USB Zoom H2 Audio Recorder No Longer Mounts in Leopard

First of all, this device doesn't have any drivers - it's just a simple USB mass storage device and it used to mount without issue in Tiger. However, on BOTH of the machines I've upgrade to Leopard, it no longer works at all. Tried multiple cables. Doesn't even show up in Disk Utility (although it DOES say it is connected in System Profiler and USB prober). Tried pram reset, PMU reset, various macfixit crap suggested for the 10.4.10 USB-breaking update. No dice. Anyone having similar issues, or maybe have a work arround?

I had the same problem as the original poster (H2 doesn't appear in Leopard).
I tried this suggestion in the last comment...
I +"Go find a Windows computer (even your mac rebooted in windows if you're into that whole BootCamp thing) and download the 1.2 firmware update to windows desktop. Connect your H2 to USB & copy the BIN file to the new device."+
I used Parallels on my Mac to run Windows Vista. I connect the H2 but it doesn't show up on Windows either.
I also tried connecting it on a Mac that was running OS X 10.4 and it didn't show up there either.
Is there a trick to get it to show up? Any other ideas? Thanks.

Similar Messages

Audio recording no longer works in Cap5 -- Ideas?

I created a presentation and recorded audio in multiple ways (Audio -- record to -- slide) (Audio icon in task bar).
Yesterday, I opened Captivate and these two options no longer worked. I don't mean that I cannot record. I mean that I cannot reach the screen in the software that allows you to record.
Recording in general works fine -- I can record to Audacity. So it's not a Windows (XP) problem or an input problem or a hardware problem.
Everything else works in Captivate.
Audio from previously recorded slides plays. I just cannot record. After using either option above, Captivate freezes and I need to click Esc to unlock.
I know, that's weird. If you don't believe me, look here. Let me know if you see me doing anything wrong while you're at it.
http://screencast.com/t/0fsLsR5Lh
So, I did what anyone faced with a weird isolated software problem would do. I reinstalled Captivate. Today, same problem.
HELP? Any ideas? I'm making final edits on my project, there is a deadline, etc. etc.

First thing to try is clearing the Cache using the button in Preferences.
If that doesn't resolve the issue, you can try closing down Captivate and deleting the Preferences folder itself.
On Xp it's located at: C:\Documents and Settings\<USER NAME>\Local Settings\Application Data\Adobe\Captivate 5
Captivate will recreate this folder next time it starts up, but any Preference settings you've made will be lost.
Also, make sure you've installed all updates and patches.

IPod no longer mounts since Leopard upgrade

My iPod no longer mounts since I upgraded to Leopard. I'm using a USB 2 port that's part of a third party PCI card I installed myself. Used to work fine before the Mac OS upgrade.
If I reboot with the iPod already plugged in, it mounts.
Help?

Forgot to mention that I had tried those:
Authorize your purchases from an administrator account
-> Yep, I'm the admin
Authorize using the correct account name
-> Nothing changed- I am only authorizing my devices, and only use my account on the machine. Definitely using the right account name.
Turn Off User Account Controls (Windows Vista and Windows 7 Only)
-> Did this a long, long time ago, so definitely not the issue.
Remove the SC Info folder
-> This was the only new thing that I had seen yesterday when I tried it, and went through these steps, to no avail. Still exactly the same problem. I closed iTunes, deleted the folder, rebooted and relaunched iTunes and synced the device. Same thing.
The problem is the computer IS authorized, and I can sync one device, but not the other. No problem with iPhone 4- just iPod Touch, 3rd gen. It seems to be in a weird state.
One thing would lead me to believe it's a PC/iTunes problem, but then it is only with one device and not the other. Hard to point to the root of the problem. I just don't want to lose the data on the iPod- I've done a lot of work on it.
Thanks,
Jeff

Audio recording no longer an option in Logic Pro X with Fast Track Pro

I use the Fast Track Pro, and I haven't changed any settings, but all of a sudden, recording is no longer working. Is this most likely an issue with the Audio Interface?
It was working 2 days ago, and I haven't tweaked any settings or touched anything.

