Volume, bit depth, and quality - for the boffins

hi y'all
my understanding is that with digital sound that if levesl are too low you lose quality as the signal is not carried using all of the bits.
THis is explained clearly in the book 'mxing with your mind' by michael paul stavrou using a 'photo of a skyscraper' analogy to represent audio clarity (focus) changing with volume (height of skyscraper)
With digital the highest part of the skyscraper is most in focus , whereas in analogue the middle part of the skyscraper is most in focus
3 questions:
1) Is this understanding correct?
2) If you have recorded levels that are low does adding gain or normalizing the files make any difference to the sound quality? - surely detail can't be added
3) When you add gain to a quiet mix is there a difference in the quality of the outcome between the following approaches.
1) normalizing the audio files for each track
2) adding gain to each track in the mixer either by adjusting faders or adding a insert that increases gain
3) adding gain at the mix output bus or master output fader?
Would value anyone's views on this.
best
tommy banana

my understanding is that with digital sound that if levesl are too low you lose quality as the signal is not carried using all of the bits.
Not really.
THis is explained clearly in the book 'mxing with your mind' by michael paul stavrou using a 'photo of a skyscraper' analogy to represent audio clarity (focus) changing with volume (height of skyscraper)\
Unfortunately, this kind of analogy has misrepresented digital audio for a long time, and has caused all kinds of myths, like "digital audio is steppy or discontinuous" and "a higher sample rate gives you more resolution because the steps are smaller" etc etc.
If you have recorded levels that are low does adding gain or normalizing the files make any difference to the sound quality?
Yes, it makes it very very slightly worse.
3) When you add gain to a quiet mix is there a difference in the quality of the outcome
between the following approaches.
1) normalizing the audio files for each track
2) adding gain to each track in the mixer either by adjusting faders or adding a
insert that increases gain
3) adding gain at the mix output bus or master output fader?
Normalising should really never be used. If all these processes are implemented correctly, there should be no practical difference between adding gain to all individual tracks, versus adding gain at the master fader.
This wasn't the case some years ago with poorly implemented digital mixers, but in this day and age, pretty much everyone does it right.
Bottom line, if you really want to understand this stuff it can be useful, but really, improving your song writing will have a much better positive effect on your music than worrying about which dither curve works the best and whether adding +1dB of gain is going to destroy your audio.

Similar Messages

Bit Depth and Render Quality

When you finally export media to some sort of media format via the encoder does the projects preview Bit Depth and Render Quality settings affect the output file?
I know there is "Use Preview files" setting in the media exporter dialogue but I just want to be sure of what I am doing.

