USB MICS VS. XLR

Basically, ive been struggling with alot of latency issues with my MXL USB mic. great sound, but always a little late. then when adjusted it sometimes comes a bit too early. i think it fools the computer's latency calculation and the computer doesnt really know how much to really delay anymore. I have a M-audio keyboard with a non usb xlr interphase in the back. still a bit of latency. should i go invest in a new interphase and some xlr mics? how has it worked for you guys?
cheers
ziad

You're welcome... Angel...
Are you saying your latency is not constant? With things like that you need to be exact. You talk about'sometimes' and 'a little'. How am I supposed to 'guess' what is going on with your system? I can't tell if you interface is crap or if it is pilot error. I don't even know if you're on Logic 7, 8 or 9, or what make of interface it is, nor what bitrate and samplefrequency you use with it.
Have you got Software Monitoring on? If so, why not monitor directly?
And why not simply delay the track till it fits again?
How much early or late is your Mic track?
What is your buffer setting?
I am only funny when there is +too little+ to go on. Still I've given you two links that should do it, and if they don't, I assume pilot error. If it were the interface at fault, there would have been many, many more complaints.
regards, Erik.

Similar Messages

  • USB mic recommendation?

    I am simplifing my workstation and moving to a USB mic. What would you recommend?
    Best.
    Tom

    I'd recommend foregoing the USB mic and get a USB audio interface... then you can use whatever mic you like. Really high quality mics? ...  ain't gonna be USB. You really can't beat a Shure SM58 (you can... but it would be a matter of opinion.)
    If you need to take your show "on the road", I would recommend one of the Zoom mics. I have the H1 and H2 (got the h2 first.) It can be configured as a USB audio interface/mic for your computer. It can be taken on location (without a computer) and used as a recorder. It can use other kinds of mics as the audio input... on location... which means if you have a fancy mic like the Shure, you can take it with you and use it on location just with the H1... awesome (you will need an XLR to 1/8in stereo adapter though.) It's great with lavalier mics. Zoom mics have an outstanding dynamic range (some might say it's too good — they can pick up *everything* – if you're not careful.)
    Here are some examples [absolutely NO noise reduction used in any of them]:
    This first clip is a recording of a folk guitar, outside, on a breezy day. I used a lavalier mic (with windscreen) clipped to the soundhole connected to the Zoom H1 and set the levels down low enough to cut the ambient noise.
    http://sight-creations.com/audio/small_clip3.mov.mp3
    ... not very impressive by itself (compared to a Tascam PortaStudio 4-track cassette recorder I had in the early nineties... it's bloody amazing!)
    and this is what it sounds like after post in Logic:
    http://sight-creations.com/audio/small_clip4.mp3
    You can really pull a lot of audio out of those lower levels because the recorder is exceptionally quiet (as far as I can tell – and i'm kind of old, so: some hearing loss — it's dead silent... but I can't find any data on the "floor" or the recorder [dead silent is at least -96dB]).
    Here's what it can sound like. Again, I mic'd a steel string guitar out in my backyard with a lavalier mic clipped to the sound hole (mic inside the guitar -- you can't tell how windy it was.)
    http://ftp.sight-creations.com/audio/improv_030612_03.mp3
    If it weren't for my amateurish playing, it sounds as good as a professional studio recording.
    If you don't need a fancy mic and all you *really* need is good noise reduction... invest in ScreenFlow. It has the BEST noise reduction of any software I have ever used (including Soundtrack Pro, Audicity, Logic, FCPX, you name it...) and you don't need to be editing video to use it. Just turn it on (default setting) and save! Listen to any of my later tutorials on youtube (channel: fxmah)... and realize I'm sitting 6 feet from a window air conditioner/heater that is ON all the time. You would never believe it. BTW - for those tutorials, I use a cheap GE headphone/boom mic combo (gaming headset?)... it's perfect for the job. Always in the right place and always out of the way. Headphone part is not all that great, but I like what I get from the mic.
    HTH

  • Does anyone know how good the SAMPSON USB mic is compared to...

    Does anyone know how good the SAMPSON USB mic is compared to having a dedicated audio interface with lets say a good condenser mic?
    I am going to be doing some vocals and need a very good quality recording.
    It just seems pretty simple right now to use a high quality USB.....
    Rather than getting an interface (which I will be getting down the road)
    but how "high" is the quality of the Sampson USB mic? Say even compared to
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    I have a Samson C01U USB Studio Condenser mic that I use most of the time.
    PRO
    To be honest it's really a lot of bang for the buck (about $90 at Sam Ash Music) and incredibly simple to use.
    It's well-built (the screen is very rugged, and it has a good amount of heft to it.
    Given that GB 3 has a lot of decent vocal presets (and software outboard equipment) in it now (with radio/podcast settings and voice over stuff) you can get it to sound pretty good. In that sense, I think it is an ideal podcast or voice over mic.
    It's easy to use, just like GB itself. I am a BIG fan of using equipment that is intuitive and does not thwart the creative process, and the Samson fits the bill. Pull it out of its storage bag; plug in the USB cord into the mic and then into the USB port of your Mac and Voila! you're in business.
    CON
    You are limited by the length of a USB chord, whereas XLR cables into a firewire analog to digital piece of outboard gear will have XLR in, and XLR cables are the standard for long distances mic usage.
    One track, mono at a time. There is no way (that I know of) to effectively do simultaneous stereo recording. But if you are using GB as a composition tool (as I do) you do most of your instruments in GB and only vocals (and maybe guitars) live and only one at a time.
    You get what you pay for. Is the Samson C01U as good as a Neumann U87 into a tube-based Analog to digital preamp? Is it the way I would record vocals for a major record release? No. But the difference isn't like listening to a scratched 78 rpm shellack record versus a digital recording either. For most applications, the difference is minimal. How much? I don't have the testing instruments to quantify.
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    iMac G5 PowerPC   Mac OS X (10.4.6)   1.9 gHz, 1Gig of RAM

  • How to record a USB mic and a guitar at the same time?

