Unequal louness-levels on the Frontspeakers with X-Fi Mu

Hi everybody,?i?have a little Problem with my new X-Fi Xtreme-Music. I have a 2. speaker system?from Hercules. With the Xtreme-MusicThe loudness level?on the both speakers left and right are not Equal. I use VistaUltimateX64 with the newest driver from the Site. In the THX console, there is a point to make the soundlevel on both speaker equal. I used this and i had to give the right speaker -4.5db to make them to be nearly equal for my ears.With the Onboardsound of my Asus P5K i never hat such a Problem with the same Speakers. Is this a defecti'vely with the Soundcard or normal for the X-fi ?ThanksMiltonQ

Sorry currently the THX setup is only avalible off the origanal driver disk.

Similar Messages

If you create a 3 level deep site heirarchy (with the first two levels based on the document centre template) the sharepoint OOTB breadcrumbs break

if you create a site collection with document center as the template, then create another document center site (as a subsite) underneath it. Then create a team site (as a subsite) in this document center site. So now you have a 3 level deep site heiarchy
with 2 levels of doc center followed by a teamsite.
Note that the breadcrumb (when I say breadcrumb I mean the drop down folder button which shows the heirachy) shown on the teamsite skips the middle level doc center.
I have replicated this bug in production and in my test server. Has anyone run into this before? This must be something peculiar with the Doc Center template. If I do the same thing but I make the middle level a team site I do NOT have
this problem
krd

Hi,
Per my test, it seems that if the second level uses a different category template except the Collaboration templates, the site will not show on the breadcrumb.
No matter if the first level uses any template, when we view the subsite which uses the Collaboration templates, all the subsites which uses a different category template above will not show in the breadcrumb.
You can create your own breadcrumb using code.
http://blog.mastykarz.nl/building-breadcrumbs-sharepoint-2010/
Thanks,
Victoria
Forum Support
Please remember to mark the replies as answers if they help and unmark them if they provide no help. If you have feedback for TechNet Subscriber Support, contact
[email protected]
Victoria Xia
TechNet Community Support

JPEG/PSD issue--I open a jpeg and edit it (levels, crop) and then "save as" and the save as option shows there are now levels in the image and it wants to save it as a .psd file or a copy with layers. What am I doing that has these settings appear?

JPEG/PSD issue--I open a jpeg and edit it (levels, crop) and then "save as" and the save as option shows there are now levels in the image and it wants to save it as a .psd file or a copy with layers. What am I doing that has these settings appear?

16bit? Pixels extending beyond the canvas? (from a crop with delete unused pixels turn off). Have you previously been saving PSD files?
IME you sometimes have to tell Photoshop that the first save of a session is JPG, and it remembers from there on. The way to 'tell' Photoshop that JPG, or PDF, or PNG etc are now your preferred format is to Ctrl (Cmd) click on that format in the Save As drop down list. So long as the file does not have parameters that your chosen format does not support, then this should work for you.
[EDIT] Just noticed that you did include 'Crop' in the subject line. Do you have 'Delete cropped pixels' checked?

How to calculate the RMS level of a signal with its spectral representation

hi!
how to calculate the RMS level of a signal with its spectral representation
thanks

1. Find the length, N, of the spectral signal.
2. Convolve the magnitude of the signal with itself.
3. Take the Nth element of the resulting signal
4. Take the square root.
5. This should be the RMS value of your signal.
Randall Pursley
Attachments:
RMS.bmp ‏616 KB

Just updated from elements 11 to 13. When I try to use Levels in Elements 13. I click on the slider with my bamboo pen and nothing happens for a few seconds, sometimes not at all. This worked fine in Elements 11.

Just updated from elements 11 to 13. When I try to use Levels in Elements 13. I click on the slider with my bamboo pen and nothing happens for a few seconds, sometimes not at all. This worked fine in Elements 11.

Never mind my question on the photoshop elements 13 trying to install the camera raw update. It has been taken care of thank goodness!

CK13N How to display Costing for a product with level as the transaction IH

Hello to all:
When I calculate the cost of a product, in the transaction CK13N I use the button Costing Stucture On to display the detail by item but there is no level notion.
I would like to display the cost like in hte transaction IH05, depending of the level in the bom.
Is somebody know a mean to do that.
Thanks in advance.
Regards.
Jean-marc

Hi Jean
With "Print preview of entire hierarchy", what I see in my system is exactly what you want
What i did is this
1. Execute CK11N for p1
2. Do not click on Costing Str on or off
3. SImply click on the printer icon as i said and "Print preview of entire hierarchy"
What I see is
P1
Under P1, I see
AS1
- C2
- C3
C1
Regards
Ajay M

Problems with signal level around the house ????

Hi Guys,
I have had my BT Home HUb 2.0 for just about a month now and after having very little luck with my new laptop which i have replaced twice and am now on my 3rd (Samsung) all working well, i am still having problems with using my laptop with the home hub about my house.
I have strong signal downstairs obviously cause that is where home hub is situated, and it is central to the layout to the house, but if i take my laptop upstairs i have no signal again, i say again as when i first fitted home hub i had good signal upstairs of 3/4 bars. I have tried changing the channel and have found that channel 11 is the one for here.
The only thing i can put it down too is that the other day i tried to get the router set up no more than 5 feet from where it is now as i am also trying to get my old pc tower to work from it too (pc tower has no internal wireless card so have a wireless adapter) but signal again is very poor, since i tried that and also laptop has manufacterer update for a new driver to be installed which i installed which was for the wireless facility on laptop ( which since i have done a system restore ), since all of this i have struggled to get strong signall all around the house only in fromt room as hub is situated in hallway next to front room.
Please help, as i am not having very muchg luck ???
regards
joe-sud

Other external interference maybe.
I had a problem last year with my car remote transmitter not working unless within a few inches of the drivers window.
Using a radio scanner, I found a signal on the same frequency that my remote uses.
After eliminating all other possabilities, including total power down of our house to eliminate ANY of our equipment, I contacted Ofcom http://www.ofcom.org.uk/complain/inter/intbr/ and made a formal complaint.
A few days later the investigator arrived with some really hi tech scanning gear, and within 5 mins had identified the scource was eminating from next door.
He found the culprit....next door had a Sky remote extender which had gone faulty, and was flooding the area with a constant signal.
There is no charge for this service as long as its not your own equipment, which is why I powered off the whole house to see if the problem persisted.
Maybe you could use an extention lead from next door to power your router while turning your mains off to check?

[Question] PCI-6220: digital level at the pause of a continuous impuls train with external trigger

Hallo,
I'm trying to use a PCI-6220 card to generate a continuous impuls train which will be paused at an external trigger. I've used the example code in the example library to generate the impuls train. The idle state of the impuls train is set to be high. But I figure that die digital level at the pause is sometimes high and sometimes low. I suppose that the level stays at the exact time when the pause begins?
Is my assumption correct? Is there any way to let the impuls always pause at the idle state, like it will then be paused after a full impuls is finished? Any tips or links will help. Thanks in advance.
Wei

Yes your assumption is right. The output is latched to the last set value.
If you are generating the pulse through the counter, setting the Idle state in Create Virtual Channel.vi doesnt help?