Jeff's response is my perspective, as well, which is both backed up by my own tests and the official Adobe word.
Exhibit A: My Tests
That is DV footage with a title superimposed over it in a DV sequence, with a Gaussian blur effect (the Premiere accelerated one) applied to the title; all samples are from that sequence exported back to DV. This was to show the relative differences of processing between software and hardware MPE, Premiere export and AME queueing, and the effect of the Maximum Bit Depth and Maximum Render Quality options on export (not the sequence settings; those have no bearing on export).
The "blooming" evident in the GPU exports is due to hardware MPE's linear color processing. I think it's ugly, but that's not the point here. Further down the line, you can see the effect of Maximum Bit Depth (and MRQ) on both software MPE and hardware MPE. I assume you can see the difference between the Maximum Bit Depth-enabled export and the one without. Bear in mind that this is 8-bit DV footage composited and "effected" and exported back to 8-bit DV. I don't understand what your "padding with zeroes" and larger file size argument is motivated by--my source files and destination files are the same size due to the DV codec--but it's plainly clear that Maximum Bit Depth has a significant impact on output quality. Similar results would likely be evident if I used any of the other 32-bit enabled effects; many of the color correction filters are 32-bit, and should exhibit less banding, even on something 8-bit like DV.
Exhibit B: The Adobe Word
This is extracted from Karl Soule's blog post, Understanding Color Processing: 8-bit, 10-bit, 32-bit, and more. This section comes from Adobe engineer Steve Hoeg:
1. A DV file with a blur and a color corrector exported to DV without the max bit depth flag. We
will import the 8-bit DV file, apply the blur to get an 8-bit frame,
apply the color corrector to the 8-bit frame to get another 8-bit frame,
then write DV at 8-bit.
2. A DV file with a blur and a color corrector exported to DV with the max bit depth flag. We
will import the 8-bit DV file, apply the blur to get an 32-bit frame,
apply the color corrector to the 32-bit frame to get another 32-bit
frame, then write DV at 8-bit. The color corrector working on the 32-bit
blurred frame will be higher quality then the previous example.
3. A DV file with a blur and a color corrector exported to DPX with the max bit depth flag. We
will import the 8-bit DV file, apply the blur to get an 32-bit frame,
apply the color corrector to the 32-bit frame to get another 32-bit
frame, then write DPX at 10-bit. This will be still higher quality
because the final output format supports greater precision.
4. A DPX file with a blur and a color corrector exported to DPX without the max bit depth flag.
We will clamp 10-bit DPX file to 8-bits, apply the blur to get an 8-bit
frame, apply the color corrector to the 8-bit frame to get another
8-bit frame, then write 10-bit DPX from 8-bit data.
5. A DPX file with a blur and a color corrector exported to DPX with the max bit depth flag.
We will import the 10-bit DPX file, apply the blur to get an 32-bit
frame, apply the color corrector to the 32-bit frame to get another
32-bit frame, then write DPX at 10-bit. This will retain full precision through the whole pipeline.
6. A title with a gradient and a blur on a 8-bit monitor. This will display in 8-bit, may show banding.
7. A title with a gradient and a blur on a 10-bit monitor
(with hardware acceleration enabled.) This will render the blur in
32-bit, then display at 10-bit. The gradient should be smooth.
Bullet #2 is pretty much what my tests reveal.
I think the Premiere Pro Help Docs get this wrong, however:
High-bit-depth effects
Premiere Pro includes some video effects and transitions
that support high-bit-depth processing. When applied to high-bit-depth
assets, such as v210-format video and 16-bit-per-channel (bpc) Photoshop
files, these effects can be rendered with 32bpc pixels. The result
is better color resolution and smoother color gradients with these
assets than would be possible with the earlier standard 8 bit per
channel pixels. A 32-bpc badge appears
to the right of the effect name in the Effects panel for each high-bit-depth
effect.
I added the emphasis; it should be obvious after my tests and the quote from Steve Hoeg that this is clearly not the case. These 32-bit effects can be added to 8-bit assets, and if the Maximum Bit Depth flag is checked on export, those 32-bit effects are processed as 32-bit, regardless of the destination format of the export. Rendering and export/compression are two different processes altogether, and that's why using the Maximum Bit Depth option has far more impact than "padding with zeroes." You've made this claim repeatedly, and I believe it to be false.
Your witness...

Turning on Render at Maximum Bit Depth and Maximum Render Quality crashes render every time

I've tried a few times to render an H264 version of my Red media project with Maximum Bit Depth and Maximum Render Quality. Premiere crashes every time. I have GPUs enabled. Are people using these settings with Red media and successfully rendering?

To answer your specific question did you see the tooltip?
I beleive it allows for 32-bit processing (16-bit if unchecked). Per the project settings help file at http://helpx.adobe.com/premiere-elements/using/project-settings-presets.html
Maximum Bit Depth
Allows Premiere Elements to use up to 32‑bit processing, even if the project uses a lower bit depth. Selecting this option increases precision but decreases performance.
The help file for export is somewhat less informative about what it actually does but does point out that it is the color bit depth - http://helpx.adobe.com/media-encoder/using/encode-export-video-audio.html
(Optional) Select Use Maximum Render Quality or Render At Maximum Bit Depth. Note: Rendering at a higher color bit depth requires more RAM and slows rendering substantially.
In practice the simplest suggestion is to export twice - once with / once without the setting and compare the time taken and perceived quality.
Cheers,
Neale
Insanity is hereditary, you get it from your children
If this post or another user's post resolves the original issue, please mark the posts as correct and/or helpful accordingly. This helps other users with similar trouble get answers to their questions quicker. Thanks.

