What's best approach for a person with dual office?

Hi,
I have an UC560 system to deploy. There are 3 users in company who work from home too. For home I have ordered SPA525G2 that has SSL VPN capabilities but when they go in office, they would be using 7945 phone in their dedicated cube. The office phone would not be shared.
What's best way to configure this setup? I know extension mobility works for hoteling setup but this is different. Would it be possible to assign same primary extension to 2 different phones without an overlay configuration?
What's best approach here?
Thanks in advance,
Sam

Al the Drifter wrote:
If you follow Steve's advice, and after doing the edits you discover
that one instrument should come up 1db, you are screwed.
I could be wrong about this in the classical music environment,
where things are not close-mic'ed but if I am, I am confident Steve
will correct me. Ha.
You always run the risk of small changes between takes - and that's where Audition 3 and the new improved crossfades score rather heavily. You won't notice 1dB on a single instrument across a fade though - it's hard to spot this as a jump, even, unless it's on pure tone. No, I very rarely close-mic stuff at all, although I did with a clavichord recently - it's seriously too quiet to mic any other way.
jaypea500 wrote:
when recording classical music, any engineer worth anything has the mix down pat as it's being recorded.
That's the way they used to work, certainly - but not nowadays, especially if it's done on location, which most classical recording is. What's more likely to happen is that you'd use decent mic preamps feeding straight into a multitrack, or even some software on a laptop. I generally record like that - but I also feed the multitrack outputs to a Yamaha mixer via ADAT, do a mix on that and record it back to a spare multitrack pair. I don't actually need to do that - but having a mix available from the multitrack that's pretty much there is good as far as being able to play back takes to conductors is concerned.
Of course, one of the other reasons that classical sessions recorded on location aren't mixed on the spot is that the monitoring conditions are invariably far from ideal, and I'd have it that no engineer worth anything would ever risk a final mix done on location.
But I only get paid to do all of this on a regular basis, so what would I know? Must be something though - my customers come back for more...

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What's Best Approach for Multitrack Classical Music?

Can someone suggest the best approach for recording classical musicians onto
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rough spot, and so on. Ultimately there may be 15 takes that all need to be
trimmed and stitched together.
In the old (tape) days, this was pretty basic editing. I would use a blade and block
to cut out all the bad stuff on the multitrack tape, then I could mix. But how do I
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I can't do the cuts it in edit view because the tracks would get out of sync
Assuming all the takes are in one session, in multitrack view, this most basic of
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Al the Drifter wrote:
If you follow Steve's advice, and after doing the edits you discover
that one instrument should come up 1db, you are screwed.
I could be wrong about this in the classical music environment,
where things are not close-mic'ed but if I am, I am confident Steve
will correct me. Ha.
You always run the risk of small changes between takes - and that's where Audition 3 and the new improved crossfades score rather heavily. You won't notice 1dB on a single instrument across a fade though - it's hard to spot this as a jump, even, unless it's on pure tone. No, I very rarely close-mic stuff at all, although I did with a clavichord recently - it's seriously too quiet to mic any other way.
jaypea500 wrote:
when recording classical music, any engineer worth anything has the mix down pat as it's being recorded.
That's the way they used to work, certainly - but not nowadays, especially if it's done on location, which most classical recording is. What's more likely to happen is that you'd use decent mic preamps feeding straight into a multitrack, or even some software on a laptop. I generally record like that - but I also feed the multitrack outputs to a Yamaha mixer via ADAT, do a mix on that and record it back to a spare multitrack pair. I don't actually need to do that - but having a mix available from the multitrack that's pretty much there is good as far as being able to play back takes to conductors is concerned.
Of course, one of the other reasons that classical sessions recorded on location aren't mixed on the spot is that the monitoring conditions are invariably far from ideal, and I'd have it that no engineer worth anything would ever risk a final mix done on location.
But I only get paid to do all of this on a regular basis, so what would I know? Must be something though - my customers come back for more...

What is best way for 3 person family to share 200 gb music on 1 itunes account on two networked windows 7 PCs, have access to each others music on each PC but have own libraries. Goal is simplicity

