Using Match EQ on Master Track

Hi forum..
I have 30 audio snippets from 30 different completed rock songs, with each song having previously been mixed differently. Some of the clips are thick and juicy and others are dry and brittle.. In linking all the clips together in one sequence, I'd like to get the most homogenous EQ sound possible.. I don't know the best way to do this, but it was recommended I check out Logic's "Match EQ." Can this plugin be applied to the master track with good results? What is the best way to use this plugin? Is there a better way to get a homogenous sound?
Much thanks for any help!!!
Dan

I don't know why you can't do this. The master track still has an effects rack. Is your effects rack window missing on your master track?

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I'm a laptop DJ using virtual DJ. My tracks cary from 128 to 320 kbps. So i decided to purchase iTunes Match. After a few hours of matching my library from iTunes I've still got track 128kbps. I can't seem to get iCloud either.

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THis can either mean, that the GarageBand application needs reinstalling or that you have corrupted settings and preferences files in your user account. To find out if something in your user account needs fixing, try to launch GarageBand from a different user account. You could try to log off and sign into the Guest account or create a second account for testing using the System Preferences "Users&Groups" pane.
If GarageBand works well using a different account, try HangTime's "oddball probs" fix and trash the GarageBand preferences file - move com.apple.garageband.plist from the Preferences folder in your user library to the Desktop. See the FAQ:
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Audio balance greatly different in Encore CS3 after encoding 5.1 master track in Premiere Pro CS3

Hello! I'm wondering if anyone can offer some advice for my DVD audio problem.
I have a Premiere Pro CS3 project with a 5.1 master track that appears to behave correctly judging by the meters when I play it in PP. It also sounds reasonable (in a mixed-down fashion, I guess) on my PC system's speakers (L,R,LFE), and all rebalancing and panning seems to work well. However, once I export the master track to Encore using PP's SurCode Dolby Digital codec, the resulting audio mix is totally off. Here's what I get: both front channels play mainly out of the right front and center speakers, and the rear channels play mainly out of the left front speaker. I've tried all different settings, but I can't seem to change this. Well I've read that Encore just sends the audio mix straight through (the DVD trancode status is "Don't transcode"), but when I build the DVD and play it on both of my 5.1 surround systems, the results are just as bad as what my desktop PC speakers were hinting at. [Actually all DVDs that Encore builds are UNSUPPORTED on one of my set-top DVD players and they're both Panasonic! So first, I first have to copy the DVD using Nero and then the copy is accepted by all. That seems to have no bearing on my audio dilemma but I thought I'd mention it. I would love to know what Nero is doing right that Encore is doing wrong!)
Anyway, here's some background: I began to notice this problem with the audio balancing whenever a .wav music source is imported into PP as a stereo source. [A side issue here - I don't seem to be able to explain - or control - how one .wav file gets imported as stereo while another is imported as 5.1!] Anyway, as one would expect, since my master track is 5.1, the stereo track is automatically set up with a rebalancing tray with the puck set in the middle. The meters show that the source is stereo and the sound has been rebalanced across the master track. If I drag the puck around, the master meters behave accordingly. Then I import my video (.avi video clip) and that sound is imported as a stereo track. For that track, I drag the puck to the rear. Again, the master meters respond correctly. So far so good. But when I export to Encore, the resulting audio mix so completely wrong it can't even be explained as a 5.1-to-stereo downmix situation. The sounds that were supposed to come out of the rear channels are in front left and center (and deafening), overpowering the music that is only coming out of front right. And the rear speakers are silent unless I turn on Pro-Logic on my amplifier, which just confuses the issue. I didn't bother to check LFE as things were bad enough.
Where I DO NOT have the problem is when the audio file is imported as a 5.1 source (although it is just a stereo CD track ripped using Sony CD Architect). In that case, there is no rebalancing tray and the track meter shows only the L and R channels active, as expected. Ditto for the master track. Now if I go ahead and send the music to a stereo submix track and let that rebalance to the master, I see all channels active. But that results in the problem above after exporting to Adobe Media Encoder using SurCode and then importing the audio into Encore. If I don't remix to 5.1, the audio on the DVD is OK. But I would like to have the music come out of all speakers when there isn't a video soundtrack as there are many still pictures in the presentation.
So the question is, if I can rebalance and pan channels in PP CS3, why are the results coming out all wrong in Encore using SurCode? And how can I hear my project on DVD the same way I mixed in PP?
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Holmdel NJ