I upgraded to OSX 10.9.1 one week ago, and cannot record audio any longer using my Fast Track Pro with Cubase 7, so I am having the same issues.   My previous OSX version, no problems - audio inputs worked great. I get output sound, but cannot record audio at this point.   I get constant noise spikes, and overloaded peaks.
In System Preferences, when I open the Sound Icon, my Input settings default back to Audio line-in vs. staying fixed on Fast Track Pro.   This is cause for concern, because this tells me that 10.9.1 won't work with any sound card - or at least until Apple decides to fix this.   Whether this is intentional or not from Apple has me wondering, given the move by many manfucturers to lock you in their proprietary equipment.
I think the answer in the short-term is to downgrade back to the previous version 10.8.   I'm going to give it a try. I thought you should know that a non-Logic user is having the same issues and I feel your pain.
Let me know if you get yours working.    Best of luck.

My audio files no longer sync to the in the 5d in camera audio. It did when I bought the program but no longer does I reinstalled and it still will not sync the files recorded on the H4N with the Canon 5D Mark Ii

My audio files no longer sync to the in the 5d in camera audio. It did when I bought the program but no longer does I reinstalled and it still will not sync the files recorded on the H4N with the Canon 5D Mark II Camera.
The program used to import and transcode the Can 5D footage but no longer does. The program freezes often and looses my projects as well. Hard to make a living when your editing program is on strike!

My audio files no longer sync to the in the 5d in camera audio. It did when I bought the program but no longer does I reinstalled and it still will not sync the files recorded on the H4N with the Canon 5D Mark II Camera.
The program used to import and transcode the Can 5D footage but no longer does. The program freezes often and looses my projects as well. Hard to make a living when your editing program is on strike!

I'm moderating a competition which will be about 8 hours long. I need to have a video/audio recording of the whole thing incase an answer is contested. We will need to stop recording and access the footage as the day progresses. Any suggestions?

I'm moderating a competition which will be about 8 hours long. I need to have a video/audio recording of the whole thing in case an answer is contested.
We will need to stop recording and access the footage as the day progresses. Any suggestions as to how best to accomplish this? I have an iPad and a Macbook Air.
Many thanks!

I'm moderating a competition which will be about 8 hours long. I need to have a video/audio recording of the whole thing in case an answer is contested.
We will need to stop recording and access the footage as the day progresses. Any suggestions as to how best to accomplish this? I have an iPad and a Macbook Air.
Many thanks!

Samson C01U USB mic/audio recording software.

whats small,free, and reliable audio recording software? on Mac OS X.10.4.5
On XP I like adobe audition,and cool edit pro2
Im having hard time getting Samson C01U USB Studio Condenser Mic to record on my emac ,on audacity
http://www.samsontech.com/

Cubase LE is good, but Garageband, part of the iLife 06 suite is nice. I recorded a vocal trio to backing tracks and mixed it down to CD using only the effects provided in the program.
Like any software recording system, the more effects you add the more processing power you're using up, but garageband works real well.
I used the Presonus Firepod as an interface, worked fine. Any interface box will work.
If you're only doing a single audio input for a podcast, then Quicktime pro is good. It's not free, but for 30+ bucks it's worth the investment.
I've used a piece of Shareware.... D-SoundPro
you can google search it. Nice stand alone piece of software, does some amazing things with audio for a shareware product.
Hope this helps.
Jim

Laptop Audio recording - usb card advice

Hi.I recently purchased a laptop.The thing is it has a very basic soundcard, a Realteck AC 97.I use a Audigy 2 platinuim soundcard on my main PC, a respectible Athlon 64 3.5Ghz processor with 1gb memory.I use Sony Acid 4 and Cubase as my main programmes.The thing is when I record an auidio track in Acid on my new laptop, it records the wave along with a new audio recording, e.g my guitar.The Realteck audio card only allows a stereo mix as recording.So, I'm looking to by a usb soundcard that will allow me to record an audiotrack in Acid, without recording what has already been recorded.Will any of the usb soundcards that creative produce help me solve this problem.
P/S I'm on a budget!!

muscarine wrote:
Hi.I recently purchased a laptop.The thing is it has a very basic soundcard, a Realteck AC 97.I use a Audigy 2 platinuim soundcard on my main PC, a respectible Athlon 64 3.5Ghz processor with 1gb memory.I use Sony Acid 4 and Cubase as my main programmes.The thing is when I record an auidio track in Acid on my new laptop, it records the wave along with a new audio recording, e.g my guitar.The Realteck audio card only allows a stereo mix as recording.So, I'm looking to by a usb soundcard that will allow me to record an audiotrack in Acid, without recording what has already been recorded.Will any of the usb soundcards that creative produce help me solve this problem.
P/S I'm on a budget!!
If you got a controller onboard, I would suggest you to get a FireWire card instead of USB. Here are some of them both type listed @Musician's Friend.
Meanwhile, why not try if Asio4All driver would improve your recording possibilities.
jutapa
Message Edited by jutapa on 12-31-2005 07:54 AM

