Video Project Across Continents - What's the Best Format to Use?

Hello
We're going to be undertaking a project shortly where US students shoot half the script and UK students shoot the other half. In terms of editing these rushes together I was considering shooting in HDV 1080i50 then re-compressing into Apple Pro Res. Will I encounter problems when the US send me their rushes or vice versa?
Is there another way of doing this?

+I hear it can sometimes produce stutter in footage. Is this correct?+
There is an altogether different motion quality to progressive footage versus interlaced. If you are used to looking at video footage shot at 50i, and then watch video footage shot at 25p, you are likely to notice the difference and yes, you may perceive that difference as being a kind of stutter ... but its not really, its just not what you're used to. That said, when you watch high end dramatic productions on the BBC then you are probably seeing something that was originally shot on film or video at 24p or 25p.
Just don't go out of your way to give people a reason to notice changes in temporal quality ... don't ever intercut interlaced and progressive in the same edit.

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