Using sequence as source, but only one audio track avail

So I have created a "raw" sequence containing multiple source clips. The source clips have 4 channels of audio and 1 channel of video. When I create my sequence, I see all of my channels....great.
However, when I load the "raw" sequence into the source monitor...I no longer have access to my 4 channels of audio independently. I simply get one audio source track and the audio is mixed....as it appears in the timeline.
When I create a new "raw" sequence, I select multichannel for the master. I've tried every track type (mono, standard, adaptive)...and still I only get one audio channel when the sequence is loaded into the source monitor.
I watched several tutorials about nesting, but there is little discussion about multiple audio tracks.
Thanks...

Its kind of the point of using a a nest. ( a pre comp if you like)
Nothing stops the editor going back to the source of the nest to work on the individual assets. These will update automatically into the nest.

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Drag and Drop with mulitiple drag sources but only one correct answer?

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No, I made the target invisible, not the drag object.
I have sample text (a paragraph missing periods). I created an image file of the period (essentially, a dot within a square with the same color background as my slide). The reason I created the image (and not just a round filled shape) is because if I can get this to work, I'd like to use other punctuation mark images. I imported the period image and made 3 copies of it (4 separately named images). Two of the images (the drop targets) I placed where they belong in the sample paragraph and made them invisible. The other two images are visible and would be the drag sources. I want students to be able to choose either copy of the drag source and place them on either of the drop targets (no specific order, but only one being able to be dropped onto one target). With the correct answer, I'd like to make the target visible. In the drag settings, I unchecked "send back to original location" and then set it to absolute. This is so the student would be able to place the period in other areas of the sample paragraph (but not be able to "find" the active areas that would automatically pull them into place over the target. Sorry, I don't have access to the program at this minute, so I can't remember what the other setting was instead of absolute that "pulled" the drag source onto the target.) Anyway, if set to absolute, the dropped items do not line up properly (because they land where they were dropped, obviously). So, I'm looking for a way to then make the target (that was invisible) visible when one correct period is dropped onto it, plus then reject any other periods being dropped onto it.
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Two jack headset, but only one audio port

My son has an HP Mini 110-3100 Notebook PC, which contains only one audio port. He also has a headset with two jacks: one for the microphone and one for the headphones. Is there a way that he can use this headset such that both the microphone AND headphones work properly? Please advise as he is home-schooled and is taking courses through a virtual (online) school as part of his curriculum, which includes live lessons conducted through the network...this is where the headset becomes vital.
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Hi,
My suggestion is to use the output for the headphones jack and use internal microphone for.
Regards,
BH
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Sending Sequence to Motion - Only One Audio Track Goes

When I send a sequence in FCP over to Motion (using the "Send To" function), the sequence only has one audio channel in Motion even though the original sequence has a stereo pair of tracks. I'm sure I'm missing something easy but sure can't find an answer after digging around here and in other sources.
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The single audio channel in Motion can act as a Stereo Bus, so the audio clip is probably stereo. Click on it and have a look at Audio Track in the Inspector. If it is a mono track, and i do get this from time to time, i usually export an AIFF from fcp and import that into motion.
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Greetings,
I've never seen this issue, and I handle many iPads, of all versions. WiFi issues are generally local to the WiFi router - they are not all of the same quality, range, immunity to interference, etc. You have distance, building construction, and the biggie - interference.
At home, I use Apple routers, and have no issues with any of my WiFi enabled devices, computers, mobile devices, etc - even the lowly PeeCees. I have locations where I have Juniper Networks, as well as Aruba, and a few Netgears - all of them work as they should.
The cheaper routers, Linksys, D-Link, Seimens home units, and many other no name devices have caused issues of various kinds, and even connectivity.
I have no idea what Starbucks uses, but I always have a good connection, and I go there nearly every morning and get some work done, as well as play.
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I have two videos and I would like to use parts of both videos with one audio track what is the best way to edit this?, I have two videos and I would like to use parts of both videos with one audio track what is the best way to edit this?

In Final Cut Express I have two videos I'd like to merge parts of each video into a final film. What is the best way to do this in FCE?

Hi
I use a slightly different way than Alchroma.
Same
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• Resize to 25% and move one to the left and the other to the right
Diff
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• I use the Pen tool and change the transparency - then I get fast or slow transitions in same stroke and easy to fine-tune later if needed. (But this can be done with the Roll-tool if Blade is used - so it might be as easy)
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• Pen tool here too
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Hearing only one audio channel in source window & in timeline

Hi all,
As most of you I get a lot of footage where the audio is split - left channel for gun-mic\\front-mic and right channel for neck mic.
A lot of times I want to preview only one audio channel in the source window.
I cant find a way to do it.
Also whan I try to hear\monitor only one channel when the clip is in the timeline - its a problem -
the only way I know is by using the fill Left\Fill right effect - it is good when I do the final mix
but sometimes I just want to hear one of the channels.
without the tidius way of adding an effect just to preview something and then deleting it.
I'm sure there a way to do this - right?
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Thank you very much for replying
Select the clip in the Project Window and duplicate.
Select duplicated clip > clip > Audio Options > Source Channel Mapping.
Disable one of the channel and hit OK
Place this clip on the timeline and ALT + double click so it will open in the Source Monitor.
This is a very messy and unconfterble way to work - because I need to toggle this every time I want to switch channels to monitor.
Instead of adding the effect fill left/right you can toggle the effect on and off for the whole track in the Audio mixer.
This is a nice solution when I work on the timeline - but it won't help when I go on the source footage.
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Hi,
I just got my splendid MacBook pro today and I put my PC for sale simultaneously.
Switching to Mac was a charm - I'll save the details - but only one thing is still bugging me :
I've got a Logitech Z-640 speaker set. The center speaker is the one to connect to the computer (or audio card whatsoever).
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Congratulations on your new mac. It is a great machine.
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There is equipment available that can separate and convert the digital optical output signal into discrete analog channels, but this equipment is highly specialized professional gear. You're not going to spend $1000 to hook up a $50 speaker set.
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Hi EdgarNaranjo,
Thank you for visiting the HP Support Forums and Welcome. I have read your thread on your HP 14-d006la Notebook and having issues with connecting a microphone. Audio-out (headphone)/Audio-in (microphone) jack connects optional powered stereo speakers, headphones, earbuds, a headset, or a television audio cable. Also connects an optional headset microphone. This jack does not support optional microphone-only devices. Be sure that the device cable has a 4-conductor, a connector that supports both audio-out (headphone) and audio-in (microphone). Here is a document on connecting a microphone.
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Using sequence as source, but only one audio track avail

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