USB disks no longer mount, unknown filesystem

Ran a routine weekly update on an arch box this morning, didn't think anything of it as usual. Until Thunar started spitting errors at me whenever I tried to mount a USB device. gvfs makes the devices appear in the left pane for one-click mounting... usually.
A partition on the hard drive attached has started telling me I don't have permissions to mount it any more - never had issues before, I'm in storage so I don't see why.
The other issue comes with a USB hard drive, and when trying to mount it as above, Thunar throws this at me:
Error mounting /dev/sdb1 at /run/media/pip/HD-PVU2: Command-line `mount -t "vfat" -o "uhelper=udisks2,nodev,nosuid,uid=1000,gid-100,shortname=mixed,dmask=0077,utf8=1,showexec" "/dev/sdb1" "/run/media/pip/HD-PVU2"' exited with non-zero exit status 32: mount: unknown filesystem type 'vfat'
Searching both pacman and AUR gave me no packages to do with vfat filesystems, and the wiki article "USB Storage Devices" provided no solutions at all.
Using XFCE4 DE on 32-bit Arch. All packages have been updated to latest versions as of the time of this post.

I probably experience the same kind of problem as you guys. I'm using udisksvm to mount USB drives and when I plug one, I get something like that:
$ udisksvm
Automounting for non optical devices enabled
Added object : /org/freedesktop/UDisks2/drives/Intenso_Basic_10011100031138
Added object : /org/freedesktop/UDisks2/block_devices/sdb
Added object : /org/freedesktop/UDisks2/block_devices/sdb1
Automounting /dev/sdb1...
Mounting failed with error:
GDBus.Error:org.freedesktop.UDisks2.Error.NotAuthorizedCanObtain: Not authorized to perform operation
traydvm for /org/freedesktop/UDisks2/block_devices/sdb1 now running with pid : 2694
/usr/lib/python2.7/site-packages/gi/types.py:47: Warning: g_variant_unref: assertion `value->ref_count > 0' failed
return info.invoke(*args, **kwargs)
$ udisksvm
Automounting for non optical devices enabled
Added object : /org/freedesktop/UDisks2/drives/Nokia_S60_359557013658840
Added object : /org/freedesktop/UDisks2/block_devices/sdb
Added interface on object : /org/freedesktop/UDisks2/block_devices/sdb
Automounting /dev/sdb...
Mounting failed with error:
GDBus.Error:org.freedesktop.UDisks2.Error.NotAuthorizedCanObtain: Not authorized to perform operation
traydvm for /org/freedesktop/UDisks2/block_devices/sdb now running with pid : 3025
/usr/lib/python2.7/site-packages/gi/types.py:47: Warning: g_variant_unref: assertion `value->ref_count > 0' failed
return info.invoke(*args, **kwargs)
And the device is not mounted automatically. I have the packages dosfstools, ntfs-3g, systemd-sysvcompat installed (I use systemd). Mounting manually from console works well.

Giving advice on audio recording

I first started using Captivate when it was Robodemo 5 and
that was not all that long ago. I remember when I first downloaded
it. I thought it was the greatest training software ever. However I
did have problems. The most long lived problems were with audio
recordings. I know that many people have. On some of the forums I
read where one person had given up on Captivate. They did not like
the inconsistent recording of the audio. Sometimes it would be deep
and resounding the next slide would sound as if you are at the end
of a tunnel,and the very next recording would sound metallic and
soft sounding.
Just like with everything else if you are persistent enough
you will find a solution. I tried various mikes some expensive
others less expensive. They all produced the same results.
Inconsistent recordings. The recordings to me were passeable but
all not that great. Then I ordered one of those newer usb condensor
podcastiing mikes.
All I can say is wow! Those new podcasting mikes they level
out the sound.You can still notice that one recording sounds a
tiny,tiny,different than the next,but barely noticeable.
Most of us are not radio announcers or professional
broadcasters however to me the mike made an incredible difference
in Captivates audio recording quality.