Upgraded to iOS 6 and now I can't open anything in the kindle app? I have to say that I have had my ipad3 for 6 months and intensely dislike the problems with using it. Also is there any way of opening more than one screen as it is hopeless otherwise?

I Have had my iPad for 6 months as I cannot access my work emails using windows. I have to say that it is the most unhelpful device I have ever used and although it looks like there isn't an answer for some of the questions I have asked below, I thought I would try!
1) I have upgraded to ios6 and the kindle app will open but crashes and disappears when I try to access a book?
2) is there any way I can open more than one page at a time, as opening one at a time is hopeless?
3) Is there any way you can replicate the right click function on word? As pasting and copying on the iPad is irritating to say the least!
4) why can't my Samsung 11 phone connect to my iPad via Bluetooth? A they can't seem to 'see' each other? I may have turned a setting off when I was recently abroad and didn't want huge roaming charges.
5) Why do the submit buttons on some websites not work and how can I get them to? I never have a problem with windows, but it is often a problem with the iPad.
6) I have several websites which I have built and usually upgrade on the windows desktop, usually through Internet explorer, but I can't access the sites properly on the iPad (I can see them but can't alter them) and when sending emails through the websites they won't show the page and I can't navigate the page (the size of the email page is bigger than the iPad screen, but I can't either shrink the page to size or move the page around as you normally would on the pad, any ideas?
7) finally, when roaming abroad recently, I had no problems using the wifi, but when trying to use the cellular data (using the roaming function) I could not get it to work? The ipad seemed to be connected to the network with no problems, but wouldn't actually update the emails? I tried turning it on and off, but that didn't make a difference. My kindle and mobile phone (both also on 3G ) worked great, it was just (as usual) the ipad playing up.
8) when wanting to alter part of a sentence, I can't always get the cursor in the right place? Sometimes it is simple the wrong line, but often it will only go at the end or start of a word and not where I want it. Is there any way of making it more exact? Again I never have a problem with moving the cursor on windows, either by mouse or on the touch screen function on windows 7. Any ideas? As after pressing the screen multiple times I just want to throw it out of the window!
IT might just be that I don't have the correct settings (I am a technophobe) but I absolutely hate the iPad and only have it for work emails, it is so annoying that I can get my mobile phone and kindle3g to work fine, but always have problems with the iPad. I am sure it could be good (and for reading emails on the go in the uk it is great, as I like the key board) but it just seems to make everything else difficult.
i Hope you can help and sorry for asking questions others have, but I am just hoping that something new might have been developed!
thanks,
K
Message was edited by: K Paton

1) I have upgraded to ios6 and the kindle app will open but crashes and disappears when I try to access a book?
Try rebooting your iPad, that should fix he issue. I that doesn't work, delete the app and re-download it. The Kindle books should all be in he Kindle cloud services and you can get them again. I have an iPad2 w/ Kindle app and it works just fine - no issues.
2) is there any way I can open more than one page at a time, as opening one at a time is hopeless?
Page as in a kindle book way? turn iPad to landscape position from portrait position. If, however, you mean open more than one application at a time, then no. And not hopeless, as it takes a bit of time to get used to, going from a desktop/laptop format to tablet format.
3) Is there any way you can replicate the right click function on word? As pasting and copying on the iPad is irritating to say the least!
It's actually fairly easy. Press down on the word, then you can expand by drawing your finger to cover word/sentence/paragraph/page, hit select or select all then it gives you the option to cut, copy, paste, define. If you want to use a word processing app on the iPad, Pages is a good application.
4) why can't my Samsung 11 phone connect to my iPad via Bluetooth? A they can't seem to 'see' each other? I may have turned a setting off when I was recently abroad and didn't want huge roaming charges.
It's the connection on your phone. Samsung Galaxy SII? Android software? What you have to do is go to the phone's settings and connect via wireless, not Bluetooth. Go to System Settings (on phone) and under Wireless and Networks click 'more' and go to the Tethering and Portable Hotspot option. Set up your mobile wifi hotspot, name it though it will probably come up with 'AndroidAP', choose a WPA2 security level and put in a password. Go back to previous screen and turn on 'Portable Wi-Fi Hotspot' box. Then on your iPad in the Settings - Wi-Fi section, it should then recognize your phone for tethering. If it's a Windows Phone 7, I don't know the layout of that software, but presumeably similar.
5) Why do the submit buttons on some websites not work and how can I get them to? I never have a problem with windows, but it is often a problem with the iPad.
Sometimes the issue is with the website design, not all websites are optimized for mobile devices - not just iPad but also Android devices. It happens. They're getting there, but occasionally the page might need a refresh.
6) I have several websites which I have built and usually upgrade on the windows desktop, usually through Internet explorer, but I can't access the sites properly on the iPad (I can see them but can't alter them) and when sending emails through the websites they won't show the page and I can't navigate the page (the size of the email page is bigger than the iPad screen, but I can't either shrink the page to size or move the page around as you normally would on the pad, any ideas?
It depends on what you use to build the websites on the computer. Recommend a free program on the computer called CoffeeCup Free HTML Editor. I don't recommend using IE period; Firefox or Chrome are my choices on Windows machines. I have two websites that I manage, both using this program. I'm assuming that when you mean you can't access the sites on the iPad you mean to update them? Ostensible there are apps to let you do this. What format are the sites? Without seeing what exactly you mean and what you want to do, it's hard to explain.
As for seeing full page while emailing within a site, turn iPad to portrait mode, and try to finger-pinch touch the screen to see if that will bring the fuller page into view. Other option is opening a second tab with same website and just go between tabs to reference material.
7) finally, when roaming abroad recently, I had no problems using the wifi, but when trying to use the cellular data (using the roaming function) I could not get it to work? The ipad seemed to be connected to the network with no problems, but wouldn't actually update the emails? I tried turning it on and off, but that didn't make a difference. My kindle and mobile phone (both also on 3G ) worked great, it was just (as usual) the ipad playing up.
If you were outside the US or Canada, my guess is the problem lies within the SIM card in your iPad. If you were outside North America, there are different band levels - I'm guessing you have a SIM thats locked to a particular provider. Band level frequencies differ per country/continent, so a SIM card that will work in Canada/US will not likely work in UK/Europe/Asia/Australia, etc. you will be able to get your emails again when back on a wifi network. Mobile phone may have a different type SIM card (GSM/HSPA) from your iPad SIM. Also, check your email settings.
8) when wanting to alter part of a sentence, I can't always get the cursor in the right place? Sometimes it is simple the wrong line, but often it will only go at the end or start of a word and not where I want it. Is there any way of making it more exact? Again I never have a problem with moving the cursor on windows, either by mouse or on the touch screen function on windows 7. Any ideas? As after pressing the screen multiple times I just want to throw it out of the window!
Moving the cursor on a sentence is a matter of putting your finger on the screen where you want it. It's exceptionally easy to do. I'm using the Notes app to write this whole segment and I just need to put my finger where I want to change things and presto it's ready for me to change where I want it.
Here's a solution: sell your iPad (after you wipe your data off it) to someone who will appreciate it, and put your money towards the Windows Surface Tablet out later this year/early next year, where you can (reportedly) connect a mouse to it. It will have some of the Windows 7/8 functionality that you're more familiar with, or get a netbook.
- Ceridwyn2

The Problems With Logic (as I see them) - PART TWO!

