View track title in collapsed track in Premiere Pro CC

Premiere Pro CC on a Mac.
Is there a way to be able to view the title of a track when it's collapsed? Right now the only thing i can figure out is to expand it enough to be able to see the title I've given it which kind of stinks when there are a bunch of tracks. Thanks for any input!

Click the wrench for the sequence and select Customize Video Header...
Then just move the name up to the top line.

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I have a Premiere Pro CS3 project with a 5.1 master track that appears to behave correctly judging by the meters when I play it in PP. It also sounds reasonable (in a mixed-down fashion, I guess) on my PC system's speakers (L,R,LFE), and all rebalancing and panning seems to work well. However, once I export the master track to Encore using PP's SurCode Dolby Digital codec, the resulting audio mix is totally off. Here's what I get: both front channels play mainly out of the right front and center speakers, and the rear channels play mainly out of the left front speaker. I've tried all different settings, but I can't seem to change this. Well I've read that Encore just sends the audio mix straight through (the DVD trancode status is "Don't transcode"), but when I build the DVD and play it on both of my 5.1 surround systems, the results are just as bad as what my desktop PC speakers were hinting at. [Actually all DVDs that Encore builds are UNSUPPORTED on one of my set-top DVD players and they're both Panasonic! So first, I first have to copy the DVD using Nero and then the copy is accepted by all. That seems to have no bearing on my audio dilemma but I thought I'd mention it. I would love to know what Nero is doing right that Encore is doing wrong!)
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Where I DO NOT have the problem is when the audio file is imported as a 5.1 source (although it is just a stereo CD track ripped using Sony CD Architect). In that case, there is no rebalancing tray and the track meter shows only the L and R channels active, as expected. Ditto for the master track. Now if I go ahead and send the music to a stereo submix track and let that rebalance to the master, I see all channels active. But that results in the problem above after exporting to Adobe Media Encoder using SurCode and then importing the audio into Encore. If I don't remix to 5.1, the audio on the DVD is OK. But I would like to have the music come out of all speakers when there isn't a video soundtrack as there are many still pictures in the presentation.
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Problem solved everyone!!!
Rebecca of Adobe support helped me identify the root cause: project was originally set up as standard (2-channel) and although it had evolved to a 5.1 project over time, it could never grow up to be anything other than a standard audio project. After you set up the new project, the setting that controls your audio is buried in the project somewhere. Changing your project settings to set up new 5.1 audio tracks for new timelines does NOT make the project 5.1! The real audio identity attribute set at birth is not alterable OR EVEN VISIBLE (even as a grayed-out project setting) although PP will allow you to set up and mix 5.1 audio tracks at will. So you may think you're working on a 5.1 project now, but you're only fooling yourself and PP goes right along with it. Even the .ac3 files you create via export are 5.1! But dare to build your DVD in Encore and all of your timelines are transcoded back to 2.0 instantly. Resistance is futile.
A new feature in PP CS4 will allow you to view, and even CHANGE, your project's audio identify from standard to 5.1. How sweet!
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1. Create a new Premiere Pro project as 5.1 audio from the get-go.
2. Import your suspected 2.0 project into this new 5.1 project and click each sequence to flesh out the timeline.
3. Re-export all audio as elemental streams using Adobe Media Encoder. Make sure you export the audio component of each timeline as Dolby Digital 5.1 and exactly - and I mean EXACTLY - the same way. To deviate the audio settings for each timeline is to ask for trouble, so I recommend setting up an audio pre-set that you can just click when you need it.
4. Create a new Encore project and import all original video assets and your new replaced and, hopefully, 5.1 audio assets into it.
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6. In Encore, check to make sure that all of your original video sychs up correctly with the new, true 5.1 audio. Link the end actions of each timeline with the next timeline to play in the correct sequence. Check your project for orphan timelines and other errors. Then, before you start building menus and start getting fancy, build a DVD and make sure it plays as 5.1 on your system.
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Tip #2: when re-exporting and replacing files, always select audio and video separately. For some reason, Encore will allow you to replace an .ac3 file when you perform an elemental audio export, but when you try to combine video and audio and both files exist, Encore will prompt you to replace the video, but immediately abort with an error that it cannot replace the .ac3 file, thus forcing you to delete the .ac3 component manually before trying again.
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I'm test driving the new Creative Cloud version of Premiere Pro and have run across an issue I'm hoping someone can help me out with.
I'm trying to add a graphic (formerly, logo) within titler that has an alpha channel. However, this version of Premiere Pro is not interpeting the alpha/transparency. Is there a step or trick that I'm missing?
Just so I wasn't missing something, I made a gradiated to alpha quick graphic within Photoshop to see what it would display within the titler. It only displayed the "solid" color in the titler, the transparency did not show.
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Jim,
He sent me the png and it doesn't work right in the titler but it works fine as a separate item on a track in the sequence.
I have been able to replicate the same issue by creating a Photoshop file. I typed the letter "e" and made it take up most of the frame. I then added a drop shadow.
Since the drop shadow is semi-transparent, it does not show up when the graphic is placed into the titler.
I vaguely remember it always being that way, but I can't be certain.
This is what the image looks like in Photoshop:
This is what it looks like on a track in Premiere Pro with a white layer behind it. As you would expect.
This is what it looks like inserted into the titler:
The part that was partially transparent is completely gone.
As I said, I remember it being this way but I don't remember if it was ever addressed. This has nothing to do with any format in particular. I used a Photoshop PSD file instead of a PNG so I know it has the necessary features to accomplish this task.
You were here in the forums the whole time I was gone. Do you remember anything about this?

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View track title in collapsed track in Premiere Pro CC

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