What is the best way to archive a GB project?

I'd like to save, externally, disk or HD, some GB projects, some of which have 2 to 12 tracks, with some real instruments, and some not. My purpose is in saving the project for future editing, or editing on a different, or new, computer, as well as backup, so I need to save the tracks as they appear in the original project. I'd like to hear how some of you do this, and what are the cautions. I assume I might have to use the same version of GB to reopen and edit a project, but is this assumption correct? I am at the beginning of a Time Capsule install. and it's clear TC is not perfect for archiving. thanks

Backup (of all your files) is considered essential. Many use multiple methods; ext disk, DVD, offsite, etc. You want to back up the GB Project folder, not just an exported copy of the song. Newer versions of GB will open Projects created on older ones, but not vice-versa (although: http://www.bulletsandbones.com/GB/FAQPages/OpenNewVersionInOld.html)

Similar Messages

What is the best way to archive old footage (DVD, VHS, Super 8 etc.)

Hello,
I am starting a huge archiving projet of possibley 100-200 hours of footage from all kinds of sources (VHS tapes, Mini DV, Super 8 film).
What is the best way to archive this footage at the highest possible resolution?
What sort of file should be saved?
Im a complete starter at this.
Thank you!

One strategy is to purchase a Canopus ADVC300 analog/dv converter. It has a TBC incorporated.
You connect your original source material (for example - VHS deck) to the Canopus via analog cables then from the Canopus via firewire to your computer. This will turn everything into DV format.
Play the tape through the canopus and record to your hard drive.
Take good notes for each tape. Create a logging sheet and make notes as the system captures.
Once you have the tapes in the computer, break them into 1 hr or less segments by some reasonable system - chronologically, by personalities, locations or whatever makes sense to you.
Then write out each 1 hour segment back to a DV recorder. Give each tape a unique reel number - and make the reel number part of the file name on the computer.
When you are done in a year or two ( lol ) you should have two matching sets of material - one on the hard drives and one on tape - with names that make it easy to cross reference and a binder full of logging information. If you want to be fully digital, look into a nifty application like CatDV. It will help organize a mass of video info like this.
DV runs at ~13-14GB/ hr. Plan you storage accordingly.
Purchase professional quality DV tapes - not drugstore junk.
Good luck.
x

What is the best way to archive your photos?

My computer has gotten very slow, and I want to take my thousands of pictures off. What is the best way to archive them?

EtreCheck version: 1.9.11 (43) - report generated May 29, 2014 4:13:51 PM EDT
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What is the best way to archive old e mail folders without buying software. I tried to drag them into a folder on the hard drive but they get saved in a strange format

What is the best way to archive old e mail folders without buying software. I tried to drag them into a folder on the hard drive but they get saved in a strange format.

This is on sale for US $12:
http://www.mupromo.com/?ref=4506

What is the best way to share for large projection?

I would like embed my movie as part of the Powerpoint to be shown on a Windows machine (my only option). What is the best way to share it so that it doesn't look grainy or pixelated?

Fool proof? Does Mircosoft make Powerpoint?
LOL... but seriously
You could export it out to a Windows Media file.
http://www.Flip4Mac.com

What is the best way to archive large mailboxes

I am using Mail on Mavericks 10.9.5 with my corporate mail (Exchange 2007). I am getting issues trying to archive my email, and remove it from the Exchange Server. I usually divide mail into years, e.g mailbox for 2012, 13 etc.
I have 2 years of mail with about 14000 messages, and I want to migrate it off. I have taken the usual steps of creating a new mail box local to my mac and moving mail this way. However, unless I pick a very small no of messages, this method crashes mail. I have tried this over a few different versions of Mail, 10.8.x and 10.9.x and I get the same result.
Is there a way to just move the current exchange mailbox on my mac, from a live state to a archive state at the terminal or cmd line level?
If I can do this, I will then archive that mail from the Exchange server such that I start with a fresh/empty mailbox.
Thanks
Niall
13" MBAir mid 2012
8GB Ram
256GB Storage (156GB free).

