Troubles multiclip editing in FCP 7

I am running FCP 7 on a quad mac pro...with stripped raid internal hard drives ...when I go to "multiclip" ntsc 720 x 480 footage 3 streams...I get a "drop frame warning" and when I uncheck the box do not warn again...it allows multiclip editing to work but with NO AUDIO PLAYBACK.
I have been doing this type of multiclip editing for years in FCP 6 on my older power Mac with no problems. So I tried the same footage on my power mac fcp 6 and it works.
How do I get FCP 7 to stop shutting of the audio during multiclip editing?

Make sure that you are playing the sequence, not the viewer. If your audio is not linked to the video clips anymore and you play the viewer, you will not hear the audio.

Similar Messages

  • Help with multiclip editing in FCP

    Can someone please help me with multiclip editing. I have followed all the steps in the tutorials I have watched but I am unalble to switch between the two angles in the time line. Also the red line in the time line is telling me to render everything first . Is that normal or is it because I am using the 5.0 version of FCP?

    To switch between angles, the timeline should not be rendered. Once you render it, it may play more smoothly, but you can't switch.
    Also, sometimes you may have trouble switching many HD files, so it might work better to use Media Manager to make lower resolution proxies for your editing, then bringing the full-res files back for your final output. If the computer can't handle the load, it may refuse to do multiclip editing.
    Finally, you may need to switch Playhead Sync back to "Open" from time to time. For some reason, the Viewer sometimes switches to "Sync Off".
    By the way, your question actually belongs on the Final Cut Studio forum:
    https://discussions.apple.com/community/professional_applications/final_cut_stud io

  • How compress 3 DV tape inputs for multiclip editing, assemble final program

    I have 3 timecoded 95 minute DV tapes of a concert I want to input to FCP for editing in multiclip. This is my first time.
    What's a good how-to reference to 1) compress the content to fit my 250 Gig hard drive, 2)edit in multiclip, and 3) assemble the finished program by importing the uncompressed clips I end up using?
    Thanks very much. Duncan
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    Here's a tutorial, plus info in your manual...
    http://www.kenstone.net/fcphomepage/multicam_editingmartin.html
    Is your media simply MiniDV, or another format recorded on DV tape?
    If MiniDV, it should all fit easily on your harddrive (provided it is a drive other than your system drive). DV-NTSC takes about 13Gb/hr of footage, so you're well under.
    Do not render until after you've finished your multiclip edit and 'collapsed' the multiclip.
    K

  • Subclip timecode issues for MultiClip edit...Help!?!?

    Here is the issue. 2 camera shoot, Cameraman 1 pushed pause during a live concert video shoot.
    In order to make a multiclip edit with the other camera's footage, I have made subclips of this camera's footage on each side of the pause.
    The other camera in the shoot had issues as well so I have been forced to use a sequence and alternant timecodes to line everything up with my sound file.
    Everything works well until I get to the subclip after the pause. I try to modify the alternant timecode to correspond with the sequence timecode but when I enter the approporate number FCP forces a different number to appear.
    My hunch is that because these are subclips of the same captured clip I am not able to modify the timecode as I want to. Can anyone confirm this hunch?
    And...what can I do about this? Do I have to recapture? I hope not. I have tried to create a new master clip in the modify window but the problem persists. I am so close to getting this into the multicam editor I can taste it. Thanks.

    Solved it... I ended up having to re-capture the shot after the pause so it would be a seperate media file. I guess I could have copied the file outside of FCP, renamed and imported the file seperatly... I realize this problem was caused by not setting the capture up properly to treat the jump in time code appropriately.

  • Mac Pro 8-core too slow for Multiclip editing

    I have a Mac Pro 8core (pre-Nehalem), with 4 gb of memory. I'm doing some multiclip editing,and even with RT set to the lowest preview quality, my system stills blocks from time to time. I don't want to invest in a RAID-system, because I don't do multiclip editing that often. Is there an other - not expensive - way to speed up my Mac? Would adding memory - say to 6 gb - help?
    I also have the impression that since I upgraded to Leopard Snow, the computer is much less stable. FCP shut down twice unexpectedly yesterday.

