Video walkthrough online for Final Cut Pro X when approaching it from a Never Been Used Before scenario?

Hi there
I've used iMovie a few times and been quiet successful with it, but I was thinking of getting Final Cut Pro X as I want to do some more advanced video editing now (I really dont know the terms for what I want to be able to do are, but things like be able to stack say 10 different camera angles up on top of each other and decide which part of each one I want to use).
My problem is that I cant find many videos online (youtube etc) if I were to approach it as if I've never used it before.
Most of them go on about how things have changed from one version to the next and whats new in this edition.
I dont want WHATS NEW though, I want WHAT IT CAN DO.
So some kind of walkthrough (It can be an 90 minutewalk plus through for all I care) that shows off most of the things you can do with it.
Any suggestions of ACTUAL links?
Thanks in advance.

What you described isn't really multi-cam editing.
I think FCP X is idea for what you want because you can AUDITION as many clips as you want then you simply select this or that angle and play it through in the timeline - it's a fabulous feature in FCP X.
I strongly recommend you watch some good (PROPER) tutorials on FCP X.
I've tried a number of FCP X Tutorials and in my experience, Ripple Trainingis clearly the best.
There is a small fee, but it's more than worth it.
I just read your follow-up post.
shippo_uk wrote:
Does anyone already have the practise media and do they fancy popping it up online to share?
No they don't - that is STEALING.
Do you begrudge these people a living?
(There's a word for people like you).
Andy

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Does anybody know how to install the Flash Video Exporter
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Thanks

http://www.adobe.com/devnet/flash/articles/flv_exporter_03.htm
Scroll Down - its about mid page
This is on the intro page:
Note: You must have Flash MX Professional 2004 installed on
your machine to use the Flash Video Exporter with your video
editing application. The only exception is using the exporter in
Demo Mode.

What is the best Youtube video converter for Final Cut Pro?

I want to keep the quality of the video and import into Final Cut Pro to edit. What is the best way to get the video in the correct format?

I've used FastestTube
http://fastesttube.kwizzu.com/
usually this allows you to download the files as MP4 files in either 360p or 720p, or as FLV files
I would download as 720p MP4 & convert in compressor to prores, etc for FCP.

Online keyboard shortcuts documentation for Final Cut Pro 6

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Thanks for any assistance.

Here it is one kindly Compiled by Zak Ray:
http://www.4shared.com/file/71407692/c04f5ca0/CompleteFCSShortcuts.html?err=no-sess
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Can I add a secondary location for Final Cut Pro Documents?

Hi Guys,
I'm working on a large project which has taken up most of my 2tb hard drive which I use for my final cut pro documents (capture scratch, render files etc). Is it possible if I plug in another hard drive to use that as a secondary location for final cut pro documents as I have other (smaller) projects which I could be uploading and working on in the mean time? If so, how is this achieved and what are the pros / cons?

Sure -- go to Final Cut Pro menu on your menu bar and select System Settings.
The first tab is SCRATCH DISKS -- that's the term too -- not secondary folder for FCP Documents.
Change it there.
Drawbacks...
It has been a while since I've had to deal with this, but FCP used to not remember (feature or bug??) a project's original scratch disk location and if you change it for ONE project it will be changed for ALL future AND past projects... until you change it back.
Now, that in itself isn't a BAD thing. All that that means is that if you continue to capture material into that old project it will now put it over here instead of over there. Also, other things like render files and such which won't really matter much unless they do... and now you've got stuff spread over a coupla drives.
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Much better to start and finish a project in scratch disk. Makes for easy cleanup. Kinda like cooking thanksgiving dinner (American??) in 5 houses at once.
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CaptM

Plugins for final cut pro?

which are the best plugins for final cut pro?

