Two camera multicamera editing

To old pros, this may be old hat - if so my apologies for posting - but to me it is a revolution - and of possible help to some.
To foresee unwanted panning or zooming (to create a new shot) use this method (assuming you have already syncronized video and audio on tracks 1 and 2): 1) select all - both video and audio tracks, 2) move everything two and a half secs. down the timelines, 3) lock audio tracks, 4) copy all, 5) lock both video tracks, 6) paste at 00:00:00:00. You should now have four video tracks. When this sequence is dragged into a new multi editing sequence and enabled in the normal way, the video in the top two windows will play 2-2.5 secs. ahead of real time thus giving you amble time to select the alternative window. Has saved me hours and hours not having to go back to reselect. I call it multicam editing the Danish way - with a smile.
Sigurd

Wow, that was confusing watching those videos. There's a couple ways to quickly set up and run a multicam switch in PPro CC 2014 but here's how I do it:
1) Sync up your clips. Align them how you want either using plural eyes or just do your own visual/audio sync (premiere has it's own audio sync which you can google how it works but I've found it not 100% accurate)
2) Hold down ALT and select only the video clips you want to cut between.
3) Right click on those highlighted clips and select NEST
4) That creates one nested clip on video track 1. (Because of the way I do this it still leaves the audio visible from all the cameras/sources below so they can be accessed right on that timeline.) Now right-click on that nested video track and select MULTICAM>Enable.
5) Now go to the PROGRAM window/panel and hit the + button on the bottom right. You'll see one icon that looks like windows, drag that out to the project panel so it stays visible always.
6) Click on that little window icon (if you hover over it, it should say multicam window or something like that). Now you'll see all the cameras at once and also another window that shows what camera is "live". It's ALL in the Program window now ever since the last few versions of Premiere.
7) Basically just hit play and start clicking on those little camera windows in that program monitor/panel as the video plays and it will record all your cuts. When you hit stop or pause, you'll then see all those cuts populate your video track. Done super easy.
8) To change a cut after you've stopped the playback you can bring the play head over the clip you want changed and then just click on the camera window that you want to change it to. Also, using the "n" or nudge tool helps you drag the cut or edit points forward or back in time.
Hope that helps! Enjoy!

Similar Messages

  • Two camera editing shortcuts?

    Each summer I edit a big project that includes two cameras videotaping 5 two and a half hour long dance recitals. The vast majority of time to get this project onto DVDs for our customers involves me synchronizing the two cameras and editing between them. Is there any kind of hardware device that might allow me to do digital A/B editing on the fly, "live" as the show is in progress? Of course, we'd need to have a tape backup in case some edit didn't come out correctly. But, with almost 25 hours of importing to my computer after the shows, I could save an entire day of work by editing live.
    I've ordered my upgrade to the Universal Binary of Final Cut Studio from DVD Studio Pro 4 (the last two summers I've used Final Cut Express 2). We'll be using a pair of Canon GL-2s that we're renting, so we don't have much opportunity to test out a process ahead of time. I'm not even sure the cameras would allow us to record to tape and stream the DV to a computer or some kind of switch box simultaneously... Any tips would be appreciated.
    -Doug

    Yes, I do consider them toys. first off, the Canon cameras seem to take reliable timecode as something they can play fast and loose with. They don't always play well with the final Cut products.
    Yes, they have three chips, but they're really tiny chips. The lens on the gl2 leaves a LOT to be desired. The xl's will take additional lenses, but they can be hard to focus. The controls are clunky. The camera shape is clunky.
    All the consumer/prosumer cameras are toy like-- even my dvx 100a-- which I bought because I needed a small camera for a couple of jobs. It's OK, but it sure doesn't beat something like an Ikegami D7, a Sony 570, or that new panasonic p-2 camera.
    You can't put footage from a gl2 or xl or dvx up against footage from 2/3" chips and broadcast glass without being terribly disappointed.
    My two cents.

  • Premiere Pro 7.1 serious Multicam Editing problems

    Hello, I am posting here because the bug report I filed one week ago to Adobe didn't give a result -no response at all from the bug department.
    I have two serious Multicam Editing Problems.
    PC Configuration: Core i7950, Asus P6TD Deluxe, 12GB DDR3 1600MHZ, Quadro K4000, SSD for the system, Seagate Constellation 7200rpm for video editing.
    1. When multicam mode is on at the program monitor, I press play and the program doesn't respond at all. The timeline plays till the end and the program just doesn't let you do anything but wait until playback of the whole timeline is over. Then the program works again (no "not responding" message in Windows).
    2. Sometimes the waveform doesn't even appear at the multicam audio clip. I read in other forums that this problem is found specifically at Premiere Pro version 7.1 (October release).
    I would be grateful with your help.
    Thank you,
    Stavros Symeonidis