    You don't say what format of HD you're editing but the fluidity of playing multiclip sequences is really dependent on the system's ability to provide all the streams of video in a timely manner. This means hard drive throughput is essential. A good quality sata drive in a MacPro can read somewhere around 115 MB/sec when empty. It will spool material less effectively as it fills.
    Very good quality esata RAID systems can provide 5x that - which is why people utilize them. (fwiw-I've run 16 streams of 720p24 DVCProHD off of a Caldigit HDOne in a multiclip sequence without a hiccup. )
    What can you do if you don't want to pay the price for the right gear for the job?
    1. populate all your internal bays with fast hard drives
    2. empty the drives
    3. spread your captured files across all three (non system drives)
    This will distribute the load as much as possible without going to a RAID setup.
    Once you have all the drives empty, you could try setting up a RAID 0 set using Disk Utility and see if that works for you. One caveat - if you decide to go the internal software RAID 0 route, recognize there is no failsafe should you encounter a serious system crash. Everything on all drives that are part of the RAID set can be compromised.
    Good luck,
    x

  • MultiClip editing/ Down convert to multi-edit but then replace clip?

    I need to multiclip edit a 2 camera interview using one ex-3 and one sony hdv cam.
    When I select the two clips to make them a multiclip sequence, it says that I cannot because of the frame size not matching.
    Two part question.
    1) Is there a way to create a create and edit a multiclip with two different frame sizes?
    2) I had an idea of downconverting the ex3 footage so that FCP allows me to create a multiclip.
    Then after doing the editing of the invterview, "replace" the downconverted video of the ex3 with the full-res video from the ex3. Is this possible?
    Any suggestions would be much appreciated
    Thanks in advance

    Multiclips not only have to be the same frame SIZE, but exact same CODEC too. HDV and XDCAM will not work together. They should both be ProRes really...because they are different GOP formats, and converting one to the other is UGLY.
    Or downcovert both to DV, multiclip, edit. Then flatten the multiclip...media manage and recapture. But that will take some testing to see if it will work right.
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  • How can I use ALL audio tracks in multiclip editing?

    I want to be able to use all audio tracks after the multiclip cut.
    It's only a two camera shoot, but I want to be able to use the ambient room sound from the second camera ... and control its level (in relation to the master audio track on the first camera) AFTER the cuts are made.
    Is this possible in multiclip editing? And how does one go about it?
    Apologies. I've spent an hour or so in the manual, and it isn't clear ... or I'm just not finding the right reference.
    All ears,
    Ben

    Sorry if I'm steering you down a path you don't want to go or even if there's a better way but I wouldn't be ding complex audio mixing anywhere near the multiclip interface. Export your reference movie or nest the multiclip project into another sequence, bring in your additional tracks, get to work. Just my preferences, I put a bunch of rough keyframes in the audio tracks and enter some markers (and make a lot of paper notes). Then I go back using the large mixer window to do the fine tweaking.
    Stick around for a couple of days, some other multiclip users with more experience than I will offer some more useful suggestions.
    bogiesan

  • Has anyone experienced this problem: I am editing in FCP 7.0.3 on a Mac 10.6.8 - I have a clip in the browser that is full frame and matched the other clips but when I drop it in the time line it becomes a fully zoomed in version of itself

    has anyone experienced this problem: I am editing in FCP 7.0.3 on a Mac 10.6.8 - I have a clip in the browser that is full frame and fine and it matches the other clips in my bins but when I drop it into the time line it becomes a fully zoomed in version of itself and I can only see a small portion of the image.  What's going on?  I've noticed this has happened in the past randomly with other clips and it's driving me cray cray!  Any help appreciated greatly and thanks in advance for taking the time