To do what?
http://www.cgm-online.com/eiperle/index_e.html
http://www.nattress.com/
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New Canon EOS Movie Plug-in-E1 for Final Cut Pro

Just thought your would like to know. From canonrumors.com
http://www.canonrumors.com/2011/04/canon-updates-e1-plugin-for-fcp/
Canon today announces the latest update for EOS Movie Plug-in-E1 for Final Cut Pro – the company’s custom-developed software application that provides quicker and easier editing of EOS Movie footage in Apple’s Final Cut Pro software suite.
Launching to coincide with the start of the 2011 National Association of Broadcasters (NAB) Show in Las Vegas, EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will make the importing of EOS Movie files even easier, allowing users to transfer files from any folder, without needing to mirror the folder structure on the camera itself.
The update also enables smoother importing from Canon’s EOS 7D, EOS 5D Mark II and EOS-1D Mark IV models, allowing users to import footage without requiring the THM file generated by the camera.
Originally launched in February 2010, EOS Movie Plug-in-E1 for Final Cut Pro is designed to quickly and seamlessly convert EOS Movie footage from Canon’s leading range of EOS DSLR cameras to Apple’s high-quality ProRes 422 codec. The plug-in allows users to convert footage at approximately twice the speed of Apple’s standard conversion, creating a smoother workflow for the rapidly growing number of videographers shooting HD video content on DSLR cameras.
EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will be available to download for free from 25th April 2011.

And I just spent over an hour yesterday explaining to a client how utterly essential it was to maintain the exact folder structure for proper log & transfer:/
If I say that once a day to students, I say it a thousand times.
On top of that I just started Carbon Copy Clone today with all my updates in my editing lab. Not the end of the world but it's a little time consuming on 80 stations. Oh well.

Can anyone recommend personal or class training, for Final Cut Pro in NYC?

Can anyone recommend personal or class training, for Final Cut Pro in NYC?

Try starting with the free online tutorials like Izzy, http://www.izzyvideo.com/final-cut-pro-x-tutorial/, or Final Cut Pro X TV, http://fcpx.tv/. I got started on theose a few months ago.

Where can I find a full manual for final cut pro 6?

I'm trying to learn final cut because I haver an amature film making contest I'd like to enter and that would give me quite an edge, considering most of the intries will be using movie Could someone help me find a full manual or something that would assist in this indevor? I do only have final cut 6 because I am using my schools imac and that is ther vertion they have. so, can anyone help?

You should ask your question in the Final Cut Studio forum.
This forum is for Final Cut Pro X.

I shot video on a Panasonic P2 and I'm trying to import the MXF files to Final Cut Pro but when I try to import, the only thing that imports is a blurry image of each clip. There's no audio and no video...how can I import MXF files into Final Cut Pro?

I shot video on a Panasonic P2 and I'm trying to import the MXF files to Final Cut Pro but when I try to import, the only thing that imports is a blurry image of each clip. There's no audio and no video...how can I import MXF files into Final Cut Pro?

at the end, you say "import preferences", which program are you describing?
So im safer using footage that is remotely being pulled from iphoto...
vs
using footage that is imported into FCP from imovie?
Is there anything i can do in fcp to make this footage more reliable or safer or more stable as i pull remotely from iphoto?
All the footage, and all the libraries to all programs, or on a new pegasus 12tb raid 5 setup fyi.

Canon EOS MOVIE Plugin-E1 for Final Cut Pro Now Available...

There's been so much talk about the 5D, 7D, 550D on this board that I'm going to point to the EOS MOVIE Plugin-E1 for Final Cut Pro. This is supposed to speed to transcode of Canon Camera H.264 to FCP-friendly formats and let you add more metadata along the way.
Enjoy!
Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
Note: (from Quickstart Guide)
This plug-in software allows you to convert MOV movies shot with an EOS Digital camera into ProRes files at high speed in the (Log & Transfer) window of Apple's Final Cut Pro.
FWIW: The quick start guide says cameras involved are 7D, 5D, 1D, no mention of 550D. Sort of odd.

For users in North America to make the Canon EOS REBEL T2i work (550D for Europe):
1. Install the new Canon EOS MOVIE Plugin-E1 for Final Cut Pro (http://www.usa.canon.com/consumer/co...nloadDetailAct)
2. Go to Library/Application Support/ProApps/MIO/RAD/Plugins/CanonE1.RADPLug/Contents/Resources/
2. Open up cameras.plist
3. After the 7D info add the following lines of code (keeping to the coding structure):
<key>T2i</key>
<array>
<string>Canon EOS REBEL T2i</string>
</array>
4. Save the text file. Close it. Everything should work now.
Cheerz.

