Using Clip Mixer to adjust volume and pan | Learn Premiere Pro CC - Preview | Adobe TV

Master a new way to mix audio in Premiere Pro. Infinite Skills author Jeff Sengstack shows how, In addition to mixing tracks, editors can now control individual clips within the mixer interface and create smoother audio fades.
http://adobe.ly/ZGjaw2

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Adjusting volume and pan curves in real time

Can I adjust my volume curves and pan curves while i'm doing playback?
Example, in pro tools when you play back, with you controller you can change the volum or pan as you want and it "memorizes" you movements. Can garageband do this? or do I have to make them all myself?
Also doesn anyone know if this feature, along with retard and tempo changes, and a different metronome going to be offered in a new version of garageband?

You have to create the curves by hand
As for the future, anyone that knows about coming features would be under NDA, and speculation is against the ToS in this forum B-(>

Tip: How to export WITH volume and pan automation

It is astonishingly simple and I am probably not the first to think of this (...): Do not automate the volume fader and the panpot *on the track*, but insert a Gain plugin and automate its' gain and balance parameters. Those automations will be used when exporting.
If the instrument has a master volume, you can also automate that, and the same goes when an instrument has a master pan setting. If you automate those, it will be exported.
regards, Erik.

lordofthestrings86 wrote:
You are referring to bouncing down the whole mix to like an .aiff or .wav right?
Err... no, wrong... I am referring to Exporting (regions, tracks & all tracks) only. As a default, Volume and Pan Automation are not included when Exporting. Send -, Plug In -, Solo - and Mute automation are included. Some people have asked about that in the past, and it can be handy in specific situations. That's all.
regards, Erik.
Message was edited by: Eriksimon

How to use .MKV and .ISO with Premiere Pro? They are not supported.

Hi all. My brother in-law sent us two .mkv videos and a DVD .iso he wants me to use in a video I am cutting for him. The only trouble is, I've no idea how to get them into a format PremPro can handle.
I've searched and the only solutions I have found are infinitely complicated for me. Avisynth is certainly beyond me.
Anyone know of a way to convert .mkv (info lists 942x720 H.264 4:2:0 YUV MPEG4 AVC) into something useable?
Same question for an ISO file.
Thanks much
By the way, this is not for anything 'important' nor am I getting paid, so I have no budget tp purchase software. I am sure there must be a free solution.
I tried this trial version software...
http://www.moyea.com/import-flv/
But it would NOT install. It just errored in a loop and was unable to find or understand I have CS5 PremPro.

Can anyone explain how to use VLC to transcode? The settings are endless and NONE look correct. Everything is about coverting and shrinking and that is not what I want.
I have looked into this so many times and cannot find how to do it. I know it must be simple, but clearly I am blind.
What I need is to take whatever is inside that stupid MKV wrapper and extract it. Transcode it. I have been trying for A YEAR now and have never been able to find a solution.
I'm on a PC and unfortunately, there are free solutions for a MAC. But that won't help me.
EDIT: One option I see is tsMuxer! But which setting for Output? I can choose...
TS muxing... or M2TS musing... or Blu-ray disk... or AVCHD disk... or DEMUX
To explain more, I have a Blu-Ray I purchased and want to add the audio from my laserdisc, since the remixed audio on the disc sucks (hard). I'll also add English subtitles. To be clear, this work is for ME for my own personal use.
Here is a screen grab from tsMuxer. Which to choose? I will place the audio and video in Premiere Pro. Sync the old Laserdisc audio up and then EXPORT to Adobe Encore to burn a new BD.

Using windows vista with two users and I can only open books with adobe digital editions on one account?

using windows vista with two users and I can only open books with adobe digital edition

You must authorize the second computer with the same Adobe ID.
There are sometimes issues with this registration: if you have them ....
Sometimes ADE gets its registration/activation confused and in a semi-authorized state.
Uninstalling and reinstalling does not help.
Unfortunately, it often then gives misleading error messages about what is wrong.
A common incorrect message informs you that the ID is already in use on another computer and cannot be reused.
This can often be resolved by completely removing any authorization using ctrl-shift-D to the Library screen on ADE (cmd-shift-D if on Mac).
Restart ADE, and then reauthorize with your (old) Adobe ID.