I have windows 7 64 bit but the new itunes will not install because it can't find itunes64.msi. I have searxhed evertwhere on my pc. In addition, I can't uninstall the itunes and reinstall for the same reason.

I have windows 7 64 bit but the new itunes will not install because it can't find itunes64.msi. I have searched evertwhere on my pc. In addition, I can't uninstall the itunes and reinstall for the same reason. I can't upgrade for my icloud account.

Try the following steps:
1. Go to Microsoft website to fix install and Unistall problems. Click "Run now" from Fix it to remove all iTunes & related installer files:
http://support.microsoft.com/mats/Program_Install_and_Uninstall
Be aware that Windows Installer CleanUp Utility will not remove the actual program from your computer. However, it will remove the installation files so that you can start the installation, upgrade, or uninstall over.
2. You should remove all instances of iTunes and the rest of the components listed below:
it may be necessary to remove all traces of iTunes, QuickTime, and related software components from your computer before reinstalling iTunes.
Use the Control Panel to uninstall iTunes and related software components in the following order:
iTunes
QuickTime
Apple Software Update
Apple Mobile Device Support
Bonjour
Apple Application Support (iTunes 9 or later)
Follow the instructions from Apple article listed here: http://support.apple.com/kb/HT1923 to remove all components
3. Reboot your computer. Next, download iTunes from here:http://www.apple.com/itunes/download/ and install from scratch

Bit Depth and Bit Rate

I have a pre recorded mp3 VO. I placed it into a track bed in GB. Clients wants a compressed audio file with bit depth: 16 bit and bitrate: 128kps max, but recommends 96kbps. If I need to adjust the bit depth and bite rate, can I do it in GB? and if so, where? Thanks for any help.