    In the FCP Browser, click on the source clip that is showing up sized incorrectly to select it. Once it is selected, type Command + 9 to see the item properties for the clip. Either report those properties here, or take a screen shot of the item properties and post the screen shot here.
    Next, click anywhere in your sequence timeline and then type Command + 0 {zero} to see your sequence settings. Either report those settings or take a screen shot of the sequence settings and post that screen shot here.
    MtD

  • Multiclip editing does not update Canvas window with active angle

    Hi,
    I am trying to do some multiclip editing but for some reason when cutting between angles the canvas viewer does not update with the video. Once I stop playback the cuts are all created properly and the video changes when playing back again. However, when editing the video does not change to the active angle. The audio changes but the video does not.
    I have the multiclip playback setting in RT enabled and the canvas and viewer windows synced and matching each other when playing back, and video + audio is set in the sync menu.
    I'm now stuck! and would greatly appreciate some help.
    Thanks
    Phil

    Welcome to the family.
    I don't mean to brush you off because I understand your frustration. But what we know about mutliclip is that it really does work, if you follow the rules completely. We also know that most of the "multiclip doesn't work" posts are resolved by encouraging the user to be objective and to simply recheck the setup steps in the manual, one at a time. (Editorially speaking: There are too many of them, there are too many stupid gotchas in the multiclip setup. True. Hope springs eternal that FCP6 may fix many of these things. It should be a one-click solution.)
    You can search for multiclip here and, after filtering out the nonsense from elitists like me, you should be able to detect something in your configuration that might be keeping you from getting the performance you are expecting.
    bogiesan

  • Multiclip editing not cutting, Markers dissappear when stop playing

    Im doing a multiclip edit for the first time and im having issues!
    I have the 3 angles i need set up and sync in a multiclip and can get it playing fine ie viewer has the 3 angles playing at once and select angle is showing in the canvas. I play the clip and begin to add cut points (by clicking on angle when i want to change to it) a marker appears in the timeline as it should but when i stop playing all the markers disappear and im back to square-one again!!!!
    As far as i can tell the setting are correct, i have the viewer set to open and multiclip playback enabled and all looks great it just wont insert the cut points!!!
    PLEASE HELP!

    I'm no longer using 5.x, but I remember some odd bug with multiclips doing only a Switch to (instead of a Cut to) which results in the behavior you're mentioning: the markers disappearing as soon as you stop playback. I believe the issue was either related to being in a customized, but unsaved custom keyboard layout.
    I guess what I'm saying is: does going to Tools > Keyboard Layout and selecting either layout (Default or Multiclip) affect the issue?

  • HVX200 vs. SDX900 -- for FILM LOOK edited in FCP

    What are the latest thoughts on relative strengths & demerits of the two cameras, for shooting movies to edit in FCP, then output to tape & DVD, as well as projection and blowups? It seesm to be a hotly contested question, and the more opinions I can tally the more I learn. - THANKS!
    G5   Mac OS X (10.0.x)  

    Zebulun - I certainly agree with your point about the sensibility and skill of the operator being the main issue.. (I'm sure Rembrandt could paint very well with amateur brushes). At the same time, though, I want to research this as thoroughly as possible. One controversy is the SDX's ability to look filmic yet sharp when blown up. Some say true HD looks far better, while others debate that vigorously. One discussion on the Panasonic site got so rancorous the moderator closed down the thread! - Anyhow. Thanks for your input. I'm inclined toward the SD beause of workflow and bigger size of the camera.
    G5   Mac OS X (10.0.x)  

  • Multiclip Edits Problematic with EDL's (Edit Decision Lists)

    Gentlemen, I exported a sample EDL for my on line bay from a multiclip edit from three angles (P2 Card Files) I created and they are seeing the list as one Reel Name instead of the three reel names if I cut it traditionally.
    I understand a multiclip is creating a new single clip in my bin of the three source clips, and that it is creating its own new name. But is there not a way for the EDL to be created and exported so that the edit list reflects the original file source names, not the single multiclip name?
    I also tried collapsing the multiclip but got the same EDL result.
    Thanks for your input.

