What are the clip colours in the timeline?

Please point me to the relevant section in the manual, if it exists. In the meantime here's what I've discovered so far:
Blue - VIDEO clips with associated audio available (but not necessarily in sequence)
Dark Green - AUDIO only
Light Green - merged clips, nested sequence
Magenta - Imported Still frames & internally generated elements (Black, transparent video etc)
Pink - AE dynamic link
Purple - VIDEO only (inc Closed captions, titles etc) - i.e. NO associated audio
Sometimes the greens change when merged clips are copied between sequences, but I haven't managed to track that down.

So, to further clarify, with correct terminology (but no ability to color in a reply it seems), the 'labels' and colors and default assignments are:
Iris - VIDEO clips with associated audio available (but not necessarily in sequence)
Green - AUDIO only
Forest - merged clips, nested sequence
Lavender - Imported Still frames & internally generated elements (Black, transparent video etc)
Rose - AE dynamic link
Cerulean - VIDEO only (inc Closed captions, titles etc) - i.e. NO associated audio
Mango - BIN
Violet - SPARE COLOUR / LABEL

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What are the numbers for silver colour ?

I tried to create fonts using silver colour but no matter how I adjust I cannot get silver.
Anyone know what are the 3 set of numbers to get Silver colour ?
Thanks

Ian R. Brown wrote:
You have to click the "Play" button and wait a few seconds for the "progress" line to move part way across. It's working OK for me......... you have got broadband, haven't you?
Yes Ian, I do have broadband. But sorry, I do not quite get what you are trying to say in the earlier sentence ?
The 3D applications others have mentioned cost hundreds of dollars, so unless you are very keen or well-heeled, they won't be much use.
I can't help you with your effects as they sound rather complex.
When I do something I try to be open-minded as it often makes life incredibly easier. I have an effect in mind but if it proves too difficult I swop it for something similar but a lot simpler.
Often the alternative effect can end up looking better than my first idea!
Frequently the only people we satisfy with complex effects are ourselves ....... other audiences barely notice them.
Yes, those are too expensive, some cost more than FCE itself. I will try to alter the animation.
But I have bought Bluff Titler, not bad !

What are the units of the timeline

What are the units fo the timeline? Seconds, weeks, eons, microseconds? Can't tell and there is no video or manual or any instruction out there that tells hyou this simple fact. I've already watched nearly all the videos available and all they do is chunter along about their wonderful videos instead of telling you the basic things. So, now I've spent all day making a presentation that takes at least 300 years to move from one frame to the next and I'm wondering if perhaps the timeline is written in centuries, or millenia instead of something reasonble.
Englightenment on where I can learn basic neglected secrets, would be appreciated. Also appreciated would be some insight into the corporate disease Adobe seems to have which compels it to inflict videos upon people who just want basic answers and to make it necessary to click 185 buttons and log in 17 times to even ask a question on this very helpful forum

milliseconds.

What is the timeline?

What is the timeline and how do I get in it?

Hi
TimeLine = Where You build Your Movie Project. In iMovie'08 to 11 in the Project window.
What version of iMovie do You use ?
iMovie'08 to 09 - the Project window can only show "TimeLine" as a multiple lined set of clips - as text in a word processor (e.g. MS-Word)
iMovie'11 can show this window in two ways - as a multiple lined view - and as a - SINGLE line Start of movie to the far Left and the very End to the far Right. As it is in all Professional Video Editing Applications. The folded way to view are totally new from iMovie'08 (and may be also in FinalCut Pro-X) and to many of us very strange and "jumpy" way of working.
Yours Bengt W

What are the major risks buying used lenses ?

i just bought my first dslr, and i was wondering what are the major risks buying used lenses ?