    The media is always a combination of HD .MOV (dSLR footage and .MTS (from my Sony Vg-30). However, I also tested it with .mpeg files created by "match sequence settings". GPU acceleration is always on, as I use nVidia Quadro K4000 with the latest drivers (331.82).
    I always create the multicam sequences manually and the problem occurs with any amount of camera angles.
    The problem was not solved by reinstaling Windows (7 and 8). In general, I have no other issue with my PC system, except from this specific one.
    It doesn't appear always, however it will definitely happen if you press twice or three times the letter L, to fast forward the preview of your Multicam Sequence.
    I remind you that this only happens when multicam monitor is toggled at the program monitor.
    Did all these help at all to even reproduce this situation?
    Thank you,
    Stavros Symeonidis

  • Multicam Edit/Can't See Video on Canvas

    I'm doing a six-cam multicam edit. Everything was going perfect until my hand accidentally hit the keyboard. I don't know which key(s) I hit.
    Not I can't see my video on the Canvas and my multiclips clips won't play in synch in the Viewer. I do hear the audio when I play the Timeline.
    I opened another clip and it won't play. Nothing will play in the Canvas.
    What the heck did I hit and how do I fix it? I'm working on a MacBook. All my video is on an external G Drive connected with a FireWire 800 cable.

    Thank you. I can't believe that. After so many projects I didn't even know that could happen.
    What a relief. I'm an hour into this 90 minute musical. I was dreading having to start again.
    Again... thanks.

  • CS6 Multicam Edit - Is there a way to turn off some camera angles when the system gets strained?

    I'm doing a multicam edit in cs6 and the 5 camera angles I have are straining my system.  I have two main angles and three kind of back up go pro angles that I don't need most of the time.  But I don't want to get rid of them either.  Is there a way to turn off monitoring some of the angles at times so that video will playback smoother?  Then when I need the other angles, switch them back on when I want?  The video is so choppy with all 5 angles monitoring at once that multicam editing is basically impossible.  I'm editing on what's supposed to be a very fast system at work but it's not fast enough...Thanks!

    I'm not aware of any way to do this. You might want to invest in a battery case if this is a problem for you; our users here all have them.
    Please submit your feature request to Apple at this link: http://www.apple.com/feedback; I agree it's a good idea.

  • Can I edit from two camera angles?

    Hello
    I'm an iMovie lover struggling with Final Cut Express! I want to use two camera's to shoot some interviews, is there an easy way to edit these two pieces of the same footage (different angles) in Final Cut Express?
    Cheers
    Derek

    Hi
    Yes - but not as easy as in FinalCut Pro (old one e.g. 6) where there is a multicamera function.
    If FCE - I do
    • Put Camera one on Video Track one in TimeLine
    • Put Camera two on Video Track two
    • Select track one clip
    - by double click it and then in Viewer turn on Image + Wireframe and
    - resize it to 50% and
    - move it to a corner e.g. top left one.
    • Same with track two - but up to the right
    • Now move one track so that it synchronize with the other one. You can use the audio Wave-form to do this - I use a flash-light from a Camera to get one white frame on both cameras to set them exactly right.
    • Now by changing the transparency of the track two (pen tool and set to show transp.-line) one can select what Camera to view.
    • When all's done - Just scale back and center picture
    And Done
    Yours Bengt W

  • Where should I load AVCHD clips from 4 cameras to edit in Multicam in FCPX?

    Hi,
    Recently, I imported 90 minute segments from 4 HD cameras onto an external drive connected to my MacPro 1,1 via ESATA to do multicam edits in FCPX. When I opened them in FCPX one segment would show fine, two became jerky, and 4 would not play at all. Was this because I was trying to pump too much video "volume" through the ESATA connection? (I recently installed an ATI Radeon HD 5770 1024 MB graphics card)
    I have another 4-camera 90-minute shoot coming up in a few days. Where/how should I load the footage so I can work with it in multicam?
    Thanks for your advice! Duncan

    You may need a faster drive (RAID); But for starters. try working with Pro Res Proxy.
    This is from p 378 User Manual:
    If performance becomes an issue while you’re working on a multicam project, do any of the following:
    ␣          Set Final Cut Pro to use proxy playback by selecting “Use proxy media” in Playback preferences. Proxy playback allows you to play back more angles at a time. To use proxy playback, you must have proxy versions of your media available, or you must create proxy versions.
    Good luck.
    Russ

  • Multicam edit with camera that starts and stops

    I am editing a multicam shoot and want to create a multicam clip with my two cameras. Camera A never stopped running, but Camera B stop several times. The time code was synced on Free-Run so there is no issues with syncing, but I want all camera B's footage to be on the same video track. Right now when i select all the clips FCP creates a multicam clip with several video tracks (for every new clip). Is there a way i could have it place every clip from camera B into one track so i can edit using camera 1, camera 2, as opposed to going up to camera 50?