Please be aware that Bit Depth and Bit Rate are two completely different things!
They belong to a group of buzz words that belong to Digital Audio and that is the field we are dealing with when using GarageBand or any other DAW. Some of those terms pop up even in iTunes.
Digital Audio
To better understand what they are and what they mean, here is a little background information.
Whenever dealing with Digital Audio, you have to be aware of two steps, that convert an analog audio signal into a digital audio signal. These magic black boxes are called ADC (Analog Digital Converter) and “on the way back”, DAC (Digital Analog Converter).
Step One: Sampling
The analog audio (in the form of an electric signal like from an electric guitar) is represented by a waveform. The electric signal (voltage) changes up and down in a specific form that represents the “sound” of the audio signal. While the audio signal is “playing”, the converter measure the voltage every now and then. These are like “snapshots” or samples, taken at a specific time. These specific time intervals are determined by a “Rate”, it tells you how often per seconds something happens. The unit is Hertz [Hz] defined as “how often per seconds” or “1/s”. A Sample Rate of 48kHz means that the converter takes 48,000 Samples per second.
Step Two: Quantize (or digitize)
All these Samples are still analog, for example, 1.6Volt, -0.3Volt, etc. But this analog value now has to be converted into a digital form of 1s and 0s.This is done similar to quantizing a note in GarageBand. The value (i.e. the note) cannot have any position, it has to be placed on a grid with specific values (i.e. 1/16 notes). The converter does a similar thing. It provides a grid of available numbers that the original measured Sample has to be rounded to (like when a note get shifted in GarageBand by the quantize command). This grid, the amount of available numbers, is called the Bit Depth. Other terms like Resolution or Sample Size are also used. A Bit Depth of 16bit allows for 65,535 possible values.
So the two parameters that describe the quality of an Digital Audio Signal are the Sample Rate (“how often”) and the Bit Depth (“how fine of a resolution”). The very simplified rule of thumb is, the higher the Sample Rate, the higher the possible frequency, and the higher the Bit Depth, the higher the possible dynamic.
Uncompressed Digital Audio vs. Compressed Digital Audio
So far I haven’t mentioned the “Bit Rate” yet. There is a simple formula that describes the Bit Rate as the product of Sampel Rate and Bit Depth: Sample Rate * Bit Depth = Bit Rate. However, Bit Depth and how it is used (and often misused and misunderstood) has to do with Compressed Digital Audio.
Compressed Digital Audio
First of all, this has nothing to do with a compressor plugin that you use in GarageBand. When talking about compressed digital audio, we talk about data compression. This is a special form how to encode data to make the size of the data set smaller. This is the fascinating field of “perceptual coding” that uses psychoacoustic models to achieve that data compression. Some smart scientists found out that you can throw away some data in a digital audio signal and you wouldn’t even notice it, the audio would still sound the same (or almost the same). This is similar to a movie set. If you shoot a scene on a street, then you only need the facade of the buildings and not necessary the whole building.
Although the Sample Rate is also a parameter of uncompressed digital audio, the Bit Depth is not. Instead, here is the Bit Rate used. The Bit Rate tells the encoder the maximum amount of bits it can produce per second. This determines how much data it has to throw away in order to stay inside that limit. An mp3 file (which is a compressed audio format) with a Bit Rate of 128kbit/s delivers a decent audio quality. Raising the Bit Rate to 256bit/s would increase the sound quality. AAC (which is technically an mp4 format) uses a better encoding algorithm. If this encoder is set to 128kbit/s, it produces a better audio quality because it is smarter to know which bits to throw away and which one to keep.
Conclusion
Whenever you are dealing with uncompressed audio (aiff, wav), the two quality parameters are Sample Rate [kHz] and Bit Depth [bit] (aka Resolution, aka Bit Size)
Whenever you are dealing with compressed audio (mp3, AAC), the two quality parameters are Sample Rate [kHz] and Bit Rate [kbit/s]
If you look at the Export Dialog Window in GarageBand, you can see that the Quality popup menu is different for mp3/AAC and AIFF. Hopefully you will now understand why.
Hope that helps
Edgar Rothermich
http://DingDingMusic.com/Manuals/
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

Supported bit depth and sampling frequency

Hi,
Is it possible to determine at runtime what sampling frequencies and bit depths are available for audio capture -- other than by trial and error? It does not seem that way from the API, but maybe I missed something, so I decided to post a question here. The only thing I was able to find so far is that 8-bit PCM WAV is required to be supported by all devices that support audio at all.
Thanks in advance for any info!
Sergei

Thanks for the info. I guess I was looking for something more specific - the exact bitrates and sample rates that Creative claims to support. Would you know where official and comprehensi've data can be had? There must be a tech spec somewhere.
It is common these days in business to see a recording of, say, a conference call or seminar presentation at 32k bitrate/025Hz, or even 24k bitrate/8000Hz, posted to a company's website for download by those who could not be there, and MP3 players are increasingly used for their replay. Companies use low digitization rates because there is no need for hifi and the files are much smaller: less storage, faster download.
I'd be surprized to think that Creative don't have compatibility with the standard range of rates offered by ubiquitous programs like Audacity and dBpower, the latter being one they themselves recommend!

I own CS6. I just built a new computer with Win-7. How do I change to the 64 bit version and install on the new computer?

