Using 720p 50fps video for Slow Motion

Hi there,
I've recently started using Photoshop Elements 9 for editing my action sports footage, and its a big improvement over free to use programs that I used before.
The thing that I have run into, and that I can't seem to solve, is making footage slow down.
I'm using both a GoPro camera (HD and HD2) and a Canon EOS 550D to shoot my video. Everything is shot at 720p @ 50fps so that I can use the footage slowed down when I want to use it that way without making it choppy (in normal 25fps export video (can be 720p, but I might use 1080p as well))
I've set up a project in PE9 using the preset for PAL-DSLR-720-50fps so that (me thinking) I can import 50fps footage without losing frames for importing. However, when I use the time timestretch function (through right click menu) and set the strech to 50% (so effectively 25fps) the video doesn't appear to have the extra frames. Even after rendering, if I foreward 1 frame at the time, every second frame is simply just a copy of the previous one. I've checked the file properties through PE9 and it says that the file is 50.000fps, so there should be 50fps available to build the footage from (yet only showing 25fps in frame by frame mode).
In searching the forum I've found some other suggestions to solve this, including the 'Interpret Footage' function. I've tried setting it to 'Interpret as 25fps' to see if this changed anything (as to smear out all available 50 frames over a 25fps clip, doubling its length), but that also retured with a copied frame every second frame.
I've also tried setting the project preset to DSLR-1080p @ 25fps to see if that might have an effect, but as soon as I import my 720p video it changes the project preset to AVCHD-LITE-720p50. Using that returns the same issue (btw, what is the difference between DSLR setting and AVCHD?). Using the AVCHD-720p @ 25pfs together with 'interpret footage at 25fps'  also reverted to 50fps as soon as I imported the video file.
Frame blending isn't an option as it doesn't actually blend them. It just overlays the two frames and changes the opacity of the upper one (or so it seems), creating this weird blurry overlay effect, instead of interpolating the objects between the two frames (but maybe I'm asking for too much on this function).
Can someone please help me solve this slo-motion effect issue? I really want to use the full available 50fps footage I have shot to create smooth slow-motion in a 25fps export video (i'm not looking at reducing it much more than that). It seems that half the frames are dropped out as soon as I import into PE9.
Thanks,

As we've often discussed on this forum, Go-Pro footage rarely behaves in this program as source footage. The best solution we've found is a conversion to an editable format.
http://forums.adobe.com/thread/668369?tstart=0
In fact, mixing video footage of any types is usually not a good idea. Especially when your project settings may not fully match either.
Try using just the footage from your Canon. When you add it to your timeline, do you see red lines above the clips? If so, you are not using the correct project settings for your footage.

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  • How about using a 60fps video for a smooth slow motion effect in a 30fps project ?

    Hey all,
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    With due respect... this does not answer my question and does not help me that much , but anyway, thank you for the very constructive answer ^^.
    I'm not sure I would even have considered doing this by myself...
    I hope I do not get this kind of answer because you feel like my question was silly or unpolite... To my mind this was a pretty serious question.
    Shooternz, next time you need to go 150 km far away from where you are, go by feet rather than with a car, I'm sure you will have plenty of satisfaction too. Just cross the fingers for you not to be in a hurry while it's raining outside.
    Well, I may be naive but i thought some experts already had the answer to this (I guess I'm not the only one who intend to do some slo mo), and would have been kind enough to share this knowledge with me. That's what sometimes happens in communities.
    Please note I do not intend others to do the job for me, I'm just asking if someone already knows the answer.
    I asked this question because I couldn't find any documentation about this, and I guess asking on internet was the next step, as testing would be like the last resort, being very time consuming.
    It was easy to check the effect of dragging a file to the timeline to see if it played normally or not, but it's definitely not to count and compare each frame of some sample file to find if some are lacking, or have been doubled or what....
    I assume I would be very happy with just a simple theorical answer either...
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    I have footage filmed in 59.94 that I want to use for slow motion effects and output to 29.97. Using timewarp I seem to get duplicate frames at times. What would the best workflow to accomplish the cleanest result? I've tried interpreting the footage at 29.97 and keeping it at its native 59.94. At this point I feel like I'm just confusing myself further by just trying random things. Thanks!