Problems rendering and exporting from Premiere Pro, Encore CS 6

I am having a problem with Premiere Pro and Encore CS6 . In Premiere Pro, my preview files do not get saved and I need to re-render each time I open the project. When the project opens it shows mainly red bars separated by blank (uncoloured) space. I am currently attempting to re-render this project, and it is stuck at 0.01%. In Encore, when I open my project I get the message The transcoded Dynamic Link asset _______ has changed on the server. Would you like to reimport it? I select yes, but am unable to preview the project, probably because it is unrendered in Premiere. When I attempt to build a DVD the building initiates and then freezes. I have the project set up correctly and no issues come up when i go through 'check project'. I've searched forums for solutions to these problems, but haven't been able to resolve the issues. please help! My computer is an IBM ThinkPad LENOVO W510 with 16GB RAM. The premiere project is linked to After Effects compositions

Hi Else,
Footage is encoded ONCE. Since the "MPEG-2 for DVD" file that you create in AME is DVD-legal, when you import into Encore, you will see next to it "Don't Transcode", it just uses the file as is. The .wav audio will be transcoded to Dolby AC-3 automatically when you build the disc in Encore.
So in AME, for Format, choose "MPEG-2 DVD", then choose a Preset to match your footage type, such as "NTSC Widescreen High Quality". Under VIDEO tab, you can adjust the data rate. For a short program, just choose CBR (Constant Bit Rate) and a setting of 7 or 8. Nothing else to touch in there, just choose a filename and destination and encode. Will create .m2v video and .wav audio clips. In Encore, use Import > As Tineline" and select both clips.
If source project is HD, then at bottom of encoder window, select "Max Render Quality", as this helps with downscaling quality.
If you say what the source sequence settings are I can be more specific on output settings.
Thanks
Jeff

My video won't "Render and Replace" in Premiere Pro from linked footage in After Effects

I am using Premiere Pro CC 2014 and After Effects CC 2014. I can't get the video to "Render and Replace" in Premiere Pro after editing the original in After Effects. It just freezes on "Analyzing."
In order to see the footage in real time I have to export it to an mp4 then replace the linked footage. The footage is 18 minutes long and it takes more than 5 hours to export it. After I edit the exported version, I have to export it again, which is another 5 hours. This is taking a really long time. I would rather edit the "Rendered" version What am I doing wrong?
Russell

is this just a single clip, or you have the entire 18min loaded in AE as comp? does this happen with new projects and all footage or just some? can you render and replace regular clips that aren't AE comps? if its just a few clips of the 18min project, can you render previews in premiere? if its just a few clips, could also render them out in AE and swap them out in premiere instead of using render and replace... or maybe temporarily disable the ae effects/layers while editing in premiere and then turn them back on when ready to export final render.

Project Bloating and Repair in Premiere Pro CS6; Max Project File Size? Adobe Coders Welcome...

Greetings.
After a few browsing sessions, I haven't found direction for a specific problem within a project bloat. First and foremost; we're always backed up. I have a restoration copy of the project that I will reference herein. Check that off the list.
Numerous people have posted here and around Creative Cow with problems regarding an expanding file size using CS6; watching files go from 300mb to 2.8gb. The unfortunate problem is when the project crosses a magical line that results in an inablity to open, import, export, or access sequences contained therein. Has anyone addressed a solution to repairing Premiere CS6 save files? Reducing file bloat? I haven't seen anything (recall the FCP7 repair days... solutions existed because problems were frequent; thankfully not so bad with Adobe).
Does anyone inside the code size know the maximum project file size that Premiere can read? I created a monster... Over 200 sequences utilizing 4.5TB of footage, stretching from Red codecs to EXCam to MPEG4 and H264. And for some time, the project size was manageable. Then, it inflated. And one day, randomly stopped opening. None of the auto-saves open.
Just curious. Files aren't the problem, but the 2.8GB save file is. Machine specs // etc. are openly available if required; no bad ram, no problems with all projects (just this one beast).
Cheers,
Jon Michael Ryan

