Verifying Shooting Parameters on DVCAM tape

I am capturing DV-NTSC footage into FCP 6 from Mini-DV tapes playing in a SONY DVCAM DSR-V10 clamshell deck. The camera was a SONY HVR-Z1U.
Some of these tapes, God help me, seem to have been shot with the camera set on 48K 16-bit audio and others at 32K 12 bit. The tapes are not marked as to which.
Is there a way of knowing what the audio settings were for a given tape BEFORE logging and digitizing? Can I tell while the tape is in the deck?
Thanks.

Bogiesan,
Thanks for your idea. We evidently don't have the remote to our clamshell deck, but the display on the screen as the tape plays (though not when it is in stop mode) gives the sample rate at the bottom right.
However -- and excuse me for being such a moron -- I don't know whether this "48K" at the bottom of the deck means that (a) the deck is set to play at 48K; (b) the deck is set to record at 48K; or (c) the tape that is playing was shot at 48K. Do you know?
Also, I went into menu settings, and I saw under Audio Mode the choices "FS32K" and "FS48K." The deck, interestingly enough, was handed to me set at FS32K. But I am thinking this refers not to the way the deck OUTPUTS but to the rate at which it RECORDS.
Obviously I am trying to track down where 32K has entered the picture -- when the camera shot the video/audio; when the deck output it; or when FCP captured it.
Any thoughts?
Thanks a lot.

Similar Messages

  • MiniDV vs DVCam tapes

    Hello,
    I'm about to shoot a 60min documentary with a Sony PD-150. Since I'd be going through a lot of tapes, I was wondering if there's any advantage to using the professional DVCam tapes over the regular consumer-grade MiniDV tapes.
    Is there a difference in picture/sound quality? Or is it mainly a matter of durability for archival purposes?
    Thanks.
    TD

    Picture quality, DV or DVCAM, is totally dependent on
    lenses and the chips recording the images. Otherwise
    it's the same.
    That's what I figured, but wasn't sure because I've never done any test shoot of the same thing with 2 different types of tapes.
    I was curious partly because I just wanted to know for future reference, partly because where I am, DVCam tapes are very hard to come by, and they are quite expensive (30USD for DVCam vs 3USD for a MiniDV tape). Considering the amount of tape we'd go through for a 60min doc, using DVCam tapes would take a good chunk out of the tiny budget.
    thanks for all the replies.
    TD

  • Export HD 720p to DVCAM tape (print to tape) 16:9 not letterboxed

    hi -
    i'm trying to export an HD 720p24.00 project to DVCAM tape for projection at a film festival. i need to make sure the 16:9 aspect ratio is squished, not letterboxed, onto the DVCAM tape. what is the best way to go about doing all this? i am exporting to a DSR-11 DVCAM deck.
    thanks in advance.

    follow up:
    actually, if the DV sequence is 24.00 fps, it won't play in an external monitor through my deck, nor will it print to video.
    so now i'm trying to put the HD 720p sequence into a DV 23.98 sequence and render and we'll see if that works better.

  • Will idvd with a new MacBook Pro work with a DVCAM deck? I'm using firewire to burn a DVD from a DVCAM tape in a Sony DSR-30 deck but it isn't working.

    Will iDVD with a new MacBook Pro work with a DVCAM deck? I'm using firewire to burn a DVD from a DVCAM tape in a Sony DSR-30 deck but it isn't working.

    http://www.lafcpug.org/phorum/read.php?1,268296,268300
    Bit of googling wouldn't go astray.

  • How to export a clip to a DVCam tape via a recorder

    I am unable to transfer a clip to a DVCam tape because there no such alternative in the menu share of FCP X. Can some one advise on how to proceed. The right question is HOW TO PRINT TO VIDEO IN FCP X ?

    FCPX doesn't do this.
    You will need a third party hardware and software.
    Here's an example.
    Good luck.
    Russ

  • True 24fps Film Project out to DVCam Tape - Proper Settings?

    I have a TRUE 24fps 1080x1920 Uncompressed Quicktime of my film.  I'm  going to be using Premiere Pro CS5 connected via Firewire to a Sony  HVR-Z1U Camcorder, which is capable of DVCAM recording and playback.  I  need to record the film to DVCAM tape for a film festival....and I was wondering 2 things:
    1.  What framerate is needed for DVCam?  I'm guessing I will need to convert the film to 23.976 before outputing it to tape....
    2.  If I need to convert to a 23.976 file beforehand....what is the best  quality file for output to DVCam?  The best way I know of currently to  convert my true 24p footage to 23.976 is by going into After Effects and  converting to MPEG2...setting the M-Frame to 3 and the N-Frame to 12 so  I avoid conversion flicker problems....but I know MPEG2 will probably  be pretty lossy compared to other file formats that DVCam tapes can  handle.
    Any help would be much appreciated!
    Thanks,
    Doron Kipper

    DV and DVCAM are effectively the same, 720 x 480 NTSC or 720 x 576 PAL and the framerate is 60i or 50i. Assuming NTSC you need to rewrap to 60i using MS DV AVI.

