Uncompressed 8-bit standard def with anamorphic?

I read somewhere about using a sequence with uncompressed 8-bit standard def with anamorphic as an option for downcoverting from hdv. I'm using fcp5 and don't see that as an option - just uncompressed 8-bit without anamorphic.
Any solutions will be greatly appreciated.

Easiest way to get there (I think) is to copy the NTSC (or PAL) DV preset, then change the codec to uncompressed 8-bit. The anamorphic will be set and you'll be properly at 480 lines instead of 486.
That I think answers your question.
But you will then be faced with a sequence which requires rendering before viewing, and after most edits. Which is a lot of work in HDV.
Consider instead converting the media itself using Compressor. Don't let the name fool you - it can also save out as uncompressed. You can take an NTSC DV preset there as well, and edit it to be uncompressed 8-bit.

Similar Messages

How to edit in Standard def with 1920x1080 24fps clips

I have Jpegs of digital images 1920 x 1080 24fps which I have used shake to make them into quicktime files in Standard definition (which I understand you can use Uncompresses 8 bit 422, I am then putting them into FCP and I want to edit them in standard def. What settings should I use for my sequence settings and video set up?

Look in your EASY SETUPS...there is one in there called UNCOMPRESSED 8-BIT...
Shane

P2 standard def and Anamorphic Override

Hi,
Since 10.0.6 you can now work with P2 standard def anamorphic 16:9 footage in fcpx. Before that there was no way to tell fcpx that you where working with 16:9 footage and it would always show as 4:3. Now we have the Anamorphic override in the clip settings view.
But one issue I have with this is that it still shows the clips as 4:3 when I watch the clip from the Event Library. As soon as I insert the clip in a timeline it obeys the anamorphic override setting and displays correctly.
Am I doing something wrong?
This is not a huge issue, but rather annoying to have to look at all the clips with the wrong aspect ratio in the event library...
Thanks!

I don't have any files imported in fcpx from tape. The other DV MOV files I have tested(that works as they should) are either exported from Avid or from some unknown encoder at my tv network.
The only difference I can see in the QT inspector is that the MOV generated from the P2 MXF has format: 'dvcp' and the other files have format: DV - PAL. Both report 720x576 which is correct.
'dvcp' seems to be some kind of Apple DV according to this document.
I just don't see any other explanation to why these files obey the anamorphic override(widescreen or 4:3) in the timeline and not in the event library...
I can upload some examples of you would like to try it out.

Poor quality Exporting HD to Standard def with iDVD

I am new to this forum thing. Sorry if I get the etiquette wrong. I have filmed my sons 1hr soccer game in HD (1440 x 1080i). I have added titles, replays and music etc in final cut express. No problem here. I export to quick time movie. Then import into iDVD, create theme and burn DVD. Problem is when I try cut a DVD to SD the game is really jumpy. The play is not smooth at all. I am new to Macs and final cut express, which is adding to my frustration. Can anyone help me with best setting to get nice smooth result? I know some of you may think, why HD? I just love the quality on a full HD screen. Camera can shot in SD but would like to stay in HD. Any suggestions. We down here in NZ use Pal and I would like in 16x9. Thanks

Bryan Rawiri wrote:
.. I noticed the person today adjusted the bit rate and a few other settings. The result DVD was great. Its the quality I am after from FCE? Is this possible?
I dare to say: quality in FCE and FCP with your material is same..
the difference could come on DVD-authoring..
as you noticed, the operator adjusted bitrates..
=> no chance to do so in iDVD in iDVD, you adjust bitrates by the length of the project! as long as content on DVD is <60min (that includes button animations, 'Theme' movies etc), iDVD uses the max of bitrate, standards allow.. so, iDVD or DVDSP - for shorter project, concerning pic quality, you shouldn't notice any differences.
usually, bad pic quality on DVD results of 'bad' source:
• source is not iApp compatible (not in your case, as YT-videos, DivX-downloads etc)
• imported project has wrong settings.. (e.g. framerate)
• transfer file uses wrong codecs (e.g. highly compressed h264)
so,
a) check your FCE project properties - do they 'fit' to your camera
b) transfer by using Quicktime Movie, NOT Quicktime Conversion
c) set iDVD to same standard as your FCE project (30frames=NTSC, 25=PAL)
d) stay under 60min to get the max...
. . Reading the manual it says 50 is fields per sec and 25p is 25frames per sec. Yes it is not progressive.
yes, it IS progressive ..
you have 50i, or 25p
and 1080/25p is not supported by FCE4; 1080/50i IS supported..