Hi,
Are you asking with regards to on-premises Exchange? With Microsoft Online SaaS services (aka Exchange Online) there is no control and no need to control which data center a mailbox resides in.
With regard to on-premises Exchange, you have two choices: you can move it over the WAN in which case you would either do a native mailbox move (assuming you have Exchange 2010 or later you can suspend the move after the copy so you can control the
time of the cutover) or create a database copy in the second data center and once the database copies have synchronized change the active copy.
The other choice is to move is out of band which would usually involve an offline seed of the database (you could conceivably move via PST file but that would disrupt access to the mailbox and is not really the 'best way').
In general, Exchange on-premises questions are best asked on the Exchange forum: http://social.technet.microsoft.com/Forums/office/en-US/home?category=exchangeserver
Thanks,
Guy

What is the best way of archive inactive contacts?

I have a few hundred number of contacts that aren' t active but I want to keep for historical reasons instead of deleting. I put them into an archive folder but they still get in my way because they are in the All contacts group. is the best way to get them out of the way is to use the Contacts backup feature my contacts to a file and put that file someplace safe like in the cloud?
It it to would be nice to drag them into the archive folder and have them not appear in contact searches Tthe only way I've gotten that to work is with smart groups, which are great until you get on an iOS device and discover they aren't supported over icloud sync.
Any ideas?

Presuming your menus aren't complicated(include audio or video) the total size for the MPG-2 and AC3 files should probably be under 8GB for a dual layer disk. The inspector will tell you the estimated size. 2-pass varible bit rate would be recommended.
Trying to fit 3 hours on a DVD-5 will only bring very noticable quality hits. Compressor will let you change the average bit rate so that you can fit 174 minutes but trade-off isn't worth it in my opinion.
Be aware that dual-layer -R and +R media may not play well for everyone everywhere.
I presume you are not making 1000 or more copies? If you were replication could solve this.
One other alternative would be to break-up the show into two parts and spread it across two DVD-5s.

What's the best way to store old FCP projects & media?

Hey
I've started to accumulate more and more video content of client projects, but I don't want to delete it in case they come back a year later looking for an update on the video product I made them.
So, what's he best way to store FCP projects and video files?
I thought maybe a BluRay burner might do the trick.
Any suggestions?
Sam

Since you're using RAW files you might peruse the DAM Forum to learn about possible other DAM (digital asset management) software and workflows. There is a wealth of information at that site.
I useMedia Expression for my primary DAM application and iPhoto for special projects like books, calendars, etc.

What is the BEST WAY TO ARCHIVE OLD PROJECTS and related media?

Hi,
I've been running a Wedding Film-making business for the last 12 months full-time. In that time I've acquired about 4TB of Hard Drive space, but as I get more work coming in the door I'm starting to need to get rid of old Weddings and Corporates I've shot.
In the past - ie. at my old employers - I've archived the tapes in a storage room, and deleted all the captured footage. Then I'd burn the project file to a DVD or BLU-RAY depending on the job.
Now that everything is Digital, is there a good way to archive the footage without buying a million TB's of Hard Drive space (then considering keeping multiple copies for safety)???
I'm not concerned about needing to return to make changes to the projects at a later stage - these Weddings are locked and will never be changed.
Any help, suggestions, or an example of what you do would be greatly appreciated!
Thanks,
Thomas