REALLY_ Mac has a history of being more stable than PC with Premier ...
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In a message dated 6/2/2013 5:50:50 P.M. Eastern Daylight Time,
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Re: Project Bloating and Repair in Premiere Pro CS6; Max Project File
Size? Adobe Coders Welcome...
created by joe bloe premiere
(http://forums.adobe.com/people/joebloepremiere) in Premiere Pro - View the full discussion
(http://forums.adobe.com/message/5373302#5373302)

Bug list and wish list premiere pro cs4

Iam realy interesting someone, sometime work with Premiere pro cs4 from Adobe team ? I gues not!! Some bug might not seen only people who not work on premiere !!! 2 russian video editing forum named premiere cs4 most worst of version premiere. Old bugs not fixed on premiere cs3 adobe make premiere cs4 with new most worst bugs and some options was remove(Fast export to frame\movie) What for ????!!!!! Cuting the clip i must press 2 button - what for ? Cut it most usful operation and adobe make 2 button press to cut. And domenation effects then adding to clip, please try add some effect to clip then add someone again. Why new effects adds not to last posotion ?
And time warp, posterize time work only with neast sequence!!! What for !!!Its make work with premiere faster ????
ADOBE PLEASE WORK YOUR SELF ON PREMIERE PRO CS4 SOMETIME !!!

FAQ:How/Where do I report a bug?
Cheers
Eddie
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Pushing and pulling from Premiere Pro CS 5

Hi,
Recently, I came across a problem and I was wondering if you could confirm this is a limitation within Production Premium CS 5 or whether I am doing something incorrectly?
If I render a sequence within Premiere Pro and push it to Encore via Adobe Dynamic Link, the rendered sequence correctly shows its rendering within Encore. However, if I render my sequence, save, and exit from Premiere Pro and then start Encore and pull the sequence from Premiere Pro via the Adobe Dynamic Link, I don't necessarily keep the rendering. I know that this has happened when using a 64-bit plugin from a third-party. The sequence shows with a watermark as if it had never been registered. The problem further manifests itself by, when I restart Premiere Pro, while the rendering looks intact, if I click on the third-party plugin as if to modify it, it won't let me make changes until I delete the already rendered sequence. It seems like somehow, the sequence has become corrupted.
Any thoughts - is this a known problem? Has this been addressed with CS 5.5? Are there plans for this to be addressed? Is there a workaround?
Thanks,
Steve

JSS1138 wrote:
The pros are faster encodes with superior quality. I use the free HC Encoder for MPEGs. You'll also need Avisynth to use it. The process is somewhat cumbersome, but if you have the time and want the quality, it's noticeably better, in my opinion.
To add to this, I've been producing commercial blu-rays using the free x264 encoder. The quality is unmatched by any commercial encoder, however there are some features absent that some commercial producers need (such as the ability to directly place I-frames, re-encode a section of GOPs with different bitrate targets, etc. which commercial encoders like CineVision can provide). If you don't have any need for those, x264 is the way to go. As quality is more important to me than bitrate, I use the single-pass constant ratefactor "--crf" mode with something better than the default, like 18 or 16, and it has never let me down.
Just be prepared to wait a while if you have a longform project. x264 is very fast, taking advantage of multi-core machines, but it cannot utilize the GPU/CUDA for encoding. A 3.5 hour 720p60 project (over 750,000 individual frames) at maximum quality takes a full 24 hours to encode on a 3.2GHz core i7, with all hardware threads at 100% (so make sure your machine is stable if it is overclocked!).

What's New and Changed in Premiere Pro CS5.5 - Free Course!

Hi All,
I just wanted to point out some new video training, totally free of charge, called, "What's New and Changed in Premiere Pro CS5.5." Todd Kopriva flew all the way to Austria's "Video2Brain" studios to record these detailed tutorials and I think they're very good. Have a look gang, and see what you think!
Link: http://www.video2brain.com/en/products-117.htm#/content?t=2

Thanks, Todd, much appreciated. Such information is always welcomed by all users (at all levels), I'm sure.

How to use VST Plugins from Premiere Pro CS5 in Adobe Audition 3.0 ?

I have tried to use VST plugins from Premiere Pro CS5 into Adobe Audition 3.0, but could not use it.Is any method to use them ?

Unless I'm mistaken, you can't do this at all - Adobe lock all their VST effects so that they only work with the app they were intended for. Which also means, of course, that you can't use Audition VST plugins with any other software either. Since Audition isn't currently in the CS, there isn't even an exception there, I suspect.