I own CS6. I just built a new computer with Win-7. How do I change to the 64 bit version and install on the new computer?
Lance

download the installation file(s) and activate with your serial number,
Downloads available:
Suites and Programs: CC 2014 | CC | CS6 | CS5.5 | CS5 | CS4 | CS3
Acrobat: XI, X | 9,8 | 9 standard
Premiere Elements: 12 | 11, 10 | 9, 8, 7
Photoshop Elements: 12 | 11, 10 | 9,8,7
Lightroom: 5 | 4 | 3
Captivate: 8 | 7 | 6 | 5
Contribute: CS5 | CS4, CS3
Download and installation help for Adobe links
Download and installation help for Prodesigntools links are listed on most linked pages. They are critical; especially steps 1, 2 and 3. If you click a link that does not have those steps listed, open a second window using the Lightroom 3 link to see those 'Important Instructions'.
window using the Lightroom 3 link to see those 'Important Instructions'.<

In Bdc I have huge volume of data to upload for the given transaction

Hi gurus,
In Bdc I have huge volume of data to upload for the given transaction, here am using session method, it takes lots of exection time to complete the whole transaction, Is there any other method to process the huge volume with minimum time,
reward awaiting
with regards
Thambe

Selection of BDC Method depends on the type of the requirement you have. But you can decide which one will suite requirement basing the difference between the two methods. The following are the differences between Session & Call Transaction.
Session method.
1) synchronous processing.
2) can tranfer large amount of data.
3) processing is slower.
4) error log is created
5) data is not updated until session is processed.
Call transaction.
1) asynchronous processing
2) can transfer small amount of data
3) processing is faster.
4) errors need to be handled explicitly
5) data is updated automatically
Batch Data Communication (BDC) is the oldest batch interfacing technique that SAP provided since the early versions of R/3. BDC is not a typical integration tool, in the sense that, it can be only be used for uploading data into R/3 and so it is
not bi-directional.
BDC works on the principle of simulating user input for transactional screen, via an ABAP program.
Typically the input comes in the form of a flat file. The ABAP program reads this file and formats the input data screen by screen into an internal table (BDCDATA). The transaction is then started using this internal table as the input and executed in the background.
In Call Transaction, the transactions are triggered at the time of processing itself and so the ABAP program must do the error handling. It can also be used for real-time interfaces and custom error handling & logging features. Whereas in
Batch Input Sessions, the ABAP program creates a session with all the transactional data, and this session can be viewed, scheduled and processed (using Transaction SM35) at a later time. The latter technique has a built-in error processing mechanism too.
Batch Input (BI) programs still use the classical BDC approach but doesnt require an ABAP program to be written to format the BDCDATA. The user has to format the data using predefined structures and store it in a flat file. The BI program then reads this and invokes the transaction mentioned in the header record of the file.
Direct Input (DI) programs work exactly similar to BI programs. But the only difference is, instead of processing screens they validate fields and directly load the data into tables using standard function modules. For this reason, DI programs are much faster (RMDATIND - Material Master DI program works at least 5 times faster) than the BDC counterpart and so ideally suited for loading large volume data. DI programs are not available for all application areas.
synchronous & Asynchronous updating:
http://www.icesoft.com/developer_guides/icefaces/htmlguide/devguide/keyConcepts4.html
synchronous & Asynchronous processings
Asynchronous refers to processes that do not depend on each other's outcome, and can therefore occur on different threads simultaneously. The opposite is synchronous. Synchronous processes wait for one to complete before the next begins. For those Group Policy settings for which both types of processes are available as options, you choose between the faster asynchronous or the safer, more predictable synchronous processing.
By default, the processing of Group Policy is synchronous. Computer policy is completed before the CTRLALTDEL dialog box is presented, and user policy is completed before the shell is active and available for the user to interact with it.
Note
You can change this default behavior by using a policy setting for each so that processing is asynchronous. This is not recommended unless there are compelling performance reasons. To provide the most reliable operation, leave the processing as synchronous.