Hello again,
It seems to be a tradition now that as I compose on a track, I keep a text editor open so that I can jot down all the annoyances and problems that I encounter during my creative process... Anyone who missed the previous edition of this topic, please visit PART ONE, here:
http://discussions.apple.com/message.jspa?messageID=3605456#3605456
That said, here I give you "The Problems With Logic Part II":
1. Logic should clear the playback buffer everytime you play. Quite often you start playing and there is trailing reverb/note events from various audio instruments and plug-ins.
2. The sample edtor "save selection as" has no memory of where you previously were in the file browser.
3. If you double click on a wave form, the sample editor opens up with the wave form you double clicked on... Great.. But now, if you go and double click on another wave form somewhere, it just takes you back to the sample editor with the same previous wave form selected (not great). This is incredibly annoying if you are attempting to save out certain edits-- Quite often you will end up saving 5 or 6 of the same exact waveform, thinking you were saving each individual one. GRR!
4. Key commands.. if you try to assign a key command to something that is already used by another feature, you are presented with a window warning you that it already exists.. If you click cancel, then you can no longer enter any keys in the key field.. You are forced to close the key commands preferences window and start over.
5. Key command window: You should be able to search by command.. For example, if I want to find out what "o" is assigned to, I should be able to search by O-- Further, you should be able to sort the key commands by clicking the column titles "key", "command" -- or "midi"... After all, we can sort by name, date, size, etc in the finder by clicking on these column titles.
6. Tempo Tap feature-- I am quite confused by this. There should be a simple way to tap and define a tempo. When ever i try to do this, the tempo is only temporarily changed until I stop playing, and most of the time I get error alerts about trying to sync audio and midi (mind you, when there are absolutely no parts in the entire arrange window). The manual states that with "tempo recording" checked on the tempo interpreter window, that the taps will record tempo changes, but this does not work. I tried doing this, tapping the key command I defined to tempo tap (ctrl-shift-t), and I was tapping at various speeds-- many taps fast.. and Logic recorded tempos of 99-101bpm.. I was tapping atleast around 175-180bpm. I then tried tapping slowing, and Logic recorded tempos of 99-101 again... so this feature obviously is full of bugs.
7. When loading songs, as soon as various plugins such as Kontakt, exs24 begin loading samples, it brings logic to the front. If you're working in the background in other applications while waiting for your songs to load, you are rudely interrupted from what you're doing (such as, selecting from a menu, typing a document, etc) only to be forced to watch a status bar fill up.. and then all key presses at that point become error beeps.
8. Logic's sample memory easily becomes messed up and crazy. Quite often when using AU instruments such as BFD, Culture, and even Synthogy's Ivory. I will switch to that particular track to play on my keyboard, and each sample will be full of horrible pops and clicks-- the kind that destroy speakers. Other times, in a sample of a string for instance, all of a sudden after one second will be a pop and then the sample will be playing at a completely different pitch... I have to remove the AU instrument and reload it at this point.. This happens quite often. Logic should offer a 'buffer reset' so that you can just flash plugins but they reload whatever preset they were set to.
9. Volume faders resolution are lame! There is no reason why you shouldnt be able to access +1.0, +1.1, +1.2, +1.3, +1.4, +1.5, +1.6, +1.7, +1.8, +1.9... Further the display is only so wide and you can't even read the decimal values for numbers -10 and lower. They just appear as 10.
10. When a movie is open, and you are viewing the video output via FIREWIRE, there is a mini-floating window which contains the smpte, position, and movie start information-- However you cannot modify any of these values. You have to switch video output back to "WINDOW" to change the start position of the movie. This is obviously a bug.
11. Changing the movie's start time is very user unfriendly. There should be a simple way to specify to start at a moment of time relative to SMPTE-- So you can just say "+9:15" for example, and it would take you in 9 minutes and 15 seconds, rather than how it is now where you have to think backwards from SMPTE code and subtract.
12. You cannot view video as a window AND output to firewire. There is no reason why you shouldn't be able to do this. For example, if I wanted to output my video to a monitor in a vocal booth-- I can do this.. but I can't see what the vocalist is seeing on my own screen! This is just nonsense. You should be able to output to the screen (desktop mode or floating window) as well as an external firewire device.
13. Saving a song with a movie open should mean that when you load that song, the movie should be up and exactly as it was prior to saving. As it is now you have to select "open movie again".
14. There is still definitely a bug in track automation-- this was really bad back in version 4, but there is still something not quite right here where starting playback will not always guarantee that the automation data is being read.. And in my experiences it results in volumes being incorrect until you stop and play again, and in some cases it will not work at all unless you plot some automation points. This is an intermittent issue-- but quite often activated by placing an audio region from the audio window on a track (SEE VIDEO).
WATCH VIDEO OF THIS BUG:
http://collinatorstudios.com/www/logicbugs/logicautomationbug.mov
15. In the arrange window, sometimes when zoomed in tightly, all parts on a track are selected, and you think that only the part that you are looking at is selected.. you move this part, and now all of your parts are off. Logic should have some kind of visual aid to let you know when ever you are moving multiple selections... Something like, the parts you are moving will highlight a dfferent color or something... This is a similar problem I have with the loop area of the screen.. You can accidentally turn it on when in the matrix window, and have no idea unless you look down at the transport, but with me for example, my transport is at the very bottom of the screen and I am not looking there most of the time.
16. Automation data, when two points are semi-close to each other, suddenly the value of the data is no longer shown.. I can understand that when you are zoomed out, and there is simply no space for this to visually appear, that's appropriate. But as it is now, it doesn't display this information when there is plenty of space for it to be visible.
17. Logic should let you set audio track inputs to the various outputs (1-2, 3-4, etc) and buses.
18. clicking on a track selects ALL parts. This is so so so annoying. How many times have I been editing voice over, and selecting a track, thinking I am shrinking the length of a part, and to find that ALL parts have been shrunk.. SO ANNOYING!!!! This needs to not happen, and there should be a simple way to right-click a track and it will have an option "select all regions"... also, when you click on a track and all parts are selected, if you horizontally zoom, logic zooms into the beginning of the track, rather than the song locator. I don't know what the LOGIC behind this is, but it's not very helpful, it actually is very frustrating.. Zooming should always move towards the song locator position.
19. EXS 24 should have a "reverse/backwards" button so that samples played are backwards.
20. Logic should offer a way to globally increase or decrease a specific automation type (especially volume) globally for all tracks... So if you have detailed crescendos that start at -3.8 and end at +1.6, you can add 3db to this and it will now be at 0.8 and end at 4.6.
21. If you have multiple tracks of the same track (such as three Audio track #1's)-- say you are recording guitar parts, and just copying the track and muting the previous track as a method of maintaining multiple takes for later auditioning. If you draw automation volume data on this track (it appears on all 3 tracks), and then if you delete the audio from one of the muted tracks and tell logic to KEEP it, suddenly all automation data is gone. GRR!!!
22. Several times I have opened Kontakt, and attempted to load an instrument while outputting a movie via firewire video to my monitor. As soon as I try to load the instrument, the firewire video output on my monitor goes crazy, and then comes back on.. Logic then crashes. This has happened 3 times randomly...
23. UNDO does not work on every function. for example, if you change an output to bus 1 instead of 1-2, you cannot undo this. Undo should undo whatever the last command was, no matter what it was. This is what the word LOGICal is supposed to represent.
24. Floating windows (as in plugin windows) should close with apple-w!!!
25. *BUG* If you are in a part that is say 10 measures long, zoom in horizontally 100% in the matrix window-- You then isolate one specific quarter note pitch in the middle of this measure, and have cycle turned on, looping over this one quarter note, if you are not looking at this note event/loop region when you hit play, the display will jump to the beginning of the part and never show you this note event as it loops. However if you have the note event on screen when you hit play, then it will behave properly. This makes it extremely difficult and frustrating to perform detailed hyper-draw work. (SEE VIDEO)
WATCH VIDEO OF THIS BUG:
http://collinatorstudios.com/www/logicbugs/logicloopbug.mov
26. *BUG* Host Automation is not accurate. I assigned Kontakt's tune knob to C#000, and If I place a dip, the knob begins to move way before the automation data is even present.... So basically what I was trying to do, can't even be accomplished because Logic screws everything up by pitching the instrument too early... Such a shame.. By the way, I previously mentioned the importance of being able to display part data in the arrange window as matrix data (horizontal lines) rather than score data. Someone argued what good this would do-- Well this is a perfect example, if I am attempting to affect a particular section of a note with automation, I can't possible visually see where this is because the length is not described by the current score representation. Having a horizontal representation would solve this problem... (SEE VIDEO)
WATCH VIDEO OF THIS BUG:
http://collinatorstudios.com/www/logicbugs/logicctrlchngbug.mov
27. There should be a way to convert stereo samples to mono in the sample editor.
28. When you view "as text" in the environmentt, you cannot drag an object to the arrange window-- Such as to create a bus track.. Now mind you I don't know why you can't just select "BUS" when editing a track in the arrange window in the first place, however there is no reason why 'view as text' should behave differently than when it's viewed as icons.
29. When you drag a bus from the environment to the arrange window, it replaces whatever track was there. It should ADD a track instead of replace-- atleast there should be a preference for how this behaves.
30. Occasionally when dragging a bus from the environment, there is some visual garbage in the track automation (see screenshot).
31. There should be a way to LOAD and SAVE selections in the arrange window. Quite often when editing audio from a countless number of parts/regions, it becomes painful when you have to select and move 100s of audio files. There should be a way that you can just select a ton of regions and save that selection, and reload it at anytime. There are a few 'select' tools/options under the edit window, however they are song specific-- not track specific. So they are completely usesless for what I need.
32. Logic should offer a feature to collect sysex data from midi devices so that patch names show up and can be selected via program change.
33. When no track or part is selected, and you vertically zoom in, Logic should zoom into the center most track.. It behaves very oddly and zooms in more towards the top. This becomes extremely annoying when dealing with a sequence involving 100 tracks, and a part is selected but you scroll far below where the part is.. When you begin to zoom in, it takes you towards the selected part, yet it's not displayed on the screen and you have no reference for what you are even looking at. The rule should be this: If the part is on the screen, zooming vertically will bring you to it. If it's off the screen, you will zoom into the center track of whatever is currently on the screen.
34. I mentioned this in a thread earlier... http://discussions.apple.com/thread.jspa?threadID=752485&tstart=0
There is a bug when using the transform tool involving the 'position' variable. In my example, I was attempting to reverse the time placement of three chords, that occured in a part somewhere in the middle of my song. By selecting the measure start and end of this part, Logic was unable to select or operate with the transform tool (and I tried a variety of transform options). If I moved this part to the beginning of the song, then the transform tool would suddenly work. After some research, I found online someone had said "Position Time position of the event, referenced to the start of the MIDI Region (not of the song)."--- But if I still doubt this is true, because I then placed the part on a new track with no other data, and placed it in the middle of the sequence and in the transform tool under position I selected '1 1 1 1' to '5 5 5 5' as well i tried setting the position to 'all', and none of this worked. This obviously is a bug... If it's not then it's a very serious design flaw. The position should relate to measure numbers of a song, and nothing else.
WATCH VIDEO OF THIS BUG:
http://collinatorstudios.com/video/transform.mov
That is all for now...
For those who firmly agree with me and all of the points that I have brought up now and in the past, I encourage you to contact Peggie Louie, (the Logic HR department contact) at (408) 996-1010 and suggest that she hire me as a consultant to help eliminate Logic's many annoyances. I have tried to pursue this heavily in the past, but sadly I was completely ignored by her on all levels. Maybe you all can help make a difference?
Fighting the good fight,
Patrick J. Collins
http://collinatorstudios.com

