What is the "old school" way of doing multi take recording?

I have been experimenting with the new to logic feature of quickswipe comping. I both like it and don't like it. It has flaws. In other threads I have seen people talking about just using the old method. What is this old method? How is it done? I would like to try it out and see which I prefer.

I've yet to meet anyone who does like or use the quickswipe feature in Logic 8, but despite everyone's protestations it appears here to stay... even Pro Tools & Performer have jumped on the bandwagon. Logic does however appear to have the simplest implementation (though there are known issues with it).
The 'old-skool' method was a lot easier before Logic 8 insisted that all takes recorded in cycle mode should be placed in a comp folder. Granted you can unpack the folder or use the 'Replace Mode' button in combination with the 'New for Overlapped Regions' function... but a) This takes longer than it should, & b) The 'New for Overlapped Regions' function is applied to all regions within your arrangement (not just the most recent recording) - annoying if you have any overlaps elsewhere.
Once you have unpacked your folder into a block of takes, it can be useful to temporarily colour each take before editing (so you know it's source). Then set your two edit tools to 'Pointer' & 'Scissors' (top right corner of the arrange page) - and by holding the 'cmd' key, you can alternate between these two tools. Thus you can quickly chop & move sections of regions to a master comp track. (Some people use the 'Marquee' tool, but I'm a 'Scissors' man)...
You can then delete or hide unwanted takes or sections. The beauty of this method is that you can set individual fades (rather than global) - essential in my books. Although it might sound more convoluted than the quickswipe method, in my experience, it's a lot quicker, a lot more flexible, & definitely more reliable. 'Old-skool' perhaps... 'tried & tested' - no doubt!

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From: [email protected]
To: [email protected]
Subject: what is the most efficent way to create both a standard and HD DVD
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