    I have an Audio-Technia AT-2020 USB mic and an Ovation acoustic/electric guitar. I wanted to record both of them at the same time, so i plugged the mic into the USB port (duh!) and the guitar into the 1/8" port on the computer (with a 1/4" to 1/8" adapter and a male/male headphone cable). However, when i went to select the inputs for the diffrent tracks, it was either one or the other. My question is, do you need an audio interface to be able to do multitrack recording? If so, could I use a USB hub, 1/8" to USB adapter, and plug both the guitar and mic to fool the computer into thinking i have an audio interface? I would rather not spend money on an audio interface ($200) and a new mic ($120) when i already have something that could work!
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    beberhard14 wrote:
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  • Using usb mic with logic output stops

    using usb mic with logic output stops

    Aggregate devices are setup in the Audio/Midi setup of OSX Utilities, (Not in Logic). It gives you a way of having for than one audio i/o device. Once you have set up your aggregated devices in Audio/Midi, when you start Logic you will need to go into Audio preferences and choose the Aggregate device.

  • IMovie 10.0.5 crashes into millions of colored pixels when I add v/o narrative using Pages to read script from and using a USB mic attached to my iMac. I am running Mavericks OS X10.9.4

    Hi, I have been editing a project for a week and over the past 2 days iMovie 10.0.5 has crashed into millions of colored pixels about 6 times. I am working on a 27" iMac running OS X 10.9.4 with 6GB of Ram, plenty of space on start up disc (217 GB's)  The crash seems to coincide with any effort to use an external USB mic plugged in to record a narrative. I can record the voice over but a few minutes later I get some awful audio scrubbing sounds and then it pixelates. Why is this happening and how can I work around this to record a voiceover please? Any help would be greatly appreciated. I'm nervous to continue if my work is going to ultimately be lost. My project is currently about seventeen mins and includes, video clips from 2 different cameras (both Canon) a music track from iTunes and some still images (jpegs.)

    Thanks Erik,
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  • Output sound distortion when USB Mic Connected

    Hi everyone,
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    Info : FYI
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    Hard-drive : 1 TB SATA Disk
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    Graphics: NVIDIA GeForce GT 755M 1024 MB
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      Manufacturer:                                  Apple Inc.
      Output Channels:                             2
      Current SampleRate:                      48000
      Transport:                                        Built-in
    Yeti Stereo Microphone:
      Default Input Device:                      Yes
      Default Output Device:                    Yes
      Input Channels:                               2
      Manufacturer:                                 Blue Microphones
      Output Channels:                            2
      Current SampleRate:                      48000
      Transport:                                      

    Nope. The larger buffer didn't work. What did work was running a cord out of the 1/4-inch jack from the direct box to a 1/4-to-1/8-inch adapter and then into the mic/line-in jack on my computer. I set GarageBand to use the built-in line-in and had no static problems. It's a stopgap until this gets fixed.
    A post by LinuxMercedes on Oct. 3 at http://discussions.apple.com/message.jspa?messageID=8158914 may provide a solution.

  • USB Mic won't show up in Drivers Menu

    I just bought an Audio Technica 2020 USB microphone, and I can't get it to work with Logic Pro 7.2.3.
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    In the Audio / Midi settings under the Audio menu, create an aggregate device one for the usb mic and one for the output. Then in your Logic pro settings in the core audio set the aggregate device as the default device.
    Well that works LP 8 w/10.5.3
    Message was edited by: Mac Pro 8core - x86

  • Cannot switch back to built-in output after connecting USB mic

    I cannot get playback unless I plug back in my USB mic (Blue Yeti) on Mac OS X.
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    Start out with these ! Intel-based Macs: Resetting the System Management Controller (SMC) - Apple Support How to Reset NVRAM on your Mac - Apple Support if issue still persists look inside the audio jack see if the light is on.

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    Andy  ______________________________________
    Please remember to come back and mark the post that you feel solved your question as the solution, it earns the member + points
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  • What is the capture  range of the snowball and the nessi usb mic ?

    anyone knows the max range to capture voice with these usb mic, or any other.  it is to records Church Sunday's messages, my audi booth is at the far back of the church. it would be so much easier if apple would equip their product with an audio in, then i would just need a audio cable from the comptuter to the sound console, but they don't so i need another solution.
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    Rob Mongeau

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  • Help with Rode Posdcaster USB Mic

    Hello all--
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    --P
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    I tried that, but the mic doesn't show up in Audacity. I don't think that the Mac is getting any input at all. In the sound panel, the Rode mic shows up as installed, but when I select it and talk into it, no movement on the bars. That's what's annoying me--the computer knows it is there, but nothing is coming in. I think my problem is with the mic, not the program.
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