11. Changing the movie's start time is very user
unfriendly. There should be a simple way to specify
to start at a moment of time relative to SMPTE-- So
you can just say "+9:15" for example, and it would
take you in 9 minutes and 15 seconds, rather than how
it is now where you have to think backwards from
SMPTE code and subtract.
For this one I'd suggest getting SMPTE calculator. Entering timecode numbers and having to add and subtract is not so difficult, and AFAIC part of a composer's gig. But what I would add, instead, is that it would be fantastic if Logic provided a timecode calculator (edit: even if it was in the form of a custom Logic widget).
13. Saving a song with a movie open should mean that
when you load that song, the movie should be up and
exactly as it was prior to saving. As it is now you
have to select "open movie again".
This doesn't always happen. I've struggled with this for a long time, and I don't know why sometimes the movie will load and not other times. I would also add here that Logic should show the file pathname to the movie. Somewhere...
18. clicking on a track selects ALL parts. This is
so so so annoying.
You can prevent this from happening if you have cycle turned on and set to a set of locators that "contain" the parts you might want to select en masse. I always work with cycle=on so this is not a problem.
21. If you have multiple tracks of the same track
(such as three Audio track #1's)-- say you are
recording guitar parts, and just copying the track
and muting the previous track as a method of
maintaining multiple takes for later auditioning. If
you draw automation volume data on this track (it
appears on all 3 tracks), and then if you delete the
audio from one of the muted tracks and tell logic to
KEEP it, suddenly all automation data is gone.
GRR!!!
Never had that happen. In my experience, telling Logic to keep the data always works.
23. UNDO does not work on every function. for
example, if you change an output to bus 1 instead of
1-2, you cannot undo this. Undo should undo whatever
the last command was, no matter what it was. This is
what the word LOGICal is supposed to represent.
Undo in Logic is highly problematic for other reasons. Here, I think there should be a specific Environment Undo, just like there's a separate undo for audio edits.
29. When you drag a bus from the environment to the
arrange window, it replaces whatever track was there.
It should ADD a track instead of replace-- atleast
there should be a preference for how this behaves.
Right. This is a matter of personal preference. But still there are other ways to get an object assigned to a track. The "thru tool", for instance. No dragging required.
32. Logic should offer a feature to collect sysex
data from midi devices so that patch names show up
and can be selected via program change.
My guess: considering how much sheer time it takes to write this kind of software, let alone debug it with every conceivable device, it's not likely this is going to happen.
That is all for now...
For those who firmly agree with me and all of the
points that I have brought up now and in the past, I
encourage you to contact Peggie Louie, (the Logic HR
department contact) at (408) 996-1010 and suggest
that she hire me as a consultant to help eliminate
Logic's many annoyances. I have tried to pursue this
heavily in the past, but sadly I was completely
ignored by her on all levels. Maybe you all can help
make a difference?
Wait in line buddy!
(LOL)
I must say, I'm very impressed with your list and attention to detail. And I feel your pain, trust me. But many of the things you've listed are feature requests and not bugs. And some of the behaviors you've described I have yet to run across. So this is typical with Logic, that it can be operated in so many diverse ways that no two people run it in the same way, nor would two people conceive the program's capabilities in the same way. But I digress...
I also think there's a certain amount of Logic convention that I don't think you've adopted yet, hence your wish for behaviors that don't yet exist.
I don't disagree with most of your feature requests, and I'm (quite unfortunately) able to say that I'm familiar with most of these bugs and about 9 dozen more. But again, it's important to distinguish between bug, feature request, time to RTFM, and errant behavior that's experienced by a very limited number of users.
There's no doubt that this program has its problems. In particular, your #1 re the playback buffer. And I'm glad you've brought many of the bugs into the light for people to read. Good work.