Standard Def on High Def TV

Hello all
I work in standard def with the Sony DCR-SR80 (MPEG-2 format 16:9). I then convert in MPEG Streamclip. I use to export to DV format but more recently I'm exporting to "Apple DV/DVCPRO - NTSC" 720 x 480 (unscaled). My FCE Easy Set up is Format: DV/Panasonic DVCPRO Rate: 29.97 Use: DV-NTSC 32 khz Anamorphic. This is all nice because there really isn't any rendering going on. I film a lot of high school football so there is fast moving objects on the video.
My problem is that I create these projects and then burn them in iDVD and play them on my High Def Samsung TV (1080P) through my Blueray player (1080P) and the video has a jpeg look to it. I can make it better by adjusting my TV but I'm curious why it looks this way. Is it the camera? I nolonger have a tube television in the house so I can't compare. Any suggestions? whether a new camera or maybe new format and conversion settings. I tried to give as much detail as possible. I'm aware there are a lot of variables in there questions.
Thank you all in advance!!
Ween

Hi(Bonjour)!
That's normal as your base material is MPEG converted to DVCPRO. MPEG compression artifacts are transcoded to DVCPRO upon conversion with MPEG streamclip. MPEG format doesn't render rapid action like football very well.
Worst, you play a standard def DVD in a HD set. The image (and the MPEG artifact)is upscaled 6 times to fit the HD screen.
By the way you should choose a 48 khz audio preset as it's a standard in video edition.
Michel Boissonneault

HDV conform to uncompressed 8 bit probs

I've just finished a HDV conform to uncompressed 8 bit. It was quite problematic, besides the extremely slow re-capturing of the media, I ended up checking every one of the over 520 clips and probably 70% of them had to be slipped 1 to 3 frames to match the reference movie. By 5am I was really only parking the playhead somewhere in a frame, checking and fixing and not rechecking further in the same clip. A day later the online editor said that she had found instances where the clip would be spot on at the beginning then slip a frame or more further on and then somehow get back to where it should be by the end of the clip (or this is how I understood it). Has anyone encountered this issue, is there another way to go about this, did I do something wrong somewhere, is this just a HDV thing?

Hi
yes, conform was not done on my machine, online machine specs are dual 2.5 GHZ G5, 3GB Ram, the machine works fine, we've done uncompressed 10 bit HD conforms with it before and there has never been problems. HDV generally just seems to be difficult to deal with.
Finally I was just wondering if there are special things to look out for when you are coming from HDV in general.

Trouble exporting with QuickTime 7 to UNCOMPRESSED 10-bit 4:2:2

I have succeeded with shorter videos, but my 90 minute video returns "error -2125".
Somehow I managed to do this before, I'm not sure what has changed on my system. Does anyone else have trouble exporting to Uncompressed 10-bit 4:2:2 ? I'm now exporting to ProRes instead, but would prefer uncompressed video for the sake of quality.

You don't say what's the source of your clips.
If standard DV (..though I doubt that an agency would accept standard def video any more..) NTSC DV is compressed in the camera as 4:1:1, and PAL DV is compressed as 4:2:0 ..so you won't get true 4:2:2 from normal DV, unless you're using a broadcast camera (..probably feeding into the capture device via SDI inputs).
If the source was tape-based HDV or any other hi-def source, then iMovie converts that, during import, into Apple Intermediate Codec, and wouldn't be able to output proper Uncompressed 4:2:2 material.
For Uncompressed 4:2:2, I think you'll need to be using a dedicated capture card - and massive-capacity hard discs! - to be able to import the material in the first place.
iMovie certainly isn't the program to handle pro video of this nature.
Ask in the Final Cut Pro Discussions..
"..I've also tried doing this on my Macbook with Intel processor.." ..but maybe that's just not fast enough (older Mac portables have "shared graphics memory" ..meaning their graphics processor may have to compete with the main processor to temporarily grab free RAM)!

Using Mac Mini with 16:9 CRT Standard Def TV by RCA connection!