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    Message was edited by: andynick

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    Hi,
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    I think you said it OK, you are just missing the right words to do what you want. Let's walk through this for you, and for others that might read it later.
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    If you take a 50 frame per second video and put it into a 25 fps sequence, it drops half the frames to play at normal speed. Not what you want.
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  • Video shot specifically for Slow Motion playback

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    The camera was siting on a GorillaPod shooting at approximately a 30 degree angle. The lens was my 100-300 set for 183mm, the equivalent of 355mm on a 35mm camera.
    ISO 200. This video has not been modified in any way other than interpreting it to play at 24 frames per second, to trim off the beginning and the end (to eliminate the shaky setup and take down of the shot), and I also added cross-dissolve transitions at the beginning and the end. No color correction of any kind and no stabilization. This is what the camera saw.
    I really love the flag of the United States. If you live in the United States I hope you do too. Today is Washington's Birthday. So Happy Birthday to the Father of our country. Our first President. This is my present to our founding fathers on this day, and I chuckle to think about how shocked they might be at the number of stars on the flag, and I am sad when I think how mad they would be if they knew how far we have strayed from the principles they fought and died for.
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    Steve, regarding my request getting inside flag and changing shutter speed etc..
    I have to admit right off that I don't understand this myself as I should...and I don't have a motion pic camera OR the DSLR ....which I can get in April ...at which time I will be off to the races trying to figure out how to use it.
    But the gist of what I was getting at ( though hazy and not understood by me ) I'll try to explain...
    Motion pic film cameras with the mechanical gizmo that pulls down the film ( frame by frame ) have a rotating shutter ( the gizmo is typically called a mitchel movement I think ). The rotating shutter has a mirro on the back side which allows a person to 'see' via some magic stuff ( prism ? ) what is in the frame ( eyepiece ). I guess it's similar to a SLR mirror but this one spins.
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    Some motion pic cameras can shoot even FASTER ( amazingly )...and you can therefore increase the FPS. Then as you know when it's played back at 24 FPS in projector, it looks like slower motion.
    Unfortunately if the FPS is increased the 180 degree shutter may not be letting in enough light to get a good exposure anymore... so that shutter can be adjusted ( called the shutter angle ).
    So a 45 degree shutter would let a lot more light hit the film ...cause it lets more light through its rotation time.  This is the part where I can totally confused....and hopefully I'll learn more when I get the DSLR how this is handled with modern digital camera.
    Cause, if you let more light hit the film by adjusting film motion pic shutter it stands to reason there will more " blur " from the longer exposure. However, this is offset by the faster FPS speed... so this is why I am curious about it...
    As a point of fact motion pic cameras can be synchd to CRT screens using a mechanism that times the shutter to coincide with the horizontal 'lines' of the CRT ( timing of frames of interlaced signal )... and the shutter has many 'angles' it can be adjusted to ..
    So, anyway, I guess this is something to explore when I get that DSLR...
    I was thinking it might look cool to have slo mo with more 'blur' to make something look a little ghost like...kinda like my flag picture with time exposure...
    crazy idea...

  • Question about Camera/Premiere Settings for Slow Motion Video

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  • Tried to shoot 60 FPS for slow motion, but ...

    I have a DVCPro HD clip, 720P, 59.94 frames per second. I was hoping to get a medium slow-motion effect in FCP. So I imported it and put it in a 23.97 frames per second sequence. It shows at regular speed. Hmmm...
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    I owe everyone an apology, because I gave the wrong information about the video file. As you will recall, I was frustrated that it appeared to play at only 23.97 frames per second in Final Cut Pro, even though I thought I had shot it at 60 fps. Yesterday I discovered why it appeared to play at a different frame rate, but the reason was so bizarre, so unbelievable, that I began to doubt my own sanity.
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  • Imported Video not in sync with sound. Video in slow motion...

    Hello,
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    Steve,
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    Now, when you go to get your camera, there are many great threads on many camera makes and models already posted. If you cannot find info on your considerations, post to get recommendations, based on your budget and what you wish to use the camera for. I'm not positive, but I think that the new Equipment sub-forum would be a good place to ask. Previous posts will not be there yet, but will be in the general forum. Many, but obviously not all, cameras have been discussed in length, and their pluses and minuses have been debated.
    Good luck,
    Hunt

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