The problems with Logic (as I see them)

Hello Everyone,
Please keep in mind that I am writing this with the intention of expressing my frustrations, and what I feel would make Logic a better program. I realize not everyone will agree with the importance of what I say, but I am a firm believer of HAVING THE OPTIONS. Let the users choose what works for them and how they can best accomplish the tasks that they need to with their individual workflow.
That being said, here is my list of Logic's faults and why I often call Logic "Illogic".
General:
* Logic should have a feature to automatically save your song every X number of minutes. Final Cut Pro does this, why doesn't Logic? It should prompt you "Logic can automatically save your project if you save it" (assuming the current file is 'autoload') to remind users that they should create a project name and save their work.
* There should be a preference option for all windows to open as 'float'. Once upon a time holding option while double clicking parts would open them as a float (though having to hold down option every time in my opinion is an inconvenience, because I personally ALWAYS want my windows open as a float), however.. now in 7.2 that does not seem to work anymore. So, theoretically after you set your prefence to 'always float', then the when you hold option or control and click on a particular window, it will bring that window to the foreground...
* The loop region at the top of the screen is larger than the time-line ruler tab. This is the #1 annoying thing about logic. so many times, I click on an area of the ruler tab to start playing at a specific section.. and somehow I ACCIDENTALLY click on the loop area... If I could ask for ANYTHING it would be that there is an option to disable LOOPING turning on and off from clicking up there. My 2nd request would be that the ruler tab be re-sizeable so that it can be larger than the loop area. This is especially the case for the matrix window where it default opens up to a sizing where the actual time line is so tiny, and the loop region is HUGE.... Every time I open a matrix window I have to resize this and again the loop area is 2x as big as the timeline area, so I end up wasting screen space just to avoid the annoying loop feature being trued on. My suggestion is, require that the loop button on the transport be the only way to turn on the loop feature (other than key commands), and only when it's turned on can loop points to be set. Why is the loop area so big anyway?!?!
* Logic should offer a TALK BACK MIC button which will utilize the built-in apple microphone or iSight microphone and allow that to be sent to the audio interface. This would be an extremely useful feature for studio recording setups.
* Starting logic takes approximately 5 minutes for me. It says "scanning exs24 instruments" for the majority of the time, and I admit my sample library is huge. however, my sample library has not changed in over a year. Why does logic have to continuously scan it??? Can it not make a reference of how many files, compare and if its larger-- then scan???
Song Loading:
* When audio files are not found during loading a song, it asks you the first time what you want to do "search", "manual", and "skip"... if you click "skip", and then it finds another missing file, it no longer presents you with the "SKIP" option.. but forces you to either search or skip all.. Let's say you have a project that used 5 audio files that are all missing because you had them on a different hard drive, but have copied the data somewhere else. The first two files it asks for you don't need.. but you know where the 3rd file is.. So your plan is to skip the first two files and then click manually for the 3rd.. but oh.. YOU CAN'T DO THAT! You have to find your first 2 files if you want to even have the option to locate your 3rd file... Unless you are planning to locate the files within the audio window-- but still, Logic should not be so unfriendly.
Further, If you choose "manual", and what you're looking for isn't where you thought it was-- You realize you actually want to search for it.. So you click cancel and guess what.. It assumes you want to skip it, and so you either have to reload your project again, or deal with this in the audio window. Bottom line is this window should always have "Search", "Manual", "Skip", and "Skip All".
* When you open another project, Logic DUMPS all of the audio instrument data in memory. This is one of the worst things about logic. If you are working between multiple files-- such as when scoring a film, and you are using different files for different cues, then this becomes a complete nightmare and a waste of your time. Logic should be assessing "What instruments are in common between these two projects"... And utilizing all audio instruments to the best of the machine's memory capacity. There is no reason for Logic to behave like this.. I've had to revert back to previous versions of the same song because some data was different, and I am just trying to visually compare various settings one from the other.. Just clicking from one project's window to the other requires me to have to wait 3-4 minutes while Logic loads all these audio instruments (WHICH ARE IDENTICAL IN BOTH PROJECTS BY THE WAY!!!).. This is just incredibly dumb, and creatively stifling.
* BUG * -- Mind you, if you have two projects open, and you close one.. Logic begins loading all the audio instruments of the remaining project.. If you close that project as it's loading audio instruments, Logic will crash.
Matrix Stuff:
* BUG * If you have a part with lots of notes, and you begin to make a selection and scroll horizontally through all the content until then entire part is covered in the selection... After you release the mouse button and make this selection, quite often many random notes are unselected. This can be demonstrated by watching the following quicktime move:
http://www.collinatorstudios.com/video/logicbug.mov
* When you select a single note in the matrix window, it sounds.. This is a GREAT feature... However, when you make a selection of multiple of notes, they all sound at the same time.. This is just plain dumb. It once blew up my speakers... There is NO reason why a multiple selection would need to sound.. It's just dumb.. bad for your speakers, bad for your ears. The rule should be, if selection box = yes, then sound = no... else, sound = yes.
* When viewing the matrix window while recording, all note events disappear until after recording stops. This is highly annoying (and illogical) as it causes confusion if you are relying on watching the note events in that part to know where you are supposed to come in.
* The grid cannot be set to divisions other than 2 or 3. Musicians use 5 and 7!!! And also, can logic please offer an option to display the grid as NOTE symbols... It is much more musician friendly to see a 16th note with a 3 over it than "24". 24 means nothing to me as a musician.
* Quantizing should allow custom input for tuplets.. So that users can quantize odd figures such as 13:4 for example.
* If you move the song locator to a specific time location in the arrange window, and then double click a part to open it in the matrix window, the window is not opened to the locator's position. Thus causing annoyance and confusion as far as what the user is even looking at.
* During horizontal scrolling of the window, the locator temporarily disappears, making it difficult to find where the locator is-- which usually is a marker for us to know what we are trying to find-- ESPECIALLY WHEN YOU OPEN A WINDOW AND IT'S NOT EVEN DISPLAYING THE SONG LOCATOR'S POSITION!!!
* If you have two parts on the same arrange track, adjacent to each other and you enter the matrix window of the first part.. (assuming the link/chain icon is lit) When you scroll to the end of the note data, logic automatically takes you to the next part... The problem with this as it is, is that it does not take you to the FIRST note event of the text part, but rather continues to align the song locater with where ever it previously was (so you end up viewing somewhere further down in the next part).. To clarify, say you have a part what begins at MM-7 and ends at MM-14, the 2nd part begins at MM-15 and ends at MM-22.. If you begin scrolling the song locator past measure 15, then suddenly you see measure 22. When you really should be seeing measure 15. This is confusing and weird.
* Every time you enter the matrix window of a part, the chain/link button is on. For me, this is incredibly annoying. There should be a way to set this so that the button's default is OFF...
* When you move the mouse around the matrix window, whatever pitch corresponds to the vertical location of the mouse--- that particular key of the piano keyboard on the left side of the window should highlight so you could clearly see what note you are hovering over.. Logic tries to help with this by offering things like contrast options for C D E, but this clearly would be much more helpful.
* With the velocity tool you can (MOST OFTEN ON ACCIDENT) double click on empty space in the window and cause all note events in all parts to appear on the screen-- Yet once you do this, you can't double click on a particular part's note to only display that part again. You have to switch to the arrow tool to do this. This is inconsistent and ILLOGICAL...