Hello all,
I realise that there are others who have experienced similar problems but after spending quite a bit of time searching this forum, I wasn't able to find an answer for my particular circumstance. In summary, I can't get my new Mac mini to work with my TV at all. I need to figure out where the problem might lie. Please find the specifics of my setup below.
I have a 1.42GHz Mac Mini G4 with all the possible add-ons . It actually did not come out of the box for the first three months I owned it. I finally got it out this weekend and went to purchase a DVI-Video connector. I connected it to the TV by means of an RCA to Scart cable (which I know for a fact works fine with my Powerbook and iBook) and the TV just showed a blank screen (though there was a second or two of static each time I started up, as if settings were being re-adjusted). The TV only has Scart inputs so there RCA is going to have to be the connection method. The TV is a standard def Sanyo 16:9 CRT.
To make sure the mini was working, and enable VNC access (brand new mini so hadn't been set up at all), I took it to my office (I have no other monitors here) and connected it to a normal Dell LCD monitor. It worked fine, and I set up VNC access so now I can use my powerbook to control it headless.
I brought it back home and connected it to the TV again and VNCed to it expecting to find options to re-adjust resolution, refresh rate etc. All I found was 800x600 or 640x480 and I could not change the refresh rate at all. The TV is PAL but there was no mention of PAL or NTSC options. I took the opportunity to run software update and apply all the necessary updates as well.
After some initial research, I downloaded displayconfigx. It crashes every time I try to open it... so no luck there. Then I tried another application recommended on these fora whose name escapes me now (but it started with an s and also ended with an x) and to keep a long story short, I found it very confusing and wasn't able to find a setting that made things work.
The TV works fine as a secondary display for both my powerbook G4 and iBook G3. In fact, I'm using it with my powerbook now and my powerbook switches to the right settings as soon as I plug it in! However, my powerbook's place is in my lap and this Mac mini is sitting there unused when I really want to be using it as my media center and EyeTV box!
Please help me. Is this a problem with the DVI-Video adapter. Is this a problem with the mini? Should I call Apple Support (I don't have Applecare but it was purchased three months ago)? Please help me solve this problem!
Thanks,
Phaedon

Thank you very much for these helpful suggestions and questions!
I'm at work at the moment but I do remember the answers to most of these questions off the top of my head and will get the rest when I get home.
When everything is working fine for the PowerBook, the resolution list shows a variety of interlaced resolutions ranging from 680 x 480 to 1024 x 768. There are about five or six options. The refresh rate options are PAL 50Hz or NTSC 60Hz.
As for how it identifies the TV when connected, I have to admit I don't remember, but I believe it just identifies it as a generic TV.
The Mac mini doesn't identify it at all. I can confirm this because I tried booting it without the monitor attached and then attaching it and I also booted it with the monitor attached. In all cases, the same options for resolution were shown (1024 x 768 and 800 x 600) and refresh rate is geyed out. To me, this indicates that it is not communicating with the display at all.
I think that adapter may well be broken as it's never been tested with another display so this is the argument I'm going to make when I go back to the Apple Store this evening!
I'll keep you posted on whether the new one works or not.
Please do let me know if you think there are any other tests I should run or not.
Cheers,
Phaedon

Known "stutter" issue with HDMI output of standard def DV?

Standard def 60i material, via a Geforce 660 ti and HDMI out, has motion artifacts -- readily seen on pans. Doesn't look like reverse frame order, but the motion stutters a bit.
Is this a known issue? Thanks all.

I wanted to reply that I just discovered that my Lenovo AIO no longer likes my converter. I'm not sure why as I have proven that it works by using it on another device. The other device is a laptop running Windows 7 Pro.
On a haunch, I plugged in my HDMI TV which has a native HDMI connection and it WORKED. So, I suppose I'm back to the drawing board and this is indeed not a Lenovo hardware issue.
Does anyone know of any issues with using a HDMI to VGA converter on a Lenovo B540 AIO? Link below:
http://www.startech.com/AV/Converters/Video/HDMI-to-VGA-Adapter-Converter-for-Desktop-PC-Laptop-Ultr...
I have the one above but I just noticed there is a HD2VGAE which I'm not sure what the difference is.
Thanks!

Sound Cutting Out on Standard Def Channels with or wthout DVR

Hi!
We are having occasional sound drop-out problems. They seem to only be happening on standard def channels although we have a hi-def box. (We often record sitcoms and kids shows in standard def to save room on the DVR.)
The problem is that the sound cuts out for a fraction of a second (just long enough to notice) at random spots. If we rewind and play it back, it still drops out in the same spot so it seems the issue is with the signal getting to the box from the outside line, not an hdmi cable issue as I've seen mentioned elsewhere.
The issue occurs whether we're watching a previously recorded show or a "live" one (understanding that even the live shows are delayed a few seconds to enable the DVR to record it).
I've seen other sound issues related to switching channels but this is not the case here.
I've also had it happen on a small TV with no box. We just have the coax going right into the display to watch standard def network shows on it. This leads me to think it's a signal issue, not a DVR one.
Anyone else have this and/or have any luck in getting it resolved?
Thanks!
Jeff

Hello Jeff,
I am sorry to hear that you are having trouble with the sound on the Set Top Boxes. I sent you a private message to further assist you.
Thanks,
Shamika_Vz
Verizon Support
Notice: Content posted by Verizon employees is meant to be informational and does not supersede or change the Verizon Forums User Guidelines or Terms or Service, or your Customer Agreement Terms and Conditions or Plan.

HT1577 how do a get a refund on a ridiculously slow downloading rented movie for my apple tv dispite a 5mb/sec down load speed? my first experience with appletv movie rental. no good. rented at 4:30pm. still waiting for standard def movie to finish at 8:1

how do a get a refund on a ridiculously slow downloading rented movie for my apple tv dispite a >5mb/sec down load speed? my first experience with appletv movie rental. no good. rented at 4:30pm. still waiting for standard def movie to finish at 8:10pm. Not good enough.