Hello Rick!
The microphone is around 80 dollars, it comes with a soft
ware preamp, and I have always recorded directly into Captivate.
Even a low bit rates and encoding frequencies it still sounds good.
All my Captivate files are produced for the web. Html and .swf
files.
It is the mike Rick that made the difference. It is a Samson
microphone. It is quite large and heavy. I found out about it
through podcasters. I wondered what podcasters were using to record
audio. Audio quality would be important to them. What I wanted was
the best mike for recording onto a computer. The podcasters are
fanatics about the mikes they use.
Here is the advert from Samson.
"The C01U USB Studio Condenser Mic is the first affordable
studio condenser mic with a USB interface.
For the first time ever, musicians who record music on
computers have a simple, affordable way to capture high-quality
vocal and acoustic instrument performances.Seamless integration was
the idea, and it was obtained by creating a studio condenser
microphone that can be plugged into any computer with no in/out
boxes, no expensive computer pre-amps, just a USB cable.
The C01U condenser microphone is based on our wildly
successful C01. It features a 19mm internal shock mounted diaphragm
with a cardioid pick up pattern ensuring pristine studio quality
recordings."
Most online music stores carry these . Find one that you can
trust. Just Google Samson microphones.
Everyone can have good quality audio recorded directly into
Captivate. For those new at audio recording listen to podcasters
and other broadcasters. Animate your voice to make it more
interesting,speak at the same volume level, get a "pop" filter or
make your own with a nylon and reformed wire coat hangar. Practice
with your voice ,adjust the settings ,test various settings out and
soon you will be saying " wow"!
http://www.samsontech.com/products/productpage.cfm?prodID=1810

Extl Drive : No longer mounting

I use my Lacie Firewire to backup my system. It is bootable and recently no longer mounts. It is daisy chain to another External Lacie Burner. I have taken the Drive
to another Mac, to ensure that my firewire connections are OK. I have also removed all peripherals and done a PRAM. Repaired permissions and Diskwarrior.
No joy. Any other suggestions please. Thanks

Could try this, except without doing the hot plugging for Firewire (some debate about whether or not Firewire hot plugging, plugging while a device is on, is harmful or not. Probably not harmful, but just to play it safe.)This helped someone else recently.
I solved such an issue with my firewire 800 drives via shutting down the Mac, pulling all cables (power, usb, audio, etc.), waiting for at least 15 seconds (I waited longer), and putting the power cable and keyboard/mouse cable back in.
Then start the Mac, and when it finished loading the system try again mounting your drive by putting the cable in.
It's an official procedure from Apple, but I can't seem to find the explanation on their side, the name of it escapes me.
http://forums.appleinsider.com/showthread.php?t=86528

External Hard Drive and Audio Recording Application

Hi, hope everyone is doing well today. I'm new to this forum but I have been occasionally browsing it from time to time and find it very useful. So I figured I would post a couple questions that I have.
First of all I would like to tell you all excatly what I want to do with my computer. Currently I am trying to optimize my computer for the Audio Recording Application I have *Cubase SX 3* I recently just upgraded my RAM from 512 KB to 1.5 GB. My next purchased is most definitaly going to be an external hard drive, which leads me to my first question.
1. If someone could recomend me an external hard drive that is abosolutly amazing for audio recording and such around $150. I would ONLY be using the drive to save my audio files. Definitaly needs to be firewire also.
2. Next question is. I've heard of people booting from their external hard drives which has nothing but there OS and there audio recording application. That way when they boot it up they don't have processes running "Behind the scenes" and taking up some processor power. Is this true? If so, how would you going about doing this and what would I need?
3. If anybody else that is reading this is like me and does alot of audio editing on their iMac G5 computer if you could give me some tips in optimizing the performance of the computer in order to get the most out of it.
Any help would be greatly appreciated.
Thanks ahead of time everyone.
Bard
iMac G5 w/o iSight Mac OS X (10.4.4) 20" screen 2.0 Ghz, 1.5 RAM, 250GB Hard Drive