Following Media Files Are Not Optimized For Final Cut Pro

I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
1. the error message, "Following Media Files Are Not Optimized For Final Cut Pro"
2. the quality *****! watching it on the playback in FCP it looks great, but then when I burn it to Disc it's pixelated in spots and generally has a lower quality picture.
I know that it's Standard Def. and can't expect the best, but I've done it before (once or twice) and it didn't seem this bad.
Can someone suggest anything to help the quality? Should I run my AVIs through MPEG Steamclip to make it a QT file and if so what is the best format in that since there are many to choose from and most I'm not familiar with?
Thank you,
Crayton

I did compress them to DV NTSC then burned it to DVD and the result was no bueno.
I thought what I would do is try compressing them again before I send them on over to DVDSPRO. Here is a simplified break down of the situation:
- I have edited the raw footage in Premiere Pro on my PC. They were recorded and captured as SD.
- I rendered them in Premiere, then transfered the rendered AVI file to FCP.
- When went to place the files in FCP, I received the warning message; "Following Media Files Are Not Optimized For Final Cut Pro" but I went forward anyways and it allowed me to do so.
- Originally I went ahead and compressed them from FCP to QT Movie as a DV NTSC, which ended up poorly.
- Therefore my question is, should I compress them using another file type (other then DV NTSC)? Which leads me to another program that I have called MPEG Streamclip, which offers tons of file types of which I am unfamiliar with most. I want the best quality of course but don't know what file type is the highest going from AVI to a format that can be accepted by FCP and ultimately DVDSPRO. Keeping in mind that I only have FCP5 and do not have Prores.
Did that make sense?
Thank you again,
Crayton

Which firewire interface for Final Cut Pro on MacPro?

I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

I saw the Traveller ads in Videography mentioning
time code, so I presumed it had an advantage over
other interfaces.
I found this in some ad copy:
"""The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
So it likely uses an audio port for timecode I/O. However, unless you have external equipment that you want to slave to Logic Pro, (or have Logic slave to) e.g. a timecode DAT, then this really is not necessary. FCP would not see the Travaller as a "controllable" device.
For Final Cut Pro use, I'd probably shoot in HDV.
When shooting a green screen near my computer (or
maybe even on-site), I wondered if there would be an
advantage to recording the audio thru an interface
like the traveller.
The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
Do I actually need an interface that provides time
code, or is that only needed for movie work?
I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
Maybe it is simpler just to connect to the mic
directly to the camera's input?
Indeed. You should always have camera audio available. Anything else is supplemental. Alternatively, you could use the Travaller or RME, etc. as a "live to camera" mixer in a studio situation. Plug your mics into the interface, create a submix and send it to the camera while simultaneously capturing each mic to an individual track in Logic Pro. There are many possibilities.
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I need to buy a camcorder -- upgrading from a Flip. Which would you recommend as easiest to use with iMovie 11? Which for Final Cut Pro? Thanks!

I need to buy a camcorder -- upgrading from a Flip. Which would you recommend as easiest to use with iMovie 11? Which for Final Cut Pro? Thanks!

You can't run iMovie 11 on a PPC G5 running the old OS 10.3 Panther - which is what you say you have.
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http://help.apple.com/imovie/cameras/en/index.html?lang=en_US
iMovie 9 - cameras supported:
http://support.apple.com/kb/HT3290?viewlocale=en_US
iMovie 8 Camcorders supported:
http://support.apple.com/kb/HT1014
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http://support.apple.com/kb/HT4757?viewlocale=en_US
Digital camera RAW formats supported by OS X Snow Leopard:
http://support.apple.com/kb/HT3825?viewlocale=en_US

I can't install trial version for final cut pro x

I can't install trial version for final cut pro x on my computer..

What are you trying to achieve? Are you editing movies as a hobby? Or trying to build a business – and, if so, what kind?
iMovie is the first thing that comes to mind. Not the depth of FCPX, but it can still do some excellent work.
Russ

Video walkthrough online for Final Cut Pro X when approaching it from a Never Been Used Before scenario?

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