Well that depends, if you only keep the exported copy and not the raw footage then if someone request some sort of edit change you'd be screwed if you didn't keep all the raw footage and simply kept the exported copy. However if you know that they aren't going to request some sort of change or you let them know up front they won't be able to make anymore changes after a certian point.(For exampel after you give the finished product and it's been approved by them) you can save TONS of space by simply only archiving the exported copy for them incase they need to make them another copy for some reason.
Where I work we always backup EVERYTHING, because we have had clients call back and request raw footage (meaning un-edited footage) almost 2 years after they filmed before. So if this happens to you will probably be happy you didn't keep only a exported edited copy and that you held on to all your source media. So really unless you're just 100 percent positive that this won't ever happen or it just hasn't happened to you as of yet then you can just export the project from premiere and keep only that.
Blu-rays are a good backup option overall and like you mentioned for the amount of space you're currently using it won't be very expensive to just use hard disk. Just remember that you'll need to hook the HD's up at least 1 time per month. The reason is that it's good for them to spin every once in awhile. However in all honesty if you go with a RAID 1 setup or just simply buy two disk you won't run into to many occaisions where both disk fail at once... It hasn't ever happned to me at my job or in my personal business.
One option though that in some ways would give you the best of both worlds would be to use the project mananger feature in Premiere to save everything that is in your timeline to a project folder. (It basically saves all your footage that's in your time-line. It excludes un-used things from the bin unelss you say different) Anyways it will save you space in the end while still saving the entire project to a single folder of your chosing. Then you could export your finished program from Premiere and then burn your disc from the finished file you got and only backup your finished file to say a blu-ray disc and then backup your finished file and your saved project to your hard disc you have to archive stuff on. What used to be 150GB would now probably only be like 25-40GB max. But like I said if someone requested a major change and not something minor you'd be out in the cold... I don't use encore much though so someone else would have to answer your question about backing up a encore project... But I'd assume if you had the backed up premiere exported digital file you could just import it into encore and be ready to roll so you wouldn't really need to backup the encore project unless you make a crazy cool customized menu or something. Then if someone needed only a minor change such as graphics or something you could use your backed up project folder from premiere to make the change and then send it to encore to re-export the product with the requested minor changes.
It all really comes down to what you want to do. I'd recommend at the very least you backup your premiere project the way I described and also save the exported copy of your final project.

What is the best way to archive and store old mail using Apple Mail?

Hi,
I have a number of older emails that I would like to archive and store for potential future access. Even though I have mails from earlier Lotus Notes accounts and Microsoft Office accounts, I am referring in this case only to apple mail data that I ave 'stored on my mac'.
Any advice would be great. At the moment I am using predominantly gmail, so if things go haywire, rebuilding my mail is relatively easy. That said, I tend to file and save locally important messages.
Cheers,
Mark.

This is from Mail's help:
Archive messages
You can store messages in an Archive mailbox so that you can quickly find them later when you’re ready to take action.
Select one or more messages to archive.If you select a conversation, all messages in the conversation are archived.
Choose Message > Archive.An Archive mailbox is created for each account whose messages you archive. For example, if you archive a message sent to your iCloud account and a message sent to your Yahoo! account, an Archive mailbox is created for each account.Archived messages remain in the Archive mailbox until you delete or move them. Depending on the account type, the Archive mailbox is stored on the mail server.
You can customize the Mail toolbar to include the Archive icon.

What's the 'best' way to copy a usable project to new one so it can be modified without affecting the original?

I'm pretty much a LavVIEW newbie.
I'm using LabVIEW 2012 Full on Windows 7. I copied a project using Save As-Duplicate in Project Explorer. It created an excessively long, complex directory structure. It resulted in 'too long' errors (presumably from the PATH being too long).
The intent was to get a copy of the usable project to be able freely modify it without damaging the original.
I've poked around the forums and knowledge base, didn't see anything definitive. I'm guessing the information is already posted but I just haven't been able to find it. A point in the correct direction would be appreciated.
Thanks,
Mark
Solved!
Go to Solution.

Jeff·Þ·Bohrer wrote:
Hoovahh,
If you can use %90 twice, you could probably envision a third and forth use too. its easier to remove than add new...
those actors and engines should be in a reuse lvlib.
Much easier to remove then add, which is why I copied the tree and delete things not needed. But I do agree that these actors/engines could be more reusable. I do have them in lvlib form but many times there will be coupling between actors that are unavoidable. If the UPS actor detects a power outage it needs to tell the sequencing actor to stop testing if a testing is going on. For that reason I have a hard time splitting some actors into reusable modules, because they are only reusable if other components are there.
Unofficial Forum Rules and Guidelines - Hooovahh - LabVIEW Overlord
If 10 out of 10 experts in any field say something is bad, you should probably take their opinion seriously.