Volume and pan

So i am working on a widget and I cant seem to get the volume
and balance sliders to work right. Can someone take a look at my
code and see if you know what going wrong. The web address of the
widget is www.buttonbeats.com/sequence.html . The only slider that
works is the first one for now. Till i figure out why this one wont
work. and the action script is below.

ok so things are now working except that the volume slider
works upside down. Could you take a look and let me know how I can
flip the volume slider upside down. the swf is located
www.buttonbeats.com/sequence.swf
var myvolumebounds:Rectangle=new Rectangle(volumegroove_mc.x,
volumegroove_mc.y, 1, volumegroove_mc.height);
var mybalancebounds:Rectangle=new
Rectangle(balancegroove_mc.x, balancegroove_mc.y,
balancegroove_mc.width, 1);
volume_mc.addEventListener(MouseEvent.MOUSE_DOWN,
startdragvolume);
//volume_mc.addEventListener(MouseEvent.MOUSE_OUT, stopdrag);
volume_mc.addEventListener(MouseEvent.MOUSE_UP, stopdrag);
balance_mc.addEventListener(MouseEvent.MOUSE_DOWN,
startdragbalance);
//balance_mc.addEventListener(MouseEvent.MOUSE_OUT,
stopdrag);
balance_mc.addEventListener(MouseEvent.MOUSE_UP, stopdrag);
function startdragvolume(myevent:MouseEvent):void{
myevent.target.startDrag(false, myvolumebounds);
function startdragbalance(myevent:MouseEvent):void{
myevent.target.startDrag(false, mybalancebounds);
function stopdrag(myevent:MouseEvent):void{
myevent.target.stopDrag();
var myRequest:URLRequest=new URLRequest ("inst.mp3");
var mySound:Sound = new Sound();
var myChannel:SoundChannel;
var newSetting:SoundTransform = new SoundTransform();
mySound.load(myRequest);
myChannel=mySound.play();
stage.addEventListener(Event.ENTER_FRAME, everyframe);
function everyframe(myevent:Event):void{
var newvolume:Number = (volume_mc.y-volumegroove_mc.y)/100;
var newbalance:Number =
((balance_mc.x-balancegroove_mc.x)/27)-1;
trace (newbalance);
newSetting.volume=newvolume;
newSetting.pan=newbalance;
myChannel.soundTransform=newSetting;
stage.addEventListener(Event.ENTER_FRAME, everyframe2);
function everyframe2(event:Event):void {
leftbar.scaleY=(myChannel.leftPeak);
rightbar.scaleY=(myChannel.rightPeak);

Delete hyper draws (volume and Pan)

How can hyper draws (volume aund pan) be deleted from audio files in Logic Pro?

Lots of CC's in this topic...

Help: Clips rendered in AE turn blue when changing clip speed and exporting in Premiere Pro

Hi
I've been having this problem in Premiere Pro CS5 (I'm just not sure with CS4 & ealier versions).. ok the problem is that in Premiere Pro CS5 when I change the speed of a clip that is rendered in After Effects and export it either in AVI or in MOV, it produces some blue flicker on that clip or sometimes the entire clip turns blue..This only happens when I am using Quicktime Animation codec in AE..I can't find any forum that discusses this problem..And I don't know if others are also experiencing this (except for my friend who is also experiencing this in MacOSX)..by the way my version of Premiere Pro is 5.0.3 and my After Effects is 10.0.2.4 (Windows 7 x64)..I don't know know if this is a bug in PrPro or AE, or if Adobe is aware of this problem..
Here's a video of what I am consulting to you guys for you to better understand what I'm saying.. (sorry, no audio)
P.S. CS5.5 users please tell me if you also experience this..
Thanks in advance!

This only happens when I am using Quicktime Animation codec in AE
So don't do that. It's probably not the best choice for video, anyway. I mean it says right in the name - "animation". There's a reason for that.
On a Windows machine, Lagarith and UT are two free lossless codecs that play well within the Adobe suite. Give them a try.
Or better yet, don't render out of AE at all. Use Dynamic Linking instead.

Using Clip Mixer to adjust volume and pan | Learn Premiere Pro CC - Preview | Adobe TV

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