    It's an option,
    No, it's an elegant and practical solution to the production problem caused by your shooter. Free running timecode will drift (rather hopelessly) so you're not really gaining anything tanglible. You still have to sync the clips visually, you won't be able to depend on t/c except as a guide. Which is convenient but not solid.
    im working with DVCproHD and a very big project so i don't want to take up more HD space.
    You want to get the project done? Go buy another drive for $200.
    Also, everything is logged beautifully
    Logging incorrectly-acquired footage doesn't amount to much, but, if you need to recapture, you're in luck. If you consolidate the footage into a single clip as suggested, recapturing is simply a question of replacing footage into the master clip and exporting it again.
    I've also heard about using camera angles. does anyone know if this would be an option for this?
    You only have two cameras and two angles. What have you heard about angles that would suggest them as a solution? Maybe if we understood how you have misunderstood angles, we could help you clear that up.
    bogiesan

  • Editing from a two-camera shoot

    I shot a classical concert with two cameras. I've imported both tapes into my project. I want to use the closest camera for the soundtrack and cut-aways and the far camera for most of the video. Can anyone advise me on the easiest way to do this? I need to import the whole of the soundtrack tape (minus top and tail). Is replacing the video with footage from the second tape whilst keeping the original audio track uninterrupted straight forward?
    Thanks in advance.
    Martin

    Martin Crawley1 wrote:
    ... Is replacing the video with footage from the second tape whilst keeping the original audio track uninterrupted straight forward?
    only way to acomplish your task with iM ...
    but.. I assume, you stumble soon into sync problems.. due to lack of two video timelines, it is very hard to find the right 'in' in your 2nd video ..
    I would really susggest investment of 200$ and some time learning into FinalCutExpress.. (ok, FCpro has 'real' multicam support, but .. FCE does it)
    the two/many tracks simultanously makes it much easier...

  • Editing a movie with video from two camera angles

    I made video of the home birth of our third child using a miniDV and a Nisis DV6 camera. The DV6 has very lousy sound, but some of the DV6 video was critical to use for a period of time. I imported the overlapping clips, exported the audio on both, muted the DV6 audio, then moved the audio from the miniDV clip so it lined up with the DV6 audio. With a little more fading in/out on the audio from the two tracks I seemlessly/gracefully switch camera angles and preserved good audio.
    I have a comment (a wishlist item) and a question. I wish I would have had the ability to take the two overlapping video clips, line up the audio waveforms and at the same time overlap the video clips on the timeline. I wish I could have then played both clips at the same time with the ability to switch between the two camera angles. I would take the ability to view both camera angles without the ability to switch between camera angles in real time, but then I'd wish I had the ability to specify which clip to use at any point in the timeline rather than having to manually insert the video from one camera angle or the other the other then insert a transition. Does any Apple-compatible video editing software thats provide some or all of the capability I desire? If Apple software developers are out there I hope you think this might be another great innovation.

    As David and Karsten said: FinalCut Express is really the software, you are looking for. I have only worked with it twice (unfortunately I am still waiting for my - first - Mac now for two weeks, so as a Win-user I had no chance to have a more intensive look on FCE). But it is a great program.
    What David said about the learning: It is quite easy. I have learned digital video editing on Adobe Premiere and on a Avid-machine, which is nearly the same as handling FinalCut. You'll perhaps need one evening. But after that you'll have the basic knowledge for editing your videos. The rest comes step by step. It is just learning-by-doing.
    Another advice: Adobe Premiere Elements is also a good program for what your want to do. But it is much cheaper and a bit easier to learn. For editing simple home-movies perhaps the better choice. It has even a build-in DVD-authoring.
    Greets
    Stefan

  • Two camera edit

    I have two questions.
    I have the same interview filmed on two cameras and I now want to edit the footage from both cameras into one clip using FCE. I've synced the footage easily enough from both cameras, but I have found the editing a bit of a struggle and very cumbersome. Is there a quick way to do this like the two camera editing tool in FCP?
    The clip needs to be trimmed once cut together. I presume I do this once I have a completed clip..