ON A SIDE NOTE: PLEASE ENABLE A FUNCTION TO DISABLE THIS "ALL NOTES OF ALL PARTS APPEAR" when double clicking on empty space feature! I want NOTHING to happen when I double click within the matrix window... Make it a button within the window or just an option in the drop down menu only. * BY THE WAY * When you DO double click the background of the matrix window and multiple parts appear.. If you move notes of one part to match it up with other, it is incredibly slow. there is a 1-2 second pause each time you move a note move.. My g5 fan goes on each time I do this.. I'm sorry, there shouldn't be anything too CPU intensive to accomplish this simple task!!! I am only viewing 2 parts at the same time and it's slowing down my cpu...
* Occasionally when I adjust note lengths, I accidentally double click on an actual note.. This opens the event list editor, and there is an intermittent bug where this note sounds-- and for some reason when the event list opens, the note sounds on top of itself a million times, so the result is a super loud flanged note which again, almost blows up my speakers and hurts my ears... PERSONALLY, I would like an option that DISABLES the note event list from opening by double clicking. Preferences currently has "double clicking a midi region opens: <selectable>"--- why not also have "double clicking a NOTE in matrix window does: <selectable>"-- and please allow "DO NOTHING" to be one of the options.
* Why does the finger tool only change the end position of the note event??? Should this not be replaced with the bracket tool which appears automatically when using the arrow tool on closely zoomed in notes? This finger tool seems like an outdated old logic feature which has been replaced and improved upon. What would be nice is to have this bracket tool where we can be assured we are altering note start and end positions without moving things.
* In the hyper-draw >> note velocity section--- This is highly annoying to work with... It's far from user friendly. first of all, to move a note's velocity position, you have to click on the "ball".. if you click on the line, it does nothing.. Because the ball is so small to begin with, quite often the user is going to miss the ball and somehow begin to "START LINE"-- Which is weird because it's activated by holding the mouse button down briefly. There really should be a "line tool" for this, because "START LINE" is too easily accidentally activated-- this is frustrating for the user. Most important though, these 'velocity markings' should be adjustable by clicking on the line as well-- not just the ball.. there should be a 2-3% area around each ball/line which logic will recognize as part of the ball/line so that it can easily be moved. I also feel that there should be some specific features for this section, such as a way to select multiple note velocities and apply a random pattern to them, or apply a logarithmic curve to the line tool. Yes, you can accomplish this stuff somewhat with the transform tool-- but this way would be more user friendly, and allow a lot more creative flow.
Event list/Tempo list:
* When one event is selected, by moving down X number, holding shift+clicking SHOULD select all events between those two points. However, the shift key for some reason acts as the OPTION key does in the finder-- (meaning it will only add one additional selection at a time).. This is highly inconsistent with the actual behavior of a Mac... Open a finder window and hold shift and click on items that are not vertically next to each other and a group is selected... Now do it in logic, and it causes GREAT frustration and annoyance. What happens if you have a million note events that you want to erase? You have to go page by page and click with shift on each one?? Or drag a selection and wait for logic to scroll you to where you want to go?????????? No thanks.
Arrange stuff:
* "REGIONAL CONTENT" (meaning the visual representation of note events) does not accurately depict the event data as note lengths cannot be visually identified. Everything shows up as a generic quarter note... My #1 suggestion is that regional content should be customizable so that you can view it in a miniature matrix data style. The biggest problem for me is that I cannot see where my notes end-- I can only see where they start, this makes it very difficult to identify what I am looking at.
* Track automation data should only be inputable by the pencil tool. I cannot mention how many times automation data has accidentally altered when using the arrow tool. The pencil tool should allow you to raise and lower the lines reflecting automation data... What is the point using the pencil tool for automation if it's only function is to create "points" yet you can also create points with the arrow tool..??? Pencil tool should act as the arrow tool does in the sense that it raises or lowers automation data.
* Recording preferences do not offer the option to automatically merge new part with existing part when a region is NOT selected. How annoying is it to have to select a part every time you want to record something just so it will be included in that original part!
* Ruler at the top of the screen should also give an option for tuplets. 5, 7, etc.
* When in record mode, if you click on the ruler to another time position, all audio instruments cut out and it takes approximately 3-4 seconds before tracks begin playing audio. This becomes very annoying if you are trying to do a pick up and want to just start 1 measure before hand.
* There should be a way to EASILY (without having to cable two tracks together in the environment) temporarily link multiple tracks together so that automation data will be duplicated. So theoretically you can link 3-4 tracks together, and by adding automation data to one, you are adding it to all 4.
* If a part is soloed, and you hit record. The part stops being soloed and you can no longer hear it. This makes it impossible to record a pick up on a soloed track unless it's locked, but it shouldn't need to be locked.
* When you are zoomed in tightly, and you are trying to align notes within two parts on different tracks (meaning using the PSEUDO NOTATION DATA that appears in the part to align), there needs to be a VERTICAL line that snaps to the note closest to the mouse cursor. When trying to do this in parts that are a far vertical distance apart, it becomes VERY difficult to eye this alignment. Logic does this with automation data.. but for some reason they left it out for actual part alignment...
* There should be a way to force the downbeat of a measure to occur at any given moment... What I mean by this, is composing for film is an absolute PAIN in Logic. Scenes, last for odd amounts of time, and Logic's reference manual claims that you can solve this by using various tempo tricks, however it is ineffective for the most part. What Logic needs is the ability where you can click on a drop down menu item within the arrange window and FORCE that where ever the song locator is, the rest of the measure is eliminated and a new measure downbeat occurs right there. This will allow you to always have new scenes on the downbeat of a measure without having to mess with your tempo and meter.
Hyper Edit Window:
* I can't even begin to comment on this... The hyper edit window is one of the worst things I have ever seen in a music/audio program. It is a horrible interface, you can't get it to do anything correctly without messing everything up. This thing needs a complete overhaul... I mean, just try to create a simple crescendo with note velocity and it will take you all night.. Try to add pitch bend data, and it adds note velocity data as well.. It's a total nightmare, and I would love to hear someone's practical application of this window.
Score Window:
* The method that the song position locator moves along with the notation is very strange. It is not at all how a person's eyes function when reading music. A much more logical approach to this would be for a transparent colored block of some type to highlight an entire measure, and each note head will glow as it sounds. The current way is so strange, it speeds up and slows down-- makes absolutely no sense, and it is more disruptive than anything.
* When the Hyper Draw > note velocity area is exposed, if you use the velocity tool to increase/decrease a particular note's volume, the data in the hyper draw window does not update in real-time as you use the velocity tool. This behavior is inconsistent with the matrix > hyper draw's note velocity section-- where as in that area, the velocity ball/lines do update in realtime.
EXS24:
* when you are in many levels of subdirectories and you are auditioning instruments, it becomes very time consuming and annoying to have to continually trace through all the subdirectory paths. There should be a feature directly under the load instrument window that takes you to the subdirectory of the current instrument.
* Seems when SONG SETTING > MIDI > "chase" is turned on... When starting sequences using audio instruments, (I am using a harp sample within the exs24), there is a latency hiccup upon starting, which is very disruptive when trying to listen to a short isolated moment in a composition. And I do want to chase note events in general-- but this present situation makes it difficult for me to work. I would suggest that you can specify tracks to exclude chasing.. Or fix the latency hiccup issue.
Thank you.
-Patrick
http://collinatorstudios.com