  • How to export to DVCAM tape with timecode from Premiere CS 6?

    I am having a lot of trouble with this. I need to give a dvcam tape with proper timecode to a television station for a Show I edit. I am editing for this station for last 7 years. Before they accepeted betacam, but now they changed to DVCAM. I have Premiere Pro 6 (or CC) and SONY HVR M15U deck. I connected it via firewire, then realized firewire can't export timecode. Now I am in a pickle.
    Possible solutions (may be):
    - Buy a card, send other signal like SDI to the deck?
    - Buy new deck?
    Please help. I able to print to tape via firewire, but how can I print the timecode?
    Thanks
    Raman

    realized firewire can't export timecode.
    Sure it can.

  • Print hdv sequence to dvcam tape

    I've never tried it, but can you print a hdv sequnce to a dvcam tape?
    I've had a look at the forum and a few people mention using compressor, but I have fce 4 which hasn't got compressor.
    Does anyone have any experince doing this in fce 4?
    Thanks.

    Do you have a DVCAM camera or deck? Do not do this with copy and paste. Take your edited HD sequence and place it inside a DV anamorphic sequence to scale it properly and correct the pixel aspect ratio. Before you do that make the the HD sequence is fully rendered and mixed down. Then once inside the DV anamorphic sequence, render and mix down that, then print to video.

  • DVCAM tapes

    So I've been asked by my church to create a DVD of a Dance Festival that will be digitally recorded by a professional service, they will be recording on DVCAM tapes, the larger ones.
    I have found that a DVCAM player costs around 7000 dollars.
    Any recommendations on how I can capture this video? Are there resources that would allow me to rent equipment of this nature or perhaps go to a studio and utilize some equipment?
    Has anyone here had experience using DVCAM?
    Thanks

    You can usually find a rental house that offers DVCam VTRs. Or you could pay the same people that are taping the event to capture the material to a FW hard drive that you provide. Or check with production/post-production companies in your area to see if they can do it for you.
    Or you could look for a used DVCam VTR. A used Sony DSR-11 will often sell for around $1000.00 on eBay.
    -DH

  • Capturing DVCAM tape

    I am capturing a DVCAM tape via Firewire from a Sony DSR-11. In the Log and Capture window I select the DV NTSC 48 kHz capture preset.
    However, the resulting video looks bad. It's heavily pixilated and not sharp, not at all how it looked in the preview window and when viewed on an external broadcast monitor.
    Any suggestions?

    That is how it looks. It is just a "proxie" image for you to see what is being captured without needing an external monitor attached. It will look like crud. But, as you said, that isn't how your footage REALLY looks. For that, just look at the external monitor that you should have attached to the deck if you want to see a good quality image.
    Shane

  • DVCAM tapes to FCE setup required

    I need to transfer DV footage from 4 DVCAM tapes onto my G5 for editing in FCE. I'm waiting to receive my copy of FCE HD and I have located a place where I can rent a Sony DSR-11 DVCAM deck. But I am totally unsure on how to connect the DSR-11 to my G5. The DSR-11 shows (I look at brochures) a DV IN/OUT which uses a 4pin iLink DV in-out cable which appears different from the firewire connections in th G5, even if the sales rep at the rental outfit told me there is Firewire out on the deck. Can it be connected directly to my Mac using a Firewire 800 cable or do I need a capture card with the DV IN?. Will Final Cut Express see the DSR as a camcorder/deck? Incidentally I also just received a Director's Cut Take 2 Media box which I could use with the S-Video inputs and DSR S-Video outputs, but it would mean a double conversion, wouldn't it?
    Any insight greatly appreciated before I commit money to the rental of the deck. Thank you

    You need a four-pin to six-pin FireWire cable. Use the rear FW 400 port on the computer. Yes, FCE will see it. Make sure the deck and FEC are set to work in PAL.

  • Beta SP to DVCAM tape transfer - time code

    hello all,
    I work for a small media training organisation and we've had a production job come in.
    Some BETA Sp tapes from a feature will need to be transferred to DVCAM for what I assume is an offline edit. We have a BETA deck and I normally dub to DVCAM using S-Video and Phono Cables.
    My question is whether the time code will be carried via the S-Video cable or whether I need an independent BNC cable to carry it.
    I did some tests today and the DSR-45 deck seemed to take the time code via the S lead. I set up a BNC cable but couldn't verify whether it made any difference. I imported the captured footage into Canopus Edius and the time code seemed fine but I am worried that the editor may not find it using their as yet unspecified edit software.
    Sorry if this seems vague - I have limited information about the job at the moment.
    Best wishes,
    Paul

    Time code does not travel over s-video. You'll need to go tc out of the beta to tc in on the dsr. Make sure the dsrt is set to take external code, or your dubs won't match-- and wrecking any chance of an easy on-line.