What is the best way to import and edit a large amount of footage?

Hello Apple world,
As a newbie to Final Cut 10 I have a question regarding best ways to import footage. I'll give you a quick run down.
I have a 150 gig of gopro footage that I just hit 'import' to recently (from my external HD), it took around 10 hours to process it all.
Its all under one event, but then somewhat organised into dates etc. But it is very slow. I imported it all at once because it was all footage from the last 6 months of my Whistler/states/fiji trip and want to make a movie out of it, using clips from all over the time, not just in chronological order.
I have the latest mac book pro, 4 gig ram,2.4 GHz i7, 750 hard drive, with nothing else on the computer.
Ive read about creating proxy media, after ive imported, but am still somewhat confused as to the benefit. Does it create duplicates? that will fill up my pretty large HD as it is!
Can you suggest any ways that might make my laptop run a bit faster? Should i delete and work directly from external HD etc etc?
Any suggestions will be greatly appreciated!
Thanks in advance
Harlee

ascreenwriter wrote:
Hello,
I've just finished shooting what I am considering to be my directorial masterpiece. Shot it on the Canon 5D (1080p, 24fps), and the footage looks amazing. Now I am ready to start editing and have been using premiere lately, but I have yet to figure out the proper pipeline. I want to know the best way to retain resolution before I delve into this project.
My questions:
1) What is the best way to start a new project and import the footage without having to render whilst editing, so as to retain all resolution and originality of the source footage?
2) What is the best way/ codec/ format to export this same footage once editing is complete so as to retain that crisp 1080p for which the 5D is so recognized?
3) What is the best way/ codec/ format to import and export/ render between premiere and after effects? I am speaking mostly of vfx and color correction. I also have some 30fps footage that I intend to slow down in AE and then import into premiere.
I know this is pretty broad, but as a solo filmmaker I really need someone's guidance. I rarely ever finish my films with the same, crisp look as the footage. I need pipeline help, and really appreciate it!
1. Follow the advice above. Also use the Media Browser to import the footage in case you have spanned media files. Import files with the Media Browser.
2. It largely depends on what you wish to ouput to: Blu-ray, web, etc. This FAQ gives the best answer: What are the best export settings?
3. Use the Replace with Adobe After Effects Composition function.

What is the best way to import and export footage from the 5D Mark II?

Hello,
I've just finished shooting what I am considering to be my directorial masterpiece. Shot it on the Canon 5D (1080p, 24fps), and the footage looks amazing. Now I am ready to start editing and have been using premiere lately, but I have yet to figure out the proper pipeline. I want to know the best way to retain resolution before I delve into this project.
My questions:
1) What is the best way to start a new project and import the footage without having to render whilst editing, so as to retain all resolution and originality of the source footage?
2) What is the best way/ codec/ format to export this same footage once editing is complete so as to retain that crisp 1080p for which the 5D is so recognized?
3) What is the best way/ codec/ format to import and export/ render between premiere and after effects? I am speaking mostly of vfx and color correction. I also have some 30fps footage that I intend to slow down in AE and then import into premiere.
I know this is pretty broad, but as a solo filmmaker I really need someone's guidance. I rarely ever finish my films with the same, crisp look as the footage. I need pipeline help, and really appreciate it!