this is excellent patrick. can you number your points so that the thread can be discussed?
1. yes
2. ok
3. great idea
4. even better idea. you could set something up with aggreagate device i suppose but it would be better to have the feature to hand.
5. you need to look into your project manager prefs. scan the paths and the links to the audio files will be saved meaning they will load up in a fraction of the time.
6. yes this is nuts. you can skip all and sort it out with PM but then you shouldn't have to.
7. this exists already. perhaps it ought to be a default but you need to set your esx prefs to 'keep common samples in memeory when switching songs'. then it will do just as you wish it to. you can also use the au lab in the devlopers kit which will allow you to load in au units etc seperately from logic, which logic can then access. this is a good way of getting around the 4 GB memory limit with logic too.
8. ok, don't know about this bug.
9. yep happens here too.
10. doesn't worry me this one. you can turn off midi out.
11. yes this is silly.
12. well, i think this is something we can get used to. i am a musician and i am used to seeing '24'.
13. you can already set up groove templates to allow for quantizing irrational tuplets. i do it all the time. i would like to see step input for irrational tuplets though.
14. yes this is silly. the button for the KC 'content catch' is getting very worn out.
15. ok.
16. not sure i understand this one.
17. yes this drives me nuts too. i have to lock screensets to get this to stay off.
18. you can use KCs for 'go into/out of sequence' - but yeah.
19. ok
20. there are a couple of features that use old technology that cause hangs and poor performance. score is a good example of that. maybe the matrix is too. the score is being updated we assume with newer technology maybe the matrix will too.
21. there are probably better ways of adjusting velocity than using matrix or hperdraw velocity. have you tried holding control-option and click dragging a note in score?
22. as i pointed out in 20, this is an old feature. you could change things to be consistent with modern macs and annoy long term users such as myself, or leave them and let them be inconsistent to confuse newbies. i think depending on what it is we oldies could upgrade our work habits.
23. this one doesn't worry me so much.
24. good point (no pun intended).
25. well, i find the opposite - that merging new parts to objects i have accidentally selected to be annoying. perhaps more detailed prefs?
26. yep.
27. this will be down to your audio settings. you can improve this lag but it will be dependant on the capabilities of your system.
28. i don't know why this feature doesn't work in logic. it is supposed to have ti already and i just don't understand why it doesn't. maybe it will be fixed in the next upgrade.
29. agreed.
30. ok - i have other work flows for this but it would be nice.
31. i don't agree that logic is a pain to score with to film, i do it nearly everyday. but you are discribing an interesting feature which might be worth discussing more. i think you might find yourself getting alarming and unmiscal results doing this that will end up having to be sorted out the conventional way. but its a good idea.
32. oh yes.
33. yeah - this could be improved.
34. ok, well i wouldn't go about it this way, but yeah there is generally sticky spots with regards to updating of information al around logic.
25. very very good idea.
26. there are lots of problems with the chase function. very annoying. i certainly agree with this.
in general, some of these could well be done as their own threads. some of the missing functionality may exist. if you can confirm a bug then you are on stronger ground when you submit feedback. but this list is full of fantastic ideas.

Infoset query of vendor payments at the cost distribution level of the document

We would like an infoset query of vendor payments at the cost distribution level of the document. The issue seems to be joining vendor to the document cost distribution lines.
1.) BSAK + BSIK can be combined with an infoset data structure but only contain the vendor line of a document; the cost distribution lines are not in the tables.
2.) BSIS + BSAS can be combined with an infoset data structure but lack vendor data and joins (to a vendor source) are not an option with data structures. Vendor data added with an additional field is too slow to be a primary selection field.
3.) Logical data base KDF in an infoset returns only the vendor line of a document, not the cost distribution lines.
4.) Logical data base BRM in an infoset can have vendor from BSAK/BSIK attached by an additional field but performance is too slow to be useful. Joins are not an option in a logical data base infoset.
5.) Complete data is lacking when table joins between document cost distribution tables and vendor data tables are possible, (SPL actual line item table & BSIP or FMIFIHD & FMIFIIT). BSIP lacks AB documents (reversals). FM tables lack general ledger only documents.
6.) BSAK and BSIK together have complete vendor data but joins of both to a basis table are not an option. Left outer joins are too slow, inner joins won’t work since the tables have mutually exclusive data.
Does anyone know of any other options?

Hi,
This is SAP Business one reporting and printing forum. Please find correct forum and repost above discussion to get quick response.
Please close this thread here with helpful answer.
Thanks & Regards,
Nagarajan

Any way to put your own zoom level in the zoom dropdown?