  • St.conf parameters for SDLT tape drive / Solaris 8

    Hello,
    I need the parameters for the SDLT tape drive from Tandberg for the st kernel driver. In the st.conf there is no entry for Tandberg SDLT.
    With the st.conf, shipped with Solaris 8 10/01, my V880 crashes when accessing the SDLT with the mt command.
    Does anyone here have the parameters?
    Thanks in advance
    Thomas M�ller
    department manager IT
    Christ GmbH
    Germany

    Hi Thomas,
    Actually, a bug 4495684 has been filed to fix this issue. A 2.6, 7,
    8 and SOlaris 9 patch should come out soon that will add this entry
    in the st.conf.
    I constructed this entries from the bug description. Try if it works.
    It should else wait for the patch. Any way, please let me know
    the results.
    "QUANTUM Super DLT", "Quantum Super DLT", "SDLT-data";
    SDLT-data = 1,0x38,0,0x8619,4,0x88,0x89,0x90,0x91,3;
    Good Luck !!!
    Shridhar

  • Capturing a dvcam tape

    i am trying to capture a whole tape from a dvcam, and i set an in and out point from beginning to end, but final cut keeps breaking as if there is a timecode break and missing chunks of media in the process.
    Ive checked on the tape and there are no timecode breaks present, the settings are not set to stop capturing after a certain amount of time and the breaks always occur in different places on the tape every time i try to capture.
    the deck i am trying to capture from is a HDV HVR-1500, dont know if that helps at all, i am trying to work out whether its the deck, final cut or tape thats the problem,
    Lianne

    Ive checked on the tape and there are no timecode breaks present, the settings are not set to stop capturing after a certain amount of time and the breaks always occur in different places on the tape every time i try to capture. the deck i am trying to capture from is a HDV HVR-1500, dont know if that helps at all, i am trying to work out whether its the deck, final cut or tape thats the problem,< </div>
    I do not know that deck.
    Most such errors are easily traced to the tape. Or the deck.
    Breaks are occurring at different places suggests incompatibility between the deck and that particular tape. Let's say you shot on a Canon camera, a Sony deck might not like the head pattern. If you need this done in a hurry, get a new deck or try dubbing your tape from you camcorder to the 1500.
    bogiesan

  • Capturing bad DV/DVCAM tape

    I asked a similar question a while back, but the jury seems to be out on it all.
    I get this - http://i.imgur.com/LUNwCTm.jpg - a lot when capturing bad DV/DVCAM/HDV footage via firewire into FCP 7.
    I know that I can change the user preferences to warn after capture or make new clip. It doesn't matter. FCP stops the capture process all together and makes me restart the capture now with a new clip. I've tried capture now, clip capture, capture with non-controllable device, ect. - none of them work for my situations.
    I think the only answer is to re-record the footage to a second DV deck, or use some 3rd party capture software that will allow me to capture across the breaks. Any recommendations? I'm about to try iMovie to see if it'll take it. I found sometimes it's not a picky as FCP.
    Thanks,
    Jarrod

    jarrodmakesvideos wrote:
    I think the only answer is to re-record the footage to a second DV deck, or use some 3rd party capture software that will allow me to capture across the breaks. Any recommendations? I'm about to try iMovie to see if it'll take it. I found sometimes it's not a picky as FCP.
    Thanks,
    Jarrod
    The only thing you didn't mention is cleaning the playback device heads.
    If you are dealing with just DV/DVCPro, you may want to try using LiveCapturePlus (if I remember correctly) from Squarebox. I'm not sure if it runs on current versions of OSX but I found it very useful back in the DV day.
    If you go the Dub route, make sure you start the RECORDING deck first so it begins to laydown new timecode before the incoming signal is detected. This way the old tape TC will be ignored. If you send the signal to the recording deck before starting to record, the recording deck will simply accept the incoming TC and you do not address the problem.
    Good luck.
    x

Maybe you are looking for

  • I cannot seem to find the DE for me

    See one problem that happens to many Linux users is that they become nomads. (My friend has fallen to this fate. Arch's simplicity isn't the solution to everyone I guess.) Distro hoppers. Liking parts of one distro and parts of others and changing th

  • Vision M 30GB works in Vista but not XP

    So, my Vision M no longer will detect in Windows XP SP3. I think it started happening after I upgraded the firmware it says version 0.22 in revovery mode, so I'm assuming that's correct. Everything works great on it on Vista still, but my main comput

  • How to set tabbing order in Acrobat X Pro

    I cannot find any instructions for manually setting tabbing order in Acrobat X Pro.  It does not work the same as earlier versions of Acrobat Pro.  Any idea as to where I can go for instructions for X Pro?

  • CU50 Data from Structure RCUKO

    Dear Colleagues, I have seen on previous blogs that the standard structure RCUKO is where CU50 take the information and that the data there could be extracted by using a functional module (probably CU_SINGLE_CONFIGURE).Could you please give me the he

  • Printing problem: device type?driver?

    Hello friends. There is a Smartfrom "Transfer Order label" that contains some plain text and also bar code (new bar code technology). Printers Epson LQ-1900KII are used. While printing if the user selects LOCL printer (of device type SAPWIN, frontend