Hello, I just purchase Adobe Premier elements 12. I installed it but the only problem is when I try to open "new project" it tells me I have to put my password in and username for the first seven days of installation, but when I do that the project never

Hello, I just purchase Adobe Premier elements 12. I installed it but the only problem is when I try to open "new project" it tells me I have to put my password in and username for the first seven days of installation, but when I do that the project never opens, it just has the loading bar loading and then it stops, so I have no idea wat the problem is, please help

new project help
What computer operating system is your Premiere Elements running on?
Have you gone through the typical drills of
1. Latest version of QuickTime installed on your computer with Premiere Elements?
2. Running program from User Account with Administrative Privileges as well as from Run As Administrator applied to the desktop icon
with right click of the icon, followed by selecting Run As Administrator?
3. Does problem exist with and without the antivirus and firewall(s) disabled?
4. Even though the Premiere Elements 12 Editor will not open, can you open the Elements Organizer 12?
If Yes to all of the above, please review the following for a possible solution...
ATR Premiere Elements Troubleshooting: PE12: Premiere Elements 12 Editor Will Not Open
Please review and consider the above and then we can decide what next which might include trying to open
the program directly from the .exe files. (If Windows 7, 8, or 8.1 64 bit, Local Disk C\Program Files\Adobe\
Adobe Premiere Elements 12\ and in the Adobe Premiere Elements 12 Folder are the Adobe Premiere Elements 12.exe
and Adobe Premiere Elements.exe files. Double click the Adobe Premiere Elements .exe file to try to open the project.)
We will watching for your results.
ATR

I am trying to play a DVD on my MacBook Pro and transmit it to my TV (use my TV as the monitor) utilizing a VGA cable and adapter for the Mac but the only image that shows up on the TV is the MacBook wall paper, any ideas on how I can transmit to my TV?

I am trying to play a DVD on my MacBook Pro and transmit it to my TV (using my TV as the monitor) utilizing a VGA cable and adapter for the Mac but the only image that shows up on the TV is the MacBook wall paper, any ideas on how I can transmit the movie from my MacBook to the TV? I also tried an HDMI cable and had the same issue.

you are probably seeing the extended display.. to see ur main display go to pefrences then display steeings and turn mirroring on.
this will display ur mbp main screen. good luck.

When I try to reset my iPad mini it keeps asking for a passcode! have tried restoring, connecting to iTunes and looked for the 'set up as new iPad' notification, but nothing is working? can anyone help please?

I know my passcode is correct but when I try to reset my iPad mini it keeps asking for a passcode! have tried restoring, connecting to iTunes and looked for the 'set up as new iPad' notification, but nothing is working? can anyone help please?

If the iPad was running iOS 7, iCloud: Find My iPhone Activation Lock in iOS 7
http://support.apple.com/kb/HT5818
How can I unlock my iPad if I forgot the passcode?
http://www.everymac.com/systems/apple/ipad/ipad-troubleshooting-repair-faq/ipad- how-to-unlock-open-forgot-code-passcode-password-login.html
iOS: Device disabled after entering wrong passcode
http://support.apple.com/kb/ht1212
How can I unlock my iPad if I forgot the passcode?
http://tinyurl.com/7ndy8tb
How to Reset a Forgotten Password for an iOS Device
http://www.wikihow.com/Reset-a-Forgotten-Password-for-an-iOS-Device
Using iPhone/iPad Recovery Mode
http://ipod.about.com/od/iphonetroubleshooting/a/Iphone-Recovery-Mode.htm
Saw this solution on another post about an iPad in a school environment. Might work on your iPad so you won't lose everything.
~~~~~~~~~~~~~
‘iPad is disabled’ fix without resetting using iTunes
Today I met my match with an iPad that had a passcode entered too many times, resulting in it displaying the message ‘iPad is disabled – Connect to iTunes’. This was a student iPad and since they use Notability for most of their work there was a chance that her files were not all backed up to the cloud. I really wanted to just re-activate the iPad instead of totally resetting it back to our default image.
I reached out to my PLN on Twitter and had some help from a few people through retweets and a couple of clarification tweets. I love that so many are willing to help out so quickly. Through this I also learned that I look like Lt. Riker from Star Trek (thanks @FillineMachine).
Through some trial and error (and a little sheer luck), I was able to reactivate the iPad without loosing any data. Note, this will only work on the computer it last synced with. Here’s how:
1. Configurator is useless in reactivating a locked iPad. You will only be able to completely reformat the iPad using Configurator. If that’s ok with you, go for it – otherwise don’t waste your time trying to figure it out.
2. Open iTunes with the iPad disconnected.
3. Connect the iPad to the computer and wait for it to show up in the devices section in iTunes.
4. Click on the iPad name when it appears and you will be given the option to restore a backup or setup as a new iPad (since it is locked).
5. Click ‘Setup as new iPad’ and then click restore.
6. The iPad will start backing up before it does the full restore and sync. CANCEL THE BACKUP IMMEDIATELY. You do this by clicking the small x in the status window in iTunes.
7. When the backup cancels, it immediately starts syncing – cancel this as well using the same small x in the iTunes status window.
8. The first stage in the restore process unlocks the iPad, you are basically just cancelling out the restore process as soon as it reactivates the iPad.
If done correctly, you will experience no data loss and the result will be a reactivated iPad. I have now tried this with about 5 iPads that were locked identically by students and each time it worked like a charm.
~~~~~~~~~~~~~
Try it and good luck. You have nothing more to lose if it doesn't work for you.
 Cheers, Tom

