Using clips with varying frame rates

Hi,
I've been looking around but have not quite found the answer to this, or the discussions are  a bit more advanced than my skills...
I've just done a major leap from CS2 to CS6 so I am having to do a lot of relearning. 
I just did a mulit-camera shoot for a  kayaking documentary, and being low-budget, had to take what I can get camera-wise. Therefore, I have footage from my Sony AVCHD cam at 50fps, DLSR, Contour cam and Go-Pro footage at 29.97, and more DSLR at 25.  All of it is 1920 x 1080.  And of course, they all come as different file types:  .m2ts; .mov; .mp4.
What is the best way to handle this?  Do I set up the project at 50fps and reinterpret the other footage?  Can I just edit the whole thing natively and then export it?  What are the hurdles I will encounter?  My intention is to cut a trailer for funding and post to the web, but if all goes well this will need to be exported for screening at festivals, so I really need to be set up for the highest quality possible from the start.
FYI:  I'm shooting at 50fps with the Sony as it is doing a lot of hand-held following paddlers and I intend to slow it down, both half speed, and possible slower with Timewarp.
Thank you very much for your thoughts.
Regards,
Bill

I don't use more than one type of video at a time, but read up on sequences
Please NOTE that the PPro CS6 screen may look a bit different (I use CS5)
For CS5 and later, the easy way to insure that your video and your project match
See 2nd post for picture of NEW ITEM process http://forums.adobe.com/thread/872666
-and a FAQ on sequence setting http://forums.adobe.com/message/3804341

Similar Messages

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    how can I edit multiple clips with different frame rates on the same timeline

    You do not want to edit material from different frame rates on one timeline. You CAN do this, but it is a very bad idea - and this is why.
    Once you establish the sequence frame rate - lets say it is PAL material at 25fps, any material that you drop into the sequence other than 25 fps will have to be changed to play at 25 fps. If the material you add is NTSC (29.97), FCP will DROP 5 frames per sec to bring the frame rate down to 25 fps. Which 5 get thrown away? Every 6th one. This yields a funky cadence that becomes even more complex as as there are also interlaced fields (DV/NTSC is an interlaced format). Oh, and by the way, the image sizes are different as well. DV/PAL has 576 lines of resolution and DV/NTSC has 480. FCP has to scale up the NTSC to fit the PAL frame.
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    Whatever frame rate/ image size you select, I'd suggest using ProRes for the codec. It is 4:2:2 color and will withstand color correction and composting with much more grace than any variant of DV based codecs.
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    x

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    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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    From:   Chinmay Baid <[email protected]>
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    Subject:        Why do I get "Publish
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  • How to sync NTSC and PAL clips to same frame rate for multicam edit

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    on playback inside FCPX.
    And on export.
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    >If not, is this being worked on?
    Discussed many times before... never a "yes" answer to your question... tell Adobe what YOU want at https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
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