It turns out that on my 15.6" laptop screen a 65% zoom level is about perfect for fitting my spread in the display so that I can actually read the text in the text frames. (Double-clicking the Zoom tool puts me at a 75% zoom level but with text frames going outside my screen viewing area).
Pressing Control-Alt-0 puts me at 53.3% but with text slightly too small to read. Being stubborn, I want 65%, because then I can read all my text and fit the whole spread in the window minus the white blank area between the pink (magenta?) margins and the page trim (black border) which I don't need to see.
I know about the script method - I've already made my own keyboard shortcut for a 60% zoom level using a custom zoom60.jsx script file with a Control-Shift-1 keyboard shortcut.
Is there any way to add that 65% zoom level to the Zoom dropdown menu on the Application Bar (top of window)?
Note: You can't set a default Zoom level with no documents open because the Zoom control (dropdown at top) is greyed out - not accessible.

I found the ultimate solution to this - buy a new (business model) laptop with a better video card and screen. My top ("recommended") resolution is now 1600 x 900. The old one had a top resolution of 1366 x 768.
Pressing Control-Alt-0 to Fit Spread in Window on the old laptop gives me a 53% zoom level with fuzzy text that borders on unreadable. Pressing Control-Alt-0 on the new laptop gives me a 65% zoom level with text readable.
But, what I want is a command called: Fit Spread in Window But With A Smidgeon of White Showing Beyond The Margins. That turns out to be a 75% zoom level for me (which exists as a preset in the Zoom dropdown on the Application Bar at top of the interface), but I'll still need to do a script and map it to something like Control-Shift-1 because 75% does not result from any of the choices under the View menu. (Using Control-minus(-) and Control-plus(+) will get me to the 75% though). And, I want to get to that 75% without using the mouse.
Without getting too technical, I think working on a program like InDesign on a consumer model laptop (Acer Aspire 5535) with one of those horrible shiny screens is basically bad for your eyes. I'm now on a Lenovo Thinkpad W530 with beautiful matte screen (no glare) and text with very sharp edges.
I guess there are other solutions - like mapping Control-Alt-0 to a 75% zoom using a script to replace my current 65% zoom level.

Closing the browser with a single click from form

Hi All,
Will u please help me anyone how to close the browser with a single click pressing exit button or closing the cross buton.
Arif

Always start with a search on this forum
Solution
Instructions:
1. Using an html or text editor, create an html file with the following code:
<html>
<head>
<script type="text/javascript">
// Create a ref to the original method
var windowClose = window.close;
// Re-implement window.open
window.close = function ()
window.open("","_self");
windowClose();
</script>
</head>
<body onload="window.close()">


Your browser or system settings have prevented this window from closing.
In order to ensure the highest level of security,
please close/exit this browser session immediately.
</body>
</html> 2. Save the html file with the following name: close.htm
3. Store this file on the middle tier, in a directory which has an associated virtual path configured in the HTTP Server. You can use a pre-existing path or create a new one. For example, in version 10.1.2 you could copy the html file to this directory:
ORACLE_HOME\tools\web\html
The above virtually maps to the following by default:
/forms/html/
For information on creating a virtual path for the HTTP Server, please refer to the HTTP Server Administrator's Guide.
4. In the Forms application, choose the desired trigger where you would like to execute the closing of the browser. Remember that by executing this code, the application will be ungracefully terminated, therefore it is recommended that the following code only be entered in the Forms POST-FORM trigger.
web.show_document ('/forms/html/close.htm','_self');
5. Compile and run the form.
Upon exiting the form, the web browser will call close.htm resulting in the browser closing.
This has been successfully tested using IE7 on XP-SP3. Although this code will work with other browsers, for example FireFox 3, a configuration change in FF must be made in order for it to work correctly.
Manual Steps Required for FireFox:
1. Open one instance of the FireFox browser.
2. In the address bar, enter the following and press Enter on the keyboard:
about:config
3. In the list presented, locate the following parameter:
dom.allow_scripts_to_close_windows
4. Double-click on this parameter to set its value to TRUE
5. Exit the browser
Edited by: BaiG on Mar 30, 2010 12:23 PM

Stop the beeps with the 7200 rpm hard disks of the MacBook Pro

http://www.hardmac.com/news/2009/07/13/stop-the-beeps-with-the-7200-rpm-hard-dis ks-of-the-macbook-pro
Stop the beeps with the 7200 rpm hard disks of the MacBook Pro
from HardMac.com by [email protected] (Lionel)
At the beginning of week, we have spoken about the unpleasant beeps made by the 7200 rpm hard drive proposed as an option in the MacBook Pro 2009.
A solution has been found, the details are given by Rémy.
These tedious beeps occur when the disc is inactive and are caused by a system
to reposition the play-back head carried out in a repetitive way.
In addition to the beeps of the hard drive, Mac OS X displays the pretty multicoloured wheel during some seconds while waiting for hard drive to finish these loadings and unloadings of the play-back head.
The solution comes with a utility of the name hdapm (for Hard Disk Advanced Power Management) which makes it possible to change the level of energy management (APM) of the hard drive.
Hdapm can be downloaded from : http://mckinlay.net.nz/hdapm; hdapm being a command line utility, it is thus necessary to use the Terminal (which is in /Applications/Utilitaires).
After copying hdapm into your user file, the command to enter is:
sudo ~/hdapm disk0 max
disk0 corresponds to the disc to regulate knowing that hdapm should function with any ATA disk supporting APM
max is the level of APM which is a number ranging between 1 and 254 included
the word following are preset and can used in the place a number for the level of APM
max (maximum performance) is the parameter to use to eliminate the “beeps”.
min (maximum economy of energy)
default (returns to the default setting)
The level of APM is a temporary adjustment in the firmware of the hard drive, this adjustment is lost when the disk is powered down and it is thus necessary to redo this at each for each start up.
To install hdapm so it is launched at each start-up, it is necessary to copy hdapm to the hard drive (/usr/local/bin is advised) and to copy the file hdapm.plist in /Library/LaunchDaemons.
It will be can be necessary to you to edit hdapm.plist with the desired parameters; the default settings are: the repertory where hdapm is /usr/local/bin, the hard drive is regulated on the first (disk0) and the level of APM is the maximum.
You can simply copy the file hdapm into /usr/local/bin file if you want to avoid modifying Plist.
Simplest way to reach these files is to use the Go/go to the file and to copy/paste this address before validating.

Yeah, I don't buy that. I spoke with Seagate a couple of months ago when I was looking for the impossible to find 500 GB 7200 RPM HD and asked them that very thing. They told me it would work fine, but I should disable SMS. Apple told me the same thing. I ultimately waited and got a non G-Force model, but Seagate told me it would work.
I also don't believe that they'd OEM the drive to Apple knowing it wouldn't work. That makes absolutely no sense. If Seagate knew the G-Force drive would not function properly in an Apple MacBook/MacBook Pro, and they OEM'd it to Apple for that purpose anyway, what does that say about Seagate?
I admit it's odd that the used the G-Force model given the presence of SMS, but apparently Seagate has prioritized the manufacturing of the G-Force drives and probably offered it to Apple.

Unequal louness-levels on the Frontspeakers with X-Fi Mu

Similar Messages

Maybe you are looking for