You need to be able to inspect and test the lens.
Look for obvious signs of physical damage, drops, etc. (cracks, dents, etc.) A lens normally will get some signs of wear but as it's a used lens, you expect *some* wear... you're really looking for signs of damage.
Remove both front and rear caps. Look through the lens into a bright no-contrast background (a white wall, a blue sky, etc.) and check the optics. You're looking for signs of mold growth or damage to coatings. Minor dust on internal optics wont impact the lens performance... so while you wouldn't want major amounts of dirt... don't worry too much about minor bits of dust (I've actually helped prove this to someone by clipping a 3M PostIt note down to a tiny 1/4" x 1/4" size and sticking it on the front glass. Take a photo... nothing shows in the photo (even a piece of "dirt" that big wont show because the camera cannot focus on anything that close to the lens.)
Rotate the focus ring from end to end. You should feel a smooth and consistent amount of friction as you rotate the focus ring. There should be no rough spots. Listen to the lens as you do this... there should be no grinding noises.
Do the same with the zoom ring but in addition to checking for smooth consistent performance (no sticky or rough spots) you're also checking to make sure nothing seems excessively worn (nothing wobbles loose... very heavily used lenses can do that after enough wear.)
Connect the lens to the camera and make sure the camera can completely operate the auto-focus motors without a problem and/or if it's an image stabilized lens that the IS components are working.
Set the camera to max aperture (e.g. f/22, f/32.. depending on the lens) and press your camera's "depth of field preview" button (if you don't know which button is your DOF preview, check your manual. Canon tends to move that one around a bit but it's almost always on the front side of the camera near the lens mount.) You want to press and release it a few times. This will cause the lens aperture blades to stop down to the aperture you set. Release... do this while watching the lens. You should see the aperture blades move in and out (well... they snap in and out very quickly). You want to make sure it works ok, the camera gets no error codes, and there's no signs that anything is sticking.
And then there is the focus test...
Focus the camera preferably at a FLAT surface that has lots of detail.... such as the brick wall of a building. Make sure the camera is level and that the camera's focal plane is parallel to the plane of the wall. Take a test photo at low f-stop and inspect. You're checking to verify that the focus works and that the focus is reasonable across the image. As you inspect from left ot right and top to bottom you are looking to make sure the focus is more or less equal (if the right side of the image is focused... but the left side of the image is soft... it would indicate that lens elements are skewed (lens isn't collimated). It's difficult for a lens to get into this situation unless it was dropped and you'd probably see signs of damage.
Tim Campbell
5D II, 5D III, 60Da

What are the settings for Primere Elements 9 if I've filmed with a Canon Powershot sx50 HS?

I just got this camera and I want the best quality possible. Unfortunately, it's hard for me to fully know if the settings I try create that. I get a fuzz or noise on objects like if I'm wearing a black jacket it's like static. When I put the video on my phone which is an Android Galaxy s4 it converts it into mp4 format and I get much more clear results than on my computer which perplexes me. I did a lot of trial and error with my previous camera (JVC Full HD Everio) which I got the same results. My newer Canon should be leagues ahead of the JVC, but I really can't tell as of yet. If anyone could help that would be awsome. I have examples of my trials and errors from my Youtube videos which you can see I felt I was slowly making progress with the JVC Oppositeofhood - YouTube

Opposite
Then I saw your latest post
Wait, I think I just found it. I pressed record on different settings to take pictures with like portrait to see if it would make a difference and when I uploaded them to my computer I found where it shows the BIt rate and it varied. They run at 23 frames per second 1920 x 1080 MOV video files and all the Bit rates are like 36,356 35,414 ,36,521
If your camera is recording with a variable bitrate, the Bitrate variations from file to file should not be contributing to the issue. But it does raise the issue related to whether or
not we are setting the appropriate bitrate level in the export settings. What are the units for 36,356, 35,414, and 36,517 -
kbps (also can be written Kbps) and is kilobits per second
or
Mbps which is megabits per second.
Let us try this for one of your 1920 x 1080p24 videos.
Go through the following workflow
Manually set project preset...
NTSC
DSLR
1080p
DSLR 1080p24
When you go to export your edited Timeline content, then use
Share
Computer
QuickTime
with Presets = NTSC DV 16:9 - that is going to be customized to 1080p24 (H.264.mov) under the Advanced Button/Video Tab of that preset
The essential settings under the Advanced Button/Video Tab
Video Codec = H.264
Frame Width = 1920
Frame Height = 1080
Frame Rate = 23.976
Field Type = Progressive
Aspect = Square Pixels (1.0)
Now here is where we are going to experiment....
Bitrate
Check Mark next to Limit Data Rate to and type in 36000 before kbps
note the file size of the export as well as the quality of the playback.
Repeat the whole process but in export
Remove the check mark next to Limit Data Rate. The Bitrate field will be disabled.
note the file size of the export as well as the quality of the playback.
We will be watching for your results.
Thanks.
ATR

Exporting photos for UHDTV or Native 4K TV, what are the best settings ? (File: Quality File: Color Space, Image Sizing and resolution) Or in other words; How can I get the smallest files but keep good quality for display on new UHDTV

Exporting photos for UHDTV or Native 4K TV, what are the best settings ? (File: Quality File: Color Space, Image Sizing and resolution) Or in other words; How can I get the smallest files but keep good quality for display on new UHDTV

You're welcome, and thank you for the reply.
2) Yesterday I made the subclips with the In-Out Points and Command-U, the benefit is that I've seen the clip before naming it. Now I'm using markers, it's benefit is that I can write comment and (the later) clip name at once, the drawback is that I have to view to the next shot's beginning before knowing what the shot contains.
But now I found out that I can reconnect my clips independently to the format I converted the master clip to. I reconnected the media to the original AVI file and it worked, too! The more I work with, the more I'm sold on it... - although it doesn't seem to be able to read and use the date information within the DV AVI.
1) Ok, I tried something similar within FCE. Just worked, but the file size still remains. Which codec settings should I use? Is the export to DV in MOV with a quality of 75% acceptable for both file size and quality? Or would be encoding as H.264 with best quality an option for archiving, knowing that I have to convert it back to DV if I (maybe) wan't to use it for editing later? Or anything else?
Thank's in advance again,
André

What are the FINAL CUT STUDIO capture presets using a "Blackmagic Intensity Pro HDMI PCI Express Capture Card"

A S-VHS cable and a/v cables are connected to the breakout box.
What are the presets:
1) Sequence Preset?
2) Capture Preset?
3) Device Control Preset?
thanks

1) Sequence Preset?
2) Capture Preset?
3) Device Control Preset?
Is this realted to your other question? Don't post more than once, please. GEt it right the first time and then wait. Patiently.
1. Your sequence rpeset will be determined by the production's output taarget, it has nothing to do with the Balckmagic capture unless you alreday know what that will be. And you do, in fact, because VHS only comes in one way. When you bring your fist captured clip into a sequence, FCP7 will aks if you want to confrom the sequence to the clip's settings. Say yes. Done.
2. Your capture is going to be regular ol' DV. There's no reason to try to use any other advanced codec for VHS. But you probalby hsould have a time base corrector or frame sync in the loop to help correct and stabilize ancient tapes. Your preset if NTSV DV
3. There is not control for a VHJS deck. So une unctrolled device.

What are the best setting to export video from after effects to get the best video quality ?

Hi
I am editing a raw time lapse in after effects and also some short video clips I would like to export them from after effects and upload them online afterwards but i get a bit lost in exporting settings and formats and mbps..
What are the best settings to export a video and get best quality(high) in full hd 1080 ? in 4k ? and what would be the best setting to export animations/logo/intro and get best quality ?
Thank you very much.

Thanks for reply !
I used until now quicktime in H264 codec was that OK ?
two more questions :
what are the export settings for 4k files for web/you tube ?
to play on my PC using windows media player or Quicktime player and getting the best quality ?
Thanks in advance.

FAQ: What are the best resources for After Effects CS6?

Listed are select troubleshooting and "how to" resources for After Effects CS6.
After Effects CS6 troubleshooting resources
I'm having trouble downloading and installing After Effects. What do I do?See troubleshooting documents, post in the Downloading, Installing, Setting Up forum, or contact support. For details, see this blog post or this FAQ.
What are the system requirements for After Effects CS6?See this article.
Does After Effects CS6 work with Mac OS X 10.9 (Mavericks)?Yes, update to After Effects CS6 (11.04) for that capability. More info in this blog post.
How do I prevent After Effects CS6 from crashing when I use Illustrator files?Prevent this issue by turning off the preference Create Layer Markers from Footage XMP Metadata in the Media & Disk Cache preferences category. More info in this blog post.
I can't open the composition mini-flow chart. What do I do?See the workarounds in the following blog post.
Is there a 30 day trial available for After Effects CS6?Yes, subscribe to the free version of Creative Cloud, then download After Effects CS6. More info here.
I'm getting errors related to QuickTime. What do I do?See this blog post for troubleshooting items related to QuickTime.
What are the GPU related features in After Effects CS6?See this blog post for details.
Do I need new plug-ins for After Effects CS6?See this blog post for information.
I'm getting errors after applying the 3D Camera Tracker or Warp Stabilizer to a long clips in After Effects CS6. What do I do?See this blog post for more information.
After Effects CS6 Tutorials
How do I get started with After Effects CS6?See this blog post.
Where can I find tutorials for learning After Effects CS6?
See this blog post.
See also this collection of tutorials.
Issue: What are the top new and changed features in After Effects CS6?See this blog post.
Issue: How do I optimize After Effects CS6 for best performance?See this article.

Hi ..
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start doing everything (R &D) on server ..
Join This JSP forum and ask any thing u didnt got ..or learn or get confused..
I thing once u go through this ..it will do all what u want
Hope it helps
Best of Luck :)
regds & take care

8 bits vs 32 bits? What are the advantages?

Hi, sorry about his basic question, but, what are the advantages of working in 32 bit mode? Is a broader, deeper color range available?
Apparently some tools only work in 8 bit mode -- so is 8 bit still the typical work environment?
Thanks

This a huge, complicated and confusing subject which cannot be explained in a few lines here:
Trying to take your questions one by one:
32-bit per channel and HDR: This is a procedure where you can combine a number of digital photographs which were taken with differing exposures for the highlights and for the shadows and combine them into a single image in order to retain a wider dynamic range. (The results that I have seen from the use of this technique have mostly been somewhat bizarre and perfectly hideous!).
>For instance, when someone saves their 16-bit ProPhoto RGB image ( a superwide gamut space ), then converts to 8-bit Adobe RGB, and then converts to SWOP CMYK, the additional gamut found in the ProPhoto RGB will be clipped or reduced down to the Adobe RGB gamut.
We need to break that down a bit:
>Saves their 16-bit (per channel) ProPhoto RGB image ( a superwide gamut space ):
Correct.
>Then re-opens [or duplicates], the Saved 16-bit (per channel) ProPhoto RGB image and converts to 8-bit (per channel) Adobe RGB:
That produces an RGB file which has been "clipped" to fit the smaller AdobeRGB space but it is still a 16-bit (per channel) file.
>and then converts to SWOP CMYK:
Now you have CONVERTED your RGB colors to generate printing plates that will produce as close a replica as you can get to your Soft-preview of your (current) AdobeRGB image
when printed on a Press which EXACTLY matches the conditions dictated by the CMYK Profile that you used.
But you still have a 16-bit per Channel file UNTIL you change the Image mode to 8 Bits.
>if you retain the 16-bit ProPhoto RGB and go straight to SWOP CMYK, the color will be clipped to fit inside the SWOP space.
Not exactly: Your RGB image will be mapped to individual C, M, and Y Plates, and a Black plate will be generated (using the attributes of your specified CMYK Profile concerning GCR and Total Ink) in order to give you the best reproduction on Press (when real INK hits PAPER!) of your original RGB image.
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I highly recommend Dan Margulis' "Professional Photoshop" for gaining a better understanding of this subject.

What are the mandatory fields while creation of material master in differen

what are the mandatory fields while creation of material master in different views?

Hi Gopi,
This is purely depends on the function configuration, which would be done MM consultants. Kindly check with them.
thanks & regards
Kishore Kumar Maram

What are the pro alternatives to Compressor?

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What are the professional MPEG encoders that could save me all that headache? I'd rather pay good money and finally get it done right than spend my time beta testing software that is clearly not ready for the prime time.

Never had problems whit Apple Mail. Till I updated to Maverick.
First problam was Gmail after updating to Mavericks, Apple mail went to download all my old mail's over 6800. Just delleted my Gmail account form the list to stop it.
Second issuu memory.
First dit not now what was te problem till I found out that Apple Maill took over al my memory. Try differened tip and trick of the Apple Forums. This one works the best. Other users had the same problem after Mavericks.
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Looked whit TextWrangler but what am i lookong for? Do not know how is supposed to look.
Size of Accounts.plist on 11/18 1.7MB
Size of Accounts.plist on 23/18 3.0MB
Hoping for the best ....

What are the different values available for type attribute

Hi,
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Does this help
tring
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CHARACTER: Fixed-length character strings. The common short name for this data type is CHAR.
VARCHAR: Varying-length character strings.
CLOB: Varying-length character large object strings, typically used when a character string might exceed the limits of the VARCHAR data type.
GRAPHIC: Fixed-length graphic strings that contain double-byte characters.
VARGRAPHIC: Varying-length graphic strings that contain double-byte characters.
DBCLOB: Varying-length strings of double-byte characters in a large object.
|BINARY: A sequence of bytes that is not associated with a |code page.
|VARBINARY: Varying-length binary strings.
BLOB: Varying-length binary strings in a large object.
|XML: Varying-length string that is an internal representation |of XML.
Numeric
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|DECFLOAT: for decimal floating-point numbers.
REAL: for single-precision floating-point numbers.
DOUBLE: for double-precision floating-point numbers.
Datetime
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DATE: Dates with a three-part value that represents a year, month, and day.
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Regards
Ravi

What are the field names for below mentioned

Hello Friends
What are the fields names for below tables
in EKKO
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Net Value of the purchase document.
In EKPO
Item Description
From which place We bought it. (It means in Sales Items there we can know from which plant we sold the goods, like in EKPO, there is any field like this)
Please let we are defining the report to find out the stock availability for perticular storage location using select Options plant, company code, material no.
How many tables involve her to build this report. and also field names, they come under which table.
Please send me this information ASAP. PLz Plz Plz..........
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Praveen

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Net price per item - EKPO-NETPR.
Regards,
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What are the sources system will pick the document type while creating invo

hi
I would like to know how system will pickup the doucment type while creating invoice in vf01.
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thanks & Regards
Rack129

Hi,
Hope you have maintained u2018Delivery relevant billing type F2u2019 and u2018Order relevant billing type F1u2019 in the billing tab of the Sales document type in VOV8.
If you create delivery related billing, the system will pick F2. This is controlled in Item category (VOV7). Billing relevance in Business data of Item category decides whether this is delivery related or order related. u2018Au2019 for delivery related billing; u2018Bu2019 for order related billing and so on.
Item category is determined by this combination: Sales document type + Item cat group + usage + higher level item cat.
Regards,
K Bharathi

What are the clip colours in the timeline?

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