 2014 using cached versions of Precomps in AE and Nested Sequences in Premiere?

    I'm seeing this weird thing where Media Encoder is using older versions of certain assets when exporting a Premiere Pro CC 2014 sequence.  I'm seeing issues with nested sequences...Media Encoder uses an old version of a linked AE comp or it doesn't render a certain video track. With linked AE comps...I'm seeing Media Encoder use an earlier version of a precomp within the main comp.
    When I look at the video in the Export Settings dialogue in Media Encoder, the old version of the AE comp shows .
    If I look at the Export Settings dialogue in Premiere, it's up to date and looks right.
    Anyone dealing with this or found a workaround?  Thanks!
    Calvin

    I don't think I'd call this issue expected behavior...at best it's anticipated behavior that's going wrong.  The only reason I wouldn't call it expected behavior is because what I'm seeing is AME reverting to a cached state on a FRESH LOAD of a sequence to render directly from Premiere.  Basically, AME isn't open...sequence looks fine in PPro...load into AME via PPro export...look at export settings dialog in AME and note that the sequence is the old/cached version.  So, it's not like the export was already in AME and THEN I made changes in PPro.  It appears AME might be incorrectly identifying the newly imported sequence for export as an older, cached version.
    However, I didn't get a chance to test your original solution so I'll try that the next time I see it happen.  I also fixed the issue by clearing out the media cache and databases.  NOT an elegant solution at all and TOTAL overkill...but it did work.
    Thanks for the links!

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