1. If someone could recomend me an external hard
drive that is abosolutly amazing for audio recording
and such around $150. I would ONLY be using the
drive to save my audio files. Definitaly needs to be
firewire also.
Hard drives are pretty much the same. 7200 rpm are obviously a bit faster than 5400rpm. Why Firewire? USB 2 is about the same speed as standard Firewire 400, but the drives are cheaper.
2. Next question is. I've heard of people booting
from their external hard drives which has nothing but
there OS and there audio recording application. That
way when they boot it up they don't have processes
running "Behind the scenes" and taking up some
processor power. Is this true? If so, how would you
going about doing this and what would I need?
OS processes are going to be running in the background regardless of which disk the OS is on, that's what an OS does! If you don't want more processes simply make sure you don't have any other apps open. I don't know Cubase, but a G5 will handle video editing along with background tasks no problem, and video editing generally involves far more data manipulation than just sound, even if you're doing multiple tracks.
You can easily install the OS on an external hard drive using your original system install disk. Simply connect the drive and choose that as the destination in the installer. To boot from that you would choose it in System preferences/Startup Disk. You could minimise that system by deleting other applications from that drive's Applications folder, turning off internet connections, disabling all widgets etc, but as long as you only have Cubase open it shouldn't make too much difference.
3. If anybody else that is reading this is like me
and does alot of audio editing on their iMac G5
computer if you could give me some tips in optimizing
the performance of the computer in order to get the
most out of it.
There's not really much else to optimise. Modern Macs are not like computers of old, and OS X is a very modern system, not requiring the type of disk optimisation etc that there used to be.
See: http://docs.info.apple.com/article.html?artnum=25668

"Audio Record Path Not Found" error and new details

I've been having problems opening up older GarageBand files I've created and trying to add new content. When I try to record on an existing track, or in a new track, I get the error: "Audio Record Path not Found! Please enter it in the following dialog." (and there's no following dialog). I've tried to save the file as an archive, which has worked in the past, but doesn't work any longer. I'm using a MacBook Pro Core 2 Duo 15"
As a test, I installed iLife 06 on my older (PowerPC-based) Mac Mini. On that computer, I'm able to open the files, and record onto an existing track. None of my recording equipment is attached to this machine, however. If I save an archive and move it to my macBook Pro, I'm still not able to add recordings to it.
I tried reintalling GarageBand on my MBP, but I still get the same error. I've also deleted the preference files from Library > Preferences. (the two com.apple.garageband... files), and still no luck. It doesn't sound like the audio files themsleves are corrupted since I can open them on the Mini, so it's likely GarageBand. What else can I delete to make it a pristine installation?
I don't want to use my Mac Mini for recording, as it's too slow for my editing needs, but if I can't open the files on my MacBook Pro, I'll have to re-record them.
Anyone have any ideas I can try?

Excellent suggestion! I actually left the files on the external USB drive on which I store them, and accessed them from my MacBook Pro (instead of moving the files to the MacBook Pro), and sure enough, I'm able to edit and add to the files!
I still don't know why I can't access them locally on the MBP, but this workaround is certainly acceptible for my needs!
Thanks out to everyone who helped on this thread!
Brian Ibbott
Coverville.com
The Cover Song Podcast

External Audio recording to be imported & used in FCE

Hi there,
I am thinking of using this audio interface to record some vocals. It is a Focusrite Saffire 6 USB. It comes with a software called Ableton Live that can record the sound in wav or aiff format.
http://www.focusrite.com/products/audiointerfaces/saffire_6usb
According to this spec, it uses a *24bit 96kHz a/d covertor*.
http://www.htfr.com/more-info/MR326826
+TECHNICAL SPECIFICATIONS:+
+2 channel USB audio & MIDI recording interface+
*+24bit 96kHz a/d & d/a converters+*
I am using a standard defintion miniDV tape video camera and in my FCE, in the Easy setup, I have selected DV-PAL 32kHZ Amorphic.
My question is, will the sound recorded using this Focusrite Saffire audio interface be imported into FCE4 for editing together to mix together with my video clips (recorded in my standard defintion video camera) ?
Thanks you.
Cheers