Currently, one windows 7 pc is upstairs in common area and is used most frequently. Father's (me) windows 7 pc is downstairs and has 200gb music collection on internal hardrive. PCs are networked together. Wife and kids would like to buy and listen to itunes music upstairs. They would be ok sharing a music library and it would not need to be huge. They generally, but not exclusively don't care for my music. I am eclectic and like their music as well as mine and would like access to it to be able to easily put it on my devices for family trips, etc and update playlists.
Ideally, I would like to be able to keep all of the music together on the same hard drive for managament purposes (organizing, replacing a computer, etc). I don't trust them not to screw up my library (too many hours invovled in it already), so I'm assuming that they should have their own libraries. These they would access upstairs and would also sync their devices on the upstairs computer. I think both their libraries could be pointed to the harddrive on the downstairs computer where the music files currently reside. When they played music from the upstairs computer, it would play from the downstairs computer across the network. If they purchase music on the upstairs computer, I would like it to get downloaded on the downstairs computer with the other music files and not be downloaded onto the upstairs computer. I would like to be able to rely on my library and the music files not getting messed up. If friends and babysitters come over, they use the upstairs computer. We've had a disaster before when it was just one computer, but the music was on an external hard drive and my wife launched itunes without turning on the external hard drive first and fried my library.
The best I can come up with is their having their own libraries, on the upstairs computer, that reference all music files on the downstairs computer over the network. Am I on the right track here? How do I make sure their purchases go into and only into the music file downstairs? Is there some other better option of having a separate itunes on the upstairs computer and storing their music separately upstairs? How would I make sure to get copies of their music files from the upstairs computer also into my large music file downstairs, so I can keep one comprehensive collection of music all in one file. This seems like it shouldn't be so very difficult in the 21st century. I ought to be able to keep one comprehensive music file and one comprehensive library, even though my wife and child, who are less computer literate than me would like smaller, more personalized libraries and to purchase music on the convenient upstairs computer and even store their music on the upstairs computer accross a network. I the old days, you could just dupe some of the CDs. HELP!!!!!!!!!!!!!!!!!!!!!! My wife is tired of waiting on me to resolve.

Anything Downloaded with a Particular Apple ID is tied to that Apple ID and Cannot be Merged or Transferred to a Different Apple ID.
Apple ID FAQs > http://support.apple.com/kb/HT5622
SHARING iTunes MUSIC
http://macmost.com/five-ways-to-share-music-in-itunes.html

Best approach for using Faces with growing children?

Hi all,
I'm I recent Aperture user with young kids (four-year old twins), and I'm wondering how best to use Faces to identify the kids' faces. I started working with about 6 months worth of recent photos in Aperture (3.2.3) before importing my full iPhoto library. Faces did quite a good job of identifying the kids in that sample. I've just imported all of my iPhoto library, which includes photos back to when the kids were first born. Faces is now making suggestions that seem pretty reasonable, but far from perfect. I suspect that if I go through the process of training Faces to do a better job with the "baby faces" its performace would improve on the old photos I just added, but is that a bad idea? I'm afraid that training Faces to recognize the baby version of someone will "broaden" the definition it's using, making recognition less accurate for new photos I add. I could tell Faces that the baby versions are different people, but that might be worse -- then I'd have two very similar face profiles that are competing to "claim" new faces. Does anyone have any experience that might help?
Thanks,
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Let me start by stating:
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- I don't think you'll get any help from Apple.
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I would, for the present, ignore that. Identify all Faces you have. If Faces identification is sub-optimal, pick an age that you think corresponds to what I've laid out above, and create a new Face for all pictures of the individual prior to that age. At that point you'll have two "Faces" for each individual: let's say "Robin Infant" and "Robin (post-infant)".
While Aperture makes it easy to combine Faces (drag-drop in Faces View), I don't know an easy way to split named Faces. It's easy enough to group the Images you want (filter for "Face is ... " and for "Date is before ... "). From there, you will have to rename the Faces one-by-one. This goes quickly by pasting the name in the name field.
My guess is that the identification algorithm rejects the data from included faces that are outliers. IOW, I don't think you can train Faces to be sloppy.
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What's best architecture for DAQmx app with two operational modes?

I have an architectural question. I am writing an application which takes measurements from a custom sensor which has two modes of operation: 1) idle mode where two voltages are sampled slowly, run through a transform, and then the result is plotted such that the user can see the idle state of the sensor; 2) a testing mode where the user defines a testing time of some number of seconds then hits 'Go' and records high-speed acquisition for the specified number of seconds (with some sort of simultaneous real-time plotting) and then writes the data out to a file. I am trying to use the 'Top Level Application using Events" VI template but have run into issues with the VI not responding to UI clicks when in an event case...I got around **some** of these issues but now I am stuck because I can't get the app to register an abort button click when in testing mode. I think I am missing something when it comes to events as LabVIEW defines them. (I'm a .NET programmer) My basic question is what is the best top-level VI architecture to use for something like this? I don't want to go down the wrong path and have to re-write the whole thing...
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Joe.
"NOTHING IS EVER EASY"

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Best mouse for a person with trembling hands

My Grandfather recently acquired a new Mac (an iBook) on which I am typing this message.
I didn't want to let him use the integrated track pad because I found it very unpractical, so I ordered an Apple (wired) mouse for him. Unfortunately his hand is often trembling, and he has very little space to move the mouse, so we need to lift the mouse to move it without affecting the pointer's position an be able to move the pointer from the top-left corner to the bottom-right corner of the screen.
All this causes him great difficulty (pointing precisely and lifting the mouse) so I wondered if a mouse with a track ball would be more suitable.
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What is best modem for time capsule with cable internet?

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Welcome to the Apple Support Communities
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Just saw the discussion title - should have said "What is the best approach for combining projects"?

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What's best approach for a person with dual office?

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