ascreenwriter wrote:
Hello,
I've just finished shooting what I am considering to be my directorial masterpiece. Shot it on the Canon 5D (1080p, 24fps), and the footage looks amazing. Now I am ready to start editing and have been using premiere lately, but I have yet to figure out the proper pipeline. I want to know the best way to retain resolution before I delve into this project.
My questions:
1) What is the best way to start a new project and import the footage without having to render whilst editing, so as to retain all resolution and originality of the source footage?
2) What is the best way/ codec/ format to export this same footage once editing is complete so as to retain that crisp 1080p for which the 5D is so recognized?
3) What is the best way/ codec/ format to import and export/ render between premiere and after effects? I am speaking mostly of vfx and color correction. I also have some 30fps footage that I intend to slow down in AE and then import into premiere.
I know this is pretty broad, but as a solo filmmaker I really need someone's guidance. I rarely ever finish my films with the same, crisp look as the footage. I need pipeline help, and really appreciate it!
1. Follow the advice above. Also use the Media Browser to import the footage in case you have spanned media files. Import files with the Media Browser.
2. It largely depends on what you wish to ouput to: Blu-ray, web, etc. This FAQ gives the best answer: What are the best export settings?
3. Use the Replace with Adobe After Effects Composition function.

What's the best way to...

What's the best way to remove footage and projects from my hard drive...
I want to make sure I get rid of everything related to certain projects... Is there a step by step tutorial somewhere on how to remove projects and thier footage one by one?
Thanks!!!
I always checked helpful & solved....
ham

You can delete the .fcp file and then whatever you named your project, look for a folder with that name in your capture folder, render folder, audio render folder, etc..
If there's a particular project you're nervous about losing, once you've put the stuff you want to delete in the trash, open your project and make sure you didn't accidentally include anything from it before emptying your trash.
You can also from within FinalCut select an item and tell FC to "Make Offline" then choose put in trash. This way it's in the trash but you can still rescue it if you need to. In FCP you can use the render manager to do the same with render files, it is located under tools (although I'm not 100% sure FCE has this)
Dual 1Ghz G4 Quicksilver Mac OS X (10.4.7)

What's the best way to back up laptop?

Hi all,
This is probably a dumb question, but I'm going to ask it anyway. What's the best way to back up a laptop: hooking up a hard drive manually, or via WiFi?
In the past, I've just hooked up a hard drive to my MacBook Pro, and manually synced it with Time Machine. But, of course, sometimes I'm busy and I don't get around to doing that as faithfully as I should. So, I'm thinking of hooking up a hard drive to my AirPort so that my laptop will automatically sync over WiFi whenever I'm home.
Before I do that, however, two questions:
1) Is that easier to do than the way I'm currently backing up? Or are there problems with that route that I'm not foreseeing right now? How do you all back up your laptops?
2) I also have a Mac Pro on my network at home. Will I have a problem with my Mac Pro seeing the WiFi "Time Machine" hard drive and wanting to back up to it, rather than the Time Machine hard drive I already have physically hooked up to it?
Thanks for your advice!

learn about backups VS. archives, and data protection:
Methodology to protect your data. Backups vs. Archives. Long-term data protection
excerpt:
Four words: "compartmentalized autonomous redundancy of data" or C.A.R.D. What this means regarding your data is “centralize it, isolate it, and multiply it”. This easy acronym to remember about how to approach your data is a great first approach to keep in mind.
Compartmentalized: separating out your data from your system files, centralizing all static and active files into a location or two to make backups, and archived data easier to update and locate. Centralizing your data collection is the primary hazard to overcome for what usually is the case of data that is scattered everywhere throughout your internal hard drive.
Autonomous: Isolation of data from changes, theft, decentralizing data to safes, fire boxes, offsite and online locations. Importantly ‘freezing’ data onto independent storage media for protection and from alterations, such as DVDs, hard drives, and online encrypted files, or .DMG created files of static data collections.
Redundancy: making copies of all autonomous isolated data such that data is decentralized not only in place and in media storage type (DVD, HD, online) for safety and protection as a failsafe, but each aspect of that failsafe has at the very least two redundant copies.
Data: all files made, saved, created, modified or working on. Important pictures, documents, videos, PDF, financial, personal. Any data large or small which you would not dare lose, which is private, important, hard or impossible to recreate, or most importantly, would take tremendous time to regenerate. Essentially anything important to you, your company, your loved ones (will, medical records, financial information, etc.), friends or otherwise.

What is the best way to archive a GB project?

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