    Might try performing a match frame/replace routine in your sequence after collapsing the multiclips? i.e, replace the clips in the sequence with the original master clips... This would go pretty fast I'd think. Just place the playhead anywhere within a clip, type f, and then simply use the replace edit on each one.
    Try it with a duplicate of the original sequence...
    Jerry
    Message was edited by: Jerry Hofmann

  • How do I export a 98 min video edited in FCP 7 to IDVD for single disc DVD burning?

    How do I export a 98 min video edited in FCP 7 to IDVD for single disc DVD burning?

    Your current settings should match the source material in your timeline. Though, it probably doens't matter what it is as long as your settings are not for a highly compressed format like h.264 or mpeg2.
    iDVD should take any all "I" frame format and encode it. (All I frame formats include DV, DVCProHD, ProRes).
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  • I have a sequence shot on the 550d/rebel T2i, I converted it to prores 422 and edited in fcp. What is the best export that i can do to preserve quality and prevent pixelation.

    i have a sequence shot on the 550d/rebel T2i, I converted it to prores 422 in MPEG Streamclip and edited in fcp. What is the best export that i can do to preserve quality and prevent pixelation. Rite now, i have been just clicking on the export to quicktime function, but the quality of the footage is completely reduced and colours look desaturated and there is pixellation compared to the original camera footage. Also is there anyway i can render and export the sequence using the original footage (like an online edit or something). Also is there anyway to upgrade the final quality. I have Compressor, Dvd Studio pro, Motion, Color and Cinema tools, i dnt know if they are of any use to me and have no idea how to use hem or what they are for also.

    >What is the best export that i can do to preserve quality and prevent pixelation
    The best way to export is entirely dependent on what you plan to do with the exported video.  For example, if you plan to go to DVD, the export process is different than if you plan for web delivery or for iPhone viewing.  Compressor has presets for most final delivery formats ... start with those.
    >is there anyway i can render and export the sequence using the original footage
    Yes.  In FCP, go to File-Export->QuickTime Movie.  Check the box to make the movie Self-Contained and use Current Settings.  Do NOT "Recompress All Frames."   The resulting self-contained movie will play on any Mac that has the needed audio and video codecs installed.
    >is there anyway to upgrade the final quality
    No and maybe.  While you technically cannot improve quality over the original, you can possibly 'enhance'  the aesthetic quality of the video using various filters in FCP or Color.
    -DH

  • Can you export a project to Compressor and keep editing in FCP???

    Hello my mac guru-ness,
    I have a query, if I edit in FCP and export out to Compressor or Quicktime conversion, I am locked out from continuing to edit in FCP. Is there a way around this???
    I need to edit 4 x 5 minute video's and need to export the 1st video to Mpeg2 and FLV via Compressor and Quicktime Conversion and then continue to keep editing the next video while the first one is still converting. How can I do this???
    If I had 2 mac pros networked together, could I get the 2nd mac pro to convert the 1st video while I continue to edit the remaining 3 video's???
    Would Final cut server help me in this scenario also?
    Your assistance would be gratefully appreciated.
    kris

    To build on g's answer ... when exporting to Compressor from FCP, you will not be able to use FCP until the export is completed.
    If your Macs are networked together, you can do a couple of things.
    1. Export your sequence as a Quicktime file, then transfer it to your other Mac Pro, then have that Mac Pro encode.
    2. I would recommend setting up your Mac Pro's as a little QCluster. Since the MP's have multiple cores, you can create multiple "instances" in QMaster Preferences. Instances are QMaster's way of dividing your multiple cores to spread the encoding across all cores. I generally create half the number of instances from the total number of cores available. For example, with an 8 Core MP, I would use 4 instances.
    Read this article for further information on how to set up a QCluster: http://visionstudios.ca/RenderFarm/RenderFarmleft.html
    On your MP that you will be editing on, you can then disable a couple of instances so that you wouldn't see as big of a performance hit while encoding and editing simultaneously. You use the Apple Qadministrator app to configure a cluster like this.

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