Automatic TO Creation and Confirm for the 321 Mvt type

Hello Experts,
Like to know the customisation invovlved for automatic TO creation and confirmation for the 321 movement type in which QM is activated.
I have already activated in OMKZ as below
1.Automatic TO for 321 mvt ytpe
2.TO item to be confirmed immediately
3.Propose confirmation
Table T333 -AUTTA
          T333-SQUIT &
          T333-VQUIT is activated.
Please let me know any other settings to be performed
Regards
Krishna

Hello Experts,
I am trying to create the Automatic TO and TO confirmation for the mvt type 321.
I made the below settings
I have activated in OMKZ as below
1.Automatic TO for 321 mvt ytpe   -"A"
2.TO item to be confirmed immediately - tick mark
3.Propose confirmation   - tick mark
Table T333 -AUTTA
T333-SQUIT &
T333-VQUIT is activated.
I have activated in OMKX as below
Table T321-TBFKZ Immediate TO Creation with "A"
T321-TAFKZ TR creation with "X"
After doing the settings i am not able to see the Posting change number in the Material document created for the mvt type 321.
Please let me know how to create the Posting chnage notice for the material document and how to convert the Posting change notice to automatic TO and confirmation.
Thanks & Regards
Krishna
Edited by: Hariharan krishna on May 25, 2011 8:01 AM

If I purchase Adobe Creative Cloud for student, can I have the programmes on both my laptop and desktop for the same price?

If I purchase Adobe Creative Cloud for student, can I have the programmes on both my laptop and desktop for the same price?

Cloud License allows 2 activations http://www.adobe.com/legal/licenses-terms.html
-Install on a 2nd computer http://forums.adobe.com/thread/1452292?tstart=0
-Windows or Mac does not matter... 2 on the same operating system, or 1 on each

I have an iphone4. every time i turn it on i get an old I.D. and a message saying, "Apple password " then my email address and asks for the password. I have a different account that itunes on my computer recognizes. How do i remove this from my phone?

i have an iphone4. every time i turn it on i get an old I.D. and a message saying, "Apple password " then my email address and asks for the password. I have a different account that itunes on my computer recognizes. How do i remove this from my phone?

to remove that account.
go to settings > iTunes & App Stores > click on that apple ID then sign out.

Unsupported version Error while generating header and footer for the PDF

hi
I want to genrate header and footer for the PDF file however on the call of the EndPage class i got a Unsupported Version Error Unsupported major minor Version Error and Class loader Define class
What has gone wrong ?.

Can you provide more information about what you were trying to do? In particular, what does your code like like?
Also, can you include the stack trace, and the complete error message?

Volume, bit depth, and quality - for the boffins

Similar Messages

Maybe you are looking for