Thanks for the pointers folks. Yeah, 1.5GB is pretty poor isn't it? There are other suppliers, but you have to get a their phone line installed to access the internet so it's an £85 setup fee plus a day off work for a guy to come round and drill a hole in your wall before you even get to the monthly costs.
Don't get me wrong though - I'm certainly not an Apple basher, but am equally frustrated with both them and the ISP.
Virgin Media spend all kinds of money advertising their broadband as the fastest in the UK, but don't tell you (up front anyway) that you'll be cut off if you actually try and use it.
Apple on the other hand carry on with their 'it just works' mantra, but with Apple TV this only applies if you meet certain criteria (again, not mentioned up front).
I guess it aint a biggie, as i was gifted my Apple TV, and love all the other stuff it does, but from the number of posts on this forum can see that there's a lot of angry customers out there who want explanations as to why they're having similar problems to me.
Will be very interesting to see if Apple release any kind of software update that turns the flash drive from a buffer to permanent storage, to at least ease some of the pain...
Message was edited by: McGinty

What adapter do I need to watch iPad mini with a standard def TV?

Besides another TV, what device could I get to watch the iPad mini on a standard def TV with RCA jacks?

http://ipad.about.com/od/iPad_Guide/a/How-To-Connect-Your-Ipad-To-Your-Tv.htm
http://www.freemake.com/blog/connecting-your-ipad-to-your-tv/
 Cheers, Tom

Uncompressed 10-bit 4:2:2 with Audio in FCP

Hi,
I've imported an Uncompressed 10-bit 4:2:2 HD (1920x1080) video (it's a capture of an HD transfer from 35mm film) into FCP 6 and now I'm trying to sync up my audio mix. I've got it synced with the pop at 2 and I've confirmed that the mix is synchronous with the print. But when I try playing it back (albeit very slowly) the audio is out of sync about 8-24 frames depending on what point of the film I play it at. Why is this?
Also, I should mention that I asked FCP to just convert my sequence to the settings embedded in the video file. The Sample and Bit rate also match up for the audio between the mix and FCP. Any ideas?
P.S. I should also mention that if I place the timeline at a certain point in the movie it will show me a particular frame. But if I decide to make a cut at that point all of a sudden the viewer will show me a different frame about a second or two earlier in the movie. Seems like it would be a frame rate issue, but I've got 23.98 video playing on a 23.98 timeline. Quicktime seems to think the video is 23.68 fps, which is weird. I don't know what to do with all of this, but hopefully someone does?

Most likely. It is not a consumer format.
x

I have a sequence on tcp that is Standard Def. I have a new set of files in High Def that match the old files. I would like to replace all the SD footage with the HD footage. Anyone know of a workflow to do this task?

I have a sequence on tcp that is Standard Def. I have a new set of files in High Def that match the old SD files. I would like to replace all the SD footage with the HD footage. Anyone know of a workflow to do this task?

Do a media manage of the sequence converting the files to the appropriate HD format making the clips offline. Then simply reconnect the offline clips to the HD clips. There may be issues in the file names, but they can usually be worked out either with the naming options in media manager or renaming your hd files. There are many utilities that allow you to batch rename files.

Best Compression for HDV1080i60 to Standard Def DVD with bars ?

I am wondering if there is a better technique directly through compressor that will take HDV1080i60 to a standard def MPEG?
Only thing is... I do not want any cropping. I'm hoping to have black bars on the top and bottom of the screen scaled for the full HD aspect ratio.

There's no such thing as HD on a DVD. DVDs are by definition SD.
What you're likely referring to is a 16:9 aspect ratio.
You don't want black bars (or any color bars) on the top or bottom of anything, that is unless you want to crop it. If your image is 16:9 you leave it alone. Same goes for 4:3. The set top DVD player is what actually controls how the image is displayed on a TV. You go to the set top player's menus and tell it what kind of TV/Monitor it's attached to: 16:9 or 4:3. It then sees the flags placed on the tracks on the DVD and does the correct display. So for a 4:3 TV when you show a 16:9 video, it's the player that "letterboxes" the resultant image, puts "bars" on the top and bottom. No squeeze, no muss, no fuss. And when it's played on a 16:9 TV it's shown full screen, edge to edge. No problem. The converse is true of a 4:3 video. On a "square tv" it will fill the frame, and on a 16:9 is will be "pillared, " with "bars" on left and right.
So you run your video through compressor as 16:9.
You author in DVD SP as 16:9.
Done
Carry on!

Uncompressed 8-bit standard def with anamorphic?

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