RyanManUtd wrote:
QUESTION 1:
I also discovered something strange when I check the settings of all the previous video & audio clips imported into FCE4. Those that imported in from video camera, the values are 16 bit 32 kHz (How come ? My video camera is set to 12 bit 32 kHz)
Despite the material is recorded in 32 bit, the capture process with 48kHz setting are allowed, but on long shot, you can expect a audio drift from video if sequence's audio is not the same as original sources.
QUESTION 2:
Then, I look into all the audio clips I bought from iTunes & imported into FCE4, they are all listed as 16 bit 48 kHz.
The funny thing is that both these type of different clips (ie, 16bit/32kHz & 16bit/48kHz) can be rendered without problem. How come ? FCE4 can mix clips of different audio types ?
BTW, importing iTune purchased song into FCE is prohibited by iTune EUA. Any non-natively supported media can be rendered in FCE, but as explained in question 1, you can expect audio drift on long clip. This problem is not relevant with music track audio which is it not part of a video footage.
QUESTION 3:
If I set the Ableton software output to 16bit 48 kHz, does that mean that I actually cannot make use of the hardware abilities to produce sound of 24 bit 96 kHz ? Is there much difference ?
96 kHz is used for professionnal multi-track audio editing. You have to use high-end audio monitors to ear the difference... if you can. Usually only audio engineers can ear the difference.
Audio CD use 44 kHz and the quality is pristine on hi-fi deck. 48 kHz is the standard in video production and even used in dolby 5.1 home theater configuration.
QUESTION 4:
In the Easy Setup, I cannot find 16 bit 48 kHz. I only have the following option in the Easy Setup of FCE4:
a) DV-PAL
b) DV-PAL 32 kHz
c) DV-PAL 32 kHz Anamorphic
d) DV-PAL 32 kHz Anamorphic Basic
e) DV-PAL 32 kHz FireWire Basic
f) DV-PAL Anamporphic
g) DV-PAL Anamorphic Basic
h) DV-PAL DV Convertor
i) DV-PAL FireWire Basic
So, which one do I chose ?
Use DV-PAL.
Michel Boissonneault

Audio, recorded separately, strays from sync

Hello,
I have three sources of media that I'm using in my project, which is a recording of a gig that my band played:
- Sony AVCHD video camera (front view), includes one video and a stereo pair
- Sony AVCHD video camera (side view), includes one video and a stereo pair
- three tracks of audio that were recorded using a separate multitrack audio recorder (Zoom R16).
I've figured out how to sync the sources together - I set an in point on a distinct piece of audio that exists in all three sources (actually it's someone coughing, I didn't think to have the drummer clap his sticks together before we started). Then I set an in point in the sequence, edited in the three sources, and adjusted the in points of the clips forward to the beginning of the set. At that point where the clips were matched up, the sources are perfectly in sync.
However, within 30 seconds before or after the sync point, some drift is evident in the audio that was captured on the R16. And a few minutes out, it's seconds off. I capture these gigs one set at a time, so we're talking about clips that are an hour long (we usually do two or three sets).
I didn't pay much attention to the detailed settings of the audio recorder before I captured the gig. Actually, I recall that the basic marketing/quickstart tutorials on the Apple website say you can pretty much use any video or audio in a single project in FCE and it would convert/transcode for you as necessary.
Had a look at the clip properties, and I see that the audio captured in the cameras is 48.0 KHz, while the R16 captured the audio at 44.1 KHz. If I'd noticed the difference beforehand I would have changed the R16's settings to match, just to be thorough - but I am a little disappointed - I'd thought that there would be compensation for differences like these... this is digital!
Could this difference in the sample rates be the problem? Regardless, can anyone suggest how I might be able to resample or convert the audio so that it doesn't drift like this?
Thanks much in advance, and cheers.

fudster wrote:
RyanManUtd wrote:
Hmmm ... honestly .... I am running out of ideas ...
Can I ask:
1. did you get both their starting point correct ?
2. Are the duration of both the video clips & audio clips you are trying to sync the same length ? That is, if the audio is 10 secs, then is the video also 10 secs ?
Thanks
Hey -
1. Yes, I'm certain that I matched up the in points correctly while making the edits. In the audio tracks, I zoomed in all the way so I could get sub-frame position - as described starting on pg 474 of the manual. At that point, they are in perfect sync. And as you get further away from that matched point in the sequence, the drift gets worse.
2. The length of the audio that was recorded on the cameras is exactly the same length as the video (of course). The audio clips recorded on the R16 are all exactly the same length as each other as well.
However the R16 clips are not the same length as the video clips, and the two videos are not the same length as each other. They are a few seconds different from each other, because of the way I start the recording - I step onto the stage and before we start playing, I use the infrared remote to start the recording on each of the cameras one at a time, and then I start the recording on the R16.
I don't actually know how exact clip lengths from separate recording sources could be achieved, and since I'm editing them in separately, I think it shouldn't make a different. The keyword being "shouldn't", of course. In any case, if you extend the clips all the way out to play all the available media in the track (using up all the handles), the extents of the clips in the tracks appear a few seconds different from each other, as they should.
Thanks for your suggestions, I'll keep trying to come up with something. Feel free to suggest other things you think of, I do appreciate your time and help.
I have run out of ideas ... Anyone here can help ?

USB Zoom H2 Audio Recorder No Longer Mounts in Leopard

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