    You can also do it without a filter.
    1. Place the clip you'll use the most shots from on V1.
    2. Place the other clip on V2 then double-click the clip on V2 to load it into the Viewer.
    3. Click on the Motion tab and Scale the clip to 50% and Center it so it's in one corner. Now you have a PIP effect.
    4. Cut and delete the sections of the V2 clip that you do NOT want.
    5. Once you're finished cutting, select ALL the clips remaining on V2, right-click on one and select "Remove Attributes" and select the Basic Motion option. All V2 clips will go back to full Scale and Center again.
    6. While all the V2 clips are still selected, Shift-drag them to V1 and add transitions if needed.
    -DH

  • Multicam editing in premier pro cc 2014, problem with one camera display size

    Although the clip works fine in a sequence all by itself in multicam editing it is much too large and only a portion displays.  The other camera is fine.  The clips are from different types of cameras 1 is a DSLR, it displays too large, the other is a Sony PD 1570, a pro videocam  that uses tape, it displays fine.

    Have your tried re-ingesting the media.  It's possible the file(s) are corrupt.  I run into this on occasion, especially if the results shows up in the render (which is a dead give-away to file corruption) and re-ingesting fixes it.
    It's also possible that the drive the file resides on has issues as well.  Are you using a raid?  We need more information regarding the specs of your machine and process.

  • HT5105 I have been trying to create a multicam clip from two camera's. They sync properly when using the sync feature but not when I use the multicam feature does anyone know what I may be doing wrong?

    I have been trying to create a multicam clip from two camera's. They sync properly when using the sync feature but not when I use the multicam feature does anyone know what I may be doing wrong?

    Probably best if you could post screen shots of the Inspecror window in extended view with a couple of the clips you using for the 2 angles.
    If you have audio from both cameras and have identified them separately, the sync is usually pretty reliable.
    Russ

  • Two-camera editing via timeline?

    I'v filmed a pop group and am now editing the footage. We worked with two camera's and sound was recorded separately with a digital Edirol recorder, plugged into the PA-system. That audio-clip is used as the foundation for my editing. I synchronised it on the timeline with the (uninterupted) video-footage of the A-cam (sound of which is unpatched). Now I want to overwrite some parts of the A-footage by better, more dynamic, shots from the B-cam. Is there a way to just put the footage of the B-cam on another video-track and edit from one timeline-videotrack to another? Or does the cutting of the B-cam footage have to happen in the viewer and then do an overwrite edit to the A-cam track? Putting it in the timeline and editing from there would save a lot of synchronising effort. I hope I express this question clearly enough, English not being my native language...

    I'm editing in the timeline, where there are already three audio-tracks (two stereo linked to the video trakc from camera A, and 1 WAV-file from the Edirol digital audio recorder )and one video-track. I try to drag a clip (the B-camera footage) - with no in- or out-points but with sound- from the browser to a new video track. Patch panels for the existing tracks on the timeline are in the 'patched' position.
    So far, I edited clips from the two camera's by three-point editing in the canvas overlay (drag to the 'overwrite' panel), but that means I have to synchronise the clip in the viewer first, which is very timeconsuming. I was thinking that, when I could put the entire B-cam clip in a separate videotrack in the timeline, I would only have to synchronise it once, and then edit parts of it into the A-cam track.
    Message was edited by: Concertpix
    Message was edited by: Concertpix

  • Multicam edit - 2 cameras

    Hi, I have footage from 2 cameras that have the same timecode, about 200 clips from each camera. Is there any way to select footage from the first camera as angle 1 and from the second as angle 2 and make my edits in multicamera edit window? This would save me hours... Thanks

    Not to say that I haven't seen the problems others are having, but they've not been problems, it's been a super easy process, not time consuming at all. I've done 2 camera shoots to 9 camera shoots, I've saved time on all of them by using multiclip.
    Implies your experience and ability to comprehend the manual and to follow the incremental steps is superior to most.
    I've used mutlicam for many projects, too, but I still find the setup to be clumsy and subtle with too many possible ways to mess it up. I find I go back to the manual every time to make sure each of the buttons is pushed, all of the activators are on, all displays re set properly. I load the multicam editing layout and button bars. But I still find myself going back to the manual to figure out what the blue lines mean, where to set the source audio, the differences between cuts and switches, and the best way to open up the sequence again to make frame by frame changes.
    Synchronized multiple source editing should be easier. The paradigm is ancient, many NLEs or plugins have been doing it for a long time so all the mistakes have been made. It's time for improvements and I see some coming in FCP7 although I won't have it installed for a few more months. I'm hoping Apple got it right this time;
    http://images.apple.com/finalcutstudio/finalcutpro/images/editing_multicam200907 22.jpg
    bogiesan

Maybe you are looking for