Problem solved everyone!!!
Rebecca of Adobe support helped me identify the root cause: project was originally set up as standard (2-channel) and although it had evolved to a 5.1 project over time, it could never grow up to be anything other than a standard audio project. After you set up the new project, the setting that controls your audio is buried in the project somewhere. Changing your project settings to set up new 5.1 audio tracks for new timelines does NOT make the project 5.1! The real audio identity attribute set at birth is not alterable OR EVEN VISIBLE (even as a grayed-out project setting) although PP will allow you to set up and mix 5.1 audio tracks at will. So you may think you're working on a 5.1 project now, but you're only fooling yourself and PP goes right along with it. Even the .ac3 files you create via export are 5.1! But dare to build your DVD in Encore and all of your timelines are transcoded back to 2.0 instantly. Resistance is futile.
A new feature in PP CS4 will allow you to view, and even CHANGE, your project's audio identify from standard to 5.1. How sweet!
Well, I've devised a way to dig out myself out of this deep hole in CS3 and it worked, but I can't promise that it will work for everyone. (This assumes you own the Dolby Digital 5.1 codec from Minnetonka.)
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Tip #1: while you're re-exporting and replacing the audio files, don't have Encore running. I've seen it gracefully and automatically re-import the replaced file once the export is done, but I have also seen it choke with the terribly descriptive "Encore has encountered a problem" message upon discovered the asset is not available while it is being replaced. Encore then continues to mark the asset as offline.
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Doug

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Ontradio.

Nick,
I would recommend testing your counters in MAX using Test panels to help narrow the issue. Next I would then try and run one of the examples in LabVIEW that is doing the same counter operation you are performing in your application for example, simple event counting. Find out if you are still getting the same error. This will narrow in on where the error is occuring and why.

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so whether its a new PC/Mac or a new iOS device being added (up to the 10 device limit) they all use the general library stored in iCloud. So any new PC/Mac libraries you add, will just be added to the MASTER in iCloud and made available to ALL devices right? Hope this is right cos thats pretty awesome!!

Where did the time display go and why is the screen stuck on master track? Thanks.

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If the GarageBand application window appears to be messed up, parts missing, or in the wrong place, it might be a problem of corrupted preferences files. Try to repair permissions and to remove the file "Your Home Folder/Library/Preferences/com.apple.garageband.plist" from your user library.
See HangTime's fix for "oddball problems":
http://www.bulletsandbones.com/GB/GBFAQ.html#oddballprobs
(Let the page FULLY load. The link to your answer is at the top of your screen)
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Master track vs. output track

I am having trouble with the following issue:
When I want to control the overall volume of a project or add a mastering preset I am unable to access a "master track" for some projects.
Under the drop down view menu I can show or hide only an "output track" instead which does not have the same options for mastering and does not show the channel strip on the right hand side of the inspector region.
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Output Track vs. Master Track is a very important and often misunderstood concept in Logic. Besides the user interface (which one is displayed where) you have to understand the concept and their difference first. Then, it makes much more sense why one or the other is displayed that way.
Here is an excerpt from my graphically enhanced book "Logic Pro X - How it Works" where I explain all the details how:
From a signal flow point of few (it helps if you are familiar with reading signal flow diagrams), the Output Channel Strip is just the summing Channel Strip. The signals from all the Channel Strip that send their output to that specific Output Channel Strip will be "summed" ("mixed") together and you have the final controls available (Fader, Plugins) to tweak your "mixed" signal on the Output Channel Strip. Each Output Channel Strip (yes there might be more than one), represents one physical output channel of your selected Audio Interface, that's where the signal is going to.
The Master Channel Strip is just an additional "Offset" gain control that you can use (but shouldn't under basic mixing situations). It has more functionality and use when you are working with surround sound. For a stereo situation make sure that it is always at 0dB (unity gain), because that component is always there, no matter if you use it or not (know about it or not). Technically, the Master Channel Strip is nothing other than a Track Track (a Folder Stack).
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Edgar Rothermich
http://DingDingMusic.com/Manuals/
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

How do I create a master track from my tracks in garage band?

How do I create a master track in garage band

Hi Bing,
Are you asking about the master track which controls the global settings in a GarageBand project? Here is the information from the GarageBand user manual:
GarageBand Help: Work with the master track
http://help.apple.com/garageband/mac/10.0/#gbnd5e8076d0
Work with the master track
Each GarageBand project has a master track. When you show the master track, it appears below the last track in the Tracks area.
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Choose Track > Show Master Track.
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I arrange and master techno/electro mixes in Ableton. You don't need to use Logic.
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Perhaps don't use the mastering option in the Waveburner software, i find iTunes works fine for burning a .wav i've made in Ableton. Also, i don't bother with Ableton's 'Normalise' option when bouncing the mix, if you've got the levels right you shouldn't need any other help.
Message was edited by: gr_e_g_o_i_re

Add some audio effect to master track in Premiere pro CC

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Pg 523.
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I lived in the US for a few years, spent a fortune on iTunes [my then local Apple ID account]. Now I live in South Africa and want to use Match. I have a local credit card but how do I use my new / 2nd Apple ID and gain access to all my US music??

I lived in the US for a few years, spent a fortune on iTunes [my then local Apple ID account]. Now I live in South Africa and want to use Match. I have a local credit card but how do I use my new / 2nd Apple ID and gain access to all my US music??

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Issue searching a content with a single quote in title using matches

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Facing the same issue when searching from the content server console.
Any idea!
Thanks,
Anil

There seems to be none OOTB, but you can define it, see http://docs.oracle.com/cd/E25054_01/doc.1111/e10792/c05_search.htm#CHDIEECF

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Using Match EQ on Master Track

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