What is a Blu-ray Disc-compliant asset?

Question

I know this question sounds silly, anyone knows what Blu-ray Disc-compliant assets are? (I imagine 1920x1080 etc, etc) but is there a definition anywhere that explains more about it,  I couldn't find it anywhere in the Adobe Help documents, according to the Adobe Encore Help : 'Blu‑ray Disc-compliant assets typically do not require transcoding", obviously I want to avoid transcoding any HD files if possible.  Thanks for your help.
Luis

Answer 1

lbecerril wrote:
And yes like demon_hunter83 said, I do want to get the best possible quality (regardless of encoding/transcoding time), but I'm asking this question because I want to build my projects in a blu-ray format, and because my (slow) computer just took 53+ hours to transcode 1 hour 12 minutes and 58 seconds of HD footage to a DVD ISO built, I have no complains about the DVD quality I got, but I basically want to avoid transcoding at all possible, for those 2 reasons, first the time it takes to transcode and second to avoid any quality loss (if any), but when I hear people say that I have to transcode the files but at the same time the provided help says that it can be avoided by using blu-ray disc compliant assets I have to stop and ask someone who has been there or that has much more experience than me. Thanks again.
what that means is, if you bring in a mp4 or whatever file recorded on your camera, take it off of your camera memory, and dump it straight to Encore, completely vanilla, it HAS to trasncode it to a DISC proprietary format (be it DVD or Blu-ray) for it to work on a set-top player. if you take that SAME mp4 file, import it into premiere pro, and edit it (or dont. your choice), then export the video out to 'mpeg dvd/Blu-ray,' or 'h264 bluray,' THAT file will import into encore without needing to be trasncoded (because premiere already did that for us). so thats why it says "that it can be avoided by using blu-ray disc compliant assets" because they are importing a DISC proprietary asset that has already been trasncoded in premiere/avid/final cut/vegas/etc first.
as far as it taking forever and a day to trasncode, that is just the nature of working with HD if your system is not optimal. what are your specs for your system?
i prefer to do all encoding in premiere, while others (hunt, and such) prefer to drag in AVI assetts to encore and let it go, but with encore not having true background processing, i basically have to allocate a huge chunk of time to do that. so i would much rather set all assetts how i want them, and set up a queue for AME and while assetts are transcoding in AME, i can work on making menus and crap in Encore/PS and that is my preferred workflow. i set the assetts to trasncode to disc compliant formats, so all i have to do is drop it in encore, set my menu links to the assetts, and build disc.
but you can NOT get around having to transcode your camera footage. EVERY single one of us who uses any kind of format other than film, has to recompress an already compressed format to get it to disc. atleast with film you can work with notive lossless form source, somewhat. but such is working with digital captureing formats
the only way to avoid trasncoding to a blu-ray/dvd spec file is to burn an AVCHD disc, but those are NOT blu-ray spec, so it depends on the players and alot of factores whether or not they would even play. and encore does not even burn those types, so you would have to find other software that does that. but thats the only way i can think of... but again... it would have to be purely vanilla files from the camera, because if you did any editing in premiere, you have to transcode all that